
Urvashi Rautela Joins Dame Ur Grrr Trend With Jassie Gill on ‘Kasoor 2' Sets — Watch
It was speculated for a long time that Urvashi will be a part of "Kasoor 2", and now the former beauty queen has finally joined the sets of the forthcoming drama.
During the shoot, Urvashi was spotted joining the 'Dame Ur Grr' trend with her co-star. Both Urvashi and Jassie were seen enjoying a scooter ride in the video captioned, "Dame Un Grrrr @jassie.gill."
Talking about working with Urvashi in 'Kasoor 2' Jassie said, "Urvashi Rautela is the most beautiful girl in the universe. She is the most versatile and talented actress and our queen of Cannes. I'm truly happy to do our first film together with Kasoor 2."
Before this, Urvashi made headlines for her unfortunate wardrobe mishap during Cannes 2025.
She explained that her gown tore after her car came to a sudden halt to avoid hitting an elderly woman.
Speaking to IANS, she shared, 'My dear fans, let me share a story that redefined our red-carpet journey. As we hurried toward the event, our car came to a sudden stop elderly 70-year-old woman, full of life's wisdom, crossed our path. Our driver's swift action to protect her sent us lurching forward, and my gown, a vision of artistry, paid the price with a tear. Yet, in that moment, I felt not loss but gratitude for her safety, for our survival, and for the chance to walk the red carpet with a story worth telling. True strength lies in perspective and in shaping our narrative. I choose to weave this tale not of a torn dress but of a heart intact, a spirit unbroken, and a commitment to shine for my nation."
"Fortune favors the bold, and I chose to step onto that carpet, not as a victim of circumstance but as a queen of resolve. We celebrate a life spared. Let's raise a toast to priorities that outshine any spotlight," Urvashi added.

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Time of India
6 hours ago
- Time of India
How Bong Joon Ho's $11 million ‘Parasite' beat Nolan, Fincher, and the rest to become the 21st century's greatest film?
How the List Was Compiled Why Parasite Resonates So Deeply — CinemaTweets1 (@CinemaTweets1) Surprising Snubs and Curious Trends — grecobes (@grecobes) — screentime (@screentime) In an era dominated by Hollywood blockbusters, reboots, and billion-dollar superhero universes, few expected a dark Korean comedy to outshine them all. But that's precisely what Parasite has done. Bong Joon Ho 's Palme d'Or–winning film has clinched the top spot in The New York Times ' list of the 100 greatest films of the 21st century — beating works by Christopher Nolan, the Coen Brothers, and David more, Parasite didn't just impress the critics. It also topped the readers' poll, reaffirming its wide cultural impact. Made on a modest $11 million budget and released globally after rave reviews at Cannes, the film went on to win four Academy Awards — including Best Picture — making history as the first non-English-language film to do mark the first quarter-century of this millennium, The New York Times, in collaboration with The Upshot, reached out to over 500 celebrated figures from the film industry — including directors, actors, and producers — asking each to name ten films released after January 1, 2000, that they considered truly responses were aggregated into a ranked list of 100 films. The final top 10, revealed in late June, has already stirred passionate debate. Participating names included Oscar winners like Bong himself, Pedro Almodóvar, Sofia Coppola, and Guillermo del Toro, as well as actors like Julianne Moore and John its core, Parasite is a razor-sharp commentary on class divisions, disguised as a home-invasion thriller with a comedic twist. The New York Times praised Bong's ability to shift between tones — from darkly funny to horrifyingly tragic — without ever losing narrative control. That genre fluidity, paired with social commentary and unforgettable visuals, has made the film an enduring cultural began as a local story about economic inequality in South Korea quickly became a global parable. Audiences everywhere related to its portrayal of social ladders, survival tactics, and the illusion of behind Parasite was David Lynch's mind-bending Mulholland Drive, followed by Paul Thomas Anderson's There Will Be Blood. Rounding out the top five were In the Mood for Love and Moonlight. Hollywood hits like Get Out, Eternal Sunshine of the Spotless Mind, and The Social Network also cracked the top perhaps the biggest surprise came from Interstellar, which was loved by readers — earning a top-five spot in the public poll — but ranked only 89th in the critics' major trends emerged from the list that reflect the evolving cinematic their box office domination, franchise films — Marvel, DC, Star Wars — barely made a dent in the top 100. Hollywood's reliance on sequels, reboots, and IP-driven storytelling may have mass appeal, but it hasn't earned much critical reverence. Although streaming services have redefined how we watch films, their impact on this list was minimal. Only one Netflix original, Alfonso Cuarón's Roma, made the cut — and at number 46. Theatrical cinema still commands more respect in artistic circles, at least for Nolan, with five entries including Inception, Memento, and Oppenheimer , leads the list in terms of volume. Paul Thomas Anderson follows closely with multiple titles, including Phantom Thread and Punch-Drunk Love. Other familiar auteurs like David Fincher and Alfonso Cuarón also received multiple nods, proving that strong directorial vision remains a prized hallmark of 11 of the 100 films were directed by women, highlighting the continuing gender disparity in cinema. Notable entries include Lady Bird by Greta Gerwig and Lost in Translation by Sofia Coppola — yet none of these films made it into the top the most encouraging trend is the prominence of non-English films. The global dominance of Parasite is no anomaly. The list also features French dramas like Anatomy of a Fall and Portrait of a Lady on Fire, Norwegian coming-of-age gem The Worst Person in the World, Spanish-language standout Roma, and German thriller The Zone of Interest. Even hybrid productions like Everything Everywhere All At Once, which blends English, Cantonese, and Mandarin, reflect the modern viewer's growing openness to stories beyond linguistic boundaries.


