logo
The enchanting French theme park just 40km from Disney that's cheaper – and far less busy

The enchanting French theme park just 40km from Disney that's cheaper – and far less busy

Independent2 days ago

'Who makes the magic potion?' I asked my 13-year-old nephew Fred as we landed at Charles de Gaulle Airport. 'Getafix,' he replied without hesitation. While the stories of Asterix, the Gaul had been the mainstay of my youth, Fred had recently discovered this world through Netflix's five-part series released in April. As we walked from Les Trois Hiboux hotel into the park, he looked up at the roller coaster rails of the Goudurix ride towering above the Viking area.
'Are we going on that?' he asked, eyes wide with anticipation and disbelief, after all, it boasts five loop-de-loops followed by a corkscrew. This wide-eyed astonishment would set the tone for our entire weekend.
The Adventures of Asterix the Gaul follow the warrior Asterix and his fellow Gaulish villagers as they stand up against the might of Julius Caesar and the Roman Empire. First published in 1959, there are now 40 volumes with another due for release this year. With a whopping 393 million copies sold they are the best-selling European comic book series ever and the second best in the world.
Some 40km away, Disneyland Paris was preparing for the May bank holiday, one of their busiest weekends with snaking queues and lengthy waits. We were casually strolling straight into the heart of Parc Astérix. While it isn't striving to imitate its larger, more saccharine neighbour (which it actually predates by three years), the park is reaching new audiences through recent book releases like Asterix in Lusitania, due October 2025, and the new Netflix series.
Parc Astérix has grown from strength to strength, recording 2.84 million visitors in 2024. With short transfer times from Charles de Gaulle via an €11 shuttle bus, it's positioning itself as a genuine alternative in European theme parks.
Fred took charge of our route, map in hand, leading us through the medieval section, past 19th-century Parisian streets, and straight into ancient Egypt. The park divides into iconic sections from the Asterix universe: ancient Egypt and Greece, Rome, and of course the legendary Gaulish village still holding out against Roman might. Each area is meticulously designed with temples, Parthenons, and Viking thrones, populated by familiar faces from the comic series.
I watched Fred's delight as we moved between worlds, taking in the seemingly rickety wooden-framed Zeus roller coaster and Toutatis, Europe's second-fastest roller coaster. The Gallic humour translates perfectly for both adults and children. Characters like Getafix the magic potion-brewing druid, Cocofonix the tone-deaf bard, and Netflix's Potus the clueless Roman general wander the park, creating natural photo opportunities. What struck me most was the staff's genuine passion, most had grown up with these stories, and their warmth felt authentic rather than corporate-trained.
The variety of attractions impressed us both. On the second day we were joined by some other writers and their families. The youngest member, aged two-and-a-half, rode one attraction a magnificent eleven times. Roller coasters cater to growing kids, with everything accessible for those over 130cm. Shows run throughout the day, high diving, pirate performances, and an exceptional 4D cinema experience. Yes, they're in French, but the visual spectacle translates beautifully, packed with universal humour.
Parc Astérix isn't resting on its laurels. This year sees the opening of Cétautomatix (Fulliautomatix in English), a new spinning chariot roller coaster set in the blacksmith's workshop. Plans are also underway for additional hotel accommodation to complement the existing two 3-star and one 4-star properties. Each hotel has its own theme: the Great Hall of Les Trois Hiboux, the stilted village of La Cité Suspendue, and the magical quayside of Les Quais de Lutèce. All sit within walking distance of the park, perfect for recovering from adrenaline-fuelled days.
The value proposition speaks for itself. For two adults and two children under 12, Parc Astérix charges €443 for one night and one day, or €593 for one night and two days, including breakfast. Disney charges €970 for a one-night, two-day package excluding breakfast. Food pricing matches Disney's at the fast-food level – €10 for kids' meals, €18 for adults – but the three-course 'all you can eat' buffet at Restaurant Le Cirque costs just €12.50 for children and €35 for adults, compared to Disney's €25/€45 equivalent.
Fred returned to our table beaming with a plateful of food. 'What have you got?' I asked. 'Caviar,' he responded. 'I've never had it before.' The buffet offered lasagne, dauphinoise potatoes, roast meats, vegetarian dishes, whole cooked salmon, extensive desserts, and a cheese board to die for – a veritable feast.
Fast-track passes are available, though Disney's are slightly cheaper at €190 per person over three years old, while Parc Astérix costs €239/€199 for ages 3-11. However, the Asterix price includes lunch at Restaurant Le Cirque, adding genuine value.
Asterix has always been about a small Gaulish village standing up to Roman imperial might. The parallels with Parc Astérix challenging Disney are unmistakable. Despite being almost dead on his feet, Fred was desperate for one more ride. 'Thanks Uncle Matt, this is the best weekend ever!' he said, and a warm glow of happiness surrounded me.
Now that Netflix has successfully brought Asterix back to global screens, perhaps it's time British families discovered what the French have known all along: sometimes David really can outshine Goliath.
How to do it
Airlines including British Airways, easyJet and Jet2 fly to Charles-De-Gaul Paris from the UK. Parc Asterix runs a shuttle bus from the airport costing €11.
If you are arriving by Eurostar at Gare du Nord you can walk to the Gare de l'Est metro station (Verdun) where you catch the subway to Palais Royal. From there, you can take one of the buses that depart every 20 minutes.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Holiday hotspot makes move to ban cruise ships in attempt to fight 'overtourism'
Holiday hotspot makes move to ban cruise ships in attempt to fight 'overtourism'

