logo
Katie Price, 47, puts on racy display in a tiny red bikini as she parties at 'number 1 club in the world' in Ibiza

Katie Price, 47, puts on racy display in a tiny red bikini as she parties at 'number 1 club in the world' in Ibiza

Daily Mail​16-06-2025
Katie Price put on an extremely racy display as she partied at the 'number 1 club in the world' in Ibiza.
The former glamour model, 47, took to Instagram stories on Sunday to share her eye-popping look, which consisted of a tiny red bikini top paired with several gold necklaces.
Katie, also known as Jordan, struck a sultry pose in the selfie, showcasing a smokey eye look below her tousled hairstyle.
While Katie alluded to meeting someone in the club, which was likely O Beach Ibiza, it is not clear who she is referring to as she simply provided a link to her Snapchat.
The star, who has had a least 16 boob jobs, has been showcasing the latest alterations she has made to her body on the trip.
Her most recent boob job in 2024 was undergone in a bid to reduce the size of her assets after Katie concluded they were 'too big'.
From A-list scandals and red carpet mishaps to exclusive pictures and viral moments, subscribe to the DailyMail's new Showbiz newsletter to stay in the loop.
The star, who has had a least 16 boob jobs, has been showcasing the latest alterations she has made to her body on the trip, including recent bum filler
Katie said that her focus in 2025 has been her bum and has undergone a whopping three bum lifts since January.
The impact of the filler latest procedure could be seen as Katie went topless by the pool on her Spanish getaway, with a plaster still visible.
Speaking on The Louis Theroux Podcast last year, Katie explained that she has never been happy with her body.
She said: 'I always said I haven't got body dysmorphia but there's definitely something, I don't know what it is...
'I've never looked in the mirror and thought I'm pretty or whatever.'
However, despite having had at least six face lifts, Katie insists that she is not scared of aging.
She said: 'I'm not afraid of getting old: I like getting old because you become wiser. But with the face and that I just think if there's something to tweak it's just easy to do.'
The mum-of-five is currently enjoying a fun-filled getaway to Ibiza, with the star pictured partying with fellow celebrities on Friday night.
A photo posted to actor Dean Gaffney's Instagram Stories showed the model once again clad in a bikini pictured in between the EastEnders actor and former Tottenham Hotspur footballer Jamie O'Hara.
Katie's particularly thin figure has sparked a huge amount of concern from fans in recent months.
However, she addressed the worry on Snapchat, explaining that she gained weight in recent years.
She said: 'Yes I've lost weight. That's what I've wanted to do. I've wanted to lose weight.
'Because the past three, four years ago when I broke my feet and I was in a wheelchair for 10 months because they said I'd never walk again, and obviously you put weight on being in a wheelchair.
'And then I did all the IVF stuff, that also puts on weight. So yeah I did put on weight and I hated it, I felt uncomfortable and it wasn't me.'
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Conor Maynard reveals devastating health battle that has left him 'screaming in pain' after he was rushed to hospital by paramedics
Conor Maynard reveals devastating health battle that has left him 'screaming in pain' after he was rushed to hospital by paramedics

Daily Mail​

time20 minutes ago

  • Daily Mail​

Conor Maynard reveals devastating health battle that has left him 'screaming in pain' after he was rushed to hospital by paramedics

Conor Maynard has opened up about the devastating health battle that has stopped the release of his new music and left him 'screaming in pain'. The Can't Say No hitmaker, 32, revealed on Monday why he released his single Runaway Man in May and then largely went to ground. Conor's disappearance from public life followed his revelation back in February that he had been rushed to hospital after falling down in his home. He told Instagram followers: 'So I thought I'd explain why I've been pretty quiet over the last few months, and why I released one song in May and then seemingly disappeared when the original plan was to post a string of songs for you guys. 'I posted earlier this year that I was experiencing issues with my back, and it has been quite the journey.' Alongside the post was a picture of the star being carried on a stretcher by paramedics and a snap of a cannula in his arm. Conor said that despite intending to release new music and visiting a chiropractor in a bid to solve his ongoing back problem, 'nothing improved'. The situation took another turn for the worse this weekend when he was left 'screaming in pain' because the pain in his back was so intense. He continued: 'Then I lost all the colour in my face which made my girlfriend panic so we called an ambulance and I was taken to hospital. 'The annoying thing about this kind of injury is that there isn't much that can be done immediately other than try to manage the pain, and then make more long term recovery attempts. 'Right now it's looking like surgery is the only option but obviously that's kind of scary.' Conor added: 'It really has affected by life in so many ways. 'Filming music content is nearly impossible as I can't lift or move any of my lights, even holding a camera up is too heavy.' After revealing that he has a bulging disk in his back, Conor, pictured with his girlfriend Kitty Bertrand, said that while he has a 'long' recovery journey ahead of him, he is hoping to release new music as 'soon' as he can. The singer's health troubles are not the only battle he has recently faced and he has also been embroiled in a paternity scandal after the Traitors' star Charlotte Chilton claimed that he was the father of her daughter Penelope after a one-night stand The singer's health troubles are not the only battle he has recently faced. He has also been embroiled in a paternity scandal after the Traitors' star Charlotte Chilton claimed on Instagram that he was the father of her daughter Penelope after a one-night stand. However, a subsequent DNA test confirmed in March that he was not the child's father. Conor subsequently appeared on This Morning to explain the toll the paternity scandal had on him after Charlotte went on to say she doubted the accuracy of the test. He said: 'I was instantly painted as a dead-beat dad. My comments on my social media were all about that.' Conor added: 'Mental health is something I have struggled with for a huge portion of my life. 'And this year has been up there with my battle with it.'

