
'How to Train Your Dragon' holds top spot in N. America box office
LOS ANGELES, California - "How to Train Your Dragon," a live-action reboot of the popular 2010 animated film, set the North American box office ablaze again in its second week, industry estimates showed Sunday.
The family-friendly film from Universal and DreamWorks Animation tells the story of a Viking named Hiccup (Mason Thames) who strikes up a friendship with Toothless the dragon.
Its $37 million haul was enough to beat out Columbia Pictures' zombie sequel "28 Years Later," which took in $30 million despite coming nearly two decades after the last release in the trilogy, "28 Weeks Later."
"This is an excellent opening for the third episode in a horror series," said David A. Gross of Franchise Entertainment Research.
"The weekend figure is above average for the genre, and pending final numbers it's approximately three times the opening of the last episode."
Critics' reviews and audience ratings have been strong for the Danny Boyle-directed threequel, which picks up -- as the title suggests -- more than a generation after the initial outbreak of the Rage Virus.
"The long layoff has had no negative impact; in fact, it's given the sequel time to add a new younger age group to the audience," Gross added.
Perhaps the biggest surprise of the weekend was the poor performance of Pixar Animation's "Elio," which limped into third place with $21 million in ticket sales, on a $150 million budget.
Gross said that while the tally would be respectable for most animation studios, it was the lowliest theatrical debut in Pixar's history -- despite excellent reviews.
Disney's "Lilo & Stitch," another live-action remake, added $9.7 million in its fifth week, extending a triumphant run for the film about a Hawaiian girl (Maia Kealoha) and her blue alien friend (Chris Sanders).
The fourth-placed entry has now grossed a whopping $910 million worldwide, according to Exhibitor Relations.
In fifth place -- and also in its fifth week -- is "Mission: Impossible -- The Final Reckoning," the latest, and supposedly final, entry in the hugely successful Tom Cruise spy thriller franchise.
The Paramount film took $6.6 million in North America, pushing it to $540 million worldwide.
Rounding out the top 10 were:
"Materialists" ($5.8 million)
"Ballerina" ($4.5 million)
"Karate Kid: Legends" ($2.4 million)
"Final Destination: Bloodlines" ($1.9 million)
"Kuberaa" ($1.8 million)
— Agence France-Presse
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GMA Network
5 days ago
- GMA Network
'How to Train Your Dragon' holds top spot in N. America box office
LOS ANGELES, California - "How to Train Your Dragon," a live-action reboot of the popular 2010 animated film, set the North American box office ablaze again in its second week, industry estimates showed Sunday. The family-friendly film from Universal and DreamWorks Animation tells the story of a Viking named Hiccup (Mason Thames) who strikes up a friendship with Toothless the dragon. Its $37 million haul was enough to beat out Columbia Pictures' zombie sequel "28 Years Later," which took in $30 million despite coming nearly two decades after the last release in the trilogy, "28 Weeks Later." "This is an excellent opening for the third episode in a horror series," said David A. Gross of Franchise Entertainment Research. "The weekend figure is above average for the genre, and pending final numbers it's approximately three times the opening of the last episode." Critics' reviews and audience ratings have been strong for the Danny Boyle-directed threequel, which picks up -- as the title suggests -- more than a generation after the initial outbreak of the Rage Virus. "The long layoff has had no negative impact; in fact, it's given the sequel time to add a new younger age group to the audience," Gross added. Perhaps the biggest surprise of the weekend was the poor performance of Pixar Animation's "Elio," which limped into third place with $21 million in ticket sales, on a $150 million budget. Gross said that while the tally would be respectable for most animation studios, it was the lowliest theatrical debut in Pixar's history -- despite excellent reviews. Disney's "Lilo & Stitch," another live-action remake, added $9.7 million in its fifth week, extending a triumphant run for the film about a Hawaiian girl (Maia Kealoha) and her blue alien friend (Chris Sanders). The fourth-placed entry has now grossed a whopping $910 million worldwide, according to Exhibitor Relations. In fifth place -- and also in its fifth week -- is "Mission: Impossible -- The Final Reckoning," the latest, and supposedly final, entry in the hugely successful Tom Cruise spy thriller franchise. The Paramount film took $6.6 million in North America, pushing it to $540 million worldwide. Rounding out the top 10 were: "Materialists" ($5.8 million) "Ballerina" ($4.5 million) "Karate Kid: Legends" ($2.4 million) "Final Destination: Bloodlines" ($1.9 million) "Kuberaa" ($1.8 million) — Agence France-Presse


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Disney, Universal sue AI firm Midjourney for copyright infringement
"Midjourney is the quintessential copyright free-rider and a bottomless pit of plagiarism," the lawsuit against the AI firm says. Sebastien Bozon/ AFP LOS ANGELES — Walt Disney and Comcast's Universal filed a copyright lawsuit against Midjourney on Wednesday, calling its popular AI-powered image generator a "bottomless pit of plagiarism" for its use of the studios' best-known characters. The suit, filed in federal district court in Los Angeles, claims Midjourney pirated the libraries of the two Hollywood studios, making and distributing without permission "innumerable" copies of characters such as Darth Vader from "Star Wars," Elsa from "Frozen," and the Minions from "Despicable Me." The studios claim the San Francisco company rebuffed their request to stop infringing their copyrighted works or, at a minimum, take technological measures to halt the creation of these AI-generated characters. Instead, the studios argue, Midjourney continued to release new versions of its AI image service that boast higher quality infringing images. Midjourney recreates animated images from a typed request, or prompt. In the suit filed by seven corporate entities at the studios that own or control copyrights for the various Disney and Universal Pictures film units, the studios offered examples of Midjourney animations that include Disney characters, such as Yoda wielding a lightsaber, Bart Simpson riding a skateboard, Marvel's Iron Man soaring above the clouds and Pixar's Buzz Lightyear taking flight. The image generator also recreated such Universal characters as "How to Train Your Dragon's" dragon, Toothless, the green ogre "Shrek," and Po from "Kung Fu Panda." "By helping itself to plaintiffs' copyrighted works, and then distributing images (and soon videos) that blatantly incorporate and copy Disney's and Universal's famous characters—without investing a penny in their creation—Midjourney is the quintessential copyright free-rider and a bottomless pit of plagiarism," the suit alleges. "Midjourney's infringement is calculated and willful." Disney and Universal asked the court for a preliminary injunction, to prevent Midjourney from copying their works, or offering its image- or video-generation service without protections against infringement. The studios also seek unspecified damages. The suit alleges Midjourney used the studios' works to train its image service and generate reproductions of their copyrighted characters. The company, founded in 2021 by David Holz, monetizes the service through paid subscriptions and generated $300 million in revenue last year alone, the studios said. This is not the first time Midjourney has been accused of misusing artists' work to train their AI systems. A year ago, a California federal judge found that 10 artists behind a copyright infringement suit against Midjourney, Stability AI and other companies had plausibly argued these AI companies had copied and stored their work on company servers, and could be liable for using it without permission. That ruling allowed the lawsuit over the unauthorized use of images to proceed. It is in the process of litigation. In a 2022 interview with Forbes, CEO Holz said he built the company's database by performing "a big scrape of the Internet." Asked whether he sought consent of the artists whose work was covered by copyright, he responded, "there isn't really a way to get a hundred million images and know where they're coming from." — Reuters