
Why you should watch The Sandbox Collective's ‘Side Show: The Musical'
The show also holds a special place in the young creative director's heart. He shares that the musical was his first foray into directing, which led to him helming the production of Little Shop of Horrors the following year.
'This was the first show that I ever directed on my own back in 2010. To have done Little Shop of Horrors last year and then Side Show this year, it feels like a full circle moment,' he says.
Given that there are two versions of the musical—the original 1997 staging and the 2014 revival—De Venecia reveals that The Sandbox Collective will follow the latter. 'This is my favourite version of the show. It's the one that I grew up with and the one I directed before… It's also more political, so it's something that we could really sink our teeth into. Theatre is a platform for advocacy where we talk about social issues, and this is the perfect version of the show to do just that. It's similar but different,' he shares.
See also: Virgin Labfest (VLF) 2025 courageously opens difficult conversations
Above Marynor Madamesila, Tanya Manalang, Krystal Kane, and Molly Langley as Daisy and Violet Hilton
Themed around identity, love and acceptance and set in a world that shuns being different, Side Show: The Musical tells a relevant story despite its historical and macabre setting. We've seen it in real life with violence as an answer towards pride marches and systemic racial inequalities. The musical is an ode to those who aren't seen as 'normal'—only next to it. 'Hopefully, when you watch it, you feel seen. Even if there's a part of you that you hide from everybody, we want you to feel validated when you watch,' says Reb Atadero, who plays Terry.
Above Ivan The Selfie Magician performing during The Sandbox Collective's 'Side Show: The Musical' press conference
In an effort to enhance the circus aesthetic and vibe, The Sandbox Collective enlisted the help of Ivan the Selfie Magician as their magic consultant. As a master illusionist and performer, Ivan has been teaching the cast how to do close-up magic and other seemingly impossible tricks. While The Sandbox Collective has playfully dodged questions on the extent of their stunts, it's safe to assume
The Sandbox Collective's Side Show: The Musical opens on July 26 and runs until August 16 at the Power Mac Center Spotlight Black Box Theater, Circuit Makati. For more information, visit their social media pages.
NOW READ
Reimagining the narratives of the past: the UP Vargas Museum highlights works by Lee Paje and Ampannee Satoh
The Playbook Club's 'First Love, Last Love: A Twinbill' tells intimate stories of time and connection
Repertory Philippines brings Yasmina Reza's acclaimed comedy play to the stage, offering insights into art's true value
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Tatler Asia
7 days ago
- Tatler Asia
Why you should watch The Sandbox Collective's ‘Side Show: The Musical'
Above Director Toff de Venecia gives his opening remarks The show also holds a special place in the young creative director's heart. He shares that the musical was his first foray into directing, which led to him helming the production of Little Shop of Horrors the following year. 'This was the first show that I ever directed on my own back in 2010. To have done Little Shop of Horrors last year and then Side Show this year, it feels like a full circle moment,' he says. Given that there are two versions of the musical—the original 1997 staging and the 2014 revival—De Venecia reveals that The Sandbox Collective will follow the latter. 'This is my favourite version of the show. It's the one that I grew up with and the one I directed before… It's also more political, so it's something that we could really sink our teeth into. Theatre is a platform for advocacy where we talk about social issues, and this is the perfect version of the show to do just that. It's similar but different,' he shares. See also: Virgin Labfest (VLF) 2025 courageously opens difficult conversations Above Marynor Madamesila, Tanya Manalang, Krystal Kane, and Molly Langley as Daisy and Violet Hilton Themed around identity, love and acceptance and set in a world that shuns being different, Side Show: The Musical tells a relevant story despite its historical and macabre setting. We've seen it in real life with violence as an answer towards pride marches and systemic racial inequalities. The musical is an ode to those who aren't seen as 'normal'—only next to it. 