Author of controversial Prince Andrew book speaks out after Prince Harry 'calls in lawyers'
Author of controversial Prince Andrew book speaks out after Prince Harry 'calls in lawyers'

Daily Record

timean hour ago

  • Daily Record

Author of controversial Prince Andrew book speaks out after Prince Harry 'calls in lawyers'

The bombshell new book about the Duke of York contains a number of shocking claims about senior members of the Royal Family. The author of a bombshell book about Prince Andrew, that made Prince Harry reportedly "call in his lawyers" over claims the duke punched his uncle during a "family gathering" in 2013, has broken his silence. Andrew Lownie's new bombshell book, Entitled: The Rise and Fall of the House of York, alleges that Harry left the King's brother "with a bloody nose" before their fight was broken up. ‌ Lownies claimed that a physical altercation is said to have erupted between the two royals after Harry discovered "something Andrew said", noting that their relationship has remained strained for over a decade following the purported incident. After the story was published by the Daily Mail, Meghan and Harry's lawyers released a statement which denied the claim. ‌ It read: "I can confirm Prince Harry and Prince Andrew have never had a physical fight, nor did Prince Andrew ever make the comments he is alleged to have made about the Duchess of Sussex to Prince Harry." Despite the claims in his book being rubbished by the Sussexes' lawyers, the author has taken to social media to share his response to the backlash. ‌ Taking to social media after serialisation of his book commenced in the Daily Mail, author Andrew shared a link to a Newsweek article claiming that the Duke of Sussex had contacted his lawyers, the Express reports. If you cannot see the X post above you can view it here. ‌ He wrote: " Prince Harry calls in lawyers over Prince Andrew and Meghan story. I look forward to doing battle and the disclosures which will emerge." In addition to sending the statement to the Mail, Harry and Meghan's team also informed NewsWeek: "Such are the gross inaccuracies, damaging and defamatory remarks made in the Daily Mail's story, I can confirm a legal letter from Prince Harry's counsel has been sent to the Mail." In the book, Mr Lownie wrote: "According to a source close to both men, Harry told him he was a coward not to say it to his face. ‌ "Harry got the better of Andrew by all accounts, leaving him with a bloody nose before the fight was broken up." He continued: "He openly accused Meghan of being an opportunist and thought she was too old for Harry, adding that his nephew was making the biggest mistake ever. The source said: 'Harry later told William he hated Andrew.'" ‌ The book also alleged that the disgraced Duke of York later told his nephew that his marriage to Meghan Markle wouldn't last longer than a month. He is also said to have accused him of going "bonkers" before calling him out for not doing any due diligence into her past. In addition to this, the book claims that Prince William has been working behind the scenes to back the Duke of York's removal from the Royal Lodge where Andrew currently resides with his ex-wife, Sarah Ferguson. ‌ Snaps from earlier this year revealed the property looking visibly deteriorated, with black mould, dampness, and cracked paintwork evident around the exterior, as well as the outbuildings and the gatehouse. Join the Daily Record WhatsApp community! Get the latest news sent straight to your messages by joining our WhatsApp community today. You'll receive daily updates on breaking news as well as the top headlines across Scotland. No one will be able to see who is signed up and no one can send messages except the Daily Record team. All you have to do is click here if you're on mobile, select 'Join Community' and you're in! If you're on a desktop, simply scan the QR code above with your phone and click 'Join Community'. We also treat our community members to special offers, promotions, and adverts from us and our partners. If you don't like our community, you can check out any time you like. To leave our community click on the name at the top of your screen and choose 'exit group'. evicted from the £31m Windsor estate. However, Andrew refused to give up his home, where he has lived since 2004. According to the book, the Prince of Wales is reported to have "long harboured" contempt for both Andrew and Sarah and plans to remove the pair himself upon ascending to the throne should his father, King Charles, fail to do so.

