
Paris couture week opens with Cardi B holding a live crow at Schiaparelli's spectacle

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles

Vogue
40 minutes ago
- Vogue
Kate Middleton Wears a Givenchy by Sarah Burton Gown for the French State Banquet at Windsor Castle
Tonight, the Princess of Wales made a statement in a dark red Givenchy by Sarah Burton gown to a state banquet at Windsor Castle honoring French President Emmanuel Macron. The flowing silk creponne gathered evening gown featured a cape back detailing. The Princess paired it with an evening clutch embroidered with a lily of the valley motif as well as the Lover's Knot Tiara. The diadem, made by the House of Garrard in 1913, consists of diamonds and a collection of 19 hanging pearls set in silver and gold. The Lover's Knot was also a favorite of the late Princess Diana. The Princess of Wales's choice of Sarah Burton for Givenchy is a clear statement of fashion diplomacy: a design by a British woman for a French fashion house, it serves as a sartorial symbol of the symbiotic relationship between the two European countries.

Wall Street Journal
44 minutes ago
- Wall Street Journal
‘Moisturizer' Review: Wet Leg Doubles Down
If you were an indie-rock fan in 2021, you had an opinion on Wet Leg's debut single, 'Chaise Longue.' The song, built on the quiet/loud structure that defined '90s alternative rock, wasn't formally daring or particularly confrontational, but it rapidly became ubiquitous. And when that happens to a tune from a previously unknown act, some find it hard to trust, wondering if industry machinations might be behind it all. When the band, led by the English duo Rhian Teasdale (lead vocals, guitar) and Hester Chambers (guitar, vocals), finally released its self-titled debut in April 2022, its remit was to prove that there was more to the project than a viral single. It did so handily—'Wet Leg' had at least a half-dozen good-to-great songs and showed a decent amount of stylistic range. Also embedded within 'Wet Leg' were signs of where the band might later go wrong. Here and there, the group's devil-may-care attitude gave way to a more solemn approach that sounded comparatively conventional. It was possible to imagine a future record where Wet Leg teams with a hit-making super-producer, leans toward pop, and chases a younger audience with straightforward songs about relationships and personal growth. Fortunately, the band's second album, 'Moisturizer' (Domino), out Friday, does none of that. Rather, it finds Wet Leg doubling down on what made it stand out in the first place—oddball humor, disarming expressions of lust and catchy, quirky tunes touching on antecedents like the Breeders and Elastica that avoid sounding like mere novelty.


Vogue
an hour ago
- Vogue
According to Kim Kardashian, Barbiecore Never Really Died
Two years ago, the Barbie movie painted the world pink, and not even Kim Kardashian was exempt from its influence. That summer, the Skims founder traveled across the world to purchase a piece that Margot Robbie wore in the film: a pearl teardrop necklace with multicolored stones from Chanel spring 1995. While the film eventually faded from the zeitgeist, Kardashian kept her affinity for Barbie pink. Today, amidst fall 2025 couture shows in Paris, she donned a full, Pepto-Bismol-hued Balenciaga look for an appointment at the brand's wore a body-skimming maxi halter dress with a plunging neckline and a tie-front closure, which she wore over a pair of Demna's signature pointy-toe, knife-heeled pantaboots. Her glam was just as outré: a pair of black wraparound shades shielded her eyes, and she pinned back her bob (complete with a kiss curl) with a smattering of creaseless clips that she later removed. The late 2010s and early 2020s were the heyday of the pantaboot, and nobody was more supportive than Kardashian, who wore them everywhere from dinners to galas. While Demna's time at Balenciaga has come to a close, Kim Kardashian is paying homage to his tenure with her 'fit—pantaboots and all.