Daily Mail​

timean hour ago

  • Daily Mail​

Holiday hotspot makes move to ban cruise ships in attempt to fight 'overtourism'

Cannes will no longer roll out the red carpet for giant cruise ships carrying more than 1,000 passengers, city councillors have announced. Starting next year, the French Riviera city, best known for its glamorous film festival, says the move is aimed at tackling overtourism and protecting its coastline. It follows other European hotspots that have banned huge liners from their shores and imposed passenger restrictions. Cannes city councillors voted Friday to introduce new limits on cruise ships entering its ports starting in January 2026. Only ships with fewer than 1,000 passengers will be allowed into the port, with a maximum of 6,000 passengers disembarking per day. Larger ships will be expected to transfer passengers to smaller boats to enter Cannes. The council said the goal was for cruise ships to be 'less numerous, less big, less polluting and more aesthetic'. Mayor David Lisnard said: 'Cannes has become a major cruise ship destination, with real economic benefits. It's not about banning cruise ships, but about regulating, organising, setting guidelines for their navigation.' France - which drew in some 100 million visitors last year, more than any other European country and more than the country's population - is on the front line of efforts to balance economic benefits of tourism with environmental concerns while managing ever-growing crowds. The neighbouring city of Nice announced limits on cruise ships, which are set to start on July 1. Venice banned large liners in 2021, followed by Amsterdam and Barcelona in 2023. Cruise operators have called such restrictions damaging for destinations and for passengers. Two cruise ships were scheduled to dock in Cannes yesterday, each bigger than the upcoming 1,000-passenger limit and with a combined capacity of more than 7,000 people. Their owners did not immediately respond to requests for comment on the new restrictions. The French city was crowned the world's best destination for festivals and events by the World Travel Awards in 2023 and 2022, in what is considered the 'Oscars of Tourism'. The city welcomes around three million tourists each year, according to DeplacmentsPros, with around 10 per cent of those arriving in Cannes for the iconic film festival. The city itself has a population of around 75,000, but attracts huge numbers for the festival each year.

