Netflix's 'greatest' gangster film streaming now and fans all want same thing
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The 2018 action thriller, The Night Comes for Us, has earned a stunning 92 per cent score on Rotten Tomatoes, showcasing it as an unbridled triumph of raw, gripping storytelling and sheer visceral intensity.
Conceived initially as a script by writer-director Timo Tjahjanto, The Night Comes for Us then journeyed through adaptation as a graphic novel before finally manifesting as the edge-of-your-seat film experience that audiences can't get enough of.
The movie reunites the iconic duo Joe Taslim and Iko Uwais of The Raid: Redemption fame, with The Night Comes for Us also featuring the talents of Julie Estelle, Sunny Pang, Zack Lee, and Shareefa Daanish.
At its core, The Night Comes for Us thrusts viewers into a world of brutal combat, with gruesomely intense fight scenes that are bound to leave an impact thanks to the unparalleled gore. The storyline tracks the tormented life of a former triad enforcer named Ito, played by Joe Taslim, who puts everything on the line to save a child from his own gang, only to become the prime target of not just the crime syndicate, but also a multitude of lethal assassins, including his once close friend Arain, brought to life by Pencak Silat's revered action star - Iko Uwais.
In a chat with Film School Rejects, Joe Taslim accredited the seamless fight choreography to Iko Uwais and his team: "All the credits for choreography, I think, goes to Iko Uwais and his team. They design all the fights, the structures. He would jump in to give his ideas to shape the fights, to freshen up the tone of the movie and stuff. This movie was supposed to happen actually in 2014 and something happened so it has to be in a coma.", reports the Express.
(Image: (Image: Eriekn Juragan/Netflix))
"So we trained actually three, four years ago for the movie. We refreshed the training but we changed a little bit of the choreography."
In 2022, director Timo Tjahjanto expressed that while a sequel to the film "is still not official", he remains optimistic. Tjahjanto had previously confirmed publicly that he had crafted a storyline for the sequel centred on Julie Estelle's character, The Operator.
Robert Liefeld, co-creator of Deadpool and Cable, lavished praise on the film and its director as he took to X (formerly Twitter) to applaud the movie.
He said: "Give Timo Tjahjanto ALL the money for Deadpool 3!!!!Holee mother of God, I have seen the future of action films and it is TIMO TJAHJANTO!! The Indonesian cinema is exerting a significant influence on action films globally. Give these filmmakers major comic book IP's to experiment with. Heck, even a stand alone Cable film under the direction of @Timobros would be groundbreaking."
Despite criticism for the violence and gore depicted on screen, the action-packed film stunned critics universally, with one saying: "This is incredibly violent to the point of disturbing. Nonetheless, the fight scenes are some of the best I've ever seen. But this is a very dark and depressing story."
Another critic's review of the film added: "The Night Comes For Us is a dynamite two hours and for those of us missing the action films of old, it's a breath of fresh air."
(Image: (Image: Eriekn Juragan/Netflix))
Speculation is rife about the film's potential to spawn a franchise, with a critic saying: "Action fans could hardly wish for anything more than what's served up in The Night Comes for Us. The film's hardcore constituency will be wanting more of this from [Timo] Tjahjanto, and a sequel, prequel, or even franchise would not surprise from here."
Praise was also heaped upon the movie by another review, which acclaimed: "An utterly thrilling ride from the first second to the last, The Night Comes For Us is one of the best action movies of recent years."
The film has left audiences on an adrenaline high, with a viewer sharing their excitement: "As a die-hard action fan, I went into this movie with high expectations-and it still managed to blow me away. The action sequences are intense, brutal, and beautifully choreographed. It's a full-on adrenaline rush from start to finish. This one's a must-watch for any action junkie."
Regular re-watches are in order for some, as one audience member admiringly remarked: "I still come back and watch this film from time to time. I love the fight choreography. Even after watching it a few times, I still cringe on a few moments when I see blades go in places they shouldn't. This is right up there with The Raid films for me."
One particular viewer suggested that Western cinema could take note from Indonesia, as they expressed: "Quick, gruesome, stylish which personifies Indonesian movies. Iko Uwais and Joe Taslim were awesome as usual and Hollywood should learn from them."
