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Latest 'Superman' Box Office Turns Heads, But It's Not Even Close To Another Blockbuster

Latest 'Superman' Box Office Turns Heads, But It's Not Even Close To Another Blockbuster

Yahoo5 days ago
The new launch of DC Studios is officially a success. The 2025 Superman reboot movie has hit at least $406.8 million in global box office returns, according to Variety. That means it's made roughly $253 million in the U.S. and around $173 million in foreign markets, according to Box Office Mojo. This may sound like a lot, and it certainly is for a new DC movie, but there are a few caveats on this super-success story.
First of all, despite mixed reviews, Jurassic World Rebirth is over halfway to making $1 billion at the global box office. Last week, despite competition from Superman, and already having been out for a week, the latest dino flick was sitting at around $500 million. Now, it's at $648 million worldwide. This makes Jurassic World Rebirth — which has a 52 percent score from critics on Rotten Tomatoes — the fourth most successful movie of the year so far, just behind Ne Zha 2, Lilo & Stitch, and A Minecraft Movie. While Superman's box office returns could continue to climb, it's currently the ninth most successful of 2025, behind F1: The Movie ($460 million) and Captain America: Brave New World ($415 million).While some might say it's unfair to compare box office returns post-COVID to pre-COVID numbers, it's still worth noting here that Man of Steel (2013) did $670 million worldwide during its entire run, and Batman v Superman: Dawn of Justice (2016) did $874 million. And, the new Superman cost a lot to make and market. The film's budget was $225 million, and it also carried a marketing budget of at least $125 million. So yes, at $406 million, the movie is now, almost certainly, profitable. But, when it opened on July 12, the initial reactions from studio heads, according to Variety, were that the box office returns were "good enough," but not great.
Basically, there are two paths here for Superman. Either it will continue to do well, and eventually soar beyond $800 million, making it not only as successful as Batman v Superman, but also on par with James Gunn's Guardians of the Galaxy 2, which earned $863 million worldwide in 2017. Or, Superman's box office returns will start to plateau.
But, with great reviews and positive word-of-mouth buzz, what could possibly happen to slow down the speeding bullet of Superman's box office? Well, while Ka-El had help from Mister Terrific, he's about to have competition from Mister Fantastic. And that's because the long-awaited Marvel epic, The Fantastic Four: First Steps, hits theaters very soon, on Friday, July 25.
Can Marvel come back swinging against DC? It's a grudge match that has been going on for decades, and one of the defining cultural clashes of the modern age. In the 1960s, Marvel was perceived as edgier and more realistic, while DC was generally considered to be the old guard of comic books. But now, has that perception flipped? After a decade and a half of Marvel dominance in the movie theaters, could DC be making a big comeback as the underdog?Early buzz for Fantastic Four: First Steps is positive, with some critics saying the movie is "the best thing Marvel has ever made." Right now, box office predictions for Fantastic Four are unclear. That said, just the existence of this movie will surely cut into Superman's flight a little bit, right?Latest 'Superman' Box Office Turns Heads, But It's Not Even Close To Another Blockbuster first appeared on Men's Journal on Jul 21, 2025
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Marvel's 'Fantastic Four: First Steps' opens to $118 million domestically
Marvel's 'Fantastic Four: First Steps' opens to $118 million domestically

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Marvel returns to form as ‘Fantastic Four' soars to $118 million at the box office
Marvel returns to form as ‘Fantastic Four' soars to $118 million at the box office

