logo
4 Latest South films to watch on OTT this week (May 26 - June 1): HIT 3, Retro to Agnyathavasi

4 Latest South films to watch on OTT this week (May 26 - June 1): HIT 3, Retro to Agnyathavasi

Pink Villa26-05-2025
A new week means new stories from the South landing on your favorite streaming apps. These movies bring bold characters, sharp plots, and fresh emotions. Whether it's a crime drama or an action romance, there's something for every mood. The best part? You don't need a ticket to enjoy them.
New South movies releasing on OTT this week
1. Agnyathavasi
Cast: Rangayana Raghu, Siddu Moolimani, Paavana Gowda, Sharath Lohithaswa
Where to watch: ZEE5
Release date: May 28, 2025
Set in the forests of Malnad during the 90s, Agnyathavasi unfolds in a quiet village untouched by progress. The peace is broken when scholar Srinivas Iyer is found dead. Initially seen as natural, his death raises suspicions, prompting Inspector Govindu and Ananthu to reopen the inactive local police station.
2. HIT: The Third Case (HIT 3)
Cast: Nani, Srinidhi Shetty, Prateik Babbar, Ravindra Vijay, Adivi Sesh (cameo)
Where to watch: Netflix
Release date: May 29, 2025
HIT 3 follows the life of Arjun Sarkaar, a fierce cop assigned to the HIT unit in Visakhapatnam. The story begins with him in prison for a shocking crime. As he shares his past with a fellow inmate, the plot moves into a flashback. Arjun is shown committing brutal murders and filming each one. In a surprising twist, he is tasked with investigating those very crimes. Gradually, it is revealed that his actions are part of a larger plan to infiltrate a deadly dark web cult.
3. Jerry
Inspired by the beloved cartoon Tom and Jerry, this Malayalam film revolves around a mischievous mouse named Jerry. It starts with the rodent creating chaos in a single household and disrupting daily life with unexpected pranks. The mayhem soon spreads beyond the family. In their attempts to catch the clever mouse, the villagers come up with quirky and imaginative solutions.
4. Retro
Retro tells the story of Paari, a young man burdened by years of resentment toward his father as he never accepted him. He becomes part of her powerful crime empire but is treated only as a henchman. Longing for a better life, Paari dreams of marrying Rukmini and leaving crime behind. However, betrayal and a conflict with his father land him in prison. The film follows his emotional journey of redemption, identity, and letting go of violence.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

6 gripping thrillers to watch as Sarzameen releases
6 gripping thrillers to watch as Sarzameen releases

India Today

time5 hours ago

  • India Today

6 gripping thrillers to watch as Sarzameen releases

6 gripping thrillers to watch as Sarzameen releases As Prithviraj Sukumaran, Kajol, and Ibrahim Ali Khan's Sarzameen released on JioHotstar, take a look at gripping thrillers on OTT. Special Ops is focused on the Research and Analysis Wing (RAW) agent Himmat Singh, played by Kay Kay Menon. Special Ops The story is about a serial killer, Shubh Joshi, who believes in bringing about the end of Kalyug by committing sins. It stars Barun Sobti and Arshad Warsi in the lead. Asur 2 The Indian anthology crime thriller series features a recurring character, Madhav Mishra, played by Pankaj Tripathi, who acts as a defense lawyer navigating complex criminal cases. Criminal Justice 5 The crime thriller web series that explores the dark underbelly of India, delving into themes of crime, politics, and social inequality. Paatal Lok Starring Kareena Kapoor, Vijay Varma and Jaideep Ahlawat, the film is about a single mother entangled in a criminal investigation finds an unlikely ally in her neighbor, a brilliant maths teacher. Jaane Jaan The American action thriller stars Gabriel Basso in the title role. The series emerged as the third-most-viewed debuting series on Netflix in its first four days. The Night Agent

Sarzameen on OTT: Ibrahim Ali Khan has improved while Kajol-Prithviraj are impressive, but fans call film ‘average'
Sarzameen on OTT: Ibrahim Ali Khan has improved while Kajol-Prithviraj are impressive, but fans call film ‘average'

Hindustan Times

time8 hours ago

  • Hindustan Times

Sarzameen on OTT: Ibrahim Ali Khan has improved while Kajol-Prithviraj are impressive, but fans call film ‘average'

Months after being brutally trolled for his debut film Nadaaniyan, Saif Ali Khan's son and actor Ibrahim Ali Khan returned to the digital platform with his second film today. Titled Sarzameen, the action thriller marks Boman Irani's son Kayoze Irani's directorial debut, and also stars Kajol and Prithviraj Sukumaran in the lead. In the trailer, we found out that Kajol is married to an army officer played by Prithviraj. Ibrahim is apparently their son, who seems to have turned into a terrorist somehow. Well, the film arrived on OTT today and early reviews suggest that Sarzameen is a one-time watch. Ibrahim Ali Khan and Kajol in Sarzameen After watching Sarzameen, one social media user shared, 'Good one time OTT watch. The narrative could have been far more gripping if the execution matched the huge strength of the plot. #Kajol delivers a standout performance - will remind you of Gupt. Prithviraj is impressive too and IAK has improved. 2.8/5 #Sarzameen,' whereas another fan wrote, '#Sarzameen is an above average film especially for the performances of @itsKajolD @PrithviOfficial and a sincere #IbrahimAliKhan . The familiar storyline and treatment and dejavu to mission Kashmir cannot be ignored. A sincere attempt nevertheless . Watchable.' Another review read, '#SarzameenReview: It has vibes like Mission Kashmir and Fanaa. Rating: 3*/5 ⭐⭐⭐ #Sarzameen is a one time watch film where #PrithvirajSukumaran and #Kajol pull off the dramedy very well whereas the #IbrahimAliKhan's performance is just decent. He has to learn more but I think that with time, everything will be okay. ✅ Give it a go if you have time.' Last night, Ibrahim attended a special premiere of his film. He was snapped with his actor sister Sara Ali Khan, good friend and Raveena Tandon's daughter Rasha Thadani, and several fans. After reading these early reviews of Sarzameen, are you planning to watch Ibrahim, Kajol and Prithviraj's film this weekend?

