Rachel McAdams, 46, Receives Hollywood Honor
On Wednesday morning, the Hollywood Walk of Fame Class of 2026 was announced via press conference, with 35 honorees within the film, television, music and sports entertainment industries receiving stars. The list includes Miley Cyrus, Timothee Chalamet, Demi Moore, Shaquille O'Neal, Sarah Michelle Gellar, Deepika Padukone and others.
Canadian actress Rachel McAdams, who broke out in the early 2000s thanks to her performances in Mean Girls and The Notebook, is part of this year's class of stars.
After those standout roles, McAdams became a household name in the world of romantic comedies. She starred in other films of different genre such as Wedding Crashers and Red Eye in 2005, as well as the 2012 film The Vow and About Time in 2013. But then, she cemented her reputation as a serious drama actress in the film Spotlight, which earned her an Oscar nomination for Best Supporting Actress in 2016. More recently, she played Christine Palmer in Marvel's Doctor Strange movies and played Margaret's mother, Barb in the 2023 film Are You There God? It's Me, Margaret.
The 46-year-old actress stepped away from Hollywood briefly in 2023 to focus raising her two children that she has with her partner, Jamie Linden. But, her newest film Send Help alongside Dylan O'Brien is set to be released on Jan. 30, 2026.Though McAdams is not on social media and has been laying low from the public eye for most of her career, she still has a lasting impact in the film industry and the audience that grew up watching her. As Regina George in Mean Girls, she delivered one of the most iconic performances of the early 2000s, which helped shaped pop culture for an entire generation. Then in The Notebook, she brought a beautiful performance to one of the most beloved romantic dramas of all time.
Ever year, honorees are selected by a committee from hundreds of nominations submitted. Individual star ceremony dates are typically announced at a later time, and honorees have up to two years to schedule their ceremonies.
Rachel McAdams, 46, Receives Hollywood Honor first appeared on Parade on Jul 3, 2025
This story was originally reported by Parade on Jul 3, 2025, where it first appeared.
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Fox News
43 minutes ago
- Fox News
American Culture Quiz: Test yourself on patriotic provisions and beer breakthroughs
The American Culture Quiz is a weekly test of our unique national traits, trends, history and people, including current events and the sights and sounds of the United States. This week's quiz highlights patriotic provisions, beer breakthroughs — and much more. Can you get all 8 questions right? To try your hand at more quizzes from Fox News Digital, click here. Also, to take our latest News Quiz — published every Friday — click here.
Yahoo
an hour ago
- Yahoo
Fact Check: Posts claim girl called Trump 'a disgrace to this world.' Here's the real story
Claim: A video authentically shows a young girl calling U.S. President Donald Trump "a disgrace to the world." Rating: In late June 2025, a video allegedly showing a young girl calling U.S. President Donald Trump a "disgrace to the world" spread on social media. One TikTok post (archived) with the video reached over 10 million views, 2.3 million reactions and 348,000 shares. The clip was edited in the style of a "diva edit" — a flashy, stylized video format that emphasizes confidence, typically featuring empowering songs such as Beyoncé's "Diva," particularly the lyric, "Diva is a female version of a hustla." The caption read, "i just had to edit that little girl cause same girl #edit #audio #diva #divaedit #FTD." Many viewers treated the moment as genuine and praised the girl's confidence in the comments. The video also spread across other social media platforms, including X and YouTube. In short, while the video was authentic in the sense that it was not digitally manipulated or the product of artificial-intelligence (AI) software, it did not depict the real Donald Trump. Rather, it showed actor Anthony Atamanuik impersonating Trump in a 2017 segment of "The President Show," a Comedy Central television series. It did not show an actual interaction with the president. As such, we have rated this claim as miscaptioned. Atamanuik's face was not fully visible in many versions of the clip that circulated, which likely contributed to internet users mistakenly believing the footage authentically showed Trump. We previously fact-checked this video in 2017. The interaction shown in the viral clip can be seen in a YouTube video uploaded in May 2017, titled, "The President Takes on Tax Day," which originated as a skit for "The President Show." The moment appears around the 1:30 mark in the following video: The video showed the actor saying, "What a wonderful little girl. You wanna take a picture with me?" The girl responded, "You're a disgrace to the world." As she snapped a photo of him, he added, "Let's just do it and then be done, OK?" (Comedy Central YouTube channel) In an extended version of the clip shared on the official "The President Show" Facebook page, the actor added, "What a wonderful little girl. I am a disgrace to the world. I am a disgrace." On May 8, 2017, Atamanuik wrote (archived) on X (then Twitter), "I'm the guy playing Trump from the @PresidentShow and that little girl was brave, funny and smart. Also, she said that if (sic) her own volition," suggesting the moment was genuine and unscripted. He did not provide any further details. (X user @CoffeeWithTony) This was not the first Comedy Central-related rumor we investigated. For instance, in April 2018 we debunked a rumor that Comedy Central fired comedian Michelle Wolf and issued an apology after Wolf's appearance at the White House Correspondents' Association Dinner. - YouTube. Accessed 2 Jul. 2025. Evon, Dan. "Did a Little Girl Call President Trump a 'Disgrace to the World'?" Snopes, 8 May 2017, Mikkelson, David. "Did Comedy Central Fire Michelle Wolf and Apologize to Sarah Sanders?" Snopes, 29 Apr. 2018, The President Show. 3 Arts Entertainment, Clone Wolf Productions, Pie Baby Productions, 2017.
