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From screenplay to storybook: Dayakar Padayachee's epic quest with 'The Ancient Scrolls of Lukutona'

From screenplay to storybook: Dayakar Padayachee's epic quest with 'The Ancient Scrolls of Lukutona'

IOL News3 days ago
Dayakar Padayachee with his debut novel, "The Ancient Scrolls of Lukutona: The Bleeding Anchors".
As they uncover her secrets, they learn she is a hybrid of dragon blood, linked to an ancient dragon adversary banished to another dimension. This foe now awaits his imminent return to Lukutona, threatening the world and its inhabitants.
According to the new author, it tells the story of Naa'ril, an elf warrior from the city of Tarasina, who stumbles upon a mysterious woman in a burning forest alongside her brother.
Titled "The Ancient Scrolls of Lukutona: The Bleeding Anchors", the novel invites readers into a fantasy world filled with elven warriors, ancient dragons and epic adventures.
Padayachee has nurtured the world of Lukutona since he was just 13 years old, initially doodling these characters in his school books.
"Initially, my vision was pretty raw ... Over time, my friend Edgar Roshev became deeply invested in the lore I had built and together we refined it by drawing inspiration from various ancient civilisations," he shared.
"This collaboration not only enhanced the world but also infused it with a unique appeal. My cultural heritage and favourite influences, such as the 'Mahabharata', 'Ramayana', 'Lord of the Rings' and 'Game of Thrones', further enriched the narrative. By 2018, my vision for Lukutona had matured enough to start writing it as a novel," he shared.
Steeped in a deep and engaging narrative, the novel delves into themes of religion, blind faith, culture, identity, heritage and love.
"A lot of the novel explores finding purpose. Characters like Naa'ril, who started out as a militant warrior, to a woman who would protect the person she loves, transcend her arc and journey. Characters like Baroof the Dwarf, who appears to be a megalomaniac tyrant to a man dealing with his past traumas or princes with 'Magnificoes' turmoil."
He said the novel is intended to captivate young adult fantasy fans and features a strong female protagonist.
Being first and foremost a scriptwriter, Padayachee said creating this novel presented its fair share of challenges.
"Writing a book is far different from writing a script for a movie. But working on this novel has been a lesson learned, and I knew writing it would help me have my own IP. Who knows, one day, I can adapt this into screenplays for a live-action series."
Bringing the book to life began in 2018. Each element was finely polished with the help of an editor, Natasha France, alongside feedback from Padayachee's friends, like activist Ashwin Desai and comic book writer Luke Molver.
"I also had the privilege of having art done by Luke, 15-year-old illustrator Evangeline Lilith and Abhay Maharaj, a 12-year-old illustrator who featured some of their drawings in the book."
Padayachee's exciting plans for the novel include an official launch at Eduvos University in Umhlanga on August 17, followed by an appearance at Comic Con Africa on August 27.
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From screenplay to storybook: Dayakar Padayachee's epic quest with 'The Ancient Scrolls of Lukutona'
From screenplay to storybook: Dayakar Padayachee's epic quest with 'The Ancient Scrolls of Lukutona'

IOL News

time3 days ago

  • IOL News

From screenplay to storybook: Dayakar Padayachee's epic quest with 'The Ancient Scrolls of Lukutona'

Dayakar Padayachee with his debut novel, "The Ancient Scrolls of Lukutona: The Bleeding Anchors". As they uncover her secrets, they learn she is a hybrid of dragon blood, linked to an ancient dragon adversary banished to another dimension. This foe now awaits his imminent return to Lukutona, threatening the world and its inhabitants. According to the new author, it tells the story of Naa'ril, an elf warrior from the city of Tarasina, who stumbles upon a mysterious woman in a burning forest alongside her brother. Titled "The Ancient Scrolls of Lukutona: The Bleeding Anchors", the novel invites readers into a fantasy world filled with elven warriors, ancient dragons and epic adventures. Padayachee has nurtured the world of Lukutona since he was just 13 years old, initially doodling these characters in his school books. "Initially, my vision was pretty raw ... Over time, my friend Edgar Roshev became deeply invested in the lore I had built and together we refined it by drawing inspiration from various ancient civilisations," he shared. "This collaboration not only enhanced the world but also infused it with a unique appeal. My cultural heritage and favourite influences, such as the 'Mahabharata', 'Ramayana', 'Lord of the Rings' and 'Game of Thrones', further enriched the narrative. By 2018, my vision for Lukutona had matured enough to start writing it as a novel," he shared. Steeped in a deep and engaging narrative, the novel delves into themes of religion, blind faith, culture, identity, heritage and love. "A lot of the novel explores finding purpose. Characters like Naa'ril, who started out as a militant warrior, to a woman who would protect the person she loves, transcend her arc and journey. Characters like Baroof the Dwarf, who appears to be a megalomaniac tyrant to a man dealing with his past traumas or princes with 'Magnificoes' turmoil." He said the novel is intended to captivate young adult fantasy fans and features a strong female protagonist. Being first and foremost a scriptwriter, Padayachee said creating this novel presented its fair share of challenges. "Writing a book is far different from writing a script for a movie. But working on this novel has been a lesson learned, and I knew writing it would help me have my own IP. Who knows, one day, I can adapt this into screenplays for a live-action series." Bringing the book to life began in 2018. Each element was finely polished with the help of an editor, Natasha France, alongside feedback from Padayachee's friends, like activist Ashwin Desai and comic book writer Luke Molver. "I also had the privilege of having art done by Luke, 15-year-old illustrator Evangeline Lilith and Abhay Maharaj, a 12-year-old illustrator who featured some of their drawings in the book." Padayachee's exciting plans for the novel include an official launch at Eduvos University in Umhlanga on August 17, followed by an appearance at Comic Con Africa on August 27.