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It was clobberin' time this weekend, as Marvel's 'The Fantastic Four: First Steps' nabbed the top spot at the box office with a performance that returned the Walt Disney Co.-owned superhero franchise to form. The movie hauled in $118 million in the U.S. and Canada and grossed $218 globally in its opening weekend. The film, which stars Pedro Pascal, Vanessa Kirby, Ebon Moss-Bachrach and Joseph Quinn, is just the latest remake of the comic book property, though the first under Walt Disney Co.'s ownership. Formerly owned by 21st Century Fox, 'The Fantastic Four' is one of several key intellectual properties now under the umbrella of the House of Mouse after its $71.3 billion acquisition of that studio's entertainment assets in 2019. Disney has already capitalized on its ownership of the 'Deadpool' and 'X-Men' properties — its 2024 film, 'Deadpool & Wolverine,' garnered more than $1 billion in global box office revenue. Fox produced and released three 'Fantastic Four' movies, none of which were well-received by audiences or critics. A 2015 reboot was particularly reviled. Quality was not an issue this time. The movie notched a 88% approval rating on aggregator Rotten Tomatoes and an 'A-' grade from audience polling firm CinemaScore. The movie exceeded pre-release estimates. 'First Steps' was expected to gross $100 million to $110 million in its debut weekend, on a reported budget of about $200 million. The theatrical reception for 'The Fantastic Four' is a relief for Disney and Marvel, which has struggled in recent years to reap the box office earnings it once did with its superhero films. The Anthony Mackie-led 'Captain America: Brave New World' received middling reviews from critics and brought in about $415 million in global box office revenue. Ensemble movie 'Thunderbolts*' received strong reviews, but made only $382 million worldwide. Disney Chief Executive Bob Iger said earlier this year that the company 'lost a little focus' in its zeal to produce more shows and movies for the Disney+ streaming platform, acknowledging that 'quantity does not necessarily beget quality.' 'By consolidating a bit and having Marvel focus much more on their films, we believe it will result in better quality,' he said during an earnings call with analysts in May. Anticipation was high for 'The Fantastic Four,' and Disney went all out with the marketing. The company hired a skywriter to craft encircled 4's in the sky near downtown Los Angeles on the day of the premiere and featured a drone show outside the Dorothy Chandler Pavilion after the showing. 'While Marvel films have settled into a fairly predictable core audience after multiple under-cooked films and streaming series in the post-'Avengers: Endgame' era, the brand remains sturdy when the right film comes along,' Shawn Robbins, director of movie analytics at Fandango and founder of site Box Office Theory, wrote in a weekend theatrical forecast published Wednesday. Warner Bros.' DC Studios' 'Superman' came in second at the box office this weekend with a domestic total of $24.9 million for a worldwide gross so far of $503 million.

How Dark Gritty Reboots Paved the Way for Today's Lighter Escapism in Cinema — GeekTyrant
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For years, Hollywood loved its dark, grounded reboots. But times have changed, and so have audience tastes. A recent video essay by Pyramid Peak takes a deep dive into why the bleak tone of early 2000s blockbusters has shifted toward something lighter, more hopeful, and even escapist, like Superman . After September 11, 2001, American audiences gravitated toward stories that reflected their fears and uncertainties. Movies embraced gritty realism, and no franchise exemplified that better than Christopher Nolan's Dark Knight trilogy. 'You can imagine just how incredible it was to see this in 2005 for the first time audiences saw a Batman who looked like he belonged in our world and faced dangers that felt almost too real. 'Needless to say Batman Begins was a massive success to critics and general audiences the movie's dark and gritty tone felt like a breath of fresh air.' Following that, other franchises leaned hard into the 'realistic' approach, turning comic book worlds and action sagas into moody character studies. But that was 20 years ago, and as Pyramid Peak explains, that tone no longer resonates the same way: '20 years later the reboot doesn't pack the same punch. So what happened to the dark and gritty era? Right now we're living in a world of constant noise a million channels of conflicting information are all shouting at once. 'That overwhelm might inspire stories where the hero is someone who cuts through the chaos sees the bigger picture and finds a clean focused solution a narrative where all the threats are secretly connected and one brave person untangles them giving us the simple clarity we crave.' This shift is more than just stylistic. It's a reflection of our cultural mood. Back then, villains were symbolic. Today, the issues feel personal and systemic. As Peak notes, future stories might even tackle wealth inequality head-on. 'If another global recession makes wealth inequality the popular issue of the day, the real enemies might be the rich, the powerful the out of touch elite. We could see a resurgence of stories about the common person rising up against unchecked greed and corruption and a generation dealing with the housing crisis and endless inflation would connect with the hero who's dealt a crappy hand but make something of it.' The era of gritty antiheroes might be behind us, replaced by characters who bring clarity in chaos or challenge corruption head-on. In other words, escapism is evolving, and Hollywood will follow wherever our cultural compass points next.

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