
‘Superman' Just Beat ‘Man Of Steel' At The Box Office, With A Few Catches
The saga of Superman's box office run continues with different spins saying it's good or bad, depending on the narrative the observer wants to create.
Now? Superman has hit a milestone that's sure to rile up the DCU versus DCEU crowd, it has now grossed more than Man of Steel at the domestic box office. Man of Steel earned $291 million domestically back in 2013, and as of today, Superman has passed that total
There are some caveats here. Some important ones, I'd argue.
First, of course, you can play the inflation game, and inflation has been…bad over the last decade. $291 million back in 2013 would equal $407 million today, and I mean, I don't think it's wholly wrong to consider that, even though many box office charts ignore that the vast majority of the time.
Second, there's the rather important story that Superman is drawing a poor international audience in the context of the wider industry, and also if we want to keep going with these Man of Steel comparisons. Joining that $291 million was $379 million, for a total of $670 million with international receipts 56% of the total for Man of Steel. Meanwhile, Superman hitting the $500 million mark includes just 42% international revenue, $214 million. And given that this ratio is likely to continue, it seems pretty unlikely that Superman is going to top Man of Steel's $670 million overall.
Superman
James Gunn has cited that Superman is not a 'known commodity' in some places (not sure that works with the Man of Steel data) but also:
'It also affects things that we have a certain amount of anti-American sentiment around the world right now. It isn't really helping us.'
That statement was widely criticized, but here in 2025, I'm not sure that's wrong, especially with a hero that has traditionally been about 'truth, justice and the American way.' The actual film portrays Superman as going directly against the US government and its war-based policies abroad, but the movie isn't getting much credit for that.
I am no friend to Snyder die-hards but realistically, I don't think that Superman will hit Man of Steel totals even before inflation. That said, Superman hs been way better received than Man of Steel by both critics and audiences, and we also have to consider the era we're in. Superhero box office has generally declined past an era closer to 2018-2019 when you had mediocre movies like Aquaman and Captain Marvel even putting up billion dollar hauls. Years back, I think this would have earned more.
I think Superman will do 'good enough' for this new era of DC, but I'm not sure it's all roses and confetti either.
Follow me on Twitter, YouTube, and Instagram.
Pick up my sci-fi novels the Herokiller series and The Earthborn Trilogy.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


CNN
25 minutes ago
- CNN
Professor reacts to Ted Cruz's comments about American Eagle, Sydney Sweeney debate
Author and clinical professor of marketing Marcus Collins joins MJ Lee on 'Early Start' to weigh in on the backlash American Eagle is receiving following its advertising campaign with actress Sydney Sweeney.


Chicago Tribune
an hour ago
- Chicago Tribune
Column: A Chicago film curator reflects on her new job in London, where national arts funding is still a thing
Across two decades, the film programmer Rebecca Fons, soon departing the Siskel Film Center in Chicago for a big new job at London's Barbican Centre, has worked at a novel variety of movie venues, including the single-screen Iowa Theater in her hometown of Winterset, Iowa, population a little more than 5,000. Most towns that size haven't had a movie theater for years. Fons and her mother, Marianne Fons, raised a million bucks and rehabbed and reopened the Iowa Theater on John Wayne Drive in Winterset as a nonprofit. Fons still programs the programming, which typically is 'F1' or 'Superman' but this week, at 7 p.m. July 31, it's 'Singin' in the Rain.' Fons, 43, has been the Siskel Film Center's director of programming since 2021. She will continue to program the Iowa when she becomes Head of Cinema at the sprawling Brutalist multidisciplinary Barbican arts complex this summer. The Barbican, by many measurements, remains London's leading cultural destination; it's home base for, among other organizations, the Royal Shakespeare Company and the London Symphony Orchestra. And it is generally tagged as the largest arts center in Europe. Our conversation has been edited for clarity and length. Q: In your job interviews for the Barbican post, what seemed to be the X-factor in your hiring? A: I think it had a lot to do with a noticeably varied career. I worked at the Chicago International Film Festival for nearly a decade, I did educational screenings, worked with students, teachers, general audiences, I managed volunteers, handled the visiting talent, ran around red carpets. I rehabbed a cinema with my mom and popped popcorn and picked carpet patterns. For FilmScene in Iowa City (a three-screen operation that Fons ran from 2017 to 2020), I programmed for rural audiences, college audiences. Here at the Film Center, I program for urban audiences. I guess (the Barbican) saw all this, and saw in me a curiosity to learn more, and always collaborate. How can we do with film, to go beyond the frame? That kept coming up in our interviews, and that aligned with what the Barbican has been doing with all its cross-disciplinary and inter-disciplinary programming. They've always done it, but they're entering a new era with it. Q: It's interesting to read a culture job description issued by a major institution in 2025 that isn't afraid of words like 'diverse' or 'provoke debate.' We talked earlier this year about the zeroing out of the National Endowment for the Arts and how it could affect Film Center programming like the Black Harvest Film Festival. A few months later, everyone's hurting. A: Yeah. (pause) The core values of the Barbican, and the mission and the support of the nation the Barbican happens to be part of — they're very welcome right now. Just to know there will be no debates about the value of national arts funding, very welcome. The Barbican's strategic plan and its mission align with my own values as a curator and as a human being. The (head of cinema) job is why I'm going, and I'm honored to be in that role. The rest of it is icing on the cake, but it's not just icing, if you know what I mean. What's interesting is that the Film Center's programming and the Barbican's programming have a lot of similarities. They run new films, we run new films. They host the London Palestine Film Festival, we host the Chicago Palestine Film Festival. They host various partner festivals' screenings, we do the same. They showcase a lot of repertory titles, as do we. Also, this is sort of wild: The Barbican opened in 1982, three months before I was born (laughs). Q: Has anyone there asked you where Iowa is? Do they believe it exists? A: Um (laughs), you're right, I should probably cue up a screening of 'Field of Dreams' for the staff and just say 'I live near there.' Honestly, I'll just show them photos of the Iowa Theater in my hometown. We're all connected by this business we love. Q: Your successor at the Film Center, whoever that turns out to be — what advice would you give to this person about the challenges and the possibilities? A: Every film exhibitor or curator or programmer is just trying to read the tea leaves and adjust. As usual. After the pandemic lockdown, and then the fallout from the (writers and actors) strikes, the industry was adjusting and counter-adjusting, trying to figure things out. It's a dance marathon, and we're all a bit tired. But we're here. There's a lot of encouragement and support and courage. We're all in it. People have been predicting the death of cinema since not too long after the birth of cinema. We just keep doing what we do. It's a resilient art form.

