Travis Kelce Reveals 'Hardest Part' of His ‘SNL' Hosting Debut
While he said being in the famous writer's room was 'fun because you're just getting pitched ideas,' the star athlete also admitted that the table read was the most challenging part of the gig.
'For a guy that can't really read that well, it was kind of a fucking situation,' he said on the July 1 episode. 'I felt like I was just trying to get through the reading instead of actually acting it out and giving it a voice and giving it a character and things like that. Like, I was just focused on, 'Don't fucking skip this line.''
Travis also shared that he feels 'much more comfortable' in the comedy realm than he does working on scripted gigs, like Ryan Murphy's Grotesquerie with Niecy Nash-Betts. Still, he kept things 'professional' in Studio 8H, as he didn't want the SNL cast and crew to think he was 'taking advantage' of hosting.
'I want to have fun doing it, but I don't want to look like a loser doing this. I want to make them respect my approach and how I'm taking it serious,' he said. 'But it was just a fun roller coaster. You're there all week, fucking up till 2, 3 in the morning every day just trying to knock stuff out, do some of the prerecorded stuff.'
Thankfully, Travis is headed back to comedy territory with his upcoming cameo in Adam Sandler's Happy Gilmore 2, which hits Netflix on July 25.
Christopher McDonald, who played Shooter in the original 1996 film and stars alongside Travis in the highly-anticipated sequel, recently praised the athlete's 'surprisingly good' performance.
'Travis Kelce has been out there, and I just really liked him as a person. He is really funny. Way too handsome, by the way, but really a good actor actually,' he told People.
Good to know he's found his groove!
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Tom's Guide
26 minutes ago
- Tom's Guide
Netflix just cancelled two new shows — and looks set to cancel a third
Not every Netflix show is created equal — some are, sadly, here for a good time, but not a long time. Case in point: Netflix just reportedly canceled two of the streaming service's most recent additions, "The Residence" and "Pulse" (h/t The Hollywood Reporter). This means that both shows will unfortunately be one-and-done series now that the streamer has opted not to renew either for a second season. Which is a shame. Led by Uzo Aduba as wildly eccentric detective Cordelia Cupp, "The Residence" is a "screwball whodunnit set in the upstairs, downstairs, and backstairs of the White House, among the eclectic staff of the world's most famous mansion," per the show's official logline, with Aduba's character arriving on the scene to solve a murder that occurred during a state dinner for the Australian prime minister. Hailing from some successful stock — Shonda Rhimes' Shondaland, with Scandal's Paul William Davis as creator-slash-showrunner — the original plan for the show was for it to be an anthology, with Detective Cupp taking on a different case every season. It premiered to some success, too. "The Residence" spent four weeks in Netflix's global top 10, logging 177.4 million hours of viewing. Alas, it seems like all those hours weren't enough to save the murder-mystery series, which also starred Giancarlo Esposito, Molly Griggs, Ken Marino and Randall Park, among others. Get instant access to breaking news, the hottest reviews, great deals and helpful tips. Also cancelled after a single season is the Netflix medical procedural "Pulse," a "The Pitt"-esque drama that follows a group of emergency and surgical residents at Maguire Hospital in Miami, Florida as they navigate both medical crises and personal drama amid the aftermath of a sexual harassment claim. The cast includes Willa Fitzgerald, Colin Woodell, Jessie T. Usher, Justina Machado and Jack Bannon. After it dropped on Netflix on April 3, the series spent four weeks in the streamer's global rankings, drawing 20.2 million views and 162.1 million total viewing hours. However, middling reviews from critics (the drama only has a 48% approval rating on Rotten Tomatoes, where the critical consensus reads: "Pulse has its finger on the genre's zeitgeist but pales in comparison to its contemporaries." That tepid response might well have contributed to the show's cancellation. "The Residence" and "Pulse" might sadly soon be joined by a third Netflix cancellation: "No Good Deed." This black comedy came filled with a starry cast that included Linda Cardellini, O-T Fagbenle, Abbi Jacobson, Lisa Kudrow, Dennis Leary, Ray Ramano and Luke Wilson. The darkly comic series follows three families vying to buy the same house. But it still hasn't yet been picked up for a second season by Netflix, despite being released back in December 2024. Reports now indicate that it might not return for a second season at all, and is on "indefinite hiatus."