Yahoo
an hour ago
- Yahoo
WWE, AEW mid-year awards: 2025's best wrestlers, matches, feuds and our favorite things so far
In the blink of an eye, we're halfway through 2025. Seems like just yesterday we were crowning Will Ospreay and Toni Storm as Men's and Women's Wrestlers of the Year in the inaugural edition of The Crownies, yet here we are. So, what has happened in the world of professional wrestling thus far this year? A lot, it turns out. We've seen a John Cena heel turn followed by a record-setting victory over Cody Rhodes at WrestleMania 41, Mercedes Moné continued her global belt-collecting tour and is on the precipice of completely dominating the AEW women's division, and we somehow still don't know who El Grande Americano really is. Advertisement All of that being said, Robert Jackman, Raj Prashad, Drake Riggs and Anthony Sulla-Heffinger — the Uncrowned Horsemen — are here to recap and evaluate what we've seen over the past six-plus months of swerves, victories, defeats and YEETs. Match of the Year Sulla-Heffinger: Seth Rollins vs. CM Punk vs. Roman Reigns (WrestleMania 41, Night 1) Here's what I wrote in the immediate aftermath of the show: "Rollins, Reigns and Punk combined for a masterpiece and showed why they are all worthy of a WrestleMania main-event slot, even without a championship up for grabs. As great as the in-ring action was, the storytelling was even better, with Heyman betraying his former allies in Punk and Reigns and aligning himself with Rollins." Advertisement All of that still rings true more than two months after the event. It's been the best match WWE has had thus far in 2025, with a meaningful result that will factor into the landscape of the promotion for the rest of the year and potentially beyond. Also, CM Punk's intro/entrance was in heavy consideration for my 'Favorite Thing' later on in this roundtable. Riggs: Anarchy in the Arena (AEW Double or Nothing) OK, it came down to two for me, and they were both from AEW Double or Nothing 2025, the best event of the year so far, and one of the best ever, quite frankly. They were vastly different matches, and you already know where I'm going: Will Ospreay vs. Hangman Adam Page and the Anarchy in the Arena 12-person tag-team match. Ultimately, I had to side with the latter. I don't know if I've ever had as much fun and been as entertained watching a wrestling match as I was with this year's Anarchy in the Arena. The closest thing I can think of is maybe one of those early Money in the Bank ladder matches, Kurt Angle and Brock Lesnar's Ironman match, or Chris Benoit vs. Shawn Michaels vs. Triple H. Those all were back when I was a kid, completely geeked out on pro wrestling. As a near-30-year-old man now, Anarchy in the Arena elicited all of those old feelings and then some. Advertisement It. Had. Everything. The creativity was baffling. From "Bodies" by Drowning Pool blasting on repeat to Swerve Strickland's staple-gun onslaught, it perfectly encapsulated the absurd, wacky nature of pro wrestling at its core. Ridiculousness in the best way. It wasn't as good of a "pure" wrestling match as Ospreay vs. Page, but man — at the end of the day, it's all about having fun, and Anarchy in the Arena was that on loads of steroids. Jackman: Street Profits vs. MCMG vs. DIY ('WWE SmackDown," April 25) You know the old cliche about how the team left everything out there on the field? Well in this case, you could see that quite literally, given the amount of broken tables and other debris cluttering the ring after this lot finished their TLC match on "SmackDown." The match itself was pure old-school TLC carnage, peppered with some stunning high-spots from Montez Ford in particular (a man who has seemingly been on a personal vendetta against gravity for the past five years now). Coming five days after WrestleMania 41, the whole affair showed what a silly decision it was to leave the 'SmackDown' tag division off the 'Mania card in the first place. Advertisement Remember when people used to say that WWE couldn't do proper TLC matches anymore? They weren't saying that after this one. Prashad: Iyo Sky vs. Rhea Ripley vs. Bianca Belair (WrestleMania 41, Night 2) In a match that felt worthy of main-eventing either night of WrestleMania 41, Iyo Sky, Rhea Ripley and Bianca Belair executed one of the best matches of the weekend, and perhaps one of the best opening bouts in WrestleMania history. Triple-threat matches are often structured in ways that emphasize one-on-one battles for extended periods of time, functioning as a pseudo handicap match. This one was outside the box, with Sky, Belair and Ripley remaining engaged for most of the match while retaining a beautiful blend of energy, big moments and false finishes. The structure was impeccable and provided three women at the top of their game the space to shine. Advertisement Feud of the Year Jackman: