
NYT Connections Today: Tuesday, July 29 Hints And Answers (#779)
Each day's game of NYT Connections goes live at midnight local time. Before we get to today's Connections hints and answers, here are Monday's:
Hey there, Connectors! I hope your week is off to a stellar start.
My partner and I are planning to be together for the long-term and so we've naturally broached the topic of marriage a few times. We have a general idea that if we do tie the knot, we'll probably have two small weddings: one in Montreal and one in Scotland. That'll make it much easier for all our family and friends we want to be there to attend. We're not in any rush, but we're at least thinking about it.
While we were talking on the phone the other night, I said I had to share something important. I'd been thinking about for a long time. It was a non-negotiable. I told her I needed to have a Lord of the Rings-themed wedding.
The response was about six seconds of silence, followed by an 'O…kaaaaay.' Then me laughing and telling her I was only kidding. Then her laughing.
I have absolutely nothing at all against anyone who wants to have a theme wedding, as long as everyone is on board. Do whatever makes you happy!
I do like The Lord of the Rings, but I'm very far from being a super fan or anything like that. I just knew that my partner does not care about that stuff at all.
I figured it would be a fun little prank. And I think it was.
Before we begin, we have a great little community on Discord, where we chat about NYT Connections, the rest of the NYT games and all kinds of other stuff. Everyone who has joined has been lovely. It's a fun hangout spot, and you're more than welcome to hang out with us.
Discord is also the best way to give me any feedback about the column, especially on the rare (or not-so-rare) occasions that I mess something up. I don't look at the comments or Twitter much. You can also read my weekend editions of this column at my new newsletter, Pastimes.
Today's NYT Connections hints and answers for Tuesday, July 29 are coming right up.
How To Play Connections
Connections is a free, popular New York Times daily word game. You get a new puzzle at midnight every day. You can play on the NYT's website or Games app.
You're presented with a grid of 16 words. Your task is to arrange them into four groups of four by figuring out the links between them. The groups could be things like items you can click, names for research study participants or words preceded by a body part.
There's only one solution for each puzzle, and you'll need to be careful when it comes to words that might fit into more than one category. You can shuffle the words to perhaps help you see links between them.
Each group is color coded. The yellow group is usually the easiest to figure out, blue and green fall in the middle, and the purple group is usually the most difficult one. The purple group often involves wordplay.
Select four words you think go together and press Submit. If you make a guess and you're incorrect, you'll lose a life. If you're close to having a correct group, you might see a message telling you that you're one word away from getting it right, but you'll still need to figure out which one to swap.
If you make four mistakes, it's game over. Let's make sure that doesn't happen with the help of some hints, and, if you're really struggling, today's Connections answers. As with Wordle and other similar games, it's easy to share results with your friends on social media and group chats.
If you have an NYT All Access or Games subscription, you can access the publication's Connections archive. This includes every previous game of Connections, so you can go back and play any of those that you have missed.
Aside from the first 60 games or so, you should be able to find our hints Google if you need them! Just click here and add the date of the game for which you need clues or the answers to the search query.
What Are Today's Connections Hints?
Scroll slowly! Just after the hints for each of today's Connections groups, I'll reveal what the groups are without immediately telling you which words go into them.
Today's 16 words are...
And the hints for today's Connections groups are:
One Word For Each Connections Group
Need some extra help?
Be warned: we're starting to get into spoiler territory.
Let's take a look at one word for each group.
Today's Connections word hints are…
What Are Today's Connections Groups?
Today's Connections groups are...
What Are Today's Connections Answers?
Spoiler alert! Don't scroll any further down the page until you're ready to find out today's Connections answers.
This is your final warning!
Today's Connections answers are...
Aw man, I thought I was off to a quick start by grouping together FOLD, CHECK, DEAL and CALL. I figured RAISE would go with promotion. But no. I was caught in a trap, like the fool that I sometimes am. I was one away from a group, though, so I was onto something.
