
Rylan Clark says 'they won't listen' as he questions 'decision' by BBC bosses
Rylan Clark says BBC bosses 'won't listen' as he questioned a 'decision' made by the broadcaster. The 36-year-old has been presenting his Saturday afternoon slot on BBC Radio 2 since 2019. He replaced presenter Zoe Ball when she moved to the station's coveted breakfast slot.
Zoe, 54, has however since left the show and been replaced by Scott Mills. Rylan however continues to broadcast to the nation as well as fronting a series of podcasts for the BBC.
He however hinted that he believes he would be perfect for another role at the station. Although he joked that his pleas to BBC bosses had so far fallen on deaf ears.
He made the revelation as he flashed his geography skills at the weekend. During the bulletin, traffic presenter Sally Boazman asked: 'The A13 Stanford-Le-Hope bypass, eastbound, is partly blocked between Stanford-le-Hope and a place called Fobbing, does that exist? Is there a place called Fobbing?'
'Yeah, it's basically the Basildon turn-off,' responded Essex boy Rylan. He added: 'It's a little village on the outskirts of Corringham.'
Sally responded: 'You should do the traffic really, shouldn't you?' To which Rylan joked: 'I should. I've been saying this for years but they won't listen.'
Before working in radio, Rylan rose to fame when he appeared on the X Factor in 2012. He was eliminated in the quarter final as James Arthur went on to win the competition.
Just weeks later however, Rylan was whisked away to the Celebrity Big Brother house. He won over the nation and was crowned the winner, ahead of reality stars Spencer Pratt and Heidi Montag.
He later went on to work as a reporter on This Morning as well as presenting Big Brother's Bit on the Side. Since 2018 he has commentated on the semi-finals of Eurovision alongside fellow Radio 2 star Scott.
Earlier this year Rylan won a BAFTA for his documentary Rob and Rylan's Grand Tour, which saw him travelling around Italy with Rob Rinder. Rylan described the show as 'two gay guys, going through a divorce' after he split from ex-husband Dan Neal in 2021, and Rob split from his own husband in 2018.
Speaking to the Mirror and other press, Rylan said: "The show, it happened at a really weird time for me. I wasn't fully over some of the breakdown of my marriage and stuff like that. I was flung with a judge. It was the best therapy I needed.
"The journey, and I hate that word in telly, from when we meet and how raw I was at that time. It was like being an adolescent again and starting again but with cameras there.
'Everyone who worked on the show made it look exactly how it was. They didn't try to make it look good.'
The pair will return with a follow-up series, Rob and Rylan's Passage to India, which is set for release in autumn.
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Wales Online
33 minutes ago
- Wales Online
BBC shares first-look at chilling Welsh thriller
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Metro
41 minutes ago
- Metro
'My second film took a decade to make and is 'not your average period drama''
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To view this video please enable JavaScript, and consider upgrading to a web browser that supports HTML5 video 'In America in 1860, people were from all over the world, they weren't American yet. Then I thought the same about Britain – that it could be a multicultural place, and there could be a Japanese samurai, a French weightlifter, an Irish bandit,' the Scottish filmmaker tells me at the Sands International Film Festival in April, where Tornado is previewing as the closing film. 'I added to that my love of Japanese cinema and thinking, 'Oh I'd love to do a samurai film, but I'm not Japanese – so what's my way in?' The way in was a father-daughter relationship, family and setting it in a Britain of people from all over the place.' Maclean, who is also a founding member of indie-rock group The Beta Band, tells me that Tornado was based on an old music video he filmed with the group 25 years ago too, in the exact same location. People don't normally make a Western as their first feature film, like he did, but Maclean actually saw Tornado as his opportunity to 'play a lot more' with the Western tropes. He was also keen to shake up how British history is traditionally thought of at this time. 'It's always been viewed through novels or class systems or kings and queens, and I just thought there was a place for historic Britain full of more of your outsiders: circus performers and poets and musicians and bandits.' For him, there was also a parallel between Tornado and Slow West with great changes on the horizon. 'Setting it in 1790 I felt was a kind of equivalent to the 1860 West, when things were about to change drastically – the law and the Peelers were coming, and the industrial revolution was coming, and swords were becoming guns,' Maclean points out. Taking a decade between the releases of Slow West and Tornado was not intentional; Maclean's screenplay was written by 2018 and he jokes he was 'going as fast as I possibly could'. But it turns out even if you've made a splash with your first film – and he'd won a Bafta for his 2011 short Pitch Black Heist starring Fassbender and Liam Cunningham prior as well – you are far from set up for smooth sailing the second time around. 'It was just hard to get funding. I thought it would be easier because Slow West was a decent first attempt. In Britain, second films are notoriously difficult to get off the ground,' he admits. As to why, he ponders if maybe the script 'came across as not the trendiest of subjects' but also reckons it was to do with the film's titular hero being a young girl and 'so she has to be a kind of new face'. It was just hard to get funding. I thought it would be easier because Slow West was a decent first attempt 'You do need the big names attached to get any money at all these days.' He did get them – 'eventually' – in Roth and Lowden portraying father and son, and Roth signing up to play the villainous Sugarman 'unlocked a lot of doors and people started taking it seriously and coming on board'. As far Lowden, who is especially hot property now given his involvement with hit TV series Slow Horses and casting as Mr Darcy in Netflix's upcoming Pride and Prejudice adaptation, Maclean was prepared to work for it – and around a few people. 'I actually met Jack at Edinburgh Film Festival drinks and found out that he loved Slow West. So I went back and rewrote the part with him in mind because – just anything to get beyond these people's agents! And to know that maybe they want to work with you is huge.' 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Thanks to a wider shift in the genre away from rigid historical accuracy in favour of more creative interpretations, diverse casting and contemporary points of view – as seen in the likes of Bridgerton, Netflix's 2022 adaptation of Persuasion with Dakota Johnson and The Personal History of David Copperfield – it makes Tornado seem bang on the money. Maclean's 'hopeful' that people want to reinterpret how a period drama looks in Britain. I wonder what he would like to do for his next film. More Trending 'I love the crime genre and the noir genre – but I've got a lot of contemporary music I love, so it'd be nice to make something contemporary. I'm sort of blank page at the moment, so just starting to feel around again,' he shares. When I apologise for pressing him on the next film already, he laughs. 'A lot of directors will have the thing lined up ready to go. I'm just not that guy, so it takes me slightly longer.' Tornado is in UK cinemas now. Got a story? If you've got a celebrity story, video or pictures get in touch with the entertainment team by emailing us celebtips@ calling 020 3615 2145 or by visiting our Submit Stuff page – we'd love to hear from you. MORE: Human leg washes up on beach 80 miles from missing man's body MORE: Energy price cap comes down with average household saving £11 a month MORE: Child drove through Scottish village barefoot listening to Sugababes


Telegraph
42 minutes ago
- Telegraph
Gen Z might relate to these BBC comedy characters, but others will find them slappable
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