Shon Faye on love and dating as a trans woman
'I started to think about this idea of love and romantic love being an antidote to this deeper feeling of being unlovable, and how much of that had probably been the wrong basis to seek out romantic love to begin with, although I think so many of us do.'
Shon tells Hannah what she learned in her first serious relationship, her time on dating apps, and her time writing her advice column, Dear Shon, for US Vogue.
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Daily Record
2 days ago
- Daily Record
Inside Noel Gallagher's and Meg Mathews' 'Supernova Heights' home with leopard print and retro decor
The former couple once shared a stunning home in London which was branded 'Supernova Heights' due to the iconic parties held there. 'Supernova Heights' was the nickname given to Noel Gallagher and Meg Mathews' plush London pad they shared together in the 90s which was known for having iconic A-lister parties. The swanky abode was filled with sixties retro furniture, bespoke leather beds, seventies-style toilets, psychedelic patterned carpets and one huge fish tank. The address also housed many a famous face, including Kate Moss. Speaking about his time in Supernova Heights, Noel told the Belfast Telegraph that he sold the plush pad when he gave up drugs, he said: "Yes, is the short answer to that. I had the house for two and a half years and it felt like I lived in there for a lifetime, for a decade." He was then asked if anyone could just turn up to the mansion, and Noel said: "Not anyone. But to be honest, though, on more than one occasion, you'd look around the room and I'd say to somebody; 'Who the f**k is that guy there?' 'Oh, he delivered the pizzas here about four or five hours ago'. It was great. Steve Coogan was my answering machine message." In 1997, Noel revealed how he tormented a group of unsuspecting fangirls who turned up wanting supermodel Kate Moss' autograph. "Kate Moss'd be staying here for a couple of weeks and I've got loads of shopping, so I'm trying to open the gate and there was these four girls, they've got these books and they're going, 'Can you get me Kate's autograph'?" he told radio host Sean Rowley. 'You're coming round 'ere, to my 'ouse, asking for supermodel' autographs? You taking the piss, or what? Do you not want mine? Well, I'll tell you what, you're not going until you have mine. You're having my autograph now!' "Supernova Heights was great for the time but then there came a point when I thought, 'I need to get out of this'." "I can look back on it and say it was a good time, but I made some fundamental mistakes in my life," he told the Guardian. Noel then sold the home to Hollyoaks actress Davinia Taylor and her then-partner Dave Gardner and then it was sold again in 2005 to David Walliams. Let's take a look inside the £8million Primrose Hill party pad Noel and Meg shared back in Britpop's heyday... Supernova Heights Iconic Leopard living Mod bath More On Noel Gallagher Oasis Oasis reunion Meg Mathews
The Herald Scotland
2 days ago
- The Herald Scotland
Dick Gaughan deserves every moment of his newly restored reputation
'I'd heard of people doing that before,' Barbara said on Anna Massie's BBC Radio Scotland programme, Travelling Folk, 'but I couldn't believe my eyes.' The man who was so intent on watching Gaughan's renowned guitar technique, was, she added, 'a real geek, obviously a Dick Gaughan fanboy'. And whoever he was, he was far from being the last person to be bewitched by Gaughan's outstanding work on the acoustic guitar. Dick, now 77, is one of Scotland's most renowned musicians. The power of his live performances has long been recognised. As the Glasgow Herald remarked, back in 1989: 'It is impossible to listen to Dick Gaughan and remain unaffected by his work; he is a performer of such unremitting force, such devastating persuasiveness, and an orator of considerable weight … In everything he says, in every song he sings, Gaughan preaches humanitarianism.' Read more: A few years later, a Guardian review noted that Gaughan took no prisoners: 'his songs of the dispossessed were delivered with the electrifying passion of a zealot, cutting through any Aran-sweatered Celtic twilight mist like a Stanley knife at a rave … Those who welcomed a return to social realism in pop with Bruce Springsteen's depressive The Ghost of Tom Joad, should seek out Gaughan's blast-furnace performances to hear how music from the gut really sounds.' When he was inducted into the Scottish Traditional Music Hall of Fame Gaughan was described as Scotland's 'most passionate troubadour, a singer and guitarist whose performances both burn with a fierce conviction and smoulder with equally heartfelt compassion and invigorate audiences across the world with eloquently expressed conviction'. He has inspired such people as Kate Rusby, Karine Polwart and Billy Bragg. To Kathryn Tickell, the feted exponent of the Northumbrian pipes, he is one of the absolute greats of the folk music world. Dick suffered a stroke in 2016. Today, he is legally blind, and can no longer play guitar. His name and his work, however, are being widely championed. A