
Kendrick Lamar Joins Michael Jackson And Pink Floyd In A Huge Billboard 200 Feat
Kendrick Lamar's latest full-length, GNX, has been a mainstay near the top of the Billboard 200 for months, while singles like 'Luther' with SZA and 'Squabble Up' continue to rack up streams and sales with ease. But even as his current era continues with great success, fans haven't let go of the rapper's older material. One of his earliest triumphs reaches a major milestone that puts him in an extremely elite category on one of Billboard's most competitive rankings.
Good Kid, M.A.A.D City reaches a new peak — not in terms of peaks, but when it comes to longevity. The album has now spent 650 weeks on the Billboard 200, a feat that only a handful of titles in history have managed.
According to Luminate, Good Kid, M.A.A.D City moved 18,600 equivalent units in the most recent tracking frame. Of that figure, 2,800 units came from pure album sales — enough to place the decade-old project smack in the middle of the Top Album Sales chart once again.
Lamar is now also part of a very short list, as he becomes just the eleventh artist in U.S. history to see one of their albums spend 650 weeks on the Billboard 200. The all-time record remains untouched, and it's owned by Pink Floyd's The Dark Side of the Moon. That set is currently at 990 weeks on the tally and counting. That collection needs just 10 more frames to become the first to hit 1,000, a likely inevitability.
Right behind Floyd on the list of the longest-charting titles on the Billboard 200 are Legend by Bob Marley and the Wailers (882 weeks) and Journey's Greatest Hits (852). The most recent addition to the 650-week club before Lamar was Michael Jackson's Thriller, which joined months ago and is now up to 673 weeks (and climbing).
Good Kid, M.A.A.D City dips just one spot this frame to No. 36 on the Billboard 200. That's an impressive enough position on its own, but it's made even more so by the fact that it's not the only Lamar project living inside the top 40. DAMN. lands right behind it at No. 37, while GNX continues its run in the top five, slipping only slightly from No. 4 to No. 5 this time around.
Across the six different Billboard tallies that still feature Good Kid, M.A.A.D City, the full-length mostly drops slightly this week, but not everywhere. The set actually rises on both the Top R&B/Hip-Hop Albums and Top Rap Albums charts — two genre-specific rankings where Lamar has long been a dominant figure.
Originally released in 2012, Good Kid, M.A.A.D City helped turn Lamar from a rising star into a Grammy-winning, critically adored household name. The full-length features now-iconic singles like 'Swimming Pools (Drank)' and 'Backseat Freestyle,' and it's clearly still connecting with a huge number of fans to this day.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
10 hours ago
- Yahoo
‘KPop Demon Hunters' Soundtrack Surges to No. 2 on Billboard 200
The KPop Demon Hunters soundtrack climbs 3-2 on the Billboard 200 chart dated July 19 — a new peak — in its third week on the list. The set earned 75,000 equivalent album units (up 21%) in the United States in the tracking week ending July 10, according to Luminate. It's the first soundtrack to debut in the top 10 on the Billboard 200 and then see unit increases in its second and third weeks since the Guardians of the Galaxy, Vol. 2: Awesome Mix Vol. 2 album in 2017. In the 2020s, only four soundtracks have reached the top two on the Billboard 200: KPop Demon Hunters, Wicked (which debuted and peaked at No. 2 in 2024), Barbie (also No. 2 debut and peak, in 2023) and Encanto (nine weeks at No. 1 in 2022). More from Billboard How 'KPop Demon Hunters' Conquered the Summer — And What's Next for the 'Pop Culture Phenomenon' Travis Scott & Cactus Jack Present 'JACKBOYS 2' Compilation Album: Stream It Now Backstreet Boys Kick Off Sphere Residency With Larger-Than-Life Show in Las Vegas The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new July 19, 2025-dated chart will be posted in full on Billboard's website on July 15 Of the KPop Demon Hunters soundtrack's 75,000 units earned in its third week, SEA units comprise 70,000 (up 24%, equaling 96.33 million on-demand official streams of the set's songs — it holds at No. 2 on Top Streaming Albums), album sales comprise 4,000 (down 6% — it rises 21-9 on Top Album Sales) and TEA units comprise 1,000 (up 6%). (The album continues to only be available to purchase as a digital download album. A CD edition of the album is due in August, while a vinyl edition is slated for an October release.) As the KPop Demon Hunters soundtrack racked up 96.33 million streams for its songs in its third week, it scores the biggest streaming week for a soundtrack in more three years. The last soundtrack to post a bigger streaming figure was Encanto, on the March 12, 2022-dated chart, when it rang up 101.16 million streams for its songs in its eighth week at No. 1 on the Billboard 200. KPop Demon Hunters premiered on June 20 in a limited theatrical release in the U.S., and on Netflix, alongside its soundtrack release. In the tracking week ending July 6, KPop Demon Hunters held at No. 2 in its third week on Netflix's Top 10 Movies in United States chart. Best of Billboard Chart Rewind: In 1989, New Kids on the Block Were 'Hangin' Tough' at No. 1 Four Decades of 'Madonna': A Look Back at the Queen of Pop's Debut Album on the Charts Chart Rewind: In 1990, Madonna Was in 'Vogue' Atop the Hot 100
Yahoo
10 hours ago
- Yahoo