One viewer was left utterly impressed by the film's spectacular display, exclaiming: "Absolutely fantastic movie. Some of the best action directing and some of the best action choreography I've ever seen. The relationship between Iko and Arian is incredibly tragic and compelling. Exceeded my expectations in every way."
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Metro
4 hours ago
- Metro
54 years of groundbreaking LGBT TV that shaped what we watch today
In 2025, LGBT+ representation on TV still isn't perfect – but a lot of hard work has been done over the years to make sure things are better than they were. To celebrate the work done to make TV more accessible for everyone in the LGBT+ world, Metro has compiled seven examples of storylines that made things that little bit better each time (with some honourable mentions). From one of the first-ever LGBT+ characters on TV to groundbreaking British dramas of the 2000s, all the way through to a flagship 2010s Netflix series. The storylines chosen for consideration all fall between 1968, when the Hays Code was abolished, and 2015, when same-sex marriage was finally legalised across the United States. Implemented in 1934, the Hays Code rigidly enforced what was acceptable (and unacceptable) to be shown on TV in America, and it had far-reaching consequences in the UK as well. In the days since the disgraceful and dated guidelines were finally repealed, TV has come a long way – here are some milestone episodes that got us here. Across its eight years on TV between 1971 and 1979, American comedy series All in the Family gained a reputation for tackling tough subjects sensitively (for the era anyway). With thousands of members from all over the world, our vibrant LGBTQ+ WhatsApp channel is a hub for all the latest news and important issues that face the LGBTQ+ community. Simply click on this link, select 'Join Chat' and you're in! Don't forget to turn on notifications! The series is credited with allowing the sitcom format to introduce more dramatic moments into episodic storylines while also dealing with serious topics in a lighthearted manner. It didn't waste any time, with its fifth episode – titled Judging Books by Covers – examining LGBT+ themes and introducing somebody who is widely believed to be one of the first openly gay characters on TV. In the episode, protagonist Archie Bunker (Carroll O'Connor) makes disparaging remarks about an effeminate man named Roger and presumes he must be gay. However, later in the episode, Archie finds out that one of his old college football buddies, Steve (Phil Carey), is gay and learns a valuable lesson about how to treat other people. The brave episode was controversial from the get-go, with sitting US President Richard Nixon accusing the series of 'glorifying homosexuality' with its content. For its time, The Golden Girls had a subversive attitude from the beginning, focusing on four single, mature women sharing a house together in Miami, Florida. It wasn't afraid to tackle weighty subjects either, and often deftly handled tricky topics for the 1980s, with the writers facing sensitive plotlines fearlessly and head-on. In the season 2 episode Isn't It Romantic? – aired in 1986 – Dorothy (Bea Arthur) invites her friend Jean to stay at the house that she shares with Rose (Betty White), Blanche (Rue McClanahan), and Sophia (Estelle Getty). Soon it's revealed that Jean is a lesbian and that she has a crush on Rose, which instantly rubs Blanche up the wrong way – not because Jean is gay, but because Jean fancies Rose instead of her. The rest of the episode pokes fun at the scenario, but not at Jean's sexuality. Instead the script gets several big laughs out of how self-involved Blanche becomes. It wouldn't be the last time The Golden Girls took a glance at LGBT+ themes, with future storylines analysing the topic from different perspectives. To this day, The Golden Girls remains popular with the community, with one Reddit fan explaining: '[The girls] were confident, secure, and loved themselves for who they were. LGBT+ people who felt alienated with society identified with these outsiders.' In 2023, IndieWire reporter Wilson Chapman said that TV show Frasier's queerness went far deeper than many viewers realised during its 11-year run between 1993 and 2004. Originally conceived as a spin-off from Cheers, Frasier soon took on a life of its own and became a hugely successful and acclaimed comedy in its own right. That process was helped along by episodes like season 2's The Matchmaker, which was originally broadcast in October 1994. In the episode, Frasier (Kelsey Grammer) invites a man named Tom for dinner at his home, unaware that Tom thinks the dinner is an official date between the pair. Over the course of the episode, stereotypes about gay men are thoroughly deconstructed – the show's writers received a GLAAD Media Award for the show's portrayal of LGBT characters. In 2022, Reddit user Barbourwhat explained: 'TV never really depicted [gay men] as what they are – ordinary people. Tom wasn't a cartoon version of gay people and Frasier didn't treat him differently. He was just another person.' By its fourth season, TV executives for The Ellen Show were growing frustrated with its reluctance to depict Ellen Morgan's (Ellen DeGeneres) dating life. To remedy this, they suggested to show writer Johnathan Stark that Ellen should buy a puppy in order to focus the show's plot and boost falling ratings. Instead, Stark had another idea: sticking with the title The Puppy Episode, the writers began negotiating with Disney to have Ellen Morgan come out as a lesbian that week. At the same time, Ellen DeGeneres came out in real life. The buzz around the upcoming Puppy Episode was huge – major TV star Oprah Winfrey applied to be a guest actress on the show and, in 1997, said she would 'go to Hell' to defend Ellen's rights. In an emotional scene from The Puppy Episode, Ellen confesses her sexuality to her new friend Susan (played by Jurassic Park star Laura Dern) and later reveals the truth to her friends and neighbours. The episode was watched by 42million people (a series high) and was initially well received. But the backlash from some quarters was swift and horrible: The Ellen Show was slapped with a parental advisory warning and was cancelled a few months later. Ellen and Laura Dern's careers also suffered in the aftermath – while Ellen was briefly blacklisted from TV, Laura was out of work for 18 months as a result of her association. The backlash arguably proved the episode's point – that coming out can be tough to confront, hard to navigate, and unbelievably risky. Section 28 – which prohibited the 'promotion of homosexuality' in British schools – might have been repealed in 2003, but its legacy deeply impacted kids in classrooms up and down the UK for years afterwards. Not to mention that the 2000s saw a widespread increase in Islamophobia across the country, sparked by the War on Terror and further fueled by the news media. Which is why it was vitally important for E4 youth drama Skins to focus on the story of openly gay teenager Maxxie Oliver (Mitch Hewer) and his Muslim best friend Anwar Kharral (Dev Patel). Close friends for many years, Maxxie's sexuality doesn't appear to matter to Anwar at all. However, after finding out that Maxxie has secretly drawn intimate portraits of Anwar, the two fall out over Maxxie's sexuality conflicting with Anwar's religious beliefs. Things come to a head in the season finale, when Maxxie refuses to attend Anwar's 17th birthday party unless Anwar tells his conservative dad, Istiak (Inder Monocha), the truth about Maxxie's sexuality. When Istiak finds out, the two kids expect the worst… only for Istiak to comfort Maxxie. Istiak tells Maxxie that, while his beliefs have prevented him from understanding homosexuality so far, it won't always be that way. The two friends make up and remain close until the first generation of the cast leaves college and starts their lives by heading off to different universities. On Reddit in 2024, Jytsma said: 'The way the story was done was perfect. They are best friends, their beliefs should in theory oppose each other – but they love each other nonetheless.' The Love Boat (1982) An early 80s episode of The Love Boat titled Gopher's Roommate has been celebrated for its sensitive portrayal of transgender character Rachel, played by cisgender woman Mackenzie Phillips. One Life to Live (1992) Long-running soap opera One Life to Live introduced Billy Douglas in 1992, who became the first openly gay teenage character on American TV. Star Trek: Deep Space Nine (1995) Groundbreaking season 4 episode Rejoined became famous for depicting one of the first ever lesbian kisses seen on American TV. Friends (1996) Friends was never great for LGBT representation, but season 2 episode The One With the Lesbian Wedding is credited by fans with finally treating Carol and Susan like a loving, genuine couple. The Simpsons (1997) In season 8 of The Simpsons, Homer's homophobia is exposed and his ways are changed thanks to loveable new friend John, played by none other than John Waters. Coronation Street (1998) Hayley Cropper was the first transgender character to appear on a British soap. She was played by cisgender actress Julie Hesmondhalgh, who later accepted she wouldn't be able to play the role these days. Queer as Folk (1999) Russell T. Davies' influential short-lived series about three gay men living in Manchester spawned a majorly successful American remake. Buffy the Vampire Slayer (1999) Hush, a mostly silent episode of Buffy, has been called 'an elegy for its gays' as