sum of £92,000, raised by a Kickstarter campaign, led to a substantial amount being given to him to pay for his living costs. The balance is being used to finance R/evolution: 1969-83, a comprehensive seven-CD, one-DVD boxset of his recorded work, which will likely be released in November or early December, distributed by Last Night from Glasgow. At the same time, a GoFundMe appeal launched at Dick's behest has so far raised most than £32,000 to raise legal fees 'to test the claims by an entity called Celtic Music to the rights to a tranche of [his] recorded works – music recorded between 53 and 30 years ago'. The fund's target is £35,000. The albums in question are No More Forever (Melody Maker's Folk Album of the Year in 1972), Kist O' Gold (1977), Songs of Ewan MacColl (1978, with Tony Capstick and Dave Burland), Live in Edinburgh (1985), and Call It Freedom (1988). Also covered are one album he made with Boys of the Lough in 1973, and one he made in the mid-nineties with another group, Clan Alba. Dick fervently hopes that his legal process will be a bridgehead for other artists of his generation, or their heirs, whose 1970s recordings are effectively 'locked up' by the same entity. Dick Gaughan was born in Glasgow in May 1948, the eldest of three children to Dick and Frances Gaughan, from Leith. His family were all musicians; his grandfather played the fiddle and his father played the fiddle and guitar, and his mother was a Gaelic singer. Dick picked up his first guitar at the age of seven and at length began to develop his own style of singing and playing. He was in his late teens when in 1966 he landed his first paid gig, in a folk club in Bathgate's Rendezvous Roadhouse. For his pains he received £2. 'In those days it was all word of mouth and very informal and anarchic, and clubs were generally run by dedicated and pretty fanatical amateurs', he told JP Bean, author of an oral history of British folk clubs, more than a decade ago. 'As I got more work, I just kind of drifted into earning my living exclusively from playing, finally giving up other jobs in January 1970.' He released his first solo album, No More Forever, the following year. In June 1972 he joined Boys of the Lough for eight months, after which he returned to solo work, before, in June 1975, joining the electric folk band Five Hand Reel, with whom he made three albums. Handful of Earth, released in 1981, came to be regarded as classic solo Gaughan, its potent blend of traditional and contemporary folk songs underpinned by his intricate guitar work. It was his considered reaction to the 'extreme right-wing government' that had come to power under Margaret Thatcher in 1979. Its power quite undimmed by the passing of the years, Handful of Earth was voted Album of the Decade in Folk Roots magazine's poll in 1989. Alighting upon that opportunity to reassess the record, Mark Cooper, writing in Q magazine, observed: 'Despite the sense of outrage that lurks behind most of the material on Handful Of Earth, the overall mood is of a kind of gruff sorrow. Perhaps Gaughan still saw himself more as a reporter than a revolutionary and certainly the two ballads at the album's heart, 'The Snows They Melt The Soonest' and 'Lough Erne', are mournful, measured laments whose power is all the greater for their restraint. 'Yet this collection is full of songs which trace the diaspora of the Irish and the Scots as poverty drove their poor towards America. Landlords, bailiffs and beagles pursue the emigre of 'Craigie Hill' just as the hunters pursue the birds in 'Now Westlin Winds'. 'Despite the straightforward power of Leon Rosselson's 'World Turned Upside Down' (since popularised by Billy Bragg) and Ed Pickford's 'Worker's Song', it is the juxtaposition of these contemporary songs with the haunting traditional material which makes this both a poetical and a polemical collection with the poetical holding the balance.' In the mid-eighties in Belfast, a city where Gaughan often played, his music was discovered by a university student by the name of Colin Harper. Today, Colin is, amongst other things, a music writer and curator, author of an excellent biography of Dick's fellow Scot, Bert Jansch - and creator of the very Kickstarter campaign that has marked such a resurgence of interest in Gaughan. Read more On the Record: 'Handful of Earth is a masterpiece,' he said earlier this week. 'As a young listener …I was drawn in by the power and charisma of his stage performances, and the magic guitar playing on things like 'Erin-Go-Bragh' and 'The Snows'. But the deeper magic reveals itself in the more subdued songs, especially 'Craigie Hill' and 'Both Sides the Tweed'. 'Compiling a box-set of live and BBC material as we speak, I know now the other songs in his repertoire in 1980/81 that he might have recorded for Handful of Earth but I can see why he didn't - the mood of it would have changed. 'He got the contents of it exactly right. It's frustrating that much of Dick's 1972-88 commercially recorded work is currently inaccessible. Handful of Earth is the only album from that period that's been physically available ever since. But by happy chance, it's the best of them all!' Handful of Earth would later be described by Billy Bragg as one of his all-time favourite albums. 