'Hopefully, when you watch it, you feel seen. Even if there's a part of you that you hide from everybody, we want you to feel validated when you watch,' says Reb Atadero, who plays Terry. Above Ivan The Selfie Magician performing during The Sandbox Collective's 'Side Show: The Musical' press conference In an effort to enhance the circus aesthetic and vibe, The Sandbox Collective enlisted the help of Ivan the Selfie Magician as their magic consultant. As a master illusionist and performer, Ivan has been teaching the cast how to do close-up magic and other seemingly impossible tricks. While The Sandbox Collective has playfully dodged questions on the extent of their stunts, it's safe to assume The Sandbox Collective's Side Show: The Musical opens on July 26 and runs until August 16 at the Power Mac Center Spotlight Black Box Theater, Circuit Makati. For more information, visit their social media pages. NOW READ Reimagining the narratives of the past: the UP Vargas Museum highlights works by Lee Paje and Ampannee Satoh The Playbook Club's 'First Love, Last Love: A Twinbill' tells intimate stories of time and connection Repertory Philippines brings Yasmina Reza's acclaimed comedy play to the stage, offering insights into art's true value


Tatler Asia
7 days ago
- Tatler Asia
‘The Greatest Showman' star Keala Settle takes the stage at the Samsung Performing Arts Theater
This Is Me, An Evening with Keala Settle also features an orchestra and Settle will be joined by Jillian Itaas, Jep Go and a special appearance by fellow Broadway star, Arielle Jacobs. Mikko Angeles helms the show as the director, with musical direction handled by Farley Asuncion and choreography by JM Cabling. Audiences can expect a powerful performance of Broadway numbers, original compositions and reimagined pop anthems set behind the backdrop of immersive visuals and vibrant theatrics care of Ohm David, Meliton Roxas and Joyce Garcia. This is Me, An Evening with Keala Settle takes the stage on July 11 at the Samsung Performing Arts Theatre. For more information, follow their social media pages. NOW READ The Playbook Club's 'First Love, Last Love: A Twinbill' tells intimate stories of time and connection Reimagining the narratives of the past: the UP Vargas Museum highlights works by Lee Paje and Ampannee Satoh Virgin Labfest (VLF) 2025 courageously opens difficult conversations


Tatler Asia
7 days ago
- Tatler Asia
The Playbook Club's ‘First Love, Last Love: A Twinbill' tells intimate stories of time and connection
If you had a time machine, how would you use it? For Ruby Versoza (played by Erika Rafael), she chooses to speak to her ex-high school sweetheart, Arthur (Los Akiyama), one last time a week before her wedding. Directed by Pia Ysobel Cruz, Napapanahon captures the 'what-ifs' that plague everyone's minds, taking us right back to moments we wish had gone differently. While many would say that it's wrong to think these things, especially right before you get married, it's also deeply human to do so—and Rafael conveys Ruby's indecision with such vulnerability that feels real. See also: Kakki Teodoro spent decades on stage. Now she speaks up about what's changing—and what isn't CoR (Commission of Relationships) Set in the near future, the government has imposed a hefty tax of PHP 600,000 on new relationships. The audience is introduced to Lau (Rafael Jimenez) and Luna (Dippy Arceo), who quickly develop a bond. Starting naturally as friends, the two eventually fall for each other but are forced to hide it. While one adamantly proposes to get registered, the other is unsure—leading to a painful back-and-forth that seems familiar. Director Zoë de Ocampo and playwright Jimenez's worldbuilding is on point, using dialogue to set the scene instead of outright showing us. In this imagined not-so-distant future, audiences are able to ascertain the repercussions that such a law could have in our society—whether cultural or economic. For instance, Lau mentions that all the love songs are about loneliness. While it's a line seemingly said in passing, it sets up the kind of world our characters live in, one where love is outlawed unless you're registered. CoR also mirrors the modern trend of relationships, albeit in a more exaggerated way. These days, situationships are rampant, and plenty of people break themselves over emotional instability. The play taps into this relatable and relevant cycle and sets it to 11. While the law itself is rooted in absurdity, it allows the audience to be more invested in a couple who not only put a large sum of money down for each other, but also commit to their own emotional maturity. First Love, Last Love: A Twinbill runs until June 22, 2025 at the Mirror Studio Theatre in Makati. For more information, visit their social media pages. NOW READ Virgin Labfest (VLF) 2025 courageously opens difficult conversations GMG Productions' 'Come From Away' tells a deeply human tale of compassion, unity and resilience Ballet Manila's 'Swan Lake' takes flight once more, bridging continents and careers