fan-favourite characters Willow and Tara begin what would become one of the first long-term lesbian relationships on TV. The Wire (2002) Michael K. Williams' iconic stick-up man Omar Little was described as 'the most important queer character of the century' by TV critic Razvan Ion in 2023. The Sopranos (2006) Season 6 episode Johnny Cakes, which depicted the love and romance in Vito's relationship with Jim, brought up the ugly resentment and homophobia of Tony Soprano and his crew and exposed them as being unable to adapt to the modern world. Ugly Betty (2007) Season 1 episode Don't Ask, Don't Tell is a heartbreaking outing for Ugly Betty, as 'love to hate him' character Marc St. James unexpectedly comes out to his conservative mother. Glee (2009) Adorable Kurt Hummel was one of the most recognisable faces on TV during Glee's early days, which is why his father's touching acceptance of his coming out warmed so many hearts 16 years ago. Modern Family (2013) The season 5 premiere sees main characters Mitchell and Cameron celebrate the legalisation of same-sex marriage in California by proposing to one another. Syed Masood (Marc Elliot) made his first appearance on EastEnders in 2009, a year after Christian Clarke (John Partridge) had come to Albert Square. After initially marrying Amira Shah (Preeya Kalidas), Syed comes to terms with his sexuality and enters a relationship with Christian, despite the pressure from his family and his Muslim faith. Wanting to avoid stereotypical storylines about homosexuality, writer Diederick Santer said Syed and Christian's story was 'more about the inner turmoil and conflict [they] endure'. The storyline had a major impact on TV viewers, with Inside Soap readers voting Syed as their favourite member of EastEnders' Masood family in 2011. Christian and Syed ultimately resolved their 'inner turmoil and conflict', marrying each other during a 2012 storyline and eventually moving to America to start their life together. EastEnders producer Lorraine Newman thanked Marc and John and said: 'Their characters have been a huge success. Their storylines have broken boundaries that have not been seen in a soap before.' In 2024, a Reddit user commented on the storyline, saying: '[Syed and Christian] got me into the show, so I've got a lot of love for them, particularly as I was a closeted gay teen at the time.' While great strides were made with some queer storylines on TV in the 2000s, transgender representation in media was still a mixed bag (to say the least – and, honestly, it still is!). 2013 was a landmark year, though, thanks to the third episode of Netflix's flagship series Orange Is the New Black – titled Lesbian Request Denied and starring Laverne Cox as Sophia Burset. OITNB initially told the story of Piper Chapman (Taylor Schilling), a privileged middle-class woman sentenced to time in prison for drug running. Once there, she met an incredible ensemble of diverse characters who slowly but surely surpassed Piper – while Piper became just another inmate at Litchfield Women's Penitentiary, the stories of everyone else became far more important. Among them was Sophia, a transgender hairdresser in the prison's salon, who had been jailed for using fake credit cards to pay for her medication and gender reassignment surgery. More Trending Flashbacks show Sophia's life before prison – when she was a firefighter dealing with gender dysphoria, the subsequent collapse of her marriage, and estrangement from her son Michael. Writing for The AV Club in 2013, Myles McNutt said of the episode: 'Sophia is elevated above Piper for a week as we learn Sophia's own story of becoming.' The role of Sophia turned Laverne Cox into a star, eventually winning a Daytime Emmy Award and two Screen Actors Guild Awards for her work on the show. View More » In 2014, Laverne became the first ever trans actress to be nominated for a Primetime Emmy Award and the first transgender person to be featured on the cover of Time Magazine, for an interview titled 'The Transgender Tipping Point'. Got a story? If you've got a celebrity story, video or pictures get in touch with the entertainment team by emailing us celebtips@ calling 020 3615 2145 or by visiting our Submit Stuff page – we'd love to hear from you. 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Daily Mirror
5 hours ago
- Daily Mirror
Jake Paul faces huge pay cut after $40million purse for Mike Tyson fight
