How to watch every 2025 Oscar winner including Anora, the newest Best Picture winner
The 2025 Oscars have come and gone, bringing incredible red carpet fits, some topical Conan O'Brien jokes and most importantly a slew of deserving award winning movies.
Anora had the biggest night, earning five Academy Awards including Best Picture, but a total of 14 different movies won at least one Oscar on Sunday.
Here are a list of all the newest Oscar winning films and where they are available to watch and stream.
How to watch Anora - 5 Oscar wins
Anora cleaned up on Sunday, taking home the awards for Best Picture, Best Director, Best Actress in a Leading Role, Best Original Screenplay and Best Editing. The film is available to rent via Prime Video.
Watch Anora on Prime Video
How to watch The Brutalist - 3 Oscar wins
The Brutalist was nominated 10 times and won three awards, the second most on the night, including Best Actor in a Leading Role, Best Cinematography and Best Original Score. The film is available to rent via Prime Video
Watch The Brutalist on Prime Video
How to watch Wicked - 2 Oscar wins
Also nominated for 10 Oscars, Wicked wound up winning two, Best Costumes and Best Production Design. The smash hit starring Cynthia Erivo and Ariana Grande is available for rent on Amazon Prime video.
Watch Wicked on Amazon Prime Video
MORE: Ariana Grande & Cynthia Erivo deliver emotional Oscars performance
How to watch Dune Part 2 - 2 Oscar wins
While Dune Part 2 fell short in some of the more major races, it performed very well down the line, winning for both Best Sound and Best Visual Effects. Perhaps the final installment in the trilogy, Dune Part 3 (Messiah), will be the movie that takes home the coveted Best Picture win? Dune Part 2 is available to stream on Max.
Stream Dune Part 2 on Max with Sling
How to watch Emilia Perez - 2 Oscar wins
Leading the field with 13 Oscar nominations, Emilia Perez earned two Academy Awards on Sunday, including Zoe Saldaña for Best Actress in a Supporting Role and 'El Mal' for Best Original Song. Emilia Perez is available to stream on Netflix.
How to watch A Real Pain - 1 Oscar win
Kieran Culkin capped off his awards season dominance, earning the film's only Oscar, Best Actor in a Supporting Role. A Real Pain is available to stream on Hulu.
Watch A Real Pain on Hulu
How to watch Conclave - 1 Oscar win
There were late whispers that Conclave could push for a surprise Best Picture win, but that's all they turned out to be as Conclave sent up white smoke and left the Academy Awards with just one award, Best Adapted Screenplay. Conclave is available to stream on Peacock.
Watch Conclave on Peacock
How to watch The Substance - 1 Oscar win
While Demi Moore came up short in the Best Actress in a Leading Role category, The Substance still had a fantastic awards season, culminating in an Oscar win for Best Makeup and Hairstyling. You can rent The Substance on Amazon Prime Video.
Watch The Substance on Amazon Prime Video
MORE: 'The Substance' star Demi Moore glows on the Oscars red carpet
How to watch I'm Still Here - 1 Oscar win
Nominated for Best Picture and Best Actress in a Leading Role, the Brazilian nominee won the Academy Award for Best International Film. While I'm Still Here is not yet available to stream, you can pre-order through Apple TV today.
Pre-order I'm Still Here on Apple TV
How to watch Flow - 1 Oscar win
Some might think that this Latvian film about a cat pulled a major upset winning Best Animated Film over other movies like Inside Out 2 and The Wild Robot, but it comes to no surprise to anybody who has seen this beautifully emotional journey. Flow is available to stream on Hulu.
Watch Flow on Hulu
How to watch No Other Land
The winner for Best Documentary Feature Film is not available to watch in the U.S., but is available on Prime Video in the United Kingdom and on other streaming services in different parts of the world.
How to watch I'm Not a Robot
The winner for Best Live Action Short is available to watch on YouTube.
How to watch The Only Girl in the Orchestra
The winner for Best Documentary Short is available to watch on Netflix.
How to watch In the Shadow of Cypress
The winner for Best Animated Short Film is available to rent via Vimeo.
Recommendations are independently chosen by our editors. Purchases you make through our links may earn us and our publishing partners a commission. Prices were accurate at the time this article was published but may change over time.
