
Who is Jamal Roberts, first Black man to win American Idol in over 20 years
The
American Idol
season 23 finale took place on May 18.
Jamal Roberts
was voted as the winner of this season, creating a new milestone. Jamal Roberts defeated fellow contestants John Foster and Brenna Nix in order to secure the title. Foster was awarded the first runner-up prize, while Nix came third.
According to American Idol host Ryan Seacrest, this year the viewers cast nearly 26 million votes, breaking last year's record.
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Who is Jamal Roberts, winner of American Idol 2025?
Roberts, a 27-year-old physical education teacher from Meridian, Mississippi, has become the first Black man to hold the title since 2003, when Ruben Studdard was crowned the winner. With his moving rendition of Her Heart by Anthony Hamilton Roberts, a father of three daughters, clinched the American Idol 2025 title.
On the final night, Roberts was also seen performing TEEKS' First Time and The Temptations' Just My Imagination, impressing the judges with his signature soaring voice.
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Roberts also opened about his journey from a teacher to American Idol, candidly expressing the hardships he had to go through to be able to come to the singing reality competition.
About the American Idol Season 2025 finale
On Sunday night, the American Idol season 23 finale was held with much grandeur. The event featured several performers, including Good Charlotte, Jennifer Holliday, Jessica Simpson and the Goo Goo Dolls.
In addition to their solo performances, the top three finalists prepared for duets as Jamal Roberts performed with Jelly Roll, John Foster with judge Luke Bryan, and Brenna Nix with Brandon Lake. Along with Luke Bryan, the judges' panel featured Carrie Underwood and Lionel Richie.
American Idol 2025 prize money
As per Newsweek, the winner of American Idol gets the opportunity to sign a record contract with Hollywood Records. This year, Roberts will initially receive $125,000 and then an additional $100,000 after completing an entire album.
According to the publication, the winners of American Idol are usually given up to $300,000 in advance in order for them to create a debut album. Later, they are supposed to reimburse the money with his own earnings. Newsweek further reported that this structure has been modified over the years due to inflation.
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Indian Express
2 hours ago
- Indian Express
Meet Madhura Ghane, Maharashtra's Adivasi rapper taking on social issues, one verse at a time
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The daughter of a bus conductor, she followed a path many do, cracking an engineering degree and landing a job at Infosys, where she worked for a few years. But her love for poetry was never just a hobby. Even while juggling her nine-to-five job, she kept writing. It wasn't until 2019 that Ranveer Singh and Alia Bhatt's Gully Boy, directed by Zoya Akhtar, was released, and rap found itself in the limelight. Seeing the kinship between her art form and hip-hop, Ghane embraced rap. When an artist comes into the spotlight, people often wonder what inspired them. Was it a Bollywood icon? A public figure? A philanthropist? In Ghane's case, it wasn't the glitz and glamour of the entertainment world that moved her. As she said in an interview with her muse has always been nature—the forest—the world she grew up in. Here is an excerpt from the interview. Why did you choose rap? Is it because the genre is often used to highligt societal issues? I think rap is a music form that allows us to express our strong emotions in just a few words. For me, it is a powerful art form that can be used to display rage or aggression. I wanted to write a rap during the farmers' protest, I felt like experimenting with the art form because the youth today have little interest in politics and national issues. But it all started in 2019 when Gully Boy was released. The art form was trending, and the youth were enjoying it. It is when I decided to rap\ because I wanted the youth to know about what is happening in the country. You spent time in your village during the COVID lockdown. What stories or issues did you experience there? Any issues that need work from the government? What are the life struggles of your community? People who live amid nature in jungles lack connectivity. Like connectivity to better healthcare, better roads to reach schools or hospitals, etc. Health facilities, especially, are not enough. 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I feel every artist should be responsible because their songs are consumed by all age groups, as mobile phones and the internet make entertainment easily accessible. I personally don't enjoy things like that. My YouTube has not been monetised yet, there's no income as such from YouTube, and the views are decent. Still, I care little about views and reach. Your rap 'Baapmanus' is a tribute to Babasaheb Ambedkar. What does Ambedkar mean to you? I wrote that rap to perform at JNU on Ambedkar Jayanti. I had known about him and his contributions to society. I am aware of the women's rights he fought for. Not just women, but every citizen of our nation. My school celebrated Ambedkar Jayanti, and this is how we all understood his importance in our lives. Even my right to rap is all because of his contributions. Do you feel our industry offers enough space for diverse voices in rap? The industry mostly cares about commercial content. There's very little space for artists like us. 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Hindustan Times
14 hours ago
- Hindustan Times
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Indian Express
18 hours ago
- Indian Express
Frankly, my dear, Gone With the Wind is problematic. Here's why readers still give a damn