'World Turned Upside Down', he said, saw Gaughan grabbing the song "by the scruff of the neck and [chucking] it into the twentieth century where it lands at my feet and I think 'f———' hell, that is an incredible song. 'Both Sides Of The Tweed',' he added, 'is probably the best song you could ever imagine about English and Scottish thoughts of independence'. The comedian Stewart Lee accorded Handful of Earth a similar accolade, taking the view that it was 'a great album of Scottish nationalist songs and really old Highland ballads, with this fantastic intricate guitar playing'. It is all happening for Dick Gaughan now: the forthcoming boxset (there will be roughly 500 copies on sale to the general public), plus limited-edition releases of Live at the BBC (on vinyl), a CD, Live in Belfast 1979-82, and a twin CD collection, Live in the 70s. More is on the way. 'Next year', adds Colin, 'we hope to release an expanded True And Bold: Songs of the Scottish Miners [originally out in 1986, long out of print], a 2-CD Andy Kershaw Sessions Plus: 1984-2005 - Dick's six Andy Kershaw Radio 1 sessions plus the best of his other BBC recordings from the 'second phase' of his career - and Collaborations, an exciting album of the best of his studio recordings gifted to themed albums/tribute albums and vocal guest performances with other artists, all from 2000-2015. And from Topic, a new vinyl remaster is in the works.' Dick Gaughan deserves every last moment of his newly restored reputation, having paid his dues in more ways than one. Criss-crossing the country, driving long distances at uncongenial hours and playing in venues that frequently erred on the wrong side of glamorous, was not for everyone. But he persisted, because he was a musician, and because he was very good at it. 'By the time I knock off all the costs of doing my job,' he reflected to JP Bean for his book, Singing from the Floor: A History of British Folk Clubs, 'I probably end up keeping about 15 per cent of what I earn and my taxable income over a year is roughly what I'd earn stacking shelves in Tesco. 'Being on the road isn't a career - it's a way of life. Anyone who gets that the wrong way round isn't going to hack it for long. After a decade they're going to be completely burned out and bitterly disappointed unless they get lucky and hit commercial success outside the folk world … It's just the way of life I chose and it's the price you pay if you decide to do something outside the accepted mainstream.' * The GoFundMe page can be found at Dick Gaughan Live at the BBC 1972-79 (vinyl) is available for pre-ordering from Last Night From Glasgow: ; details of the forthcoming R/evolution boxset can be found at
Reuters
3 days ago
- Reuters
Cleo Laine, British jazz singer who performed with Ray Charles and Frank Sinatra, dies at 97
LONDON, July 25, 2025 - British jazz singer Cleo Laine, who performed with musical greats including Frank Sinatra and starred as an actor in London's West End and on Broadway, has died aged 97, the Guardian newspaper reported on Friday, citing a statement from her children Jacqui and Alec. Born to an English mother and a Jamaican father in a suburb of London in 1927, she initially worked as a hair-dresser, a hat-trimmer and a librarian. She married in 1946 and had a son while still a teenager. Driven on by her dream of becoming a singer, she divorced and got her big break in 1951, when she joined the band of English saxophonist and clarinettist John Dankworth at 24. Dankworth's band decided her name was too long - at the time she thought she had been born Clementine Campbell, though a passport application later revealed her mother had used her own surname Hitching on the birth certificate. The men of the Dankworth Seven band thought her name was too cumbersome for a poster, and that her nickname Clem was too cowboy-like. They settled on a new stage persona for her by drawing "Cleo" and "Laine" from hats. In 1958, she and Dankworth married. Their home became a magnet for London's jazz set: friends included stars from across the Atlantic such as Oscar Peterson and Ella Fitzgerald, Lester Young and Dizzy Gillespie. After acting as well as singing in Britain through the 1960s, Laine toured Australia in 1972 and performed at New York's Lincoln Centre. The recording of a further show, at Carnegie Hall, won her a Grammy. Recordings included "Porgy and Bess" with Ray Charles. In 1992 she appeared with Frank Sinatra for a series of shows at the Royal Albert Hall in London, but she was best known for her work with Dankworth's bands. He later became her musical director. The couple built their own auditorium in the grounds of their home near London and were friends with the late Princess Margaret, the sister of the late Queen Elizabeth II. Their two children went on to become musicians. Dankworth - who Laine described as being "joined at the hip" with her - died in 2010. Hours after his death, Laine performed a scheduled show in their auditorium, announcing the news about her husband only at the end of the concert.