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Los Angeles Times
an hour ago
- Los Angeles Times
‘And Just Like That...' seems determined to insult women over 50. And under 50
I didn't think my level of loathing for the Max sequel to HBO's 'Sex and the City' could get any higher, and just like that, along came Season 3. You see what I did there? Like every single person who has written about 'And Just Like That...,' I have used the title in a naked and half-assed attempt to be clever. Which honestly could also be the title of the series. We're midway through the third — and one can only hope final — season, and I am hoarse from screaming at watching these beloved characters behave as if they had done some sort of 'Freaky Friday' switch with 13-year-olds. Which is actually an insult to most 13-year-olds. In the course of the barely-recognizable-as-human events that make up this latest episode, Miranda (Cynthia Nixon) prolonged her inexplicable bout of homelessness by acting shocked — shocked! — that Seema (Sarita Choudhury), having found her a dream house, would expect her to make a bid over asking price; Lisa (Nicole Ari Parker) dealt with the grief over her father's death by whining about the amazing send-off orchestrated by his friend Lucille (Jenifer Lewis) despite it including a performance by … Jenifer Lewis; and Charlotte (Kristin Davis) continued to behave as if it were perfectly normal for her husband Harry (Evan Handler) to keep his prostate cancer diagnosis secret from everyone including their children, who would no doubt handle it better than Charlotte. All of which paled in comparison to the latest installment in the emotional horror show that is the second-time-around courtship of Carrie (Sarah Jessica Parker) and Aidan (John Corbett), which has been under threat since it was revealed in Season 2 that Aidan's 15-year-old son Wyatt (Logan Souza) has some issues, including a recent ADHD diagnosis. Events lead Aidan to impulsively announce that he and Carrie will have to put their relationship on hold until Wyatt turns 20 (when, as everyone knows, parental responsibilities officially end). Not surprisingly, this plan does not work out, and in this episode, Aidan celebrates the fact that Wyatt is attending a week-long wilderness camp (um, what?) by showing up at Carrie's apartment, where he immediately breaks a window by throwing a pebble at it. You know, like he used to in the old days before Carrie had a jillion-dollar apartment with 19th century windows that, as she says, 'survived the Mexican War, the Civil War, the Draft Riots of '63' (memo to Carrie — New York saw no action in the Mexican War). After going to obsessive lengths to replace the glass, Aidan then confesses that he and his ex Kathy (Rosemarie DeWitt) had to force Wyatt onto the plane (how they managed to be at the gate as unticketed passengers to do this remains a mystery), an event so upsetting that Aidan and Kathy were forced to comfort each other with sex. For one brief and shining moment, I waited for Carrie to call time of death on one of the unhealthiest relationships this particular universe has seen (and that's saying something). Instead, and impossibly, she said she understood. Apparently love means ignoring every sign God could think to send you. Not only did Aidan have sex with his ex, he forced his unmedicated, unsupervised 15-year-old with ADHD onto a plane headed to the Grand Tetons. (Whether the poor kid made it to camp or is currently having a meltdown in the Jackson Hole airport is never mentioned.) But then Carrie, and the series, has continued to treat Wyatt's condition, and his father's obvious irritated denial of its realities, as simply a logistical obstacle in her fairy tale love story. This would barely make sense if Carrie were still in her 30s, and it makes absolutely none for a woman of her age. I begrudge no one the desire to reboot a groundbreaking series, and two years ago, the prospect of seeing these iconic 30-somethings as mid-to-late 50-somethings was certainly appealing to one who shares their mature demographic. If only Michael Patrick King, the force behind 'And Just Like That...,' allowed any of them to have matured. I don't mean physically — stars Parker, Nixon, Davis and Kim Cattrall (briefly glimpsed at the end of Season 2) — are fit and lovely and obviously older. I mean emotionally, spiritually and psychologically. 