After an 8.8-magnitude earthquake in Russia caused tsunami waves to reach California, what resource did the California Geological Survey provide to help residents assess their risk?
2 of 10
A landslide-prone stretch of U.S. 101 called Last Chance Grade is set to be bypassed by what type of new construction, according to Caltrans' plan?
A ferry system
An elevated causeway
A suspension bridge
3 of 10
Which prestigious university is in talks with San Francisco officials about opening a downtown campus?
Harvard University
University of California, Berkeley
Vanderbilt University
4 of 10
According to a Chronicle analysis, which profession makes up about one-fifth of the top 10% of earners in the San Francisco and San Jose metro areas?
Software developers
Lawyers
CEOs
Financial analysts
5 of 10
After winning four $1,000 prizes, what amount did Hayward resident Juan Silva Zarate win on a California Lottery Scratchers ticket?
$100,000
$2 million
$500,000
$10,000
6 of 10
Safeway in El Cerrito changed its grocery store layout during the pandemic. What is one reason some shoppers believe the new long, unbroken aisles were created?
7 of 10
Dead & Company will headline a three-night run in Golden Gate Park to celebrate the Grateful Dead's 60th anniversary. Which original Grateful Dead members are leading Dead & Company at this event?
Phil Lesh and Bill Kreutzmann
Donna Jean Godchaux and Brent Mydland
Bob Weir and Mickey Hart
8 of 10
Which San Francisco neighborhood is seeing a surge of AI startups moving into office spaces that were previously left empty after the pandemic?
SoMa
Chinatown
Nob Hill
Pacific Heights
9 of 10
PG&E has proposed removing two dams on the Eel River as part of a $530 million plan. What is the name of the hydroelectric project involved?
10 of 10
The former Edward Shands Adult Education Center in East Oakland is currently being used by which group of people while awaiting redevelopment?
This quiz was generated using OpenAI's GPT-4o large language model, leveraging the reported, edited and vetted stories that garnered the most views over the past week. AI autonomously creates each quiz question, including multiple answer choices and a detailed explanation for the correct answer. Following this, a newsroom journalist reviews and edits each element for accuracy, appropriateness and sensitivity, ensuring the content remains reflective of the original article from which it's generated. For more details on our use of AI and our editorial processes, see our AI policy.
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San Francisco Chronicle
4 hours ago
- San Francisco Chronicle
Photos: Dead & Company's second night in S.F. unites generations of Deadheads
If the first night of Dead & Company's Golden Gate Park residency celebrated legacy, the second night showcased its endurance — across generations, families and time itself. What became unmistakably clear on Saturday, Aug. 2, was how deeply intergenerational the Grateful Dead 's following has become. Some 60,000 fans once again packed the Polo Field for the second of three concerts marking the Grateful Dead's 60th anniversary. Teenagers danced beside their parents. Grandparents clapped along with toddlers. Some attendees had seen guitarist Jerry Garcia perform live with the band in the 1960s. Others were born years after he died in 1995. 'My parents are a total big influence for all the good music I listen to,' said Siren Talbot, 19, of Grass Valley, who attended the show with her parents. 'It's definitely a reflection of just spending time together and listening and hanging out in the backyard.' Long before the band took the stage, the field buzzed with activity. Veteran Deadheads roamed the edges of the crowd handing out homemade stickers and swapping stories. Others stretched out on picnic blankets under the evening sky. San Francisco Mayor Daniel Lurie took the stage to introduce the first set shortly after 6:15 p.m. — and to acknowledge the moment's emotional weight. 'Listen, what you all have brought to our city over the last week and here tonight — you've brought joy, you've brought energy, you've brought love,' Lurie, clad in a tie-dye T-shirt, told the crowd. 'It's just what San Francisco needed.' Then, with his hand over his heart and the crowd roaring, he added: 'I am the mayor of the greatest city in the world, and it is my privilege to welcome Dead & Company.' Up front, the energy was high — swirling, packed and kinetic — as fans rushed to grab refreshments just as the music began. The band — featuring Grateful Dead co-founder Bob Weir and drummer Mickey Hart, alongside guitarist and vocalist John Mayer, bassist Oteil Burbridge, keyboardist Jeff Chimenti, and drummer Jay Lane — was more vibrant and cohesive than it had been on opening night. They kicked off with a tight, groove-heavy take on 'In the Midnight Hour,' setting a festive tone before launching into a rollicking 'Bertha' and a twangy 'Jack Straw' featuring a sunny tease of the Allman Brothers' 'Blue Sky.' A soulful 'Dear Mr. Fantasy' melted into the coda of 'Hey Jude,' followed by a punchy 'Passenger' and the crowd-pleasing 'Brown-Eyed Women.' The first set closed on a high, emotional note with a powerful rendition of 'Morning Dew,' featuring a guest appearance by country singer and opening act Sturgill Simpson. The second set leaned fully into the Dead's psychedelic roots. 