Is SA ready to be the next Hollywood? Here's what our stars had to say
Is SA ready to be the next Hollywood? Here's what our stars had to say

TimesLIVE

time23-07-2025

  • TimesLIVE

Is SA ready to be the next Hollywood? Here's what our stars had to say

The Simon Sabela Awards returned for another night of glitz and glam at the weekend. While everyone was looking for the best outfits of the night, many top awards were dished out to the cast and crews of the past year's top productions produced in KZN. This year's theme called on attendees to have 'giants of storytelling' in mind, and TimesLIVE sought to find out how South Africa could become a giant of TV and filmmaking like our counterparts in Hollywood. Here's what the guests had to say. We have diverse stories that we need to tap into says Ziya Xulu. Image: Thobela Khumalo PORTIA NCWANE We have to keep the original stories and not try to modernise them too much. If we can keep the authenticity we have right now by maintaining our customs and cultures, we will never go wrong. ZIYA XULU The Africans. That sounds so redundant but honestly it's the Africans and the stories we have to tell. We have diverse stories, we have diverse languages, we have diverse ideas and we just need to tap into them. KHAYA DLADLA They must give me more jobs — I'm joking. Nothing is as authentic as telling our own stories. We have to tell our own stories to the world, and we can be epic. JACKIE MOTSEPE We have stories that resonate with our audience. The local content that we produce is the most consumed not only in South Africa but throughout the continent. That in itself makes us a giant, because they are being appreciated by core audiences. Where we need to grow is in making that content commercial so that people in the industry are able to make a living from the work they do to sustain themselves and their families. And that is what we need to get right, because people should get a return on investment from the work they produce. Image: Supplied RETHABILE RAMAPHAKELA The fact that we are able to tell stories already makes us a giant, and they travel globally. My film Disaster Holiday was on the Netflix global top 10 and I would never have expected that. I was making a road trip family film and there it is being enjoyed by the world, but most loved in South Africa. ANGUS GIBSON I think we've got a way to go before we are a giant. I think we are on our way there. We should be making things like Peter Jackson's Lord of the Rings trilogy. We shouldn't feel like we can't do that. I think we are on the road and we've got to aim high. MUSA MSELEKU When we entered the television space, I think we influenced that space. Many people who want to leave a mark on TV tend to copy exactly what we have been doing. When we entered that space we changed it. Our champions of storytelling will not only be seen in Africa — they will travel the world. MBUYISELO VILAKAZI First, I see a lot of women getting opportunities and that's a great way of empowering the nation. I like the representation we see from queer filmmakers as well in South Africa. NKANYISO MAKHANYA I think we already are giants. People are telling our own stories in other countries without even asking us about them. It's just that we need a platform to push us further on the global stage. ZAMANTU KHOZA We're always unpredictable. It's something that makes me look forward to seeing African storytelling, from films to TV series. Also, we always have great newcomers. Last year I was a newcomer nominee. It's exciting because we are always making space for new talent to come into the entertainment industry.

When AI becomes your bestie, stylist or spouse: exploring the surreal world of digital relationships
When AI becomes your bestie, stylist or spouse: exploring the surreal world of digital relationships

IOL News

time17-07-2025

  • IOL News

When AI becomes your bestie, stylist or spouse: exploring the surreal world of digital relationships