The opening lines of Gone With the Wind, the cult classic published 89 years ago today (June 30), read, 'Scarlett O'Hara was not beautiful, but men seldom realised it when caught by her charm…' The same could be said of Margaret Mitchell's book, later made into a movie widely considered one of Hollywood's greatest. Gone With the Wind is not beautiful. It is sexist, it is racist, it romanticises slavery, and mourns the antebellum South almost like a lost Eden. But readers across generations remain caught by its irresistible charm, reading and loving it despite its obvious problems. So what is it that makes Gone With the Wind such a compelling read, beloved in countries and contexts far removed from the Civil War Georgia and Atlanta it is set in? We explain, in 3 points and with a few spoilers. First, the basics Gone With the Wind is the story of Scarlett O'Hara, whose 16-inch waist and bewitching green eyes hold three counties in thrall. The sheltered daughter of a rich cotton plantation owner, the 16-year-old Scarlett will soon see her world 'gone with the wind that had swept across Georgia' as the southern states of the US go to war against the north to safeguard their right to own and trade slaves. But Scarlett will survive, through courage, cunning, and sheer refusal to give up. She will be helped, baited, loved, and hated by Rhett Butler, who could have been Prince Charming, but is too much of an adult to value fairy tales. Gone With the Wind has its sympathies firmly on the wrong side of the American Civil War (1861 to 1865). It paints Black people as lovable and loyal pets, their white owners as benign masters who occasionally whip the slaves for their own good. Tara, the plantation Scarlett owns, has become a trope of the lost world of the pre-war South, a place of safety and beauty. All its 'good women' are angels in the house — women who tirelessly perform acts of care, and never question their husbands. It assumes that on a night of soaring passion, the alpha male hero can dispense with consent. And yet. Come for the beauty, stay for the lessons Gone With the Wind is over 1,000 pages. Yet, it is utterly unputdownable. The writing is vivid and captivating. Scarlett's many trials and tribulations, her triumphs, her irresistible spirit, and her unfailing instinct to survive hook you in and hold you firm. The book is peopled with scores of characters, yet they all have something defining, something worth remembering. Scarlett is contrasted with the saintly Melanie Wilkes, her sister-in-law and rival in love, while the enterprising, unscrupulous Rhett Butler is contrasted with Ashley Wilkes, the virtuous, but ultimately useless, honourable gentleman. But for an aware reader, there is much to read between the lines. Gone With the Wind is a lesson in what happens if nostalgia is allowed to take over memory. Your country can have a terrible past, but you can still love it. But if you allow the love to take over rationality, what results is something like this beautifully ugly book — a cause doomed because it ran against the arc of justice and progress is made to look like a heroic quest, all the braver because it was undertaken in the face of certain defeat. The defeat of racist slave owners is made to look like 'gotterdammerung, the dusk of Gods' (the words of Ashley Wilkes), like the fading away of an elegant and refined way of life. To understand how white-washing and revanchism work, Gone With the Wind is an invaluable read. Look around for the Wilkeses In the times we live in, where sexism, bigotry and xenophobia are enjoying a revival, Gone With the Wind holds important lessons — that people with discriminatory politics can be perfectly nice in person. That conflicting things can be true for characters in books and characters around you. That someone can be brave or funny or warm or supportive, along with being bigoted or racist. People, like books, are more than the sum of their parts, and the parts can be both enchanting and repulsive. An alert reading of Gone With the Wind is a great exercise in learning to resist propaganda. A book can be dazzling, touching, relatable, and still get many important things very wrong. One of the most famous quotes from the book, 'Frankly, my dear, I don't give a damn', is in this piece's headline. Scarlett, at long last, has realised that she has always loved Rhett. But he is by now tired of waiting for her. He delivers this line and walks out on her, once again robbing Scarlett of the sanctuary she was just within reach of. Scarlett is thwarted again. But she refuses to give up. The book ends with Scarlett telling herself she will get Rhett back. Tomorrow is another day. Unstained by the defeats of today, tomorrow is a fresh chance to start anew. This defiant declaration of hope is another of the book's most famous quotes. It can be argued that Scarlett is deluded and in denial. And yet, 'tomorrow is another day' is an important mantra to remember in today's age, where challenges seem to multiply everywhere and hope is in short supply. It is never too late to hope. There is always tomorrow, a new chance to get out of bed and put on pretty clothes and place one foot in front of the other, till one's personal version of Tara is reached. Yashee is an Assistant Editor with the where she is a member of the Explained team. She is a journalist with over 10 years of experience, starting her career with the Mumbai edition of Hindustan Times. She has also worked with India Today, where she wrote opinion and analysis pieces for DailyO. Her articles break down complex issues for readers with context and insight. Yashee has a Bachelor's Degree in English Literature from Presidency College, Kolkata, and a postgraduate diploma in journalism from Asian College of Journalism, Chennai, one of the premier media institutes in the countr ... Read More