'And Just Like That...' has had two and a half seasons to make these women seem like actual people who might exist, if not in real life, then at least the 'Sex and the City' universe (remember the opening credits, when Carrie gets splashed by a bus? Hyperrealism compared to the eat-off-the-sidewalks vision of 'And Just Like That...'s' New York.) Instead, the series seems determined to prove that age is just a number by forcing its leads, now including Choudhury and Parker, to act as if 50 is the new (and very stupid) 30. I get that Miranda is coming to grips with her newly discovered queerness, but surely a successful, Harvard-educated lawyer who has survived a divorce and raised a teenage son would have a bit more confidence and self-awareness in love, real estate and basic guest etiquette — after moving in briefly with Carrie, she eats the last yogurt! Charlotte has always been an original Disney princess, all wide eyes and faith in the restorative nature of small animals and florals, but at 55, her high-strung reaction to her husband's prostate cancer (caught early, easily treatable) is helpful to no one. And don't get me about her little foot-stamping approach to motherhood or how she speaks about her dog. As for Carrie, well, it's one thing to be a relentlessly hopeful romantic addicted to tulle, stilettos and problematic men in your 30s, but Carrie's pushing 60 now, so when she agreed, with no demur, to Aidan's absurd five-year plan, I wondered if she had simply gone mad. Watching as she subsequently rattled around her huge, empty (if incredibly luxe) apartment wearing a see-through, Ophelia-like dress stuffed with roses or traipsed through Central Park wearing a hat the size of a hot-air balloon only exacerbated my fears. Dressing like Marie Antoinette to attend a luncheon at Tiffany's isn't sassy fashion sense — it's a cry for help. She most certainly needs help. The reunion with Aidan seemed too good to be true, and thus it is proving to be. Even a 30-something Carrie would have known that being in a relationship with a father means being in a relationship with his children. But the notion that she must be kept separate from Wyatt is not just unsustainable — it's insulting. What, she's never experienced, met or even read about children with ADHD or post-divorce trauma? Or is she such a delicate flower that she can't handle being around a teenager with anger management issues? She lives in New York, for heaven's sake, the city that invented anger management issues. Frankly, Aidan's behavior is far more concerning than Wyatt's, a flag so big and red that Carrie could make a stunning sheath dress out of it. Which she appears to be doing, instead of, you know, acting like the grown-ass rich widow she is and calling Aidan out on his bull. 'And Just Like That...' purports to celebrate the mid-life do-over, just as it purports to show that women in their 50s are just as vibrant, complicated and fun as women in their 30s. Both are admirable goals, neither of which the series achieves. Even with its title — 'And Just Like That...' — this series seems determined to erase everything that might have made the older versions of these characters interesting and resonant. Like the ability to buy a house or say the word 'cancer' or get out of an unhealthy romantic relationship before it spits right in your eye.
Geek Vibes Nation
2 hours ago
- Geek Vibes Nation
‘Heads Of State' Review: A Good Old-Fashioned Buddy Movie Riddled With Cliches, Predictability And Loads Of Fun
'He doesn't know the difference between a press conference and a press junket' wasn't only the best line heard in a room full of critics, but it also sums up perfectly the two central characters in the hilarious buddy movie Heads of State . On the one hand, you have the almost Schwarzenegger knock-off Will Derringer (John Cena), who gained his seat at the Oval Office by starring in B-flicks and taking selfies with the fans. In contrast, you have the stern, serious, and military-trained Prime Minister Sam Clark (Idris Elba). While the difference in political views certainly ensures fireworks on the most critical stage in front of the entire world, it is also highly entertaining on the big screen. Director Ilya Naishuller ( Nobody ) certainly fills this movie with tons of testosterone, machismo and chest-puffing men. Still, it's the women who make the most significant impact at first, especially Priyanka Chopra Jonas ( Citadel ). Her Noel Bisset delivers an enthralling blood-soaked opening scene in the middle of the world-famous Tomatina festival, during which a covert operation on weapons dealer Viktor Gradov (an underused Paddy Considine) goes completely south. Priyanka Chopra Jonas as Noel Bisset in 'Heads of State' courtesy of Prime Video While the script doesn't do Jonas' character any justice, whenever she appears on screen, she shows that it's girls who run the world, as Beyoncé would say. Her slick fighting skills, pitch-perfect timing, and even slightly touching performance carry this film over the finish line, even when this feature starts to test the boundaries of his credibility during the final act. The Looney Tunes-like car chase certainly pushes the limits of the human body and mind, as well as the audience's acceptance of clichés and 'been there, done that' moments. 