The 'Problem Child' is set to earn yet another whopping payday this weekend - but not nearly as much as the figure he earned for his clash with Tyson Jake Paul is set to be hit with a huge pay cut ahead of his cruiserweight showdown with Julio Cesar Chavez Jr. The 'Problem Child' comes into the dust-up off the back of a win over boxing legend Mike Tyson last November. Paul is eager to stay active in the ring and - with a win over the former middleweight champion - the American is targeting future bouts with some of the biggest names in the sport. As for Chavez Jr, the Mexican has been rather inactive in the ring as of late and has not been seen since beating Uriah Hall last July. Immediately after Paul's clash with Tyson, Netflix revealed 60million households worldwide tuned in live and it is estimated that there were 108 million viewers who tuned into watch the pair trade leather. Naturally, given the attention, both men were rewarded handsomely - with Paul pocketing $40m (£29.1m), while Tyson earned $20m (£14.5m). This time - according to reports - it is expected that Paul will take home around 50 percent of that this time around. While $20m (£14.5m) is still an impressive figure, it is a huge dip in pay compared to what the 'Problem Child' earned in his last outing. Prior to his clash with Tyson, Paul took on former UFC star Mike Perry. After knocking out the American in the sixth round, the 28-year-old took home a tidy sum of $3m (£2.1m). Paul is believed to have earned several million dollars for his last few fights. That was a far cry from the $30million Paul claimed he earned for fighting Tommy Fury back in 2023 - a fight he lost by split-decision. Taking to social media, Paul posted a video of himself partying after the fight with the caption: "When you lost but made $30m." However, according to various reports, the American actually took home $3.9m (£2.8m). Early on in his professional boxing career, Paul made a habit of fighting former UFC stars. For his showdown with middleweight icon Anderson Silva, the 'Problem Child' earned a whopping $5m (£4.2m), while he earned over $4m (£2.9m) for his two fights with Tyron Woodley. It was not always luxurious, though. The 28-year-old recently admitted he "didn't make much" money during his first year as a professional boxer. "I've roughly been averaging around $40million a year for the past four years in boxing," Paul told the Iced Coffee Hour podcast. "The first year, year and a half of boxing, I didn't make much. I was definitely at a loss in my first year in boxing." It was not until he fully embraced his 'bad guy' persona that he earned jaw-dropping sums of money every fight. "I think everything worked out perfectly," he added. "If I didn't have my YouTube persona and following, with everyone doubting I could become a boxer and everyone hating me, I don't think I would be making as much. In boxing, the villain makes more, and that is why I purposefully make people hate me and play that role and be the bad guy. "You want to pay for the pay-per-view or tune into Netflix more to see the guy get knocked out that you hate. It is a lot of money, and I am definitely blessed and grateful, but it feels like every bit of it was earned. I worked my a*** off every day for 12 years straight, and then finally everything clicks overnight, and then eight, nine years into it I feel like I can make what I finally deserve. I feel like every penny I have made, I deserve more because of the amount of work I have put into it. I think my biggest paydays in the sport of boxing are still to come for sure."
The Herald Scotland
5 hours ago
- The Herald Scotland
'Squid Game' ends with a whimper, but a big cameo
That's the haunting message we're left with in the final moments of Netflix's juggernaut South Korean horror drama, which wrapped up its third and last season with six episodes released June 27. Like the first two seasons, the episodes were unrelentingly bloody and bleak. And they wrapped up with an ending that might be a new beginning. Season 3 of the Netflix's most-watched show of all time was a macabre and depressing affair, a sort of half-story that seemed to indicate Seasons 2 and 3 were really just one story arbitrarily cut in half. The new episodes have all the flaws of the misguided Season 2, including that the show's core anticapitalist message has been swept aside in favor of more action set pieces and ceaseless barbarity. Any overarching point the series has been trying to make is lost in the chaos of men fighting with knives and threatening to kill a newborn baby to save their own skin. Even the quiet, eyebrow-raising final moments, which suggest that the struggle for economic justice and equality might be utterly pointless, feel less like a philosophy and more like a real-life capitalist desire for more, more, more. Season 1 of "Squid Game" remains one of the most arresting, shocking and thought-provoking TV shows ever made, so much that it became a surprise worldwide hit on the strength of word-of-mouth alone. Seasons 2 and 3 are hollow echoes of that achievement. They don't negate what that first season did, but merely dampen its effect. It's hard to remain awed when you've had two seasons worth of