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Sharjah's cultural vision blossoms in Senegal

Sharjah's cultural vision blossoms in Senegal

Sharjah 246 days ago
Arabic as a cultural bridge
This initiative aligns with the directives of the Sharjah Ruler to support the Arabic language and strengthen the presence of Arab poetry across Africa. The forum reflects Sharjah's belief in the power of culture to shape individuals and foster human connection between nations.
Held at the Senegalese Literary Club in Dakar, the opening ceremony was attended by Hamdan Al Naqbi, UAE Ambassador to Senegal, and Fadel Gueye, President of the Senegalese Literary Club. Present were Arab diplomats, university professors, students, and poetry enthusiasts.
Tribute to Sharjah's cultural leadership
In his opening remarks, Mohamed Al Hadi Sal, the Forum's Cultural Coordinator, expressed deep appreciation for the Sharjah Ruler, calling him 'Culture's Man', whose efforts have globalised the Arabic language. He praised Sharjah's continued support for poetry and literature, describing it as a vital service to Arabic heritage.
Arabic poetry revives on Senegalese soil
Al Hadi Sal highlighted the enduring cultural impact of Arabic, stating that the language is blossoming once again in Senegal. He described the forum as a cultural planting in land thirsty for meaning, where poetry quenches the soul with beauty.
Cultural diplomacy through poetry
Ambassador Hamdan Al Naqbi emphasised the strong bilateral ties between the UAE and Senegal, noting that events such as this poetry forum are genuine bridges for cultural cooperation. He commended Sharjah's civilisational initiatives and their role in advancing the Arabic language in Africa.
Strategic partnership with Sharjah
Dr Fadhel Ghay, President of the Senegalese Literary Club, voiced his pride in hosting such an important event, especially one connected with Sharjah, the Capital of Culture. He praised the participating poets and underlined the importance of strategic partnerships with Sharjah in ensuring the forum's success.
More than a celebration of language
Several participants viewed the forum not just as a celebration of Arabic but as a powerful African cultural platform. They praised Arabic's ability to reflect reality, express thought, and radiate beauty, noting that such initiatives significantly uplift the cultural landscape of the continent.
The poetry readings offered a heartfelt glimpse into the poets' emotions and patriotism. The verses touched on personal and collective struggles, love for the homeland, and attachment to identity. Together, the poets created a vivid tapestry of hope and belonging that deeply moved the audience.
Poetic voices united by hope and love
The forum opened with an emotionally rich atmosphere, where poets of various backgrounds came together. Their poems were infused with hope and affection, underscoring poetry's role in renewing cultural thinking and strengthening human ties.
Female voices were notably present and powerful at the forum. Through tender and profound poems, women poets addressed themes of self and reality with emotional depth. Their participation added a distinct aesthetic to the evening and highlighted the richness of the poetic experience in Senegal.
The poet Umm Mohammed Al-Zahraa recited her poem "A Mother's Embrace", expressing the enduring sacrifices and deep love of motherhood:
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11th edition of Dubai Design Week takes stage on November 4-9 at d3
11th edition of Dubai Design Week takes stage on November 4-9 at d3

Gulf Today

time15 hours ago

  • Gulf Today

11th edition of Dubai Design Week takes stage on November 4-9 at d3

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Ziad Rahbani, 'voice of Lebanon's soul', dies at 69: Tributes pour in for beloved composer
Ziad Rahbani, 'voice of Lebanon's soul', dies at 69: Tributes pour in for beloved composer

The National

timea day ago

  • The National

Ziad Rahbani, 'voice of Lebanon's soul', dies at 69: Tributes pour in for beloved composer