Business Insider
an hour ago
- Business Insider
Someone found Palmer Luckey's Spotify account. Good luck guessing his music tastes.
If Palmer Luckey wants to lean into the real-life Tony Stark comparisons, you might expect him to be listening to "Back in Black" by AC/DC. Instead, he seems to be more of a Hilary Duff guy. Luckey cofounded Anduril Industries, the defense tech company that produces drones, surveillance systems, and autonomous weapons technology. His recently revealed Spotify account reveals a softer side, with songs like Avril Lavigne's "Sk8er Boi" and Vanessa Carlton's "A Thousand Miles" among his "Best Music Ever" playlist. "Like most olds, I jam to the music I grew up with," Luckey wrote in an email to BI. "Around my peers and the radio-driven world of shared cultural experience it was 'Sk8er Boi' - who doesn't like reliving the highs and lows of teenage angst?" On Wednesday, a site called " The Panama Playlists" (a nod to the Panama Papers) began to circulate online, which said it had identified the Spotify accounts of influential figures. One X user screenshotted a playlist identified as Luckey's, writing that he was "120% more bullish" on the founder if the playlist was real. Luckey confirmed that the playlist was his on X with reference to a Kelly Clarkson hit also on the playlist, "My Life Would Suck Without You." I can confirm that this playlist is real. My life Would suck Without You — Palmer Luckey (@PalmerLuckey) July 30, 2025 Luckey seems to be a big fan of Clarkson. His "Best Music Ever" playlist has three of her songs. "Since U Been Gone" also appears in his "Weekly Discovered" playlist. When one X user wrote that it was a "surprising playlist" for the "modern day Iron Man," Luckey responded with some of Lavigne's lyrics: "He wasn't good enough for her." Luckey, 32, seems to have a penchant for '90s and early 2000s radio pop. His best music playlist includes three back-to-back Hilary Duff songs. Luckey is also into boy bands, streaming *NSYNC and the Backstreet Boys over two decades after their peak. While Anduril builds its Ghost 4 drone with metal alloys, Luckey seems to be streaming heavy metal. His Spotify account includes a 77-song playlist exclusively devoted to the metal band DragonForce, along with a 118-song playlist devoted to the Swedish power metal band Sabaton. "I do like heavy metal, but power metal is much more my jam, along with some pirate metal, melodic metal, and symphonic metal," Luckey wrote to BI. "I am listening to it all the time, though honestly not much on Spotify these days - physical media like cassettes and CDs is where it is at, along with local storage modded iPods." For the Celtic punk fans, Luckey also has a 73-song playlist of exclusively Flogging Molly songs. For those hoping to celebrate Anduril's recent $2.5 billion funding round with Luckey at his Newport Beach mansion, his Spotify includes a playlist called "Party." The playlist sports songs by Kesha, LMFAO, Lady Gaga, and The B-52s. Luckey's last playlist has only one song, the unlisted "Winter Wrap Up (VOCAL GUIDE)." The song is from "My Little Pony" — and the Luckey titled the playlist "Brony," a reference to men who enjoy the animated children's show.