News18
8 hours ago
- News18
Is Panchayat Losing Out On Its Innocence As Politics Takes Spotlight? Sanvikaa REACTS
Last Updated: Sanvikaa plays Rinki in Jitendra Kumar and Raghubir Yadav starrer Panchayat season 4, which premiered on June 24, 2025. Actress Sanvikaa, who essays the role of Rinki in the superhit streaming series 'Panchayat', feels that as the show progresses with subsequent seasons, it holds on to its innocence which is one of the show's core values. 5 years ago, when season 1 of 'Panchayat' was released, the show tugged at the heart-strings of the audience owing to its simple, flavourful storytelling and the innocence of its characters. However, as the narrative progressed, many elements made their way to the show, with politics being the prominent theme since the last 2 seasons. The actress recently spoke with IANS. When asked that given the political elements picking up in the show, can the show tread away from innocence in the longer run, she said, 'I don't think so. Though the key characters are competing with each other if either of them is in need, even the opposition team will come and help and support". She further mentioned, 'So I think even in villages right now, though there will be opposition, though people will hate each other, but when there are crises, or like when someone needs any help, no matter how much they hate that person, they will always go and help that person". She told IANS, 'So I think that innocence is not lost. It is just like being masked with the situations that people are having right now, like the politics. But if we talk about innocence, I think it's still there". Earlier, the actress had spoken up on the trajectory of character in the show through 4 seasons. She shared that it was the conscious choice of the makers to gradually unravel the layers of her character, and not in one go. In the first season of the show, Sanvikaa's character is not seen until the last sequence of the season 1 finale episode. Her character has grown over a time period, and this time around she is more hands-on and fully involved with the narrative of the show. Talking about the same, she said earlier, 'I think the makers wanted it to be in such a way, where the character is slowly progressing. They never wanted to give it like in the first go itself. That's why conscious efforts have been made to show Rinky in bits and pieces only". 'And, with time we are discovering who Rinky is, what she stands for and how her relations with the family and with her love life and whatever she's dealing with in her life, that is being discovered in a very slow process", she added. 'Panchayat' is available to stream on Prime Video. First Published:


India.com
12 hours ago
- India.com
Urvashi Rautela Joins Dame Ur Grrr Trend With Jassie Gill on ‘Kasoor 2' Sets — Watch
Mumbai: Actress Urvashi Rautela is currently busy shooting for her next, "Kasoor 2", alongside Jassie Gill. It was speculated for a long time that Urvashi will be a part of "Kasoor 2", and now the former beauty queen has finally joined the sets of the forthcoming drama. During the shoot, Urvashi was spotted joining the 'Dame Ur Grr' trend with her co-star. Both Urvashi and Jassie were seen enjoying a scooter ride in the video captioned, "Dame Un Grrrr @ Talking about working with Urvashi in 'Kasoor 2' Jassie said, "Urvashi Rautela is the most beautiful girl in the universe. She is the most versatile and talented actress and our queen of Cannes. I'm truly happy to do our first film together with Kasoor 2." Before this, Urvashi made headlines for her unfortunate wardrobe mishap during Cannes 2025. She explained that her gown tore after her car came to a sudden halt to avoid hitting an elderly woman. Speaking to IANS, she shared, 'My dear fans, let me share a story that redefined our red-carpet journey. As we hurried toward the event, our car came to a sudden stop elderly 70-year-old woman, full of life's wisdom, crossed our path. Our driver's swift action to protect her sent us lurching forward, and my gown, a vision of artistry, paid the price with a tear. Yet, in that moment, I felt not loss but gratitude for her safety, for our survival, and for the chance to walk the red carpet with a story worth telling. True strength lies in perspective and in shaping our narrative. I choose to weave this tale not of a torn dress but of a heart intact, a spirit unbroken, and a commitment to shine for my nation." "Fortune favors the bold, and I chose to step onto that carpet, not as a victim of circumstance but as a queen of resolve. We celebrate a life spared. Let's raise a toast to priorities that outshine any spotlight," Urvashi added.