logo
Chanel Supports Cinema Paradiso at the Louvre, Brings Sofia Coppola for Opening Night

Chanel Supports Cinema Paradiso at the Louvre, Brings Sofia Coppola for Opening Night

Yahoo2 days ago
PARIS — Fashion, film and fine art will join forces for Cinema Paradiso, a four-day film festival at the Louvre, with support from Chanel.
The house has boarded as a sponsor for this summer's edition of the open-air film festival held in the Cour Carrée. The event, which runs Wednesday to Saturday, will transform the heart of the museum into a community space with food, concerts and evening film screenings.
More from WWD
Chanel Bolsters Management at Charity That Empowers Women and Girls Worldwide
Bode's Spring 2026 Reimagines the Fashion Show With Piano Performance, Dioramas and Dolls
Oliver Peoples Lands in Paris
Longtime Chanel ambassador Sofia Coppola will open the program, hosting a 25th anniversary screening of her debut film 'The Virgin Suicides.'
The event is organized by French indie cinema group MK2. Cinema Paradiso first launched in 2013 as a private, ticketed event at the Grand Palais. In 2019, it relocated to the Louvre and shifted toward a free, public-facing event.
Chanel was on board in 2015, in part due to its longstanding ties with the Grand Palais, but this year is the house's first time supporting the festival at the Louvre location.
'What we love about Chanel is that they are very sincere in their investment toward cinema. They are supportive of movie productions and movie restorations, and have a long-term engagement with the film industry,' MK2 chief executive officer Elisha Karmitz told WWD, noting the house has a team specifically dedicated to film partnerships.
That division is overseen by Elsa Heizmann, Chanel's global head of fashion's relationship with cinema. She told WWD the house's return to the project reflects its broader belief supporting cinema.
'Inviting the public to discover or rediscover films on the big screen in the heart of iconic Parisian locations naturally aligns with Chanel's belief that cinema should be an experience of wonder and sharing,' she said. 'This year's eclectic programming in the Cour Carrée of the Louvre once again promises four absolutely magical evenings.'
Chanel brought on board Coppola to present her cult classic on opening night.
'It was a somewhat crazy idea but one that immediately excited us,' Heizmann said of inviting the director. 'Sofia Coppola is a cult filmmaker both for viewers like me who saw 'Virgin Suicides' when it was released 25 years ago and for a whole new generation of young directors and cinephiles who are discovering her films and are often moved or inspired by her work,' Heizmann said.
Coppola's longstanding relationship with Chanel runs deep. Chanel recently created the wedding dress worn by Cailee Spaeny in Coppola's film 'Priscilla,' and she directed the teaser for Chanel's most recent Cruise collection.
'The relationship between Chanel and Sofia has been long established and has grown over time through multiple creative collaborations,' Heizmann said.
Chanel's renewed involvement with Cinema Paradiso highlights the House's deep and ongoing ties with the industry, a relationship that extends beyond red carpet dressing. 'This [event] perfectly illustrates the uniqueness of the relationship and dialogue that Chanel maintains with the Seventh Art,' she added.
This year's event coincides with the weeklong gap between men's fashion week and couture, which starts on Sunday. The Louvre itself is hosting its first exhibition dedicated entirely to fashion, on view through Aug. 24. That made the inclusion of fashion-minded films a natural choice, Karmitz said.
'With fashion in mind, bringing in Coppola was quite obvious,' he said. In the fashion vein, MK2 also programmed Wong Kar-wai's 'In the Mood for Love,' long considered one of the most stylish films of the 2000s.
The lineup also includes a tribute to David Lynch, whose films were long distributed by MK2.
'It was important to have to us and for the family to pay an homage to David,' Karmitz said.
The festival will close with the public premiere of 'The Secret Agent,' the Brazilian feature directed by Kleber Mendonça Filho and starring Wagner Moura. The two took home the best director and the best actor prize at the Cannes Film Festival in May and will be on hand to present the film.
Karmitz emphasizes that this will be a cinema experience, with a full theater-quality movie screen and the quality sound to match. 'It's about honoring cinema with technical excellence, even in an outdoor setting. It's kind of a French way of doing a big pop-up cinema event,' he said.
He described the project as an effort to elevate film as an art form among fine art, as well as build communal experiences in this divided, algorithmic age.
'The idea is also to express the fact that cinema is bringing people together to share emotions collectively in front of a piece of unique storytelling,' Karmitz said. 'That's the purpose of art. That's the purpose of the Louvre — to create enlightenment, create education, and to create a community together.'
Karmitz noted that the Louvre's broader summer programming reflects a shift toward inclusion. 'It's also a way for many Parisians who sometimes won't enter the Louvre for an exhibition to get in contact with this space and this more classical culture,' he said.
'We consider cinema as a total art,' Karmitz added. 'Cinema would be impossible without fine arts, without fashion, without photography, without music.'
Other programming includes concerts and a variety of food trucks for a festival atmosphere ahead of the screenings.Tickets are distributed through an online and social media lottery, while Chanel will host an opening night cocktail.
Best of WWD
Why Tennis Players Wear All White at Wimbledon: The Championships' Historic Dress Code Explained
Kate Middleton's Looks at Trooping the Colour Through the Years [PHOTOS]
Young Brooke Shields' Style Evolution, Archive Photos: From Runway Modeling & Red Carpets to Meeting Princess Diana
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Kate Middleton Wears a Givenchy by Sarah Burton Gown for the French State Banquet at Windsor Castle
Kate Middleton Wears a Givenchy by Sarah Burton Gown for the French State Banquet at Windsor Castle

