logo
Artists and athletes gather in UAE for festival of unity

Artists and athletes gather in UAE for festival of unity

Gulf Todaya day ago
Sheikh Nahyan Bin Mubarak Al Nahyan, Minister of Tolerance and Coexistence, inaugurated the Global Encounters Festival 2025 on July 21. To run till July 27, it is a gathering of more than 4,000 young artists and athletes from over 50 countries, uniting in the spirit of collaboration, innovation, and shared humanity. The opening ceremony, held at Dubai World Trade Centre (DWTC), was attended by distinguished dignitaries, including Prince Amyn Aga Khan and Prince Aly Mohammed Aga Khan, alongside over 25,000 visitors from around the world.
Held under the patronage of Sheikh Mansoor bin Mohammed bin Rashid Al Maktoum, Chairman of Dubai Sports Council, the Global Encounters Festival 2025 takes place across multiple venues in Dubai, featuring a programme of art showcases, sports competitions, concerts, exhibitions, and immersive cultural experiences. In his keynote address, Sheikh Nahyan bin Mubarak Al Nahyan said: 'I am pleased to express our country's great pleasure in welcoming so many festival participants from around the world. I am especially pleased to warmly greet and welcome His Highness Prince Aly Mohammed Aga Khan and His Highness Prince Amyn Mohammed Aga Khan. Their respected worldview, and their strong commitment to preserving our Islamic heritage and traditions, are well known. Their presence will certainly enrich this festival.'
He added: 'You have assembled in Dubai under our country's welcoming Arab tent that has sheltered a peaceful and innovative population at this global crossroads. This city and this country are showing the world that people from different nations, different ethnicities, different religions, and different cultures can live and work together in peace and harmony, in an environment marked by understanding, respect, and shared values.' Sheikh Nahyan emphasised the UAE's national ethos of coexistence and the role of arts and sports in building bridges across cultures. 'Under the wise leadership of His Highness the President Sheikh Mohammed bin Zayed Al Nahyan, and the visionary guidance of His Highness Sheikh Mohammed bin Rashid Al Maktoum,' he said, 'we in the UAE cherish the bridges that sports and the arts build between peoples and nations.'
Reflecting on his past attendance at the Jubilee Games 2016, he said that he was glad to see how much the festival had grown.The Festival reflects long-standing engagement between the Ismaili community, the Aga Khan Development Network (AKDN) and the Gulf region through collaboration with public and private institutions. In a recorded video message, His Highness Prince Rahim Aga Khan expressed his thanks to the government of the United Arab Emirates for welcoming his community to the city of Dubai, and for the long-standing partnership between the UAE and Ismaili Imamat. He said: 'To fulfil our potential as creatives or athletes is to realise a blessing. Sport and arts are not only beautiful, they have the unique power to build bridges.'
Helal Saeed Almarri, Director General of Dubai World Trade Centre Authority, said that 'hosting the Global Encounters Festival aligns with Dubai's wider economic agenda, reinforcing our role as a global platform for innovation, cultural exchange, and human capital development.' Mahir Julfar, EVP of Dubai World Trade Centre (DWTC) said: 'With over 25,000 visitors expected, DWTC is well-positioned to deliver a world-class experience that matches the ambition and energy of this remarkable youth-led gathering.'
'The Global Encounters Festival exemplifies the spirit of unity, service and excellence that the Ismaili community aspires to worldwide,' said Malik Talib, Chair of the Ismaili Leaders' International Forum (LIF). The Festival also aims to empower the next generation of changemakers by nurturing artists, athletes and civic leaders, who not only pursue excellence, but also drive social impact, climate action, and intercultural understanding.
Celebrating diversity across more than 200 nationalities, the Festival aligns with the UAE's Year of Community 2025, promoting inclusion, sustainability and innovation as universal values. From electric rideshares to zero-waste venues and a global tree-planting campaign, sustainability is a cornerstone of the Festival. Thousands of participants are supporting the Roots for Change initiative, pledging to plant 1 million trees globally in alignment with Net Zero 2030 goals.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Co-Production Salon returns to MIPCOM Cannes for second year
Co-Production Salon returns to MIPCOM Cannes for second year

