
J Balvin, Doja Cat and Tems to Headline Inaugural FIFA Club World Cup Final Halftime Show
Get ready for a first in football history. TheFIFA Club World CupFinal is set to feature its inaugural halftime show, with an electrifying lineup of global music titans:J Balvin,Doja CatandTems. This groundbreaking performance will take place on Sunday, July 13, 2025, atMetLife Stadiumin New Jersey, marking a significant new dimension for a major FIFA tournament.
The star-studded event is being produced by Global Citizen and curated by none other thanColdplay's frontman,Chris Martin. This collaboration extends beyond entertainment, serving a powerful philanthropic purpose: to support the FIFA Global Citizen Education Fund, which aims to raise $100 million USD to improve access to quality education for children worldwide. A dollar from every ticket sold for the entire FIFA Club World Cup tournament will be donated to this fund.
The 2025 FIFA Club World Cup, an expanded 32-team tournament, kicks off on June 14th in the U.S. and culminates with this historic final. J Balvin expressed his honor, calling it a 'historic moment' for himself, Latin culture, and dreamers. Tems echoed this sentiment, emphasizing the unity music brings and its power to improve lives. The show promises a blend of Afrobeats, reggaeton, pop and hip-hop, delivered live and for free globally viaDAZN.com, with an expected audience of 2 billion viewers. This inaugural halftime spectacle is also seen as a precursor to a similar show planned for theFIFA World CupFinal in 2026, also at MetLife Stadium.
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Boston Globe
3 hours ago
- Boston Globe
Sekou McMiller's ‘Urban Love Suite' celebrates social dance with Jacob's Pillow world premiere
With the support of NAACP Berkshires, McMiller — a Chicago-born and New York-based African Diasporic dance and music scholar/educator — immersed himself in the Berkshires' robust Afro-Latin community. He led workshops at a local elementary school and dance club. During a 'cultural exchange,' McMiller combined his own choreography with the celebratory traditions that local workshop participants offered him. McMiller incorporated some of the movement generated in this Pittsfield engagement into the new work, and it will live on in the choreography after it leaves the Berkshires. 'It's a love letter to the Black and brown communities,' McMiller said in a phone interview this week, 'the beautiful music and dance that has been created from hip-hop to samba to New York Mambo.' Advertisement So, despite the formal venue, you can expect this Jacob's Pillow performance to feel like a party. Advertisement 'Urban Love Suite' celebrates the relationships between different African diasporic communities through their dance and music traditions, 'their nuanced differences, their similarities and their shared roots from the continent of Africa,' McMiller said. To develop the work, with the support of the NAACP Berkshires, Sekou McMiller immersed himself in the Berkshires' robust Afro-Latin community. Pictured, Sekou McMiller and Friends' Sekou McMiller and Marielys Molina. Elyse Mertz The work also celebrates how a dense city can bring many cultures into close proximity, he said, creating opportunities for exchange that are unique to the urban experience. It can, as he put it, yield 'amazing fruits of music and dance.' 'Like New York City Mambo, which was done in New York, Harlem, where you had that cross pollination of Lindy Hop and jazz and tap dancers, with the Latin dancers coming directly from Cuba, but then [they] create a new way of doing the dance that only could have been done in an urban city like New York.' McMiller's point is that proximity can be challenging yet generative. You might not always be in the mood to listen to your neighbor's playlist, but after the fourth or fifth time through, you might find your hips moving to the beat, reluctantly familiar with the rhythms your neighbors prefer. McMiller, a classically trained flutist and jazz musician, is also the curator at the National Jazz Museum in Harlem. He reveres the intimate entanglement of music, movement, and social gatherings, and collaborated with music director Sebastian Natal on a score grounded in Afro-Latin jazz to be performed live alongside the dancers. 'Love Suite' draws parallels between parading traditions like Uruguayan candombe and New Orleans' second line, and layers party dances from Cuba, Puerto Rico, Chicago, and New York. It also highlights the roots of these movement forms in cultural traditions from Nigeria, Senegal, and Burkina Faso — the region the colonialist machine favored for the capture, export, and exploitation of human beings as a resource, who became the ancestors of Afro Caribbean, Afro Latin, and African American communities. Advertisement 'They're social dance in nature,' McMiller said, 'so they're not born of a studio. They're born from culture. They're born from parties. They're born from celebrations. They're born from traditions and rituals.' After noticing a lack of social dance in the Jacob's Pillow archive, artistic and executive director Pamela Tatge has made efforts to uplift dance artists working inside those traditions — with the help of her curatorial team. 