Ziad Rahbani, a Lebanese composer, playwright and political commentator known for his influential role in Arabic theatre and music, has died aged 69. The cause of death has yet to be announced. The son of renowned singer Fairouz and late composer Assi Rahbani, Ziad Rahbani is widely regarded as one of the most distinctive creative voices to emerge from Lebanon in the past five decades. Toufic Maatouk, Lebanese composer and musicologist, told The National: 'Ziad Rahbani's music is a voice carved from Lebanon's soul. He called it 'oriental jazz,' but it was more – a fusion of Arabic melodies, funk, and jazz that sounded unmistakably Lebanese. Each note carried Beirut's chaos, warmth, and wit. Ziad's artistry wasn't imitation, it was invention, born from home.' Rahbani rose to prominence during the Lebanese Civil War through a series of acclaimed plays and musical works that combined colloquial Lebanese dialogue, jazz and classical Arabic music with political and social critique. He was born in Beirut in 1956 into one of the Arab world's most prominent musical families. He began his professional career at an early age, composing Saalouni El Nass in 1973, which Fairouz performed during a period when Assi Rahbani was recovering from a stroke. In the years that followed, Ziad Rahbani established himself as an important figure in Beirut's cultural scene. His early theatre productions including Nazl El-Sourour explored themes of civil conflict, sectarianism and everyday life in Lebanon with a satirical and often provocative tone. Rahbani was an outspoken political commentator, often expressing support for leftist movements and criticising the Lebanese political establishment. While his views were often polarising, he remained a leading voice in regional cultural and political discourse. In addition to his theatre work, Rahbani continued to compose music throughout his career, including a number of collaborations with his mother, in the 1980s. Albums such as Maarifti Feek and Wahdon introduced lyrical and musical directions for the celebrated musician, often reflecting more personal or socially conscious themes. Although he gave few interviews in his later years, Rahbani continued to perform live, frequently mixing music with political commentary during his concerts. His influence extends to several generations of Arab musicians, writers and performers. In recent years, the rise of the Habibi funk movement has won Rahbani fans around the world, with albums including Houdou Nisbi, Amrak Seedna & Abtal Wa Harameyah and Bennesbeh Labokra … Chou? reissued internationally on vinyl to great acclaim. Arab musicians pay tribute to Ziad Rahbani Lebanese musician Tania Saleh, considered one of the founding voices of the country's independent music culture, says that Rahbani is the true architect of the scene. 'Some people like to think the indie scene started with us. I don't think so. I believe it started with him, because he was already independent – from his family, from the Lebanese music scene, and even from the larger Arab world. His influences came from everywhere. He was the true first,' says Salah. Mayssa Karaa, singer and artistic director of Berklee Abu Dhabi, said that Rahbani's current influence extended far beyond his artistic output. 'Ziad Rahbani was more than just a musician; he was a voice, a mirror, and a pulse for Lebanon,' said Kara. 'He taught generations how to speak the truth through music, no matter how uncomfortable that truth was. His art was always based on his deep love for his country and its people, and this love shaped every lyric, melody, and story he told. 'People of all ages, classes, and faiths could relate to Ziad's music because it was so real. As a musician, he broke all the rules and didn't follow trends or fit into moulds, carving out a path that countless artists, including myself, have drawn inspiration from. He showed us that music could be both heartbreaking and full of humour,' Karaa says. 'Ziad, rest in music. Your music, your words, and your spirit will always live on in the hearts of the people of Lebanon. Without you, we might not even know what Lebanon means, but maybe that's the beauty of your legacy: you've become part of the country's very definition.' Emirati composer Ihab Darwish says: 'For us, this is a tragedy. It feels like we've lost one of the most iconic musicians in the Arab world. 'While I never met him, I consider him one of my idols. He taught me a lot about blending different genres. He also clearly has a storytelling style that is very similar to mine – ensuring that music has a narrative and theme.' Lebanon's political figures mourn late Lebanese composer Lebanon's President Joseph Aoun expressed his sorrow over the death of Rahbani. "Ziad Rahbani was not just an artist; he was an integrated intellectual and cultural figure. Moreover, he was a living conscience, a rebellious voice against injustice, and an honest mirror for those who suffered and were marginalised. He wrote about people's pain and played on the strings of truth, without ambiguity," Mr Aoun said in a statement. "Through his purposeful theatre and his music, ignited with infinite creativity between classical, jazz, and oriental music, he presented a unique artistic vision and opened new windows of Lebanese cultural expression, reaching the international level and creating masterpieces." "Ziad was a natural extension of the Rahbani family, which has given Lebanon so much beauty and dignity. He is the son of the creative Assi Rahbani and Fairouz, our ambassador to the stars, to whom we extend our sincere condolences today. Our hearts are with her in this huge loss, sharing with her the pain of losing someone who was more than a support to her. We also offer our condolences to the esteemed Rahbani family on this great loss," Mr Aoun continued. "Ziad's many distinguished works will remain alive in the memory of the Lebanese and Arabs, inspiring future generations and reminding them that art can be an act of resistance, and that words can be a stance. May Ziad Rahbani rest in peace, and may his music and plays, vibrant with memory and life, remain a beacon of freedom and a call for human dignity." Ghassan Salame, Lebanon's Culture Minister, said in a statement: "We dreaded this day, as we knew his health was deteriorating and his desire for treatment was diminishing. Plans to treat him in Lebanon or abroad had become obsolete, as Ziad no longer had the capacity to imagine the necessary treatment and surgeries. May God have mercy on artist Rahbani. We will mourn him by singing his immortal songs." Lebanon's Parliament Speaker Nabih Berri said: "Lebanon without Ziad - the melody is sad, the words are broken, and the black curtain falls on an immortal Rahbani humanitarian, cultural, artistic, and patriotic chapter."