Broadcast Pro

time3 hours ago

  • Broadcast Pro

Co-Production Salon returns to MIPCOM Cannes for second year

Co-Production Salon will debut the 2025 MENA Co-Production Guidebook, host curated in-person and virtual networking sessions, and launch a year-round Virtual Networking Lounge to connect Arabic producers with global partners and showcase key industry insights and projects. Co-Production Salon, a platform dedicated to nurturing co-production partnerships and investment channels involving the Arab world, is set to return to MIPCOM Cannes for the second year in a row. Scheduled to run from October 13 to 16, 2025, at the Palais des Festivals, the initiative will feature an upgraded presence at the MIP Creative Hub, strategically positioned along the Cannes beachfront. The event underscores Co-Production Salon's growing role in linking Arabic content creators and investors with international distributors, broadcasters, and financiers to develop globally marketable content. Heba Korayem, Founder of Co-Production Salon, said: 'CoProduction Salon was created to bridge worlds — bringing Arabic production houses and investors together with international partners to create meaningful, marketable content. MIPCOM gives us the stage to make more of those connections happen.' A recent Omdia report predicts the region's VOD market will grow fivefold to reach $8.4bn by 2029, while Parrot Analytics data points to a dramatic rise in demand for Arabic content — up 400% in Saudi Arabia, 300% in Morocco, and 200% in Iraq since 2020. Since its inception, Co-Production Salon has facilitated over $12m in partnership deals. For 2025, the platform is introducing several new initiatives aimed at deepening engagement and insight. These include the launch of the MENA Co-Production Guidebook (2025 Edition), offering in-depth analysis of market trends and investment opportunities, and a Networking Power Hour, designed to foster real-time, curated meetings between Arabic and international stakeholders. Additionally, a Virtual Networking Lounge will provide continuous access to industry data, professional connections, and project highlights throughout the year. The initiative invites participation from a wide array of industry players, from production companies and distributors to investors, broadcasters, OTT platforms, and advertising agencies, all seeking to tap into one of the fastest-growing, youth-driven content markets in the world. Participants will gain access to premium projects, vetted partnerships, and curated networking opportunities. The Virtual Lounge already features over 200 verified profiles from top-tier MENA content entities, including Saudi Broadcast Authority, Thamaniya, Sadaf Media Production, Rise Studios, Cedars Art and Pixitoon. The physical lounge at MIPCOM will serve as a key venue for face-to-face engagement with these and other leading industry names. With its enhanced presence and expanded programming, Co-Production Salon is positioning itself as a central force in the internationalisation of Arabic content. Visitors can connect with the team at PALAIS C12 HUB 6, explore ongoing projects, or join high-level networking events at MIPCOM. 'Our goal is to make those partnerships not just possible but profitable,' added Heba Korayem.

Louvre Abu Dhabi has revealed it's exhibition line-up for the next year and it's stacked
Louvre Abu Dhabi has revealed it's exhibition line-up for the next year and it's stacked

Time Out Abu Dhabi

time8 hours ago

  • Time Out Abu Dhabi

Louvre Abu Dhabi has revealed it's exhibition line-up for the next year and it's stacked

The new cultural season is here and Louvre Abu Dhabi isn't pulling any punches. The museum has just revealed its full 2025–2026 programme – and it's a knockout. We're talking dynasties, darkness, dancing light and a certain Spanish artist who needs no introduction. Louvre Abu Dhabi is diving headfirst into global history and contemporary creativity, showcasing everything from medieval powerhouses to modern masters. With heavyweight partnerships including Musée du Louvre, Musée national Picasso-Paris and Richard Mille, this next chapter promises art, innovation and dazzling cross-cultural storytelling. Here's your exclusive sneak peek into the season: Mamluks: Legacy of an Empire Sept 17, 2025 – Jan 25, 2026 The season kicks off in glorious style with a deep dive into the mighty Mamluk Sultanate – a dynasty that ruled swathes of the Islamic world for over 250 years. Think Egypt, the Levant, parts of Turkey and Saudi Arabia's holy sites – all under one powerful banner. Expect intricate craftsmanship, epic diplomacy and a visual journey through a golden age of Islamic art. Centrepieces include Reception of a Venetian Delegation by the Mamluk Governor of Damascus and the jaw-dropping Baptistery of Saint Louis. This exhibition brings together masterpieces from Musée du Louvre and Louvre Abu Dhabi's own collection. Art Here 2025 and Richard Mille Art Prize Oct 8 – Dec 28, 2025 Back for its fifth edition, Art Here is getting even bolder. Curated by Swiss-Japanese powerhouse Sophie Mayuko Arni, this year's theme is Shadows, drawing on the interplay between light and darkness – with nods to both Japanese and Arabian Gulf traditions. Expect massive, immersive works from artists based in the GCC, MENA and Japan, with one lucky creative scooping the coveted Richard Mille Art Prize. It's big. It's bright. And it's brimming with meaning. Picasso, the Figure Jan 19 – May 31, 2026 Yes, that Picasso. This huge exhibition zooms in on the Spanish icon's lifelong obsession with the human figure – from mythological musings to surrealist contortions. Featuring more than just canvases, the show will include sculpture, drawings and rarely seen masterpieces. Standouts include Woman with a Mandolin (1911), Portrait of a Seated Woman (Olga) (1923) and Woman Sitting in Front of the Window (1937), all exploring how Picasso warped, twisted and reinvented the human form. But that's not all. The museum is set to host a range of cultural and educational events alongside the headline exhibitions, plus a new immersive experience that hasn't yet been revealed (but our curiosity is thoroughly piqued). From centuries-old empires to avant-garde experiments, Louvre Abu Dhabi's 2025–2026 season is shaping up to be its most ambitious yet. Whether you're into ancient artefacts or modern masterpieces, there's something here that'll absolutely blow your artistic mind. From Dhs65. Open Tues-Thu, 10am-6:30pm (exhibition), Fri-Sun, 10am-8:30pm. Closed on Mon. Saadiyat Cultural District, Saadiyat Island, . You might also like… Abu Dhabi's best restaurants: Everywhere you should eat at least once Your dinner inspo is sorted 12 fantastic road trips across the GCC Fill up the tank and go Abu Dhabi to Dubai by bus: How to travel between the two cities Everything you need to know, from getting a Nol card to bus timetables Old Abu Dhabi: 15 best spots to uncover the history of the capital Peel back the layers of time

