
Crown Point High journalists win state honors
Crown Point's Inklings newsmagazine and Excalibur yearbook were both named Hoosier Star winners, the IHSPA's highest honor that recognizes overall excellence in scholastic journalism.
Additionally, the Crown Town Media website was a Hoosier Star finalist.
'Our students are passionate about telling real stories with impact,' said Jennifer Bianchi, a teacher who advises Inklings. 'These awards are a reflection of their dedication, hard work, and the strong communication skills they're developing every day.'
In addition to the Hoosier Star accolades, the Excalibur yearbook earned a First Class Honor Rating from the National Scholastic Press Association. The rating recognizes the 2024 yearbook for its strong design, writing, photography, and overall presentation.
The IHSPA also honored Crown Point's publications with several Harvey Awards, which celebrate individual achievements across specific areas of journalism. Awards included:
Yearbook Division III – 1st place: advertising; 2nd place: academics and clubs/organizations and 3rd place: multi-page design.
Multimedia Division III – 2nd place: website for Crown Town Media; 3rd place: social media.
'Winning the Hoosier Star this year drove home that we are more than a simple high school publication,' said Inklings editor Ashley Johnson, a senior. 'We are writing on a higher level that deserves to be awarded, and the Hoosier Star has validated our efforts throughout the year.
More than 70 students are enrolled in the journalism co-curricular courses at CPHS, two of which are part of Career and Technical Education pathways.
Students in these programs collaborate as writers, photographers, designers, broadcasters, and editors, gaining valuable experience that can lead to college scholarships, internships, and careers in media and communications.
'Journalism is more relevant now than ever,' said Principal Russ Marcinek, 'and we are proud of our students for not only producing award-winning work, but also for embracing their role as storytellers and community voices.'
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Forbes
13-07-2025
- Forbes
AEW All In Texas 2025 Results As Hangman Adam Page Dethrones Jon Moxley
Hangman Adam Page vs. Jon Moxley in a Texas Death Match. Hangman Adam Page beat Jon Moxley in a bloody and emotional main event at AEW All In Texas. Hangman Adam Page entered this high-stakes match as a massive -850 favorite over Jon Moxley as AEW entered the doorstep of a Great White Hope. With help from friends, enemies and old faces, Hangman Adam Page brought the AEW Championship home. Jon Moxley Vs. Hangman Adam Page And Everything That Happened Hangman Adam Page was played out by a live whistling theme. He then walked out to his old theme music to an enormous pop. Jon Moxley entered Globe Life Stadium in what Jim Ross called a Redneck Chariot. The chariot housed the Deathriders in the bed of the truck. There were two barbed wired tables outside of the ring. Fittingly, there hasn't been a single table bump all night. Justin Roberts clarified that the only way to win a Texas Death Match was by knockout or submission. There was a small sign that read 'If Mox Wins We Riot!' Hangman is 4-1 in Texas Death Matches, the best record in AEW history. Hangman Adam Page pulled out a fork. After being trapped in a Triangle choke, Hangman stabbed Mox in the head with the fork, immediately bloodying Jon Moxley. As Jim Ross reminisced about calling Texas Death Matches from back in the day, Excalibur cut him off as Moxley attepmted to strangle Hangman with barbed wire IRL. Moxley succeeded in a second attempt to bloody Hangman with barbed wire. Shafir followed up by biting at Hangman's forehead. Five minutes into this match—and 15 minutes into WWE SNME, and both combatants were bleeding. Marina Shafir brought out glass bottles in a bucket. She stomped shards of glass throughout the corner of the ring. Jon Moxley rubbed the glass in Hangman's face. Mox then dragged Mox's body through the broken glass as fans chanted 'you sick F!' Fans rallied behind Hangman as Moxley set up two chairs sitting nest to one another perpendicularly. Moxley wanted a powerbomb, a bloody Hangman headbutted his way out. Hangman turned the chairs around back-to-back and hit a powerbomb at the apex of the chairs. Moxley hit multiple clotheslines on Moxley before Wheeler Yuta hit The Hangman in the back with a steel chair. Page no-sold it and knocked out Yuta. Hangman hit the Angel's Wings on Moxley—an homage to Christopher Daniels—but did not get the