
Head Over Heels Episode 7: Everything We Know So Far
People in Korea can watch the seventh episode on TV or stream it online on streaming platforms, like TVING. K-drama fans from other parts of the world, including the US, Canada, Australia, the UK, Mexico, Denmark, Romania, Slovakia, Bulgaria, Czech Republic, Finland, France, Greece, Greenland, Hong Kong, China, Japan, New Zealand, UAE, Singapore, Turkey, and South Africa, can watch the mini-series with subtitles on online streaming platforms, including Netflix.
Screenwriter Yang Ji Hoon wrote the script for Head Over Heels, starring Cho Yi Hyun, Choo Young Woo, Cha Kang Yoon, and Choo Ja Hyun. It is based on a webtoon of the same name, created by Ahn Su Min. The K-drama premiered on tvN on Monday (June 23) at 8:50 pm KST. Director Kim Yong Wan helmed the directorial position of this fantasy romance drama. The fantasy romance drama centers on the complex relationship between Park Seong A, a high school boy destined to die, and Bae Gyeon U, a shaman determined to alter his fate.
Here is everything about Head Over Heels episode 7, like the airdate, preview, spoilers, and streaming details.
How to Watch?
The fantasy romance drama will return with a new episode on Monday (July 14) at 8:50 pm KST. People in Korea can watch the seventh episode on TV or stream it on online streaming platforms, like TVING. K-drama fans from other parts of the world, including the US, Canada, Australia, the UK, and South Africa, can watch the mini-series with subtitles on online streaming platforms, including Netflix.
Here are the International Air Timings of Head Over Heels Episode 7:
US - 6:50 am
Canada - 6:50 am
Australia - 10:20 pm
New Zealand - 12:50 am
Japan - 8:50 pm
Mexico - 5:50 am
Brazil - 8:50 am
Saudi Arabia - 2:50 pm
India - 5:20 pm
Indonesia - 6:50 pm
Singapore - 7:50 pm
China - 7:50 pm
Europe - 12:50 pm
France - 12:50 pm
Spain - 12:50 pm
UK - 11:50 am
South Africa - 1:50 pm
Philippines - 7:50 pm
Preview and Spoilers
The newly released stills show Bae Gyeon U confidently walking out of the abandoned house after the evil spirit Bong Soo possesses his body. The evil spirit showcases his newfound freedom in various ways through gestures, expressions, and postures that are completely different from Bae Gyeon U. A photo features Bae Gyeon U in a colourful robe.
Another set of images shows Bae Gyeon U and Park Seong A in her room. They affectionately look at each other as General Dongcheon watches them from a distance. Seong A's aunt (Lee So Mi) and Kkotdoryeong also watch them.
"In the upcoming episode, Park Seong A will regain the power of the human talisman and protect Bae Gyeon U from the evil spirit Bong Soo. Gyeon U's choices and struggles while sharing a body with the evil spirit will also unfold in a compelling way. Please tune in to see what the evil spirit possessing Gyeon U will do next," the production team shared.

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


AsiaOne
an hour ago
- AsiaOne
Richard Gadd reveals why an entire episode of Baby Reindeer was dropped, Entertainment News
Richard Gadd has revealed an entire episode of Baby Reindeer was dropped. The 36-year-old comic wrote and starred in the award-winning Netflix series — which is based on his real-life experiences with a stalker — had been told when developing the show that it was "too dark" and so he penned an instalment in which his character Donny Dunn visited his parents to escape the unwanted attentions of Martha (Jessica Gunning). Speaking at the Future Visions conference in Melbourne, Australia, he said: "I remember when we were developing it, there was the note that kept coming in, and probably rightfully so, about 'The show is just too dark. You need to give us a respite.'" The cut episode featured Donny "escaping" Martha by leaving London to visit his family. He said: "There's a whole episode where I go to the football with my dad, and I spend a day with my dad. "But I felt like a lot of the note that was coming in was that we needed a break from Martha because she's so relentless." However, Richard was struck by Martha's absence from the episode andmade a decision to drop it entirely. He said: "But really, when we got to the edit, I thought, 'You miss her every time she's not on screen.' "And I thought in a lot of ways, the sooner you get back to her, the better." Richard never expected Baby Reindeer to take off in the way it did. He previously told the Guardian newspaper: "The biggest surprise was the fact that it blew up in the first place, because nothing about it screamed commercial hit." The comic has found his new fame a "huge adjustment" and insisted it wasn't something that he was looking for. He said: "It came out on a Thursday, and by Sunday people were knocking on my door asking for autographs. I was an arthouse comedian, performing to five people every night, so it was a huge adjustment. "I'm still getting used to it. Going to the supermarket comes with a million caveats now. "Weirdly, I never wanted fame. I just liked the idea that, one day, I would make a piece of art that was culturally important, because then maybe I would learn to like myself. "The biggest emotion that comes with fame is a sort of paranoia in public." Richard has found himself in a number of "awkward" situations as a result of becoming more recognisable. He said: "There are people who want to ask you stuff in the worst kind of situations — having a meal and someone pulls up a chair. It can be really awkward." [[nid:701960]]

