
Tania Saleh's ‘Fragile' is an Anthem for the Exiled
With compelling stylistic confidence and poetic lyricism, Tania makes her fractured memories of home, longings and hopes audible, inviting the audience on her personal quest for emotional stability.
Lebanese singer-songwriter and visual artist Tania Saleh - one of the most influential figures who helped shape the alternative scene in the 90s - returns with a deeply personal album, 'Fragile'.
A heartfelt anthem for the Arab communities living in exile, the album offers a glimpse into a raw and introspective chapter of Tania's life, inspired by her forced departure from Lebanon and the emotional reckoning that followed. 'The idea for this album came to me after leaving my home country, Lebanon, due to a series of problems. Having to restart my life in exile, I felt I needed brainwashing to remove all the soot from my mind, to start anew, and to change the monotonous ringtone of my life.' Tania Saleh tells SceneNoise. 'I wanted to continue the long, plaintive path to a certain territorial and emotional stability.'
With compelling stylistic confidence and poetic lyricism, Tania makes her fractured memories of home, longings and hopes audible, inviting the audience on her personal quest for emotional stability. Over 10 tracks, she distils this journey through an innovative blend of folk, jazz and alternative rock influences, woven into layers of Arabic instrumentation, crafting a cohesive sonic memoir that is as delicate as it is turbulent and haunting.
On the opener, 'Ghasseel Dmegh' (Brainwash), Tania sets a surprisingly vibrant tone, where her introspective lyrics ride atop joyful hand-drum and pulsing basslines. But, as we move to 'Matrah', the mood shifts with a sparse, contemplative ballad where flutes and keys underscore her quiet solitude and reflections on displacement.
'Inta Ma Shi' (You are Nothing) stands out as one of the album's most emotionally charged tunes. Tania leans into spoken word over brooding electronic textures, capturing the feeling of emptiness and the identity crisis that comes with living in exile. Midway through, a heart-wrenching flute solo gives way to a powerful and reassuring reversal in the outro, where she sings, 'Enta Kul Shee' (You are everything), a declaration of self-worth.
In 'Leh' (Why), over melancholic oud arrangements, Saleh poses existential questions about a world unravelling amidst war, displacement, environmental collapse, and digital alienation. The album closes with 'Ghayr El Sama' (Nothing but the Sky), where orchestral strings and subtle percussion rise and fall like waves under her voice and evocative words, contemplating identity when everything else has been stripped away.

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


See - Sada Elbalad
3 hours ago
- See - Sada Elbalad
Mayada El Hennawy to Perform Live at 39th Jerash Festival on July 27
Yara Sameh Iconic Syrian singer, Mayada El Hennawy, will perform live at the 39th edition of the Jerash Festival for Culture and Arts on July 27. Under the patronage of Jordan's King Abdullah II, the 39th edition is scheduled to kick off on Wednesday, July 23, under the theme: "Here is Jordan... and Its Glory Continues." This year's edition features over 235 artistic, cultural, and literary events from 37 Arab and international countries. It is held in the ancient city of Jerash and in several governorates, including the capital, Amman, Jerash, Madaba, Irbid, Zarqa, and others. The festival, which runs until August 2, will be held in the ancient city of Jerash at the Southern and Northern Theaters, the Main Square, the Sound and Light Theater, the Youth and Creativity Theater (Artemis), and Column Street. In Amman, events will be held at the Royal Cultural Center, the Roman Amphitheater, the Hussein Cultural Center, and the Zaha Cultural Center, as well as other activities in several governorates. The talents participating in the festival also include Assala Nasri, and Ahlam. The concerts are expected to attract thousands of visitors daily in a unique artistic atmosphere amidst the archaeological landmarks of Jerash. Founded in 1981 by the late Queen Noor, the Jerash Festival for Culture and Arts is held annually in the historical city of Jerash, 48 kilometres north of the Jordanian capital Amman. It is part of the Jordan Festival, which aims to enrich cultural activities in Jordan. The event takes place in the spectacular, floodlit settings of the Jerash ruins and includes folklore dances by both local and foreign groups, ballet, concerts, dramas, opera, popular singers, and traditional handicraft sales. With its national, Arab, and international dimensions, the Jerash Festival for Culture and Arts is a unique cultural, social, economic, and tourism phenomenon that conveys profound cultural and political messages. It also significantly contributes to the revitalization of the Kingdom's economy and tourism industry, as well as that of the city of Jerash and its surrounding community. read more New Tourism Route To Launch in Old Cairo Ahmed El Sakka-Led Play 'Sayidati Al Jamila' to Be Staged in KSA on Dec. 6 Mandy Moore Joins Season 2 of "Dr. Death" Anthology Series Don't Miss These Movies at 44th Cairo Int'l Film Festival Today Amr Diab to Headline KSA's MDLBEAST Soundstorm 2022 Festival Arts & Culture Mai Omar Stuns in Latest Instagram Photos Arts & Culture "The Flash" to End with Season 9 Arts & Culture Ministry of Culture Organizes four day Children's Film Festival Arts & Culture Canadian PM wishes Muslims Eid-al-Adha News Israeli-Linked Hadassah Clinic in Moscow Treats Wounded Iranian IRGC Fighters News China Launches Largest Ever Aircraft Carrier Sports Former Al Zamalek Player Ibrahim Shika Passes away after Long Battle with Cancer Videos & Features Tragedy Overshadows MC Alger Championship Celebration: One Fan Dead, 11 Injured After Stadium Fall Lifestyle Get to Know 2025 Eid Al Adha Prayer Times in Egypt Business Fear & Greed Index Plummets to Lowest Level Ever Recorded amid Global Trade War News Flights suspended at Port Sudan Airport after Drone Attacks News "Tensions Escalate: Iran Probes Allegations of Indian Tech Collaboration with Israeli Intelligence" Videos & Features Video: Trending Lifestyle TikToker Valeria Márquez Shot Dead during Live Stream Technology 50-Year Soviet Spacecraft 'Kosmos 482' Crashes into Indian Ocean