full 10 count. Marina Shafir Jumped on the back of Hangman as he attempted the Buckshot Lariat. Hangman answered with a Cowboy driver through the table. Hangman continued like Mario with the Super Star and hit a Deadeye on Moxley. Yuta and Castagnoli finally cut Page off with a two-on-one advantage. Ospreay came to Hangman's aid, but was pillmanized by the Deathriders. This brought out a stretcher for Ospreay. A bloody Mox followed up with a suplex through two barbed-wired tables. The announce team talked about how shocked they were with the amount of blood in this match, and Excalibur—frustrated—lectured them about how this is exactly what they should expect in a Texas Death Match. Mox trapped Hangman Adam Page in a Bulldog Choke. Hangman beat the count by one. After taking a Death Rider through a steel chair, Hangman beat the 10 count again. As Moxley and the Death Riders prepared to finished off Page, Darby Allin appeared from atop Mount Everest. Darby said he was going to take everything from him. This brought out Daniel Bryan, who attacked the Deathriders. Darby Allin ascended from the top of the Globe Life Field to a huge pop. Moxley looked like he had seen a ghost. Hangman hit two Buckshot Lariats and a Deadeye through the table. The referee counted to nine and Marin Shafir pulled Moxley to his feet. Shafir flipped off Hangman, and the Young Bucks hit the ring with a double superkick. Moxley and Shafir brought out a bed of nails to a big reaction. Moxley hit a Stomp on the bed of nails followed by a Paradigm Shift on the nails. Page barely answered the 10-count yet again. Moxley asked Shafir for the key to the briefcase. Shafir was handcuffed to the timekeepers table by Prince Nana. This brought out Swerve Strickland, who knocked out both Young Bucks with the chain Hangman gave him at Collision. Swerve gave Hangman his chain back in a peace offering, and Hangman lynched Jon Moxley with the chain. Hangman hit a Buckshot Lariat onto the bed of nails. Hangman lynched Moxley again, who submitted to the biggest pop of the night. Hangman revealed the vintage AEW World Championship for a great moment.


Los Angeles Times
02-06-2025
- Los Angeles Times
New photo book by Metallica's Kirk Hammett highlights his ‘holy grail' of rare six-strings
For Metallica's Kirk Hammett, there is one electric guitar that stands above the rest in his arsenal for the metal band's ongoing M72 world tour. He thinks of it as his Excalibur, he says. It is a 1959 Gibson Les Paul once owned by the late Peter Green, founding guitarist of Fleetwood Mac, and a former member of John Mayall's Bluesbreakers. It later passed from Green to Gary Moore, who played it on Hammett's favorite Thin Lizzy album, 'Black Rose.' The golden instrument is now part of Hammett's vast collection of vintage and custom-made guitars, and even in that company, the guitar nicknamed 'Greeny' is special. The Metallica lead guitarist is often on YouTube searching for old videos of Green, Moore and others playing it live across the decades. 'That guitar's been through so much, and it's hurt so much and sang so much,' Hammett says. 'I just gotta try and keep it going in my own personal way.' The guitar now has a prominent place in a new book dedicated to the Metallica guitarist's stockpile of instruments, 'The Collection: Kirk Hammett,' a 400-page coffee-table book from Gibson Publishing. It includes interviews with the heavy metal player, histories of the guitars, with vivid photography by Ross Halfin. The book isn't a catalog of his entire collection, but goes deep on individual instruments. (The chapter devoted to 'Greeny' is 40 pages alone.) Hammett says he doesn't know how many guitars he owns, and he doesn't really want to know. Now on the road with Metallica in support of their '72 Seasons' album, Hammett plays several guitars a night, but his attention often remains on 'Greeny.' It's the one guitar he carries with him everywhere— to and from the shows, to the hotel room, onto the band's plane. 'I carry it with me, so I'm directly responsible for anything that happens to it,' he says. 