Straits Times
3 hours ago
- Straits Times
The streaming wars come down to 2: YouTube v Netflix
The rivalry between Netflix and YouTube signals how the streaming wars have entered a new phase. For many years, Netflix executives bristled at the notion that the company really had a rival. Not Hollywood powerhouses like Disney, nor tech giants like Amazon. Instead, Mr Reed Hastings, the company's co-founder, insisted at one point that Netflix competed with people's desire to socialise, or to go to sleep. But there's no hiding from YouTube. Netflix and YouTube are increasingly locked in a fierce battle for control over the television set, a rivalry that even Netflix's executives can no longer deny. 'That was more of a fun narrative than it was, you know, the brutal truth,' Mr Jason Kilar, the founding CEO of Hulu and a former CEO of WarnerMedia, said about those past comments. 'The brutal truth is that YouTube is indeed the biggest competitor of Netflix at this point.' The rivalry signals how the streaming wars have entered a new phase. Top stories Swipe. Select. Stay informed. World Trump arms Ukraine and threatens sanctions on countries that buy Russian oil Multimedia From local to global: What made top news in Singapore over the last 180 years? Singapore Turning tragedy into advocacy: Woman finds new purpose after paralysis Singapore HSA intensifies crackdown on vapes; young suspected Kpod peddlers nabbed in Bishan, Yishun Opinion Sumiko at 61: When beauty fades, why do some accept it better than others? Singapore Man charged over distributing nearly 3 tonnes of vapes in one day in Bishan, Ubi Avenue 3 Singapore Man allegedly attacks woman with knife at Kallang Wave Mall, to be charged with attempted murder Singapore Ex-cop charged after he allegedly went on MHA portal, unlawfully shared info with man For years, increasing subscriber numbers to their streaming services was the ultimate goal for media companies. Now, those companies are trying to increase the amount of time viewers spend on their service. On that score, YouTube and Netflix stand above the competition. The two accounted for 20 per cent of all television viewing time in the United States in May – 12.5 per cent for YouTube, 7.5 per cent for Netflix, according to Nielsen, which provides audience measurement data for Netflix, including both streaming and linear TV viewership, in the US, Mexico, and Poland. The next closest streaming competitor is Disney, whose multiple streaming services (Disney+, Hulu, ESPN+) together accounted for 5 per cent of TV time in May, Nielsen said. And YouTube's lead keeps getting wider. Two years ago, YouTube's share of TV time was roughly half a percentage point higher than Netflix's – now it is 5 percentage points. Their strategies for success are very different, but, in ways large and small, it's becoming clear that they are now competing head-on. Top executives at both companies are beginning to mention each other in public more, sometimes dismissively. And the companies are veering into each other's turf, with Netflix executives showing an increased appetite for signing up creators who otherwise call YouTube their home – and trying to explain why their business model would be better for them. 'Who is in the biggest fight around scale and eyeball aggregation? YouTube and Netflix,' said Ben Silverman, the chair of Propagate, a production company, and a former chair of NBC Entertainment. Representatives for Netflix and YouTube declined to comment for this article. Both companies are competing from a position of strength. Netflix's revenue in 2024 reached US$39 billion (S$50 billion), and it has more than 300 million global subscribers, more than any other streaming service. The company is also hugely profitable: Netflix had more than US$10 billion in operating income in 2024. YouTube, which is owned by Google, had revenue of US$54 billion in the same year. The only media company with more was Disney. MoffettNathanson, a media analyst group, projected that YouTube would eclipse Disney in revenue this year and described it as 'the new king of all media.' The company does not disclose profits, but MoffettNathanson estimated that YouTube's operating income