'Uncle John's Band' opened with an unexpected jam on 'The Other One,' leading into the classic 'Help > Slipknot! > Franklin's Tower' suite, complete with playful teases of 'Ghostbusters' and 'Lucy in the Sky With Diamonds.' Grahame Lesh retuned to join the band for 'St. Stephen,' which nodded to 'The Eleven' before giving way to a hypnotic 'Drums' and 'Space' sequence, laced with a tease of Pink Floyd's 'Shine On You Crazy Diamond.' Momentum continued to build with 'Spanish Jam' and a stirring 'Days Between,' before the band launched into a late-set 'Truckin',' featuring a jazzy nod to Miles Davis' 'All Blues.' The evening wrapped with a raucous 'Cold Rain and Snow' and a tender, harmony-laced 'Brokedown Palace.' Between sets, the stage screens lit up with archival interviews from Grateful Dead members, grounding the present-day crowd in the band's original spirit. Late bassist Phil Lesh described Dead shows as places to 'test your limits' and 'experience a little danger' in a warm, welcoming space. 'The Grateful Dead show is a perfect place to do that,' he said. Reflecting on the venue, Weir added simply: 'It just feels right to go back to the park there and play for folks and just have a musical ball.' That spirit — of gathering, improvising, and sharing — was alive and well among the thousands who came not just for the music, but for the sense of belonging it brings. 'My dad and my mom have been taking me to Dead & Company shows since I was 3,' said Coral Mines, 16, from Trinity County. 'It's so life-changing to have that experience when you grow up. The music is peaceful. It's just such a vibe.' Eric Dugoni, 28, of Napa, said he's been to nearly 20 shows with his father. 'Last night was actually the first one without him,' Dugoni said. 'He would've been here, but he's hiking in Canada with his siblings. Still, I wore his old shirt. We've always connected through the music.' Some, like Ever Epshaw, now bring their own children. 'Last night I was with my daughter. She's 22, and he's 14,' said Epshaw, in his 50s. 'There were grandparents dancing everywhere — people with their kids, little kids, everyone just having fun.' Dead & Company may have concluded its so-called 'final tour' in 2023, but if this weekend is any indication, the music — and the culture built around it — shows no signs of fading. 'I wish more of my friends would come with me,' Mines said. Chronicle staff writer Anna Connors contributed to this report. Dead & Company – Golden Gate Park Setlist Grateful Dead 60th Anniversary Show – Friday, Aug. 2, 2025 Set 1 'In the Midnight Hour' (Wilson Pickett cover) 'Bertha' (Grateful Dead cover) 'Jack Straw' (Grateful Dead cover) (with 'Blue Sky' tease) 'Dear Mr. Fantasy' (Traffic cover) 'Hey Jude' (The Beatles cover) (coda only) 'Passenger' (Grateful Dead cover) 'Brown-Eyed Women' (Grateful Dead cover) 'Morning Dew' (Bonnie Dobson cover) (with Sturgill Simpson) Set 2 'Uncle John's Band' (Grateful Dead cover) (with 'The Other One' jam) 'Help on the Way' (Grateful Dead cover) 'Slipknot!' (Grateful Dead cover) (with 'Ghostbusters' teases) 'Franklin's Tower' (Grateful Dead cover) (with 'Lucy in the Sky With Diamonds' tease) 'St. Stephen' (Grateful Dead cover) (with Grahame Lesh and 'The Eleven' tease) 'Drums' (Grateful Dead cover) 'Space' (Grateful Dead cover) (with 'Shine On You Crazy Diamond' tease) 'Spanish Jam' (Grateful Dead cover) 'Days Between' (Grateful Dead cover) 'Truckin'' (Grateful Dead cover) (with 'All Blues' tease) 'Cold Rain and Snow' (traditional cover)
Chicago Tribune
6 hours ago
- Chicago Tribune
Chance the Rapper teases new album ‘Star Line' in surprise Lollapalooza set
Chicago native Chance the Rapper captivated a massive crowd with his set at the Perry's stage on Saturday, a surprise addition to Lollapalooza's Day 3 lineup in Grant Park. The short concert featured his classic hits and two songs off his upcoming album 'Star Line,' set to be released on Aug. 15. 'I just wanna see y'all mosh,' he said as he introduced a song off his new album, sharp synths and dark piano chords blasting across the crowd. 'I don't know if y'all know this, but just to the people watching at home, Chicago invented moshing. We really do this festival (expletive).' Chance played Lollapalooza in 2016 following the release of his album 'Coloring Book' and has come back for a guest appearance almost every year since. Artists like Renee Rapp, Joey Bada$$ and Peter CottonTale have brought the prolific rapper onstage in the past three years. He usually only performs one song, his 2016 hit 'No Problem'. After performing his first solo set at the festival in nearly nine years, Chance told the Tribune that it brings 'a different level of enticement.' 'Being at Lolla is like a release for me,' he said. 'When you're a rapper, you're several different kinds of artists — you're a writer, but you're also a recording artist, a performing artist. There's a lot of different mediums that you plug into creatively to get out that idea, and I think performing is one of my favorite parts of being a rapper.' Opening with classic songs like 'Cocoa Butter Kisses' and 'All Night,' Chance also used his 15-minute set to build hype for 'Star Line,' his first album in six years. The two songs he played off the album were a marked shift from the vibe of his older music, bringing out a more introspective, emotional side and giving fans a deeper look at his songwriting abilities. 