'Where I'm sleeping, 'Greeny' is usually 10 feet away.' He's also made a point of handing the guitar to other players to try out. In the book are several portraits of guitar heroes posing with Greeny: Pete Townshend of the Who, David Gilmour of Pink Floyd and ZZ Top's Billy Gibbons. Green's former bandmate, drummer Mick Fleetwood, is also pictured cradling the guitar. So is Aerosmith singer Steven Tyler. All were part of a 2020 tribute to the late Fleetwood Mac co-founder at the London Palladium, and during that night Hammett played the solo on Green's 'The Green Manalishi (With the Two Prong Crown),' unfurling an elegant flow of blues melody very different from Metallica's angular roar. Afterward, Fleetwood stood up and yelled, 'Nailed it!' Hammett once handed the guitar to Jack White, who then played it for several songs during a concert. Melvins guitarist Buzz Osborne has also held it, and said in a podcast last year, 'There's so many other stupid things you could spend your money on, but that ... is almost like finding the Holy Grail or the Arc of the Covenant.' The new book is available on the Metallica website, at and at stops on Hammett's book tour, with upcoming appearances in Columbus, Ohio; Philadelphia; Tampa, Fla.; and Denver. It's part of another busy period for his band, with a remastered box set of 1996's 'Load' album coming in June. Metallica is also set to join Black Sabbath for its final concert on July 5 in Birmingham, England. In the book, one thing that is noticeable pretty quickly is that these are not museum pieces protected behind glass. They show the wear and tear of use in the studio and onstage, in many cases from generations of different players. Many are scuffed and scratched, chipped and stained. For Hammett, that's how it should be. 'I can't help but use them. I know people have to put on white gloves while you're handling a [collectible] guitar: 'Take off your belt, take off your leather jacket, no zippers.' I'm like, 'Huh?'' Hammett says, laughing. 'Literally, I take that guitar out of the case, I plug it in, I start playing it. I'm not precious with my guitars,' he adds, noting that an accidental nick to the surface of a pristine vintage instrument could instantly cost it thousands of dollars in value. 'I have some serious issues with that kind of thinking. I just want to play the guitars, and if there's a scratch or a bump, so what? I don't go in for mint instruments because mint instruments don't sound good. They have no soul, bro.' Hammett was approached about doing a book by the Gibson guitar company, which had begun a publishing project, starting with a volume documenting the guitars of Slash. The author of the text for both books is Chris Vinnicombe, editor in chief at Gibson. For 'Greeny' and other guitars, Hammett 'sees himself as the custodian' of these rare instruments, he says. 'He loves the rarity and the romance behind them,' says Vinnicombe. 'I don't think he's just trying to compile a kind of box-ticking collection of vintage classics just as an ownership project. He loves the chase and he loves the romance and the stories.' Hammett had already published a book from his collection of horror movie posters, 2017's 'It's Alive.' His devotion to collecting horror and sci-fi memorabilia and movie props is second only to guitars, and those interests sometimes overlap. He has several custom-made ESP guitars with horror themes, including the classic 1930s films 'Bride of Frankenstein,' 'The Mummy' and 'White Zombie.' And now that he's just purchased a Bela Lugosi cape used in 1948's 'Abbott and Costello Meet Frankenstein,' he's planning on a guitar with that theme as well. Next will be a book of his vintage surfboard collection, he predicts. One of those boards dates back to 1970, and is decorated with drawings of ocean waves and flying saucers. Hammett was told it was made for Jimi Hendrix while the guitar icon was in Maui, though he can't confirm it. 'It's still a cool story anyway,' he says with a laugh. In 'The Collection,' the metal guitarist goes deep into the history and sound of individual guitars. Sometimes the look of a guitar is as essential as the sound. 'The first time I saw an electric guitar as a teenager, it was love at first sight. I saw it from across the high school hallway,' Hammett recalls of his first in-person sighting of a guitar at about age 14. Some of the older kids at De Anza High School in Richmond, Calif., were holding a Fender Stratocaster, glowing with an orange sunburst design. 'It looked like a hot rod to me. It looked like a rocket. It looked like you could get on it and just take off somewhere else. 'Guitars for me have always had a really uplifting quality to them just by the way they look. For me, guitars look so incredibly cool. Everything about the guitars — the wood, the shiny metal, the strings, the sound — I love it. For me, it's the greatest American invention there ever was.' He grew up in a Bay Area household where the soundtrack tended to be a mix of jazz and opera, salsa and show tunes. His older brother sometimes brought home a record by the Beatles or Hendrix. And Hammett was soon playing air guitar with his brother's tennis racket. Hammett finally got his first electric guitar, a low-budget Montgomery Ward model he traded in exchange for $10 and a Kiss album. He was inspired by the rock music of his adolescence: Kiss, Aerosmith, Led Zeppelin and UFO. 