was just under US$8 billion in 2024. The two companies have very different approaches. Netflix is in the business of making and licensing traditional television shows, movies, documentaries, game shows or reality TV. The company hand-selects what it puts on its service, pays talent upfront and finances all the production costs, and often retains ownership of its original programs. YouTube allows anyone to post almost anything. People who upload an original video shoulder the financial cost upfront, but they also collect a check from YouTube based on the amount of revenue it generates. Those creators generally own the rights to their content. YouTube took a stab at making original TV shows but abandoned that game plan years ago. It worked. Now people go to YouTube for virtually anything, ranging from cat videos to music playlists to video podcasts. On average, YouTube has an audience of 7 million viewers watching off a TV set at any given moment during the day, more than Netflix's daily average of 4.7 million, Nielsen said. During prime-time hours, however, when the highest concentration of viewers is watching TV, the margins are tighter. An average of 11.1 million Americans are tuned into YouTube on their TV screens at night this year while 10.7 million are watching Netflix, Nielsen said. Of course, Nielsen only measures viewership off a TV screen. Both companies have huge audiences that watch in other ways, including on a smartphone, tablet or laptop. Roughly 70 per cent of Netflix's audience, for instance, watches its programmes via a television set, and the other 30 per cent through other devices, the company said. In March, at an event hosted by the Paley Media Council, Netflix co-CEO Ted Sarandos compared YouTube to the minor leagues. When a creator works with YouTube, he said, that person can 'cut their teeth or develop an idea'. 'It's a little bit of a farm league,' he continued. 'And then they can come up and do something that we would take the financial risk with them.' Mr Sarandos also suggested that Netflix remained a platform where you pay close attention to a program – an intentional choice essentially, perhaps during prime time – whereas YouTube was a far more passive viewing experience. 'There's a difference between spending time and killing time,' he said. 'We're in the how-you-spend-time business.' Mr Neal Mohan, YouTube's CEO, responded to Mr Sarandos' commentary at an advertiser event in France in June, emphasising that viewers 'get to decide how to spend' their time. 'Who am I to say what's spending time, engaging time, quality time, killing time?' he said, at an event hosted by The Ankler, an entertainment news outlet. 'That's, frankly, just the industry kind of talking to itself.' And when Mr Mohan was asked what he had been watching recently, he mentioned a documentary about Brett Favre - an American former professional football quarterback who played in the National Football League (NFL) for 20 seasons - before getting a jab in. 'It was on Netflix,' he said, 'so I don't know if I was killing time there.' In recent months, Netflix has licensed shows from creators who used to be primarily on YouTube. 'Ms. Rachel,' a children's program that appears on YouTube, has also been streaming on Netflix since the beginning of the year, to great success. Netflix has also brought on shows like the game show 'Pop the Balloon' and 'Sidemen,' a popular British YouTube group. The company has also been in discussions with representatives from other popular YouTube channels, including Mark Rober, Dude Perfect, Danny Go and Gracie's Corner, according to two people familiar with the negotiations. Mr Jad Dayeh, a senior partner at the William Morris Endeavor talent agency, said Netflix executives had taken a much greater interest in YouTube over the past year or so. 'They're unfazed by, like, Apple and HBO Max – it's very clear that they do not care what Apple is doing,' he said. 'But they're more conscious of what YouTube is doing.' Similarly, Mr Oren Rosenbaum, a partner at the United Talent Agency, said: 'They're jealous of each other. I don't think either one wants to admit that to themselves or each other. But when you have conversations with each of them, there is that jealousy.' Both companies have tech roots. And in the tech world, there is often a competition between two or three top companies for leading market share in any given industry. Amazon battles Microsoft in cloud computing. Microsoft, Google and Amazon compete in the upper rungs of artificial intelligence. And Apple and Google go head-to-head for the top of the smartphone market. As with the competition between the iPhone and Android smartphones, Netflix and YouTube are essentially two different systems: a closed platform (Netflix) versus an open one (YouTube). And while Netflix's recommendations for viewers are far ahead of many of its streaming competitors', YouTube has more data inputs from users to make even more precise recommendations. 