Newsweek
41 minutes ago
- Newsweek
Charlize Theron Reacts to Losing Her Iconic Role
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Geek Vibes Nation
an hour ago
- Geek Vibes Nation
'The Sandman' Season 2 Volume 1 Review - A Journey Into Hell That Brings Devastating Revelations
Tom Sturridge as Dream | Courtesy Of Netflix © 2025 As Netflix's adaptation of The Sandman begins its final season, the groundwork is laid for what's sure to be a tragedy that would rival the very best of Greek tragedies. Eschewing some of the lallygagging, lackadaisical pacing that permeated its first season, season two of The Sandman tells a taut, tightly-paced tale of betrayal, redemption, and consequences. As Morpheus grapples with the action of past sins, he must place his very life on the line to make amends. While fans of the comic may mourn some of the stories left on the cutting room floor, season two of The Sandman greatly benefits from its streamlined focus, resulting in an enthralling family drama with hints of delicious, melodramatic tragedy on the horizon. A Journey Into Hell Picking up where the first season left off, Dream (Tom Sturridge) journeys to Hell to rescue an old lover he damned to an eternity in the fiery pit. But what he uncovers sends Dream down a path that may just lead to his undoing. For though the road Dream walks may lead him to redemption, it may also spell the end of everything he holds dear. It's a path that reunites him with lost loves and lost family as the Lord of Dreams realizes just how much he's changed after spending a century trapped on Earth. Adapting storylines originally found in volumes 4 and 7 of the comics, the first half of The Sandman 's second and final season tells a more streamlined story of betrayal, heartbreak, and forgiveness. Put simply, if you liked The Sandman 's first season, you're gonna adore its second. Everything that worked about season one returns in season two. You've got Tom Sturridge's haunting portrayal of Dream, alongside his ever-expanding family, featuring the return of Kirby Howell-Baptiste, Mason Alexander Park, and Donna Preston as Death, Desire, and Despair. Joining them are Adrian Lester, Esmé Creed-Miles, and Barry Sloane as Destiny, Delerium, and Destruction (the missing Endless sibling). As season two unfolds, it quickly becomes apparent that Dream's story is far bigger and stranger than what we saw in season one, with ties all the way back to Ancient Greece and the myth of Orpheus and Eurydice. And as Dream grapples with his past sins, Destiny foretells a dangerous future for Dream—one that he just might not escape. It's the beginning of The Sandman 's final outing, and these first six episodes promise quite a doozy of an ending. Tom Sturridge as Dream | Courtesy Of Netflix © 2025 A Tighter Focus But at What Cost? Perhaps the biggest change between seasons of The Sandman lies in its structure. Season two takes a page out of Andor 's second season, with this first half of the season being comprised of two distinct arcs, each spread across three episodes adapting 'Season of Mists' and 'Brief Lives', respectively. As such, though each arc feels nice and contained and far more focused than season one's storylines felt, the whole show feels as though it's moving at a breakneck speed. Though focused more squarely on Dream's journey proves to be a much-needed boon, it comes at the cost of the quieter, more character-focused stories found in season one—like 'The Sound of Her Wings', the season's sixth episode. Though the season does make room for some beloved standalone stories, like 'A Midsummer Night's Dream', 'The Song of Orpheus', and 'Thermidor', tying them tighter into Dream's overarching story than the comics might've. That being said, these episodes still find time to delve into Dream's relationships—most notably with his sister, Delerium, and his son, Orpheus (Ruairi O'Connor). O'Connor's performance as Orpheus is equal parts breathtaking and heartbreaking, as is his relationship with Dream. But it's Delerium that both makes and breaks this half of the season. Her longing for reuniting with Destruction sends Dream down this path of redemption and her relationship with Dream offers up the most tender scenes found in the season so far. But translating her from page to screen proves a bit difficult as, despite some strong writing and Creed-Miles' equally strong performance, the show can't quite capture the otherworldliness of Delerium's page counterpart. Still, this trio's relationship is where The Sandman really starts finding its footing as a story about redemption and the power of storytelling. Everything We Know About James Gunn's Superman Movie 2025 Mason Alexander Park as Desire, Donna Preston as Despair, Barry Sloane as Destruction, Esmé Creed-Miles as Delirium | Courtesy of Ed Miller/Netflix © 2025 The Elephant in the Room And now for the elephant in the room. When discussing any adaptation of Neil Gaiman's works, it must be acknowledged that earlier this year, multiple credible allegations of sexual assault were levied against Gaiman, resulting in both the cancellation of some adaptations of his work as well as the major retooling of others, such as Amazon Prime's ongoing adaptation of Good Omens . As far as The Sandman is concerned, co-executive producers, Allan Heinberg and David S. Goyer, both report that the decision to end the series with its second season was made long before the allegations against Gaiman came to light and that Gaiman, himself, played a far smaller role on the show's second season than he did on its first. However, it remains difficult to separate Gaiman from The Sandman. For so long, it's been identified solely in connection with Gaiman, and many of its themes read a bit differently in the wake of these allegations than they previously did. Still, the vast majority of production on season two occurred before the surfacing of the allegations against Gaiman, leaving The Sandman in a sort of twilight zone in-between space. Your mileage may vary on whether you want to support the show given the allegations against its creator, It's a decision every viewer must make for themselves, given the situation surrounding the show, its production, and the timing of its airing. Though the show's marketing does its best to distance itself from Gaiman, much to its credit, the fact of the matter still remains and may prove ultimately inescapable. Final Thoughts Setting all of that aside, the first half of The Sandman 's second and final season holds onto much of what fans enjoyed in its first season while delivering a tighter, more focused narrative. Sure, it sometimes feels as though the show is speedrunning its way through the last 50 or so issues of The Sandman 's original comic run, desperate to reach its climactic conclusion as quickly as possible. But mostly, it works, even if the series might've been better splitting up each arc into their own separate volume like Andor did, rather than releasing both 'Season of Mists' and Brief Lives' at the same time. As a fantasy show standing on its own two legs, the first half of The Sandman 's second season is about as strong of a beginning as you could hope for. Its pacing feels a bit too breakneck in the latter three episodes, but it's a far more efficient and, surprisingly, faithful adaptation of the comics, sticking to its core themes and arcs without wandering too far astray. If the latter five episodes, set to debut July 24th, can stick the landing, then Netflix might just have achieved the previously unthinkable: a complete adaptation of the once unfilmable Sandman series. Season Two, Volume 1 of The Sandman premieres July 3rd on Netflix, with volume 2 following on July 24th and a subsequent bonus episode airing on July 31st