'That's what was fueling all of it,' he says, 'and a total dysfunctional childhood, and not knowing where to turn, not having any safe places to go, especially in San Francisco growing up. Music was an emotional, mental relief from all the crap that was going on around me as a kid.' In high school, he started a rock trio called Mesh, but Hammett and his friends could barely play. 'Some of the funniest stories you ever hear are musicians when they first started out and how crappy they are and how bad their band names are,' he says with a laugh. As his skills evolved, he formed a new band called Exodus, which would ultimately be an important player in the first wave of thrash metal in San Francisco. He eventually moved up to a Fender Stratocaster copy guitar. And as things got more serious, he saved money from his job at Burger King to buy a Gibson Flying V in 1979, a choice of weapon inspired by the example of guitarist Michael Schenker of UFO. The Scorpions and Accept also carried Flying V's. Paul Stanley from Kiss played one. 'That was a game changer for me,' he says now of getting his first significant guitar, and the model remains important to him. He's shown holding a Flying V on the front and back covers of his new book. Hammett joined Metallica in 1983, just before the band recorded its debut album, 'Kill 'Em All.' In hindsight, that was a wise and obvious career move, but at the time Exodus was as much of a viable young band with a following in the Bay Area. Even so, Exodus was at an impasse when Hammett got an unexpected call from Metallica. He packed up and drove east in time for the recording sessions in Rochester, N.Y. 'I can't remember why we went on hiatus, but during that hiatus a kind of split happened,' Hammett recalls of his final days with Exodus. 'I don't know how else to put it, but we started doing different drugs. All of a sudden, I felt alienated from the rest of the guys.' He points out that last month marked the 42nd anniversary of his first rehearsals as a member of Metallica. 'When I first saw Metallica, I thought to myself, 'Wow, these guys are great, but they'd be so much better with me in the band,'' Hammett says of his first time seeing the band. 'That was a very conscious thought while I was sitting in the back of the room watching them.' Together, Metallica led a thrash metal movement that began as an underground sensation but turned out to be more lasting than a lot of the more commercial metal then coming off the Sunset Strip. Decades later, and now one of the most successful rock bands ever, Metallica celebrated that revolutionary history with a series of 'Big 4' festivals in 2010 and 2011, as one of four leading forces in that original movement, alongside Slayer, Megadeth and Anthrax. In 'The Collection' is a group portrait of Hammett and Metallica frontman James Hetfield posing with other guitarists from that tour: Slayer's Kerry King, Megadeth's Dave Mustaine and Anthrax's Scott Ian. 'We all heard the same sound in our heads. All us guitar players gravitated to those same new wave of British heavy metal bands — gravitated to that hyper-aggressive, energetic sound, because that's what our personalities kind of demanded,' Hammett explains of their shared movement, which collided the dual influences of U.K. heavy metal and punk rock. 'You have to be a little bit ornery, a little bit passive-aggressive, a little bit dysfunctional, a little predatory, to write and record and perform this music. So it was a lot of the right personality types and the right personality disorders, when it was needed.' In 2023, Metallica released '72 Seasons,' the third in a trilogy of albums that reached back to a modern take on that original sound. As they play the new songs in stadiums around the world, alongside career milestones like 'Enter Sandman' and 'Master of Puppets,' Hammett has many guitars at his disposal. And 'Greeny' is always there. 'None of us thought this would be the sound of the future for decades to come,' he says of the thrash movement. 'We thought we were all just outliers, having our little group of friends playing the music that we wanted to play and doing it because it was fun. We had no idea what it would become.'