Marginalia can sometimes add great value to a book
Marginalia can sometimes add great value to a book

Telegraph

time3 hours ago

  • Telegraph

Marginalia can sometimes add great value to a book

I recently bought a history of 19th-century France from a reputable second-hand books site, where its condition was described as 'very good'. When it arrived, I was dismayed to find it scrawled all over with underlinings, asterisks and marginal comments. Fortunately, most of the annotations were in pencil and some busy work with an eraser got rid of the worst of them. Afterwards, I wondered why I had found these harmless marginalia so upsetting, and concluded that it was probably because I spent my childhood reading library books. Now, writing in library books is pure vandalism – 'blood relative to that large-scale, public form of marginalia we call graffiti', as Kevin Jackson pointed out in his wonderful book Invisible Forms. But when it comes to annotating your own books, bibliophiles across the ages, from medieval monks to social-media book-fanciers, are all in favour: 'I consider as lovers of books those out all the margins with annotations of many kinds,' wrote the Renaissance philosopher Erasmus. Half a millennium later, a growing community of BookTokkers and Bookstagrammers are taking Erasmus at his word, posting images of books embellished with pastel highlighting and marginal drawings of flowers and kittens, wantonly smeared with lipstick kisses, or neatly stuffed with colour-coded tabs (romance and romantasy are favourite genres for this treatment). For the novice marginalist, there are even helpful essays on how to get started: 'Think of it as connecting with either the author, the text, or even to yourself.' For the author Ann Patchett, annotating her own text proved an unexpected way to connect with her readers. As she explained in her introduction to the annotated edition of Bel Canto, she was initially asked to annotate a copy of her 2023 novel Tom Lake as part of an auction to support an independent bookshop. As she worked, she 'saw patterns in the book I'd scarcely been aware of... it helped me clarify the way I write'. And so the idea formed to publish an annotated edition of Bel Canto. Patchett is only the latest in a succession of authors whose marginalia serve to enrich rather than deface the texts they appear on. Ezra Pound's pithy scrawls on T S Eliot's The Waste Land ('Perhaps be damned') are familiar from the facsimile edition. But the most prolific and brilliant of all marginalists (according to Jackson) was Samuel Taylor Coleridge, who is credited with introducing the word 'marginalia' to the English language in 1832. To lend your books to Coleridge was to have them returned, as his friend Charles Lamb wrote, 'enriched with annotations, tripling their value'. We can trace a direct line of descent from Coleridge's marginalia to the social-media annotators who painstakingly embellish a copy of a friend's favourite novel as a gift. But the ancestry of those cute marginal kittens extends even further back, to around 1420, when a scribe from the Netherlands left a manuscript on his desk overnight. A spreading stain, a Latin curse (Confundatur pessimus cattus qui minxit super librum istum in nocte...) and a furious marginal drawing of two accusing fingers pointing at a shifty-looking cat have ensured for the manuscript (now held at the Historiches Archiv in Cologne) a global fame and affection beyond the wildest dreams of an angry scribe pointing the marginal finger at a miscreant feline.

This is exactly what you have to do to lose half a stone in just two weeks - and you don't need Mounjaro or Ozempic! Top Harley Street nutritionist KIM PEARSON reveals the simple way to get your body in shape fast
This is exactly what you have to do to lose half a stone in just two weeks - and you don't need Mounjaro or Ozempic! Top Harley Street nutritionist KIM PEARSON reveals the simple way to get your body in shape fast

Daily Mail​

time4 hours ago

  • Daily Mail​

This is exactly what you have to do to lose half a stone in just two weeks - and you don't need Mounjaro or Ozempic! Top Harley Street nutritionist KIM PEARSON reveals the simple way to get your body in shape fast

We've all come back from an over-indulgent trip abroad with a tighter waistband, feeling sluggish and bloated. It can be hard to avoid excess baggage after two weeks of French frites, Roman pizza and sugar-dusted piles of Spanish churros, after all. But what if I told you the 'holiday half stone' is not an inevitable consequence of eating well abroad? That you can sample the tastiest foreign dishes and still fit into your shorts once you get home.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store