'If we are charged with representing the breadth of dance in the world, to not center social dance would be a mistake,' said Tatge in a recent phone interview. It's complicated to bring these dances to the stage because social dance is a participatory art, and The Theater fosters an inherent separation between the audience and performer. McMiller is up for the challenge, and his solution: improvisation in both music and dance. 'It's call and response from beginning to end. I allow my choreography to be a call to the dancers to then respond … so at some point you won't be able to tell the difference between improv and choreography,' McMiller explained. 'So every night, it's same format, different show.' 'Love Suite' will also disrupt the performer-observer relationship by dancing among the audience and inviting attendees onto the stage. Performance is a call too, that asks the audience to respond. 'I hope this pushes people to get out there and come join us,' McMiller said, 'to not just spectate with us, but become an active participant in this life.' Advertisement URBAN LOVE SUITE At Jacob's Pillow's Ted Shawn Theatre, Becket, July 30 to Aug. 3. Tickets start at $65. 413-243-0745, Sarah Knight can be reached at sarahknightprojects@


Buzz Feed
4 hours ago
- Buzz Feed
I Watched 'Jaws' For The First Time & Here's My Reaction
Jaws is officially 50 years old. It was Steven Spielberg's second film (can you believe that?), and it blew up at the box office in 1975, making it the first big summer blockbuster ever. Oh, yeah, it also won three Academy Awards, NBD... But even after all these accolades, I have never seen it... until now. So grab your chum bucket (aka popcorn), and watch the movie with me for the 50th anniversary below: Cool, cool, cool, cool... we're just starting off with the Jaws theme song. This is fine...I'm fine. Oh, look, now we're hanging out with the youths while they have a bonfire. And this man approached a woman... who was hanging by herself, might I add. Sir, stay in your lane. Now they're running toward the beach because Chrissie wants to go swimming?? Girl, it's in the middle of the night! Why do you think this is a good idea?? (I can already tell, I'm too old to hang with these youths...) "I'm not drunk!!" said a very "sober" nameless man as he ran after her. *facepalm* Wait... now Chrissie is in the ocean by herself... in the middle of the night?? In this economy??? And this man, who is NAMELESS, is struggling to take his clothes off because he's "not drunk"? This isn't going to end well. However, Chrissie's footwork? 10/10 And the Jaws music is back... Damn, you, American composer and conductor John Williams... damn you. Bruce got her!! Chrissie is screaming for her life! And this NAMELESS man is just lying on the beach?? Absolutely not. Why are you doing this to me so early in the movie, Steven Spielberg?? So now it's the following morning, and we're at Martin and Ellen Brody's house... AND THEIR SON HAS A CUT ON HIS HAND?? It's too early for this. What is going on with the youths in this town?? Okay, Martin and Ellen are so cute together. A healthy couple in a thriller movie? I'll take it. Also, can we talk about how great this shot is? You find out he's the chief of the Amity Police Department with perfect positioning of the car behind the fence, and the color contrast is *chef kiss.* "And nobody saw her go into the water?" "Somebody could have, but I was sort of... passed out." YOU DID THIS, NAMELESS MAN! Oh, no... they found Chrissie. Well, thanks to Polly, we finally figured out how Martin's son hurt his hand: Apparently, kids have been karate chopping picket fences. *shakes fists* Youths. Now Martin needs to go to the store to get supplies to create "beach closed" signs. A man of many talents... "This stuff is not going to help me in August. ... You haven't got one thing I ordered. Not a beach umbrella, not a sun lounger, no beach balls. If I can't get service..." Okay, sir, in the background, you don't need to be rude to the store owner! Where is that shark when we need him... #sharkattackonland "You're going to shut down the beaches on your own authority? ... Amity is a summer town. We need summer dollars..." Oh, this mayor is the devil, isn't he? Capitalism at its finest. I don't like how much the camera is focusing on the dog... Or this boy... "Are you okay?" "Everything is fine, it's fine..." Don't hide your anxiety, Martin! Tell your wife how you feel!!! Also, props to Ellen for being a supportive wife. "If the kids going into the water is worrying you, they can play on the beach." #morehealthycouplesinfilm "We know all about you, Chief. You don't go into the water at all, do you?" I don't condone making fun of old men, but HOW DARE YOU, HARRY. Don't bring up Martin's traumas to his face. Martin is right: That is some "bad hat, Harry." Now, go back into the water where you belong. Ugh, I knew it. The owner is calling for his dog, Pippet. The dog didn't deserve this, Steven Spielberg! Okay, you (kinda) won me back, Steven. Only because you did this iconic dolly zoom shot when Bruce unfortunately killed the kid and the dog. #justiceforpippet "Any special questions?" "Is that $3,000 bounty on the shark cash or check?" Oh, hell no. A kid (and a dog) just died, sir. Go straight to jail!! The absolute worst (yet best) introduction to a new character ever??? I might say so. My body will never recover from this sound. "I don't want no volunteers. I don't want no mates. ... $10,000 for me, by myself. For that, you get the head, the tail, the whole damn thing." Uhhhh, yeah, I would trust this guy with my whole life. Give this fisherman all your money to kill this shark!! For the boy, for Pippet!!! "Oh, you scared me!" He scared you, Ellen?? You were the one who snuck up behind him while he was reading about sharks! At least she forces him to stop reading so he can fall asleep. "Wanna get drunk and fool around?" Get it. #morehealthycouplesinmovies OHHHHHHH, Matt Hooper has entered the chat!! And so has the rest of New England!! Everyone is trying to get that $3,000 reward from the boy's mom to kill the shark, but everyone is not thinking straight!! Why are so many people trying to get into a small boat?? Why was a person holding dynamite so casually?? It feels like Martin is trying to control a bunch of wild children!! Is this what parenting is like?? "Gentlemen, the officer asked me to tell you that you are overloading the boat!" "Ah, get out of here..." "Ha, ha... they're all going to die." This feels a little too close to what's happening in today's political world. *facepalm* I'm not triggered, you're triggered. WHY ARE THESE DOGS ON A BOAT WHILE A MAN IS THROWING CHUM INTO THE OCEAN?!?!?! Does no one care about dogs in this movie?? I give up! *Throws myself into the ocean* Oh, Matt, who is the marine biologist, asked to see Chrissie... and she's in this wash basin... Oh, Chrissie. I'll never forgive you, nameless man!! #justiceforchrissie Ah, so they think they caught THE SHARK... but Matt has other opinions on the matter. "The fact is the bite radius on this animal is different than the wounds on the victim. I want to be sure. You want to be sure. ... Let's cut it open. Whatever it's eaten in the last 24 hours is bound to still be in there, and then we'll be sure." That's right, Matty, SPEAK YOUR TRUTH!! Lord, the mayor has OPINIONS on Matty's professional analysis of the situation??? OF COURSE HE DOES!! "Look, fellas, let's be reasonable, huh?" Reasonable, Larry?? Reasonable? I'LL SHOW YOU REASONABLE!! The boy's mom came to see Martin and SLAPPED HIM! "I just found out that a girl got killed here last week... and you knew it." What a heartbreaking scene... and she's 100% right. Her boy is dead because of the choices the town made just to get "summer dollars." What a disgrace! And Larry, the devil — ahem — the mayor, had the audacity to say she was wrong???? Let me at him!! Thankfully, Martin said she wasn't wrong. DAMN STRAIGHT!! That woman lost her son because of you, Larry!! Well, I'm officially a part of the Matt Hooper club. Why? I'm so glad you asked: #1 He invited himself over and brought TWO different wine bottles because he didn't know what the Brodys were serving for dinner.#2 He asked if anyone was eating the full plate of food that was on the table, which was clearly not made for him.#3 He began to tell Martin that he should let the wine breathe, as Martin stopped giving a fuck and poured himself a giant glass. Also, add me to the Martin Brody fan club, too. His wife: "Martin hates boats. Martin hates water. Martin sits in his car when we go onto the ferry to the mainland. I guess it's a childhood thing. There's a clinical name for it..." Martin: "Drowning." "I can do anything... I'm the chief of police." YES, PREACH, MARTIN, PREACH. Stand in your power and drink that giant-ass glass of wine! Cue Mariah Carey's "Hero". "And when a hero comes along..." #4 reason why I'm in the Matt Hooper club: He's an encouraging "friend"... Matt: "I gotta find [the shark] right now; he's a night "ON THE WATER?"Matt: "Well, if we're looking for a shark, we're not going to find him on the land."Martin: "Yeah, but I'm not drunk enough to go on a boat."Matt: "Yes, you are."Martin: "No, I'm not."Matt: "Yes, you are!"Martin: "I can't do that."Matt: "Yes, you can." Seems like Martin found a larger "glass" for his boat ride! You won't catch him wine-ing about it. (I'm sorry, I had to.) JESUS, MARY, AND JOSEPH!! What is going on with this abandoned boat they found?!?! "We