'It's very focused on unpacking different observations of mine, or experiences of mine,' he said. 'Some of them are very inwardly vulnerable or critical, and some of them are very outwardly analytical. I think a lot of people are going to resonate with the words of the album.' Along with an unreleased track, Chance also played 'Tree,' his first single off of 'Star Line' featuring Lil Wayne and Smino. In the song, he pays homage to the comfort and community of marijuana and reflects on how growing regulation of the cannabis industry can imperil people of color, who are often targeted by the police for using marijuana at higher rates. 'She told me 'Son, don't worry, don't you have no shame / There's gonna be frustration in this white man's game / And they're gonna have us tied up once it's legalized,'' he rapped. After years of performing at Lollapalooza, Chance (aka Chancelor Bennett) said he looks forward every year to hanging out backstage and meeting artists he admires. Following his Saturday set, he said he was on his way to catch breakout star Doechii and indie rocker But the lifelong Chicagoan said being back in Grant Park brings back another memory — getting his start in high school at an after-school open mic program, based a few blocks away on Harrison Street. 'We'd all be packed into this library space downtown, and some kids were rapping, some kids were doing poetry, standup, dancing, just talking — and it was deep,' he said. 'We learned a lot about how to engage with our peers and our crowd, both as equals and as people we want to entertain.' Lollapalooza 2025: For Saturday, a K-pop sing-along and a set by Winnetka Bowling League
CBS News
7 hours ago
- CBS News
Deadheads flock to Golden Gate Park for second day of Grateful Dead's 60th anniversary celebrations
Tens of thousands of Deadheads packed San Francisco's Golden Gate Park on Saturday for the second day of a three-day concert series honoring the Grateful Dead's 60th anniversary. Fans traveled from across the country—and some from overseas—to take part in the milestone celebration. The show kicked off just after 4 p.m. on the Polo Field, which quickly filled as more concertgoers streamed in through the evening. Country rocker Sturgill Simpson opened the day's performances, with Dead & Company slated to headline later in the night. "Nothing's more important than going to a Dead show, man. It's the bomb," said Frank McGloin, a local fan from the Bay Area. The festivities extended well beyond the main stage. Earlier in the day, hundreds gathered in the city's Excelsior District—where Grateful Dead frontman Jerry Garcia grew up—for the 23rd annual Jerry Day at McLaren Park. At the Jerry Garcia Amphitheater, musicians filled the air with bluegrass and rock music, while fans danced barefoot in the grass and celebrated his legacy. "It's medicine music," said Antonio Aversano, a Deadhead from Sebastopol. "It's very spiritual—it's like going to church. It totally takes me out of my head and brings me into a connection with the divine." For Aversano, the entire weekend has been transformative. "The energy of the Summer of Love, the whole counterculture in the '60s—peace, love, community, celebration," he said. Many fans who attended Friday night's opening show planned to immerse themselves in every event throughout the weekend. "I think the Deadheads are probably the nicest, kindest people you'll ever meet in your life," said Maria Pruss, a fan from Southern California. "Huge community, big hearts." Deanna Neiers, who traveled from New York City with her two children, ages 7 and 9, brought a personal touch to the celebration. She and her kids designed and handed out custom-made stickers to commemorate the anniversary. "We made this special sticker to hand out to commemorate the 60th anniversary," Neiers said. "We've printed a bunch of them and we love the community. So we're just handing them out for free to everybody." A Deadhead for 35 years, Neiers said she attended Jerry Garcia's final concert in Chicago in 1995. "We wouldn't miss the chance to celebrate the 60th anniversary," she added. The concert series is also giving San Francisco's economy a welcome boost. City officials said hotels, restaurants, and local shops are seeing increased business from the influx of visitors. "When people come from all 50 states, all around the world, and they have a great time, which they are, they go home, they tell their friends, and those friends come back to San Francisco," said Mayor Daniel Lurie. "And we're going to welcome them with open arms." For Serena Cisco, who flew in from Nashville, the city's warm welcome stood out. It was her first visit in three decades. "Happy to be here. Thank you, San Francisco, for putting this on. The city has been so welcoming," she said. Though decades have passed since the Grateful Dead first took the stage, their music—and its messages of resilience and hope—continue to resonate deeply with fans. "The legacy of Jerry Garcia is certainly a message of positivity and hope," said Henry Wimmer of Open Mind Music. And for many Deadheads, like Aversano, the gathering is about more than just music. "This is about community. It's about getting along together. It's about celebrating life," he said. For those in attendance, there's little that compares to the feeling of being at a Dead show.