Then I realized that it was actually DEAL that would go with PROMOTION, as well as SPECIAL and SALE. That got me the yellows. RAISE then went with the rest of the blues. I thought those would be the greens.
After that, I suspected that BUG and NETTLE might go together in a group of things that sting. STEAM and FIST (as in a stinging blow) made sense, but I was one away from a group. I swapped out STEAM for IRON, but that was wrong. Not close to a group there.
After a long, long break to clear my mind and try to keep my streak intact, I came back to the puzzle with fresh eyes. I realized that BRAKES and IRON (as in lifting weights) are both things you can pump. FIST and GAS made sense with those and I had the purples.
NETTLE and STEAM aren't really words I'd think of as meaning "irritate," but BUG and RUFFLE hinted at that, so I did eventually figure out the green connection.
A close call this time around, but that's win number 153 in a row for yours truly. Here's my grid for today:
🟦🟨🟦🟦
🟨🟨🟨🟨
🟦🟦🟦🟦
🟩🟪🟩🟩
🟩🟪🟪🟩
🟪🟪🟪🟪
🟩🟩🟩🟩
That's all there is to it for today's Connections clues and answers. Be sure to check my blog tomorrow for hints and the solution for Wednesday's game if you need them.
P.S. Given the purple category, I am very tempted to recommend Electric Callboy's "Pump It," which is genuinely one of the funniest songs I've ever heard. The video is a very amusing riff on all those '80s workout videos, so I'll go with a song from that era instead.
For your Tuesday listening pleasure here is "Girls Just Want To Have Fun" by Cyndi Lauper. I've no idea why it popped into my head right now, but it's a fantastic song nonetheless:
Have a great day! Stay hydrated! Be kind to yourself and each other! Call someone you love!
Please follow my blog for more coverage of NYT Connections and other word games, and even some video game news, insights and analysis. It helps me out a lot! Sharing this column with other people who play Connections would be appreciated too. You can also read my weekend editions of this column at my new newsletter, Pastimes.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


New York Times
15 minutes ago
- New York Times
Edinburgh Fringe Can Bring Artists Fame, but Money's Another Matter
By the end of last year's Edinburgh Festival Fringe, Nick Cassenbaum had a hit show: It was getting buzz, was selling out and had won a coveted festival award. The show, 'Revenge: After the Levoyah,' was staged at Summerhall, a venue beloved by Fringe performers and audiences for its mix of experimental and emerging acts. It has presented shows that have gone on to much wider success, including 'Baby Reindeer,' the Netflix hit. But after the Fringe ended last August and it came time for Cassenbaum to receive box office proceeds, there was a wrinkle: Britain's tax agency accused Summerhall Management, the entity that ran the venue's Fringe program, of failing to pay corporation tax for years. In September, the government issued a petition for liquidation and the company's assets were frozen. The payout owed to Cassenbaum and dozens of other Summerhall acts — more than 10,000 pounds, about $13,500, for some — was in limbo. Cassenbaum said this period 'was really scary and was really worrying,' and he feared 'that all this work and success that we had was going to completely fall through.' The legal wranglings lasted a few months as Summerhall Management challenged the order, and by December the government had dropped its petition and unfrozen the accounts. The artists were soon paid. But the uncertainty around Summerhall's fate rattled the Fringe world. It seemed to represent another chapter in a never-ending story about the risks of bringing a show to the festival, where both artists and venues can operate on a financial knife's edge. Want all of The Times? Subscribe.