Stolen actor Shubham Vardhan: ‘The tendency to be safe has stagnated the film business, everything appears to be a copy of each other'
Stolen actor Shubham Vardhan: ‘The tendency to be safe has stagnated the film business, everything appears to be a copy of each other'

Indian Express

time10 hours ago

  • Indian Express

Stolen actor Shubham Vardhan: ‘The tendency to be safe has stagnated the film business, everything appears to be a copy of each other'

After premiering at the Venice Film Festival, Stolen travelled to nearly 40 festivals before releasing on OTT. Its producer Gaurav Dhingra, director Karan Tejpal and lead actors Abhishek Banerjee and Shubham Vardhan talk about its making; balancing craft with social commentary; and the contemporary eco-system for indie cinema. The trigger for making Stolen is the 2018 Karbi Anglong incident in which two men were lynched as 'child kidnapping' rumours circulated on social media. Why did you think of developing this as a feature film? Karan Tejpal: It came as a shock to me that you can be so unjustly accused of something you haven't done. I was surprised that nearly 5,000 people can collect within minutes and brutally lynch you. They were assumed to be child kidnappers on the basis of how they looked. One of them had long dreadlocks and they were driving a big car. When I dug deeper into the incident, I came across how technology was used. Such incidents are what's called 'WhatsApp lynchings' since a message can be transmitted to thousands of people through WhatsApp. This case came to the limelight due these brutal videos which were doing the rounds. From 2015 to the time that the pandemic swept the world, there were about 300 such cases in different parts of India. It started as the unpeeling of this phenomenon and wanting to understand why and how (such incidents are taking place). Being a writer and filmmaker, in a couple of years, the idea of giving shape to a story came up. It crystallised into becoming a film when I met Gaurav. Making a film and telling it a certain way is a cathartic experience. I experienced such fear when I heard about such incidents and the injustice that can take place and no one is held responsible for it. I heard about this incident in 2018 and I started writing in 2020. I shot the film in 2023. How did Abhishek Banerjee come on board? Abhishek: My mind was blown when Karan and Gaurav (Dhingra) shared their idea. In the first meeting itself I decided to do the film. Their pitch was simple: we are trying to make this road film. The initial idea was to make a single-take movie and create that kind of chaos through the journey. Apart from the story, I was very interested in the way they were thinking of making the film. I thought let's get the emotions and script right and go ahead. Karan: We thought of Abhishek very early on because there are not many actors who are doing realistic performances the way he does. He has a control hold over his craft. He can control his pitch even when others are hamming their way through in Stree (2018). Shubham's performance is very much from his gut while Abhishek is from the mind. Gaurav Dhingra: The production crew had many first-timers. They were handpicked and came together because they believed in the film. Abhishek and Shubham, you are playing brothers in Stolen–you are both from Delhi's Kirori Mal College and you know each other for a long time. Shubham Vardhan: We were obviously comfortable since we know each other. At the same time, it was a little difficult since you can't hide your tricks because we know each other so well. In Mumbai, we want to do good and off-beat work but that kind of project doesn't come our way. It is rare to get the opportunity to work with like-minded people as well as to work on a project that gives importance to craft and story. Abhishek: We could laugh at each other and tell each other when something was going wrong. That's not easy. If you are working with co-actors with whom you don't have chemistry and you cross the line, they might feel bad. It is not about ego but all actors are insecure. Shubham: We have had a common language for nearly 15 years. So, we can communicate with each other with ease. The film carries a social commentary but is also nuanced. How do you achieve that balance? Karan: Genre is mainly about craft and helps in making choices. More than social commentary, my idea was to present how I saw the world. We never thought about preaching or pamphleteering. We were telling the story of characters and real people what could happen if they had an experience like this. If you have a certain perspective of the world, it should automatically reflect in your work. Gaurav: We wanted the film to be accessible and engaging for everyone. In the age of the internet, what is engaging is commercial. Even though Stolen was screened at about 40 festivals, why did you not release it in theatres? Gaurav: Our focus was that we are making a global film. After its Venice Film Festival premiere in 2023, various distributors wanted to buy the film. It was not sold in India. Had it been released in France or Germany first, in no time it would have been pirated. We wanted all theatrical releases to come together in four months and then go to OTT. Or, we wanted a global deal that would release the film at one go. The Amazon Prime Video deal came in. The four executive producers, Anurag Kashyap, Vikramaditya Motwane, Nikkhil Advani and Kiran Rao joined us. Abhishek: When you are trying to do something disruptive, logic is an important weapon. We did not want that kind of pressure related to the money that you need to raise for marketing in case of a theatrical release and then wonder for how many days the theatres would run it. How would you describe the current ecosystem for independent cinema? Gaurav: The eco-system is not working for independent filmmakers. Part of the reason is that the distribution has crumbled and needs to be innovated. The ticket pricing is high. In the southern part of the country, there is a cap on the ticket prices and marketing budget of a movie. There is a greater need of the exhibition system to have partnership of a different kind with movie makers. Abhishek: Over the years, I have noticed, everyone wants to be safe business-wise. Hence, the manufacturing goes up but creativity goes down. That's the case everywhere. Shubham: The tendency to be safe has stagnated the business. Everything appears to be a copy of each other.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store