CairoScene
5 hours ago
- CairoScene
Yazeed Fahad's ‘Mali' is a Midnight Ballad for the Weary Heart
The Saudi artist strips back the production, relying solely on melancholic keys, warm guitar riffs, and his soulful vocals to explore the unspoken emotional weight of sleepless nights. Jul 07, 2025 Saudi rising artist Yazeed Fahad has recently released a new single, titled 'Mali' (مالي وإن أغمضت عيني), a hazy indie ballad that captures the unspoken emotional weight of sleepless nights and post-midnight overthinking. Inspired by his multicultural upbringing across Nigeria, Libya and Germany, Yazeed carved a distinctive musical style rooted in introspection, fusing soft guitar and wistful saxophone work with Western indie sensibilities and Arabic tonalities. In 'Mali', Yazeed strips back the production, relying solely on melancholic keys, warm guitar riffs and his soulful vocals to explore his solitude and the scattered thoughts that come when the night falls. Throughout the track, Yazeed intently harmonises over ghostly violin strings and delicate, clock-like plucks that echo the quiet anxiety of passing time, crafting a landscape where stillness and restlessness exist in tandem.


CairoScene
5 hours ago
- CairoScene
Tania Saleh's ‘Fragile' is an Anthem for the Exiled
Tania Saleh's 'Fragile' is an Anthem for the Exiled With compelling stylistic confidence and poetic lyricism, Tania makes her fractured memories of home, longings and hopes audible, inviting the audience on her personal quest for emotional stability. Lebanese singer-songwriter and visual artist Tania Saleh - one of the most influential figures who helped shape the alternative scene in the 90s - returns with a deeply personal album, 'Fragile'. A heartfelt anthem for the Arab communities living in exile, the album offers a glimpse into a raw and introspective chapter of Tania's life, inspired by her forced departure from Lebanon and the emotional reckoning that followed. 'The idea for this album came to me after leaving my home country, Lebanon, due to a series of problems. Having to restart my life in exile, I felt I needed brainwashing to remove all the soot from my mind, to start anew, and to change the monotonous ringtone of my life.' Tania Saleh tells SceneNoise. 'I wanted to continue the long, plaintive path to a certain territorial and emotional stability.' With compelling stylistic confidence and poetic lyricism, Tania makes her fractured memories of home, longings and hopes audible, inviting the audience on her personal quest for emotional stability. Over 10 tracks, she distils this journey through an innovative blend of folk, jazz and alternative rock influences, woven into layers of Arabic instrumentation, crafting a cohesive sonic memoir that is as delicate as it is turbulent and haunting. On the opener, 'Ghasseel Dmegh' (Brainwash), Tania sets a surprisingly vibrant tone, where her introspective lyrics ride atop joyful hand-drum and pulsing basslines. But, as we move to 'Matrah', the mood shifts with a sparse, contemplative ballad where flutes and keys underscore her quiet solitude and reflections on displacement. 'Inta Ma Shi' (You are Nothing) stands out as one of the album's most emotionally charged tunes. Tania leans into spoken word over brooding electronic textures, capturing the feeling of emptiness and the identity crisis that comes with living in exile. Midway through, a heart-wrenching flute solo gives way to a powerful and reassuring reversal in the outro, where she sings, 'Enta Kul Shee' (You are everything), a declaration of self-worth. In 'Leh' (Why), over melancholic oud arrangements, Saleh poses existential questions about a world unravelling amidst war, displacement, environmental collapse, and digital alienation. The album closes with 'Ghayr El Sama' (Nothing but the Sky), where orchestral strings and subtle percussion rise and fall like waves under her voice and evocative words, contemplating identity when everything else has been stripped away.