New York Times
15 minutes ago
- New York Times
Haunting, Powerful New Historical Fiction
The Remembered Soldier The title of Daanje's THE REMEMBERED SOLDIER (New Vessel, 562 pp., paperback, $22.95) is loaded with tragic irony. Translated from the Dutch by David McKay, this provocatively labyrinthine novel dissects the consciousness of an amnesiac veteran of World War I who has spent four years in a Belgian asylum only to be retrieved by a woman who insists she is his wife. Against the advice of the friars who have been his custodians, she installs him in her modest apartment, introduces him to their two children and uses her account of his miraculous return to save the nearly bankrupt photography business she has somehow kept going in his absence. Yet the stories she tells him about their past aren't entirely convincing. Can he trust her? Can he trust himself? Trying to maneuver through a maze of strange new possibilities, he continues to harbor deep doubts and even deeper fears. Is she hiding something from him? Has his mind shut down because of something awful he has done? As interludes of unexpected contentment yield to frightening blackouts, his mental lapses become increasingly frequent and violent, haunted by glimpses of other people and places. Are they hallucinations or are they real memories? This marriage, he comes to realize, 'is built on quicksand, one false step and they'll drown together.' Florenzer Leonardo da Vinci is the quintessential Renaissance man, famed for his confident, wide-ranging intellect. Yet in FLORENZER (Liveright, 350 pp., $29.99), Melanson introduces us to a teenage Leonardo still struggling to find himself amid the roiling artistic and political atmosphere of late-15th-century Florence. A talented but feckless apprentice in the studio of Andrea del Verrocchio, he must learn how to navigate a city where everything seems to be 'a game of pretend.' For a young man sexually attracted to other young men, this can be particularly dangerous, landing him in prison if he's denounced by a note in one of the boxes kept in church for this very purpose. Yet his work may be his salvation, and for that Melanson provides an intersecting narrative focused on another youthful Florentine. A very different sort of striver, Lorenzo de' Medici operates in a sphere that intermittently overlaps with Leonardo's, as does that of Francesco Salviati, an illegitimate scion of a rival banking family who hopes to rise in the Roman Catholic hierarchy. The lives of all three will be changed by the violence that is soon to erupt in what should have been a holy sanctuary. In Florence, apparently nothing is sacred. Explore our hand-picked genre recommendations Romance Thrillers Fantasy Sci-Fi Want all of The Times? Subscribe.


New York Times
15 minutes ago
- New York Times
‘Harvest' Review: When the Land Was Home
At the start of Athina Rachel Tsangari's 'Harvest,' it's not clear whether Walter Thirsk (Caleb Landry Jones) is feral or just madly in love with the land. Clad in loose, roughly woven garments, he practically skips through the landscape, which is shot in lush and ruddy hues. He gnaws on one tree branch, then appears to make out with a knothole in another tree. He exults in the sunshine, strips off his clothes and glides through the water, every inch of his body open to the waves. He is one with nature, it would seem. It's only after this introduction that we come to find out who Walter is, and where we are. This is Scotland, near the dawn of the modern age, and Walter lives in a tiny village, far from anything resembling a real town. It's so small that it doesn't have a name. The handful of residents there farm the land, which belongs to Master Kent (Harry Melling), a kind and good man, if a bit of a weakling. Walter once was Master Kent's manservant and was raised from infancy as his best friend. But Walter fell in love with a girl in the village — and with the land on which she lived, down by the water. So he moved out of the big house and into one of the thatched ones, and though the xenophobic villagers distrust anyone who isn't one of their own, he began the life of a farmer and slowly managed to become one of them. But now his wife is gone. He has a transactional sort of relationship with a village widow named Kitty (Rosy McEwen), but for the most part he lives like a bachelor, and happily. When 'Harvest' begins, though, that tranquillity is about to be ravaged. First there's a fire. Then, a set of strangers show up in the village: three intruders with unknown intentions, and also a mapmaker (Arinzé Kene), hired by Master Kent to survey the land. With them they bring the outside world, and an uneasiness that only accelerates when a snobbish aristocrat (Frank Dillane) shows up. 'Harvest,' which takes place over one week's time, is gorgeous and strange and a bit winding, though not unpleasantly so. It's adapted by Tsangari and Joslyn Barnes from Jim Crace's novel, with ample voice-over and a lot of thick Scottish accents — I saw it with subtitles. The cinematographer Sean Price Williams shot the movie on 16 mm, which lends it a textured, almost grubby feel at times, as if the film itself has come to us from the past and might disintegrate into dust. Want all of The Times? Subscribe.