Vogue

time42 minutes ago

  • Vogue

Kate Middleton Wears a Givenchy by Sarah Burton Gown for the French State Banquet at Windsor Castle

Tonight, the Princess of Wales made a statement in a dark red Givenchy by Sarah Burton gown to a state banquet at Windsor Castle honoring French President Emmanuel Macron. The flowing silk creponne gathered evening gown featured a cape back detailing. The Princess paired it with an evening clutch embroidered with a lily of the valley motif as well as the Lover's Knot Tiara. The diadem, made by the House of Garrard in 1913, consists of diamonds and a collection of 19 hanging pearls set in silver and gold. The Lover's Knot was also a favorite of the late Princess Diana. The Princess of Wales's choice of Sarah Burton for Givenchy is a clear statement of fashion diplomacy: a design by a British woman for a French fashion house, it serves as a sartorial symbol of the symbiotic relationship between the two European countries.

‘Moisturizer' Review: Wet Leg Doubles Down
‘Moisturizer' Review: Wet Leg Doubles Down

Wall Street Journal

timean hour ago

  • Wall Street Journal

‘Moisturizer' Review: Wet Leg Doubles Down

If you were an indie-rock fan in 2021, you had an opinion on Wet Leg's debut single, 'Chaise Longue.' The song, built on the quiet/loud structure that defined '90s alternative rock, wasn't formally daring or particularly confrontational, but it rapidly became ubiquitous. And when that happens to a tune from a previously unknown act, some find it hard to trust, wondering if industry machinations might be behind it all. When the band, led by the English duo Rhian Teasdale (lead vocals, guitar) and Hester Chambers (guitar, vocals), finally released its self-titled debut in April 2022, its remit was to prove that there was more to the project than a viral single. It did so handily—'Wet Leg' had at least a half-dozen good-to-great songs and showed a decent amount of stylistic range. Also embedded within 'Wet Leg' were signs of where the band might later go wrong. Here and there, the group's devil-may-care attitude gave way to a more solemn approach that sounded comparatively conventional. It was possible to imagine a future record where Wet Leg teams with a hit-making super-producer, leans toward pop, and chases a younger audience with straightforward songs about relationships and personal growth. Fortunately, the band's second album, 'Moisturizer' (Domino), out Friday, does none of that. Rather, it finds Wet Leg doubling down on what made it stand out in the first place—oddball humor, disarming expressions of lust and catchy, quirky tunes touching on antecedents like the Breeders and Elastica that avoid sounding like mere novelty.

According to Kim Kardashian, Barbiecore Never Really Died
According to Kim Kardashian, Barbiecore Never Really Died

Vogue

timean hour ago

  • Vogue

According to Kim Kardashian, Barbiecore Never Really Died

Two years ago, the Barbie movie painted the world pink, and not even Kim Kardashian was exempt from its influence. That summer, the Skims founder traveled across the world to purchase a piece that Margot Robbie wore in the film: a pearl teardrop necklace with multicolored stones from Chanel spring 1995. While the film eventually faded from the zeitgeist, Kardashian kept her affinity for Barbie pink. Today, amidst fall 2025 couture shows in Paris, she donned a full, Pepto-Bismol-hued Balenciaga look for an appointment at the brand's wore a body-skimming maxi halter dress with a plunging neckline and a tie-front closure, which she wore over a pair of Demna's signature pointy-toe, knife-heeled pantaboots. Her glam was just as outré: a pair of black wraparound shades shielded her eyes, and she pinned back her bob (complete with a kiss curl) with a smattering of creaseless clips that she later removed. The late 2010s and early 2020s were the heyday of the pantaboot, and nobody was more supportive than Kardashian, who wore them everywhere from dinners to galas. While Demna's time at Balenciaga has come to a close, Kim Kardashian is paying homage to his tenure with her 'fit—pantaboots and all.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store