Poem of the week: Sea-Fever by John Masefield
Poem of the week: Sea-Fever by John Masefield

The Guardian

timean hour ago

  • The Guardian

Poem of the week: Sea-Fever by John Masefield

Sea-Fever I must down to the seas again, to the lonely sea and the sky, And all I ask is a tall ship, and a star to steer her by. And the wheel's kick and the wind's song and the white sail's shaking, And a grey mist on the sea's face and a grey dawn breaking. I must down to the seas again, for the call of the running tide Is a wild call and a clear call that may not be denied; And all I ask is a windy day with the white clouds flying, And the flung spray and the blown spume, and the seagulls crying. I must down to the seas again to the vagrant gypsy life, To the gull's way and the whale's way where the wind's like a whetted knife; And all I ask is a merry yarn from a laughing fellow-rover, And quiet sleep and a sweet dream when the long trick's over. My poetry-reading these days falls into two main categories, discovery and re-discovery. But sometimes they overlap. Discovery doesn't dawn only from new poets and collections. Dusting off work I'm supposedly familiar with can suddenly reveal new perspectives, especially with a good editor as guide. Last week I re-read John Masefield as the result of a conversation with a writer-friend who gives readings to groups of adult-newcomers to poetry, often bringing well-known hits into his playlist. We soon got into a conversation about John Masefield's Sea-Fever (tried, tested but, we agreed, far from tired) and he raised a question about the first line: should it be 'I must go down to the seas again' or 'I must down to the seas again'? I wasn't sure; he wasn't sure. I checked in at home with the almost eponymous Sea-Fever: Selected Poems, edited by Philip W Errington, published in 2023. Errington has re-printed the poem as it appeared in Masefield's first collection, Salt Water Ballads, 1902, where the word 'go' is also omitted. The 'saltiness' in these early poems is often supplied by the mariners' dialect as they discuss death at sea, whether by shipwreck or as the result of yellow fever. When Masefield's poetic persona is close to himself, any lingering saline trace of dialect is washed by an inflowing fresh water tide of romantic longing. The sea is an image of seemingly free movement, and poems like The West Wind and Sea-Fever itself convey that double-expanse: the ever-moving sea and wind, and the human freedom these elements can symbolise. Less specific than some of the poems about the technicalities of sailing, Sea-Fever is a picture made of verbs, assonance, and the conjunction 'and', woven into the rhythmic strokes of a seven-beat line that joins what would be two lines in a traditional ballad. In each of the Sea-Fever quatrains, two couplets share a shanty-like call-and-response. The first ends firmly on the final stress ('sky', 'by'/ 'tide, 'denied'/ 'life', 'knife') while the second revises the rhythmic emphasis with feminine endings ('shaking', 'breaking'/ 'flying', 'crying'/ 'fellow-rover', 'over'). Herring-gulls are constantly 'crying' in that long 'i' sound. But a word with a short 'i' ('trick') is the clinching effect in the last line: as so often, the voyage concludes with death, but the characterisation of life as 'the long trick' is what stands out, suddenly intruding on those cliches of 'quiet sleep' and 'sweet dream' with an unforeseeable adjective-noun combination: 'And quiet sleep and a sweet dream when the long trick's over.' But what of that first line, and the word 'go' – added for the first time in Ballads and Poems, 1910, present in the 1922 Selected Poems, lacking in the 1923 Collected Poems, but back in place in the revised Collected Poems in 1946? Errington quotes from Linda Hart's A First Line Mystery published in The Journal of the John Masefield Society in 1993: 'When asked, in 1927, about the first line of the poem, Masefield stated '… I notice that in the early edition, 1902, I print the line 'I must down'. That was as I wrote the line in the first instance … When I am reciting the poem I usually insert the word 'go'. When the poem is spoken I feel the need of the word but in print 'go' is unnecessary and looks ill.'' From Masefield's comments, it seems he found 'I must down to the seas again' unnatural to speak, but that he preferred it to the less jinglingly dactylic rhythm that 'go' created on the page. 'I must down' is literary, antiquated diction for 1902. The omission of the preposition has distinguished idiomatic ancestry, though. There's a similar turn of phrase from Shakespeare in King Lear, when Lear says to Cordelia: 'Come, let's away to prison …' The noticeable jolt in Sea-Fever from the reference to 'the vagrant gypsy life' is explained in another illuminating editorial note. In manuscript drafts the poem begins, sea-less, 'I must go down to the roads again' or 'I must out on the roads again'. Those discarded 'roads' might have led Masefield to the kenning-like 'gull's way' and 'whale's way'. Perhaps the freedom of the sea and that of the open road and the community of the travellers remained joined together in Masefield's imagination. By omitting the all-too-necessary 'roads', the Wolverhampton-based poet of the new 20th century expresses the hallucinatory quality of his longing for what had been a mixed blessing at the time, the life of a sailor. His first impulse, to avoid the pedestrian 'go down', is the right one. He is murmuring to himself as if in a fever-dream: 'I must down to the seas again …'

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store