just, "ah." Does Gi-hun survive the final game? When the finale episode begins, our hero Gi-hun (Lee Jung-jae) is stuck in the last game with the late Jun-hee's newborn baby, who has become Player 222, and the baby's somewhat-of-a-dirtbag father Myung-gi (Yim Si-wan). The two men have seriously erred by killing all the other contestants before the final round of the game, because each round requires at least one person to die. In a brutal fight in which Myung-gi more than once endangers his newborn daughter (sometimes on purpose), Myung-gi ends up falling off the tall platform before the final round officially begins, meaning now either Gi-hun or the baby has to die or they will both be shot by the game workers. The wealthy VIPs watching with their gilded opera glasses are waiting for Gi-hun to kill the baby, and Gi-hun's mortal enemy the Front Man/In-ho (Lee Byung-hun) expects him to do the same. But in one final act of rebellion against the games, Gi-hun kills himself to save the child, declaring he is not a horse to be bet on but a human with a life. Player 456 is eliminated. What happens with Jun-ho and No-eul as the final game ends? Gi-hun's struggle was not the only one as the final game played out. In-ho's brother Jun-ho (Wi Ha-jun) finally makes it to the island he's been searching for these last two seasons. He arrives in time to see his brother take away the baby and set a self-destruct timer on the island. No-eul (Park Gyu-young), the games worker who has been trying to save a man with a sick daughter out of guilt for leaving her own daughter behind in North Korea, helps him escape from the island, and stays behind to burn records and feel sorry for herself. After witnessing Gi-hun's sacrifice, however, she decides not to let herself die, and evacuates the island with the rest of the workers. The VIPs make it out unscathed too, of course. They will never suffer any kind of consequence for their inhumanity. 'Squid Game': Where are they now Six months pass after the explosive end to Gi-hun's final games, and our remaining (living) characters have all moved on with their lives, or so they think. Jun-ho's loan-shark ally Mr. Choi (Jeon Seok-ho), is released from prison. Jun-ho has given up his quest and his career, but don't worry, his brother delivers him Jun-hee's baby and her 45.6 billion-won prize. One can only wonder with horror who has been taking care of that baby for her first half year. No-eul checks to make sure the father she rescued from the Games is still alive and thriving with his daughter. And she even gets good news of her own: The broker who helped her escape from North Korea has a lead on her own daughter's whereabouts. That same broker also brings us a blast from Season 1 past, reuniting the younger brother of Sae-byeok (the North Korean escapee who competed in the Season 1 games and finished third) with his mother. The Front Man remembers another family member who needs to be taken care of: Gi-hun's daughter Ga-yeong (Jo Ah-in), now living with her mother and stepfather in Los Angeles. In-ho shows up at her door with a box containing the personal effects of her father, and tells her he's dead. Inside is Gi-hun's blood-stained track suit and the debit card to his account, which In-ho has seemingly restocked with the billions of won that disappeared from Gi-hun's hotel headquarters. It's the same kind of quiet, unsatisfactory ending we saw in Season 1. That is, until the last few moments. Is 'Squid Game' getting an American spinoff? As In-ho drives away from Ga-yeong's house, his SUV stops at a traffic light across from a dirty L.A. alley, where he hears a loud slapping noise. Could it be? Yes, it is: A suited games recruiter and an American man are playing ddakji. And that recruiter isn't just anyone, it's freaking Cate Blanchett, who gives In-ho a knowing look before she goes back to slapping her prey. Then the credits roll. This A-lister cameo and revelation of an American version of the games can be interpreted in a few ways: Maybe it's just a coda that points out the true pointlessness and hopelessness of Gi-hun's rebellion. The games - and therefore wealth inequality, injustice and deep human cruelty - persist everywhere. One island off the coast of South Korea may have blown up, but no one will stop the wealthy from oppressing and crushing the poor. Or, if you are thinking about real-life capitalism, this may be a way for Netflix to introduce a U.S. spinoff. Whether that's a good idea, storytelling-wise, doesn't really matter in the great content machine that is Netflix (and, to be fair, all the other streamers, too). We'll just have to wait and see if a new show with a bloody version of Red Rover eventually hits our Netflix queues. Netflix has announced no plans for a spinoff; USA TODAY has reached out for further comment.