Drake Reacts to ‘F—k Kendrick' Chant at 2025 Wireless Festival
Drake isn't letting his feud with Kendrick Lamar fade anytime soon. During his set on the second night of the 2025 Wireless Festival in London on Saturday (July 12), the 38-year-old rap superstar responded as the crowd at Finsbury Park erupted into a chant of 'f—k Kendrick.' More from Billboard 7 Best Moments From Drake's 2025 Wireless Festival Night 2 Performance: 'Nobody Can Out-Rap London' Travis Scott & Cactus Jack Present 'JACKBOYS 2' Compilation Album: Stream It Now Backstreet Boys Kick Off Sphere Residency With Larger-Than-Life Show in Las Vegas Catching wind of the chant, Drake turned to his longtime associate Chubbs and said, 'Grab me a shot. I'll drink to that.' The moment came shortly after the 'What Did I Miss?' artist challenged the audience to 'name another artist' who could go head-to-head with him onstage. K. Dot wasn't the only one in Drake's crosshairs during his weekend outing in the U.K. The Toronto MC also appeared to take a shot at NBA legend LeBron James by subtly altering the lyrics to his track 'Nonstop.' 'How I go from 6 to 23, no LeBron,' he rapped, flipping the original line and hinting at tension in their once-close friendship. The lyrical tweak comes shortly after fans noticed Drake had covered his LeBron James tattoo, replacing it with new ink honoring reigning NBA MVP Shai Gilgeous-Alexander. Following an R&B-centered performance during opening night on Friday (July 11), Drake shifted gears on night two of the Wireless Festival with a London-themed show that celebrated the U.K.'s rap scene, welcoming a lineup of British heavyweights, including Skepta, Central Cee and Dave. During Saturday's set, Drake made a bold statement that stirred national pride and debate. 'Nobody can out-rap London — nobody,' he told the crowd. 'No disrespect to America. No disrespect to my country. But, nobody can out-rap London rappers. This is the best, this is the highest level. This is what I aspire to be.' Drake is headlining all three nights of this year's Wireless Festival, which marks its 20th anniversary. He's set to close out the event on Sunday, with other major performances from Burna Boy, Vybz Kartel and Popcaan. The festival also marks Drake's return to U.K. stages for the first time in six years. Best of Billboard Chart Rewind: In 1989, New Kids on the Block Were 'Hangin' Tough' at No. 1 Janet Jackson's Biggest Billboard Hot 100 Hits H.E.R. & Chris Brown 'Come Through' to No. 1 on Adult R&B Airplay Chart


Forbes
12 hours ago
- Forbes
Lisa Both Matches And Beats Jung Kook's Radio Records
Lisa's 'Priceless' with Maroon 5 ties Jung Kook's 'Seven' with seven weeks on Billboard's Radio ... More Songs chart, matching a K-pop soloist milestone. BANGKOK, THAILAND - FEBRUARY 14: Lalisa Manobal attends "The White Lotus" Season 3 Bangkok Premiere at ICONSIAM River Park on February 14, 2025 in Bangkok, Thailand. (Photo by Billy H.C. Kwok/Getty Images for HBO) When it comes to scoring hits on Billboard's all-genre Radio Songs chart, Jung Kook stands as the most successful K-pop soloist, at least in terms of his total number of appearances. The BTS superstar has already landed on the tally three times under his solo name, and all of those tracks have managed historically-long stays – at least by K-pop artist standards at American radio. As time goes on, some of his accomplishments have been matched — and even beaten — by other K-pop stars. Lisa, one of the four members of Blackpink, has bested one of Jung Kook's runs on the Radio Songs tally and matched another one of his as her recent collaboration with Maroon 5, "Priceless," continues to find space on the highly-competitive airplay ranking. "Priceless" Climbs to a New Peak "Priceless" inches up from No. 47 to No. 43 on the Radio Songs list this frame. That position marks a new all-time high for the track on the list of the biggest hits on American radio. Chart position is certainly important, but it's the duration of the song's stay that is especially significant at the moment. Lisa Matches Jung Kook's Chart Run "Priceless" has now spent seven weeks on the Radio Songs chart. The cut matches Jung Kook's "Seven," a collaboration with rapper Latto, which fell off the list after a very fitting seven frames. At this point, "Priceless" and "Seven" are jointly tied as the fourth-longest-running hits by any K-pop soloist on the Radio Songs tally. Lisa and Maroon 5 form one tie with the BTS singer as they break another. "Too Much," a joint effort with The Kid Laroi and Central Cee, lasted six weeks before disappearing from the Radio Songs chart. Rosé Holds the Record for Longest-Running Hit The all-time record among K-pop soloists is held by "Apt.," fronted by Blackpink's Rosé alongside Bruno Mars. That composition jumps to No. 21 this frame and extends its lead to an incredible 33 weeks on the list. Following "Apt." is Psy's viral smash "Gangnam Style," which managed 13 frames more than a decade ago. "Left and Right," a collaboration between Charlie Puth and Jung Kook, sits just one week behind that smash, with a 12-week run. Another Week Could Break the Tie "Priceless" will likely remain on the Radio Songs chart next week. If it manages to hold onto a spot in the top 50, Lisa will break her current tie with Jung Kook. Whether she can stretch the track's life long enough to tie or surpass Jung Kook's all-time longest-charting solo effort remains to be seen, but since "Priceless" hasn't climbed very high on the roster, there's a chance it could fall off in the near future.