New issue of Sharjah Cultural highlights global creativity
New issue of Sharjah Cultural highlights global creativity

Sharjah 24

time8 hours ago

  • Sharjah 24

New issue of Sharjah Cultural highlights global creativity

ditorial team contributions Managing Editor Nawaf Younes contributed an essay titled 'Music… A Culture and Universal Language', describing music as one of the most enduring human artistic expressions across and as a powerful —from Assyrian and Egyptian to Greek and Chinese—civilisationsinfluence on identity, personality, and culture. Music, he argues, continues to thrive today as a universal language understood by all. Literature, history and cultural profiles Jabal, a leading Arab poet, as examined -This issue explores the life and poetry of Badawi alby Dr Akram Qanbas. Dr Mohamed Ahmed Anab delves into the legacy of Swiss orientalist Max van Berchem, who dedicated his life to the study of Islamic inscriptions and calligraphy. Amal Kamel writes about Zgharta, a Lebanese town surrounded by rivers and olive trees, while Shehab Al Kaabi reflects on the cultural heritage of Basra, Iraq's vibrant cultural capital. Focus on Arab literary voices In the Literature and Writers section, Abdul Alim Haris covers the Sharjah Cultural Honouring Forum, which celebrated a group of distinguished Mauritanian authors. Jawad Amer writes about Moroccan historian, poet, and critic Abdullah Kannoun and his literary contributions, while Nour Suleiman Ahmed analyses the novelistic style of Ibrahim Abdel Meguid and his talent for evoking place and character. I'tidal Othman discusses how Arab s Indian writer novels address the transformation of identity, and Adel El Batousi highlightone of the prominent voices in the —Bhanu Mushtaq's win of the International Booker PrizeKannada language. Contemporary voices and literary legacy Ahmed Fadl Shabloul profiles poet Aziz Andraos, influenced by the Mahjar school and noted for innovation in form and content. Nabil Suleiman recounts how libraries shaped his literary world over seventy years, introducing him to major Arab and international writers. Hassan M. Youssef interviews author Tayseer Khalaf, who links creativity with societal change. Noura Ibrahim Hardan covers the poetic journey of Iraqi poet Mowafaq Mohammed Abu Khumra, while Sawsan Mohamed Kamel explores the intellectual and civilisational thought of Algerian thinker Malek Bennabi. Ghassan Kamel Wanos writes on the creative spaces and characters shaped by Haydar Haydar, with a focus on his blending of literary genres. Intissar Abbas sheds light on the poetry of Mohammed Lafi and his reflections on identity, homeland, and exile. Global literary reflections Dr Qassem Koufji analyses the literary depth of Haruki Murakami's writing, especially in its exploration of identity, isolation, and human nature. Dr Majd Haidar discusses Empire of the Sun by J.G. Ballard, inspired by the author's autobiography. Ziad Al Rayes reflects on themes of sorrow and confession in Your Book in My Right Hand by Jordanian writer Yasser Qubailat. Youssef Ali covers a panel discussion hosted by the Arab Cultural Club in Sharjah on Aisha Sultan's short story collection Cold Fear. Finally, Nasreen Antonius revisits For Bread Alone by Moroccan writer Mohamed Choukri, who offered a raw testimony to a childhood shaped by deprivation, learning life's harsh lessons on the streets before even learning to read. Art, strings and brushstrokes In the Art, Strings and Brushstrokes section, Mohab Labib explores the experience of Syrian Bashir Obeid -abstract artist Mahmoud Hammad, a pioneer of the movement in Syria. AlHadi Sassi, who seeks to balance creativity with artistic -interviews visual artist Mohamed AlGizawy pays tribute to the renowned Samia Ayoub, a major figure in -commitment. Khalil Elthe history of Arab theatre, while Hisham Azkyd highlights the creative work of Moroccan Safadi, -s poet Bayane AlSaghir. Randa Halloum meet-Maskini Al-playwright and director Alwho writes for both adults and children, believing theatre has a profound