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Both Cena and Elba inject a lot of humour, charisma and presence into this done-by-the-number screenplay. Each in their own way, though. Sam might seem calm, cool, and even smug, based on what the script suggests, but Elba adds more warmth, humanness, and personality to his character. Sam has little patience for wanna-be's, and every time Will shows a hint of the Hollywood celebrity status he's gained over the years, the two politicians go head-to-head. It's during those moments that we also see that Cena, despite either standing in the wrestling ring or starring in a 'turn-off-your-brains' movie with less substance than this one, can find the sweet spot between a kick-ass performance and emotional acting. Idris Elba as Sam Clark and John Cena as Will Derringer in 'Heads of State' courtesy of Prime Video It's that mix of fighting moves and people skills that hopefully will ensure the leads make it in time for the NATO summit. After being presumed dead, their political allies have taken prominent political positions, but as we all know, sometimes people aren't who they say they are. It's up to the two former powerhouses to save the world, but that's not going to be easy. They not only have to set aside the differences and animosity they might have against each other, but they also have to work together to overcome many explosions, car chases, and bullet rains at the hands of Gradov. The life-threatening journey results in top-notch entertainment and way too many slow-motion action scenes. While this movie sometimes takes it just a little bit too far, the set pieces and the delightful action scenes do deliver the goods for the majority of the runtime. The best example, without a doubt, is the shootout at the Polish safehouse. Not only because of the clever use of the weapons, comedy and the leads, but also because of the scene-stealing Jack Quaid. To the tunes of Sabotage by the Beastie Boys (kudos to the team for the obvious but still effective soundtrack choices), his junior agent Marty Comer causes more mayhem in those few scenes than his Nathan 'Novocaine' Caine did in the entirety of Novocaine . There's no two ways about it. The script of Heads of State comes straight out of an action movie playbook, and the film doesn't take itself too seriously. However, that still doesn't warrant why this feature doesn't at least get a limited release in cinemas, as Naishuller delivers what he promises. Perhaps Prime Video aims to utilise Cena and Elba as the main attraction to attract more subscribers, or it's due to the intense competition on the big screen. We'll never know. However, what we do know is that Heads of State is a good old-fashioned buddy movie that delivers cliches, predictability, but also loads of fun. Heads of State is out now on Prime Video
Yahoo
2 hours ago
- Yahoo
We Were Liars Season 2 When? Candice King and Caitlin Fitzgerald Pitch the Ultimate '90s Throwback
We Were Liars may have wrapped its first season, but the Sinclairs' story is far from over. In addition to its central tragedy (R.I.P., half the cast!), the Prime Video series also drops several major hints about another skeleton in the wealthy Sinclair family's closet: the tragic death of Penny, Carrie and Bess' younger sister Rosemary at just 10 years old. Details about her drowning are revealed gradually, but one moment in the finale confirms that we still only know a fraction of the story. More from TVLine Get Apple TV+ for 50% Off on Prime Video - Catch Up on Severance, The Buccaneers and More The Boys Wraps Production on 'Grand Finale' - When Will Season 5 Be Released? Select Prime Video Channels Are on Sale for $1/Month - Watch Starz, BET+, Paramount+, Hallmark+ and Others While discussing the deaths of their own children, Bess tells Carrie, 'Sometimes I think losing them was our punishment, like that one tiny ember was sent from God or the universe or Beechwood Island.' When Carrie asks Bess what they'd be punished for, she chillingly replies, 'For what we did in Summer 16, the summer I was 16. But then I think, if it was our punishment, Penny wouldn't have been spared, right?' With that simple exchange, a seed has been planted for a potential second season, and there's plenty of source material for it. Just as Season 1 was a largely faithful adaptation of E. Lockhart's 2014 novel We Were Liars, Season 2 would pull from Lockhart's 2022 follow-up Family of Liars, which turns back the clock to explore the aforementioned Rosemary tragedy. Needless to say (but we'll let them say it anyway), the cast is game for a return to Beechwood Island. 'Because we know the prequel and the origin story of these three complicated women, it would be really fun to go back and do that,' Caitlin Fitzgerald tells TVLine of adapting Family of Liars for the screen. And if you're at all on the fence about wanting another season, allow Candice King to pitch the heck out of it: 'Who doesn't love a throwback to the '90s?' she asks TVLine. In fact, that's only the start of her and Fitzgerald's A+ pitches for the show's future. Hit PLAY on the video above to watch our full interview with King and Fitzgerald, then drop a comment with your own thoughts below. Did you enjoy Season 1 of , and what are your questions leading into a possible Season 2? Best of TVLine Yellowjackets' Tawny Cypress Talks Episode 4's Tai/Van Reunion: 'We're All Worried About Taissa' Vampire Diaries Turns 10: How Real-Life Plot Twists Shaped Everything From the Love Triangle to the Final Death Vampire Diaries' Biggest Twists Revisited (and Explained)