'When you open up YouTube you are going to get a far more surgical presentation of things to entertain you than you will ever get at a traditional streamer,' said Mr Kilar, the former Hulu and WarnerMedia CEO. Of course, within all of video entertainment, in particular mobile viewing, the companies also fiercely compete with TikTok and Instagram. But Mr Kilar believes that in the coming years, Netflix will continue to take viewing share from its traditional Hollywood rivals. He also thinks YouTube has greater potential to expand its viewing time, though, given the growth trajectory of shorter videos, particularly with younger audiences. 'I'm bullish on both companies, make no mistake, but I am relatively more bullish on YouTube,' he said. During the go-go cable years, entertainment executives used to repeat the mantra, 'content is king.' Mr Dayeh, the talent agent, said that these days 'audience is king' – and these two players stand to benefit the most. 'Netflix was like, 'We want to be a studio,' and they became a platform,' he said. 'YouTube was a platform that is now becoming a studio. But what they both did was create these forums that are for everyone. 'That's where the battle starts to really shape up,' he said, 'because they're competing for the same 'everyone' audience.' NYTIMES


International Business Times
12 hours ago
- International Business Times
Head Over Heels Episode 7: Everything We Know So Far
Head Over Heels episode 7 will air on tvN on Monday (July 14) at 8:50 pm KST. The chapter will follow Bae Gyeon U after the evil spirit Bong Soo takes over his body. According to the production team, the episode will reveal the reason for the evil spirit to possess Bae Gyeon U's body, and what it will do next. The producers revealed that Park Seong A will regain her power of the human talisman and protect Bae Gyeon U from the evil spirit Bong Soo. People in Korea can watch the seventh episode on TV or stream it online on streaming platforms, like TVING. K-drama fans from other parts of the world, including the US, Canada, Australia, the UK, Mexico, Denmark, Romania, Slovakia, Bulgaria, Czech Republic, Finland, France, Greece, Greenland, Hong Kong, China, Japan, New Zealand, UAE, Singapore, Turkey, and South Africa, can watch the mini-series with subtitles on online streaming platforms, including Netflix. Screenwriter Yang Ji Hoon wrote the script for Head Over Heels, starring Cho Yi Hyun, Choo Young Woo, Cha Kang Yoon, and Choo Ja Hyun. It is based on a webtoon of the same name, created by Ahn Su Min. The K-drama premiered on tvN on Monday (June 23) at 8:50 pm KST. Director Kim Yong Wan helmed the directorial position of this fantasy romance drama. The fantasy romance drama centers on the complex relationship between Park Seong A, a high school boy destined to die, and Bae Gyeon U, a shaman determined to alter his fate. Here is everything about Head Over Heels episode 7, like the airdate, preview, spoilers, and streaming details. How to Watch? The fantasy romance drama will return with a new episode on Monday (July 14) at 8:50 pm KST. People in Korea can watch the seventh episode on TV or stream it on online streaming platforms, like TVING. K-drama fans from other parts of the world, including the US, Canada, Australia, the UK, and South Africa, can watch the mini-series with subtitles on online streaming platforms, including Netflix. Here are the International Air Timings of Head Over Heels Episode 7: US - 6:50 am Canada - 6:50 am Australia - 10:20 pm New Zealand - 12:50 am Japan - 8:50 pm Mexico - 5:50 am Brazil - 8:50 am Saudi Arabia - 2:50 pm India - 5:20 pm Indonesia - 6:50 pm Singapore - 7:50 pm China - 7:50 pm Europe - 12:50 pm France - 12:50 pm Spain - 12:50 pm UK - 11:50 am South Africa - 1:50 pm Philippines - 7:50 pm Preview and Spoilers The newly released stills show Bae Gyeon U confidently walking out of the abandoned house after the evil spirit Bong Soo possesses his body. The evil spirit showcases his newfound freedom in various ways through gestures, expressions, and postures that are completely different from Bae Gyeon U. A photo features Bae Gyeon U in a colourful robe. Another set of images shows Bae Gyeon U and Park Seong A in her room. They affectionately look at each other as General Dongcheon watches them from a distance. Seong A's aunt (Lee So Mi) and Kkotdoryeong also watch them. "In the upcoming episode, Park Seong A will regain the power of the human talisman and protect Bae Gyeon U from the evil spirit Bong Soo. Gyeon U's choices and struggles while sharing a body with the evil spirit will also unfold in a compelling way. Please tune in to see what the evil spirit possessing Gyeon U will do next," the production team shared.