impact on young Din Aita honours the legacy of Egyptian music legend Mohamed -minds. Ahmed Saad ElFawzi, celebrated for his innovation and versatility. Dr Lama Tayara reviews the film Thank You for Dreaming with Me, emphasising the director's skill in bringing reality to life on screen. Osama Asal commemorates the 110th anniversary of the birth and 29th anniversary of the passing of Salah Abou Seif, one of Egypt's cinema greats. Under the spotlight: new books and readings The Under the Spotlight section presents a variety of new books and critical readings. These include The History and Culture of the Tajiks by Nawal Amer, Descriptive and Analytical Methodology by Amani Ibrahim Yassin, and Ancient Arabic Prose Texts from Anxious Agha. Thuraya Abdel Badi' Al Arab reviews He Who Lacks Love... Gives -Literature by Abrar AlIt, a young adult novel by Rania Hussein Amin. Other works featured are The Arabs in s by Orientalist Painting by Iman Mohamed Ahmed and The Hidden Ones in My WordMaamari, with reviews from Souad Said Noah. Najlaa Mamoun contributes a -Suleiman Alstudy on the origins and evolution of the Moroccan short story. Cultural essays and articles This issue also includes a rich collection of articles and essays covering a broad range of cultural topics. Among these are discussions on poetic ambition by Raad Aman, reflections on the city of Esna's wisdom and history by Saeed Yassin, and the digital revolution's impact on artistic creativity by Mudhafar Ismail. Fadia Issa Qaraajeh examines Waciny Laredj's Za'al explores -novelistic approach as close to documentary style, while Shimaza Fawaz Alk Saqour writes on the narrative the relationship between algorithms and literary work. MaliTayyib -forest, Mustafa Abdullah reviews the turbulent life of poet Hanoun Majid, and AlAdeeb considers the importance of children's libraries. Nabil Ahmed Safiya investigates the influence of culture and criticism on Arab fiction, and Paul Chaoul critiques artificial intelligence as a failed poet. Abdulrazzaq Shahroor delves into classical chaste love poetry, Suhaimi's love for place and memory. Abdelhakim -and Mufid Khansa reflects on Mohsen AlArnaout -Zubaidi profiles scholar and critic Ahmad Youssef Ali, while Mohamed Al-AlHaisha shares -examines Arabic literature in Bosnia and Herzegovina. Mahmoud Salama Alstories about human emotions, and Dr Hani Mohamed celebrates the cultural contributions Maghribi analyses the shaded rooftops between Barak and -Alayli. Najwa Al-of Abdullah AlPicasso, while Mohamed Najib Qaddoura recalls the creative memories of Adeeb Qaddoura. Mohamed Hammouda reveals the theatrical side of Naguib Mahfouz, and Magdy Mahfouz highlights the realisation of the Sharjah Performing Arts Academy dream. Prince Kamal Faraj discusses voice performance as an art form, Ali Dawla reviews children's films and Safi's novel Jameel Nadound as a -programmes, and Dr Mustafa Ghunaim praises Anne Alsymphony of hope. Finally, Nadia Omar takes readers on an exciting journey through Arabic literary history, and Rose Makhlouf explores the subtle harmony of silk. Short stories, poetry and heritage The issue also dedicates space to a selection of short stories, poetry, translations, and heritage pieces by prominent Arab writers. Featured works include The Artist's Room by Batros's exploration of commodifying art amid -Suad Zaher, a writer and critic, and Dr Atef AlSayed Abdel Aal, -the pressures of reality. Short stories such as New Events by Mohamed ElDaem, and One Day It Happened by Abdelhamid -An Innocent Trick by Asmaa Nour Alof Light, by Rawi are included, alongside a translated poem, The Long Ray -Mohamed AlAsma'i by Abdulrazzaq Ismail, -Hamada Abdel Latif. The heritage series features Stories of AlSha'ar's Literary Notes explore the -A'raj. Fawaz Al-Jishi reflects on poet Al-while Wael Albeauty of language and linguistics, and Waleed Ramadan sheds light on the life and work of French orientalist Charles Pellat, who was devoted to the Arabic language.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store