will be open for business." Even after EVERYTHING that has happened, this m*therf*cker still doesn't want to close the beaches? I've never hated a character more. Sorry for the swear words, familia, but my god. I need a "Martin-sized" cup of wine right about now. These families have no idea a people-eating shark is in the water! And Larry "the Devil" is asking this person and his family to get into the water, KNOWING there is a shark somewhere out there. Somebody hold me back because I'm about to jump through the TV screen. Well, look at that, LARRY. There's a shark, and someone else has died! You're lucky Martin and Ellen's kid got out alive!!! Oh, NOW Larry realizes what he's done?? "I was acting in the town's best interest. ... My kids were on that beach, too." Don't you dare! Just sign the damn papers Martin is giving you to hire the shark murderer and go on your way, sir! #justiceforpippet Oh, this fisherman like hates-hates sharks. "What am I going to tell the kids?" "Tell them I'm going fishing." OMG, where did this sweat around my eyes come from?? Ah, look at these two becoming best friends... JK, they hate each other's chum guts. "He's gone under the boat. I think he's gone under the boat!" WTF does that mean, QUINT? What does that mean?!?! Quint: "Marlin, Stingray bit through this piano wire? Don't you tell me my business again." Yeah, I'm gonna steal that. Oh, and let's sketch this on the biggest billboard we find, too: "Well, it proves one thing, Mr. Hooper: It proves that you wealthy college boys don't have the education enough to admit when you're wrong." SAY IT LOUDER FOR THE PEOPLE IN THE BACK! BRUCE HAS RISEN!!! Martin has risen!!! "You're gonna need a bigger boat." (Also, is this the first full look of Bruce's face??? An hour-ish into the movie??? Such a smart idea to lead up to this reveal!!) Can we talk about how this scene would never be shot today? A real boat, in the real ocean, with real water? Give us realism, please and thank you! #2 reason why I'm a part of the Martin Brody fan club: "Martin, move, move, move!" "I'm not going out there!" "Go beyond the edge of the barrels. Further out!" "WHY? What for?" "I need to have something in the foreground to give it some scale!" "Foreground my ass!" FIRST SHOT!!! But he disappeared! Omg, my hair is falling out from all the stress. Wait, are Quint and Matt actually becoming besties after trying to fight a shark all day??? Look at them!! Oh... is this why Quint hates sharks? He was on the USS Indianapolis, where the boat was sunk by a Japanese submarine, and sailors were fighting for their lives in shark-infested I don't blame him... Okay, it's the next day and BRUCE IS BACK!! And Quint smashed the hell out of the radio with a bat while Martin was trying to radio in the Coast Guard for help!! He's gone cuckoo for Coco Puffs!! SECOND SHOT!!! AND A THIRD SHOT, too!! Quint won't quit!!! They tried to tie Bruce to the boat to bring him in, but he's too powerful!! I wasn't expecting Bruce to be a beast like this!!! Now I understand how this shark made people terrified of the ocean in the '70s!! Good news is: Bruce can't stay underwater with three barrels attached!! haha SUCK IT, BRUCE!! Of course, Bruce is angry and decides to chase them... of course!! Yeah, I'm never going into the ocean again. But their boat is falling apart as they try to go back to the shore to drown Bruce. Why didn't anyone tell me the last hour of the movie is just straight chaos?!?! Welp, I guess the only option is to put Matty into the shark cage so he can poison Bruce up close. This is fine... he's fine. Oh, no!! He lost the poison stick and is now hiding from the shark in the water!! AND MARTIN AND QUINT THINK HE'S DEAD!! Aw, now Bruce feels bad and wants to replace Matt by becoming the "third fisherman"... JK, he wants to eat them as little snackies. I can't help but think of Martin and how he must feel during this time: He hates the ocean and he hates boats; he didn't ask for any of this, but he got sucked in because of Larry! Now, a shark is trying to "board" a boat in the middle of the ocean to eat him and his mate. He'll need a therapist after this. NOOOOO, QUINT IS DEAD!!!! Martin is DEFINITELY going to need to see a therapist after this... Martin threw one of the oxygen tanks into the shark's mouth!! Didn't Quint say earlier that the shark was going to eat one of the tanks as a joke? I guess it's coming true!!! For someone who hates water and boats (and sharks), Martin is killing it!! His therapist will be so proud. MARTIN KILLED THE SHARK ALL BY HIMSELF!!!! He don't need no (fisher)man!!! And he found out his bestie Matty is alive!! Oh, Quint, you got the $10,000 but never got to use it. That's so unfair!! "I used to hate the water." "I can't imagine why." OMG, what an amazing ending. What a jaw-dropping movie (see what I did there)? SO GOOD! Have you seen Jaws? Tell us what you think of the movie in the comments below.
