
Crochet shoes are this summer's breeziest staple
No longer reserved for lazy beach days, this versatile material is experiencing a resurgence this year and it's no secret why. Designers have co-signed this trend in a big way. Jacquemus went for a more cheerful route, with their woven slingback pumps in the colour of the season while Fendi opted for a sleek approach with their polished woven slip ons. Then there was Chloé's woven flats and Gabriela Hearst's pointy slingbacks, which proved that crochet could hold its own refined appeal as well. Fendi spring/summer 2025. iMAXtree Jacquemus spring/summer 2025. iMAXtree Chloé spring/summer 2025. iMAXtree
Off the ss25 runway, however, there are already stylish options available. Consider soft neutral crochet shoes from Prada and Staud that will pair seamlessly with breezy linen sets or cotton sundresses. For the office bound, look to Burberry 's crocheted pumps to ace the corporate core aesthetic. Want to make a statement? The pink Aquazzura sandal, with its playful crochet flowers, will definitely turn a few heads on your next getaway.
So while your entire wardrobe lightens up, consider letting your footwear do the same. Below, shop the ultimate Vogue approved edit of the best crochet shoes on the market. Courtesy of Net-a-porter
1 / 12 Staud Alba leather-trimmed crocheted ballet flats, $584
Available at Net-a-porter. Courtesy of Mytheresa
2 / 12 Bottega Veneta blink 80 crochet raffia mules, $1,820
Available at Mytheresa. Courtesy of Farfetch
3 / 12 Prada crochet-detail leather sandals, $1,580
Available at Farfetch. Courtesy of Mytheresa
4 / 12 Jacquemus double 110 woven leather wedge mules
Available at Mytheresa. Courtesy of Miu Miu
5 / 12 Miu Miu crochet-knit ballerina shoes, $1,900
Available at Miu Miu. Courtesy of Farfetch
6 / 12 Valentino Garavani 60mm VLogo signature embroidered sandals, $1,398
Available at Farfetch. Courtesy of Farfetch
7 / 12 Miu Miu crochet-knit slides, $2,020
Available at Farfetch. Courtesy of Net-a-porter
8 / 12 Alaïa metallic crocheted ballet flats, $1,972
Available at Net-a-porter. Courtesy of Mytheresa
9 / 12 Chloé marcie leather-trimmed crochet espadrilles, $630
Available at Mytheresa. Courtesy of Mytheresa
10 / 12 Prada crochet leather ballerinas pumps, $1,475
Available at Mytheresa. Courtesy of Mytheresa
11 / 12 Aquazzura Noches Tropicales 85 raffia sandals, $1,300
Available at Mytheresa. Courtesy of Net-a-porter
12 / 12 Burberry leather-trimmed embroidered crocheted pumps, $914
Available at Net-a-porter.
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Straits Times
21-06-2025
- Straits Times
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She was transfixed by the sight of the drum kit which belonged to Keith Moon from English rock band The Who, saying it would be great to be able to resuscitate the legendary drummer – who died in 1978 – to play a set for them. Jostling for space side by side on shelves in a massive hangar – which resembles a do-it-yourself commercial warehouse and stretches for more than 30 basketball courts – are everything from ceramics and tapestries to paintings and toys from the Tudor period. There is even the whole 15th-century gilded wooden ceiling from the now-lost Torrijos Palace in Spain; and the Kaufmann Office, a panelled room which is the only complete Frank Lloyd Wright interior outside the United States. The gilded ceiling from the now-lost Torrijos Palace, originally from the town of Torrijos near Toledo in Spain, at the V&A East Storehouse. PHOTO: AFP Hanging on display is the stunning stage front cloth made for Le Train Bleu – a copy of a Pablo Picasso painting that was specially designed for the 1924 Ballets Russes production. Its huge size means it has rarely been seen since its stage debut. There is no protective glass. The stage front cloth made for Le Train Bleu – a copy of a Pablo Picasso painting that was specially designed for the 1924 Ballets Russes production – at the V&A East Storehouse. PHOTO: AFP One of the first visitors to the Storehouse was Princess Catherine, a patron of the V&A and keen art lover, who took a tour on June 10. She described the collection as 'eclectic' as she used the 'order an object' system to look at a samples book from renowned 19th-century English textiles designer William Morris, as well as rolls of ornate textiles and a musical instrument. An example of a Frankfurt Kitchen, which is the first type of fitted kitchen, on show at the V&A East Storehouse. PHOTO: AFP All the works are available to the public seven days a week, and can be reserved via an online booking system for a private viewing at a date and time of your choice. Members of staff are on hand paying close attention as visitors don purple gloves and satisfy their curiosity, spending time with the object of their choice. A love letter to objects It is a huge departure from the usual admonishment of 'Don't touch!' found in most museums seeking to protect their objects from damage. Dr Haseldine acknowledged 'we have certainly met with some levels of scepticism and worry'. But she said once the idea was explained properly, including how meaningful it is to start to open up and give collections back to a community, 'people just start to think creatively about how we can do this'. American national Manuel Garza, who lives in London, thought the V&A Storehouse was 'one of the most interesting spaces that just opened up here in London'. One-fifth of the V&A museum's total collection is now available to be viewed at the V&A East Storehouse, which is in the four-storey building on the former site of the 2012 London Olympic Games. PHOTO: AFP Dr Haseldine said 'this building is a love letter to objects'. 'To be able to see around the back of an object, to be able to look inside a dress, to be able to see the bottom of a pot – all these things are how we really learn about our material culture,' she added. A Glastonbury Festival painted bin at the V&A East Storehouse. PHOTO: AFP Expert Kate Hill, who teaches cultural history at Lincoln University, said it is unusual for museums to open up their storehouses. 'Most of the time, they offer some 'behind-the-scene' tour, but their objets are not accessible. It's visible, but not accessible.' Ms Bailey said: 'I would hope that this is the museum of the future because some are very, very stuffy. We went to one recently and it was excruciating.' 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