Boston Globe
24-04-2025
- Boston Globe
The six best amusement parks in New England (and the scariest ride at each)
Advertisement Roar-O-Saurus at Story Land Handout Biggest thrill: Roar-O-Saurus is a rite of passage at 850 NH Route 16, Glen, New Hampshire; 603-383-4186 Get Starting Point A guide through the most important stories of the morning, delivered Monday through Friday. Enter Email Sign Up Funtown Splashtown USA As you hurtle toward the trees on the Excalibur, a half-mile wooden roller coaster that winds through the woods, you might forget you're at a spot known for its easygoing vibes. With plenty of kiddie rides at the Advertisement Biggest thrill: Funtown's 220-foot Dragon's Descent drop tower is a must. 'At the top it sounds like a dragon breathing,' says spokesperson Mariah Hawkins. 'The views of the beach or the woods are amazing' — at least for the 11-second pause before the bottom falls out beneath you. Route 1, 774 Portland Road, Saco, Maine; 207-284-5139 The Wave Swinger at Lake Compounce Handout Lake Compounce Amusement & Water Park Built in 1846, Connecticut's Biggest thrill: The award-winning Boulder Dash races 4,725 feet, much of it through the woods, at speeds exceeding 60 miles per hour. 'It's great at night, an experience you can't forget,' says the park's Meg Forno. 185 Enterprise Drive, Bristol, Connecticut; 860-583-3300 The Yankee Cannonball roller coaster at Canobie Lake Park. JIM DAVIS/Globe staff / File Canobie Lake Park It's hard not to feel like a kid when you're spinning in Biggest thrill: To feel your heart in your throat, don't miss Xtreme Frisbee, where riders are strapped to a spinning saucer at the end of a swinging pendulum. It's hard to tell which way is up. 85 North Policy Street, Salem, New Hampshire; 603-893-3506 Advertisement Six Flags New England From the chain-swing carousel of Gotham City Crime Wave to the tilt-a-whirl action of Supergirl Sky Flyer, New England's largest amusement park taps into the DC Universe of superheroes. There's plenty for all ages at Biggest thrill: Superman: The Ride, which has a stomach-lurching 208-foot drop that earns it the designation of 'hypercoaster.' It reaches a top speed of 77 miles per hour. Route 159, 1623 Main Street, Agawam; 413-786-930 0 Water Country BEN GIBBS Water Country It's not really summer until you find yourself humming the theme song for this Portsmouth, New Hampshire, classic (you know the one). A lazy float in an inner tube down the quarter-mile Adventure River is pure summer. Biggest thrill: You might find you're still scared of the dark on the twisting, 40-foot plunge inside Dr. Von Dark's Tunnel of Terror. 'It's pitch black,' Hehl says. 'You can't see the twists and turns and drops coming, but everyone comes out smiling.' 2300 Lafayette Road, Portsmouth, New Hampshire; 603-427-1112 Advertisement Patricia Harris can be reached at