Yahoo
6 hours ago
- Yahoo
Why players ‘fear' criticising heavy workload amid busy football schedule
Players remain fearful of speaking out about their heavy workload because of the impact it could have on their careers, a top player union official has said. FIFA has been accused of 'turning a blind eye to the basic needs of players' in a statement issued by world players' union FIFPRO on Friday, which also likened FIFA president Gianni Infantino to an 'emperor'. FIFPRO cited the scheduling of matches at the recent Club World Cup in extreme heat as an example of FIFA's 'autocratic' approach to running the game. Without the players there is ultimately no product, but despite that FIFPRO general secretary Alex Phillips believes it is difficult for individuals to make their voices heard. 'I was speaking to some of the top stars that were going to play in the Club World Cup, and they were saying that they hadn't had a rest for X amount of time,' Phillips said. 'One of them even said, 'I'll only get a rest when I get injured'. Others were resigned actually, and cynical about speaking up. 'Then you see some of the same players two weeks later having to record social media videos saying 'we think the Club World Cup is great' because their employers are telling them to do it. 'That's why unions do exist, partly, to be their voice, because they are in an invidious position. They can't speak. They can't say exactly what they think – well, they can do, but that may have consequences.' Phillips cited a legal complaint lodged by FIFPRO Europe and domestic leagues to the European Commission against FIFA last autumn as an example of alternatives to negotiation that the union has already taken. He insisted the possibility of a strike was 'not mentioned' when 58 of FIFPRO's member unions held talks in Amsterdam on Friday. A statement issued after that summit was scathing about FIFA, which organised a player welfare meeting without FIFPRO's involvement on the eve of the Club World Cup final earlier this month. That has been seen by the unions as an effort to divide and weaken them. 'The overloaded match calendar, the lack of adequate physical and mental recovery periods, extreme playing conditions, the absence of meaningful dialogue, and the ongoing disregard for players' social rights have regrettably become pillars of FIFA's business model; this is a model that puts the health of players at risk and sidelines those at the heart of the game,' FIFPRO's statement on Friday said. 'There can be no legitimate spectacle built on fatigue, exclusion, and exploitation. FIFA continues to systematically ignore and silence the real issues players face in different parts of the world. It is unacceptable for an organisation that claims global leadership to turn a blind eye to the basic needs of the players. 'One clear example of this disconnect was the recent Club World Cup, celebrated by President Infantino despite being held under conditions that were extreme and inappropriate for any human being, demonstrating a troubling insensitivity to human rights, even when it concerns elite athletes.' FIFA replied: 'FIFA is extremely disappointed by the increasingly divisive and contradictory tone adopted by FIFPRO leadership as this approach clearly shows that rather than engaging in constructive dialogue, FIFPRO has chosen to pursue a path of public confrontation driven by artificial PR battles – which have nothing to do with protecting the welfare of professional players but rather aim to preserve their own personal positions and interests. 'The game deserves unity, not division. Players deserve action, not rhetoric. 'FIFA will move forward together with players and those who really want the best for football. It is up to FIFPRO to answer this call.'