In 2025, as we navigate an increasingly digital world, the age-old adage 'don't believe everything you see online' has never rung truer. Mia Zelu, the stunning 'digital creator', is proof. Image: Instagram Don't believe everything you see online. It sounds obvious, yet in 2025, even the sharpest among us are falling for AI-generated illusions, some hilarious, some heartbreaking, and some that seem to mirror our deepest human longings. The truth is, artificial intelligence isn't just coding in a lab anymore. It's sitting courtside at Wimbledon, crashing fashion galas, and even exchanging vows. As our digital worlds merge ever more closely with our daily lives, the line between real and artificial is blurring in ways that are as fascinating as they are frightening. From coffee grounds to divorce papers Let's start with a story that sounds almost too absurd to be true. In Greece, a woman, wrestling with doubts about her marriage, turned to ChatGPT for advice. But instead of the usual 'communicate openly' tip, she asked for it to read the coffee grounds at the bottom of her husband's cup, a modern twist on an old superstition. The AI warned of betrayal, and sure enough, the couple ended up divorcing. Whether the bot was right or it simply sparked paranoia, it shows how easily we hand over emotional decisions to a digital oracle. Love bytes: marrying your AI Then there's Travis, a man who married Lily Rose, an AI companion he met through an app. Their love story isn't about candlelit dinners or weekend getaways, but coded conversations and algorithmically generated affection. Yet these choices aren't always harmless. In the US, a tragic story surfaced when 14-year-old Sewell Setzer III ended his life, hoping to 'join' his AI companion, a chatbot styled after Daenerys Targaryen from "Game of Thrones". It's a sobering reminder that AI isn't just pixels; it can become part of someone's emotional reality. Virtual influencers and AI fame If AI relationships reveal our yearning for connection, AI celebrities reveal our obsession with perfection. Take Mia Zelu, the stunning 'digital creator' whose Wimbledon photo dump turned heads on Instagram. Her flawless skin and effortlessly chic look fooled over 160 000 followers. Even her caption, 'They'll only notice once it works. But you'll remember every moment it didn't and you kept going anyway', felt achingly human. Video Player is loading. Play Video Play Unmute Current Time 0:00 / Duration -:- Loaded : 0% Stream Type LIVE Seek to live, currently behind live LIVE Remaining Time - 0:00 This is a modal window. Beginning of dialog window. Escape will cancel and close the window. Text Color White Black Red Green Blue Yellow Magenta Cyan Transparency Opaque Semi-Transparent Background Color Black White Red Green Blue Yellow Magenta Cyan Transparency Opaque Semi-Transparent Transparent Window Color Black White Red Green Blue Yellow Magenta Cyan Transparency Transparent Semi-Transparent Opaque Font Size 50% 75% 100% 125% 150% 175% 200% 300% 400% Text Edge Style None Raised Depressed Uniform Dropshadow Font Family Proportional Sans-Serif Monospace Sans-Serif Proportional Serif Monospace Serif Casual Script Small Caps Reset restore all settings to the default values Done Close Modal Dialog End of dialog window. Advertisement Video Player is loading. Play Video Play Unmute Current Time 0:00 / Duration -:- Loaded : 0% Stream Type LIVE Seek to live, currently behind live LIVE Remaining Time - 0:00 This is a modal window. Beginning of dialog window. Escape will cancel and close the window. Text Color White Black Red Green Blue Yellow Magenta Cyan Transparency Opaque Semi-Transparent Background Color Black White Red Green Blue Yellow Magenta Cyan Transparency Opaque Semi-Transparent Transparent Window Color Black White Red Green Blue Yellow Magenta Cyan Transparency Transparent Semi-Transparent Opaque Font Size 50% 75% 100% 125% 150% 175% 200% 300% 400% Text Edge Style None Raised Depressed Uniform Dropshadow Font Family Proportional Sans-Serif Monospace Sans-Serif Proportional Serif Monospace Serif Casual Script Small Caps Reset restore all settings to the default values Done Close Modal Dialog End of dialog window. Next Stay Close ✕ Yet Mia isn't real. Neither is her 'sister' Ana Zelu. Both are AI creations, part of a growing trend of virtual influencers who rake in followers and brand deals without ever stepping outside. It's a trend pioneered by names like Lil Miquela (2.4 million Instagram followers) and Aitana Lopez, who, despite her bio proudly announcing she's AI, still attracts nearly 400 000 fans. As Diana Núñez, co-founder of Barcelona-based agency The Clueless, which created Aitana, told ABC News: 'There were real people, even internationally famous people, who DM'd privately, either inviting her to an event or wanting to meet her.' The celebrity fakes that fooled us all And it doesn't stop with unknown influencers. AI-generated images of Donald Trump dressed as the Pope and Katy Perry in an edgy pinstripe blazer at the Met Gala have gone viral. Fans even crowned Perry 'best dressed' until they learned the image wasn't real. Mia Zelu, the stunning 'digital creator' whose Wimbledon photo dump turned heads on Instagram. Image: Instagram Fashion critics were fooled, too, which shows just how good these tools have become. The 2025 Met Gala was flooded with AI-generated images of celebrities that had seasoned style watchers scratching their heads. According to a 2024 Ofcom report, while 69% of teens aged 12–17 feel confident spotting fake content, confidence isn't the same as accuracy. Why does AI fool us, even when we know better? Maybe these creations tap into something deeply human, our desire for flawless beauty, fairy-tale love, or gossip-worthy drama. AI gives us fantasy, and sometimes, fantasy is more appealing than the truth. But we can argue that constant exposure to digital perfection can quietly distort our self-esteem, relationships, and mental health. Comparing ourselves to a CGI influencer who never ages or has bad skin isn't just unrealistic, it can be damaging. What can we do Look twice: AI images often show subtle flaws: weird lighting, extra fingers, or overly smooth skin. Talk openly: Share what you find surprising with friends and family; conversations help keep us grounded. Prioritise real connections: Because no AI can replace a hug, laughter over coffee, or real human warmth. As AI keeps growing and our timelines keep filling up with digital illusions, staying mindful isn't just tech-savvy; it's a form of self-care.

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