Ziad Rahbani, icon of Lebanese music and theatre, dies at 69
Ziad Rahbani, icon of Lebanese music and theatre, dies at 69

Middle East Eye

timea day ago

  • Middle East Eye

Ziad Rahbani, icon of Lebanese music and theatre, dies at 69

Ziad Rahbani, one of Lebanon's most influential cultural figures and the son of Arab music legend Fairuz, has died at the age of 69. A playwright, composer, and political commentator, Rahbani shaped the landscape of Lebanese theatre and music with his biting wit, leftist and secular politics, and sharp portrayals of his country's fractured society. "On Saturday at 9:00 am [6am GMT], the heart of the great artist and creator Ziad Rahbani stopped beating," said a statement from the Beirut hospital where the artist, who has long suffered from health problems, was being treated. The son of Fairuz, who turned 90 last year, and the late composer Assi Rahbani, Ziad first rose to prominence in the 1970s. He broke away from the romanticism of his parents' work to create art rooted in social critique and everyday struggles. Tributes poured in for the enfant terrible of Lebanese music, whose theatre productions and songs left an enduring mark on generations of Lebanese - many of whom know his lyrics and playscripts by heart. New MEE newsletter: Jerusalem Dispatch Sign up to get the latest insights and analysis on Israel-Palestine, alongside Turkey Unpacked and other MEE newsletters Rahbani was a versatile composer and a pioneer of oriental jazz. He mixed traditional Arabic melodies with jazz, funk and classical influences, creating a unique and instantly recognisable sound. Rahbani composed for Fairuz in her later years, bringing political depth to her repertoire. Throughout Lebanon's civil war (1975-1990) and in the decades that followed, Rahbani's plays became spaces where Lebanese audiences confronted their harsh realities. He often highlighted the hardships of Lebanon's working class. His characters were disillusioned citizens, ex-revolutionaries or everyday people caught in the complexities of Lebanon's political and sectarian struggles. Lebanese diva Fairuz talks to her son, Ziad Rahbani, and Armenian conductor Karen Durgarian during rehearsals prior to their concert in Dubai on 23 January 2003 (AFP) One of his most influential plays, Nazl el-Sourour (Happiness Hotel), is a political satire set in a run-down hotel, where two laid-off workers take the guests hostage in a failed attempt at revolution. Through humour and absurdity, the play critiques class divisions and the hollowness of political slogans in pre-war Lebanon. Another one of his landmark works, the 1980 production Film Ameriki Tawil (A Long American Film), is a satirical portrayal of the civil war, set in an asylum where the patients represent different segments of society. Rahbani articulated a collective frustration and longing for change. For many in Lebanon and across the Arab world, his death marks the loss of a singular voice that never stopped asking uncomfortable questions.

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