Naomi vs. Jade Cargill Given the bombshell that closed the night, you could be forgiven for forgetting that this year's Elimination Chamber started with a big twist too. OK, Jade Cargill's swerve attack on Naomi wasn't entirely unforeseeable (despite the best acting efforts of Liv Morgan, who did a superb job at selling the chaos), but unlike the Cena shocker, it did set up one of the most satisfying heel turns of the year, as a tearful Naomi went from being abandoned by her best friend to embracing her dark side. Even better, the feud has stacked the deck deliciously for August's SummerSlam, given that both women have a serious chance of leaving New Jersey as the WWE Women's Champion (or, alternatively, having their chances implode in a storm of mutual hatred a la CM Punk and Seth Rollins). Advertisement Riggs: CM Punk and Seth Rollins This was a somewhat interesting one to narrow down, as there have been some better feuds that were more cohesive, but the issues primarily revolved around their longevity or lack of substance. Between Punk and Rollins, this goes back before 2025 yet continues to reach new heights with no end in sight as the year rolls on. Their first match kicked off the year on WWE's big Netflix debut, and while that was somewhat underwhelming, what's followed in the ring since has only improved and become more layered. Naomi in action against Jade Cargill during "WWE SmackDown." (WWE via Getty Images) Prashad: Naomi vs. Jade Cargill No program has elevated two stars in the way the Naomi vs. Jade Cargill feud has this year. The Elimination Chamber kicked off Cargill's return to a massive ovation and moved Naomi from a comfortable position as one-half of a tag-team to suddenly the biggest heel in the women's division. Advertisement Cargill went on to have the moment she's been eyeing since joining WWE with a key WrestleMania victory followed by winning Queen of the Ring and a guaranteed title shot at SummerSlam. Naomi has parlayed her momentum into the Money in the Bank briefcase and a title shot of her own whenever she chooses. Something tells me this feud is far from finished. Sulla-Heffinger: Becky Lynch vs. Lyra Valkyria I called it 'criminal' that the Women's Intercontinental Championship or the Women's United States Championship were not being defended at WrestleMania 41. I mostly stand by that sentiment, but now that we've gotten two absolute banger title matches between Lynch and Valkyria, I will say there's a silver lining. Lynch is the kind of star who could have immediately demanded to be inserted in the main-event picture upon her return, but she's helped to elevate the status of the relatively new mid-card championship and Valkyria in the process. Now, with Bayley becoming an added wrinkle and headed for an eventual triple-threat match with these two, this run has become precisely what I think we all envisioned when the Women's IC belt was announced last year. Men's Wrestler of the Year Sulla-Heffinger: CM Punk I don't think anyone would fault me for running it back and putting Will Ospreay here as my frontrunner to win this award for the second year in a row. Yet as undeniably great as Ospreay is, I cannot overstate how incredible Punk has been this year. Somehow, even though he isn't at the peak of his powers from an in-ring or promo-cutting perspective, you'd be hard-pressed to find anyone on any professional wrestling roster this year who has managed to captivate and entertain more than "The Voice of the Voiceless." From his fight-forever feud with Seth Rollins anchoring the "Raw on Netflix" debut to his 'last time ever' match against John Cena at Night of Champions, we're getting a full taste of Punk that is doing wonders in making us forget how his initial WWE run ended more than a decade ago, his prolonged hiatus and the polarizing/controversial AEW tenure that followed. CM Punk enters the arena during "WWE SmackDown" in full John Cena cosplay. (WWE via Getty Images) Jackman: Jey Uso I'm also going to tip my hat to Will Ospreay here, who has somehow managed to exceed the dizzying heights of last year. But if we're looking for the wrestler who has improved their lot most in 2025, then it has to be Jey Uso. For my money nothing encapsulates his soaring rise from the fact that he went from a shock Royal Rumble winner to a heavy favorite for world champion within about 48 hours. Sure, the wrestle purists won't be happy, but let's not pretend he hasn't had some excellent moments on his journey too — that brutal segment with Gunther and Jimmy Uso on the Road to WrestleMania, which stunned a sell-out London crowd into silence, for example. I was lucky to be in the room that night and I still get shivers when I see it featured in video packages. Advertisement Riggs: Will Ospreay Are Robert and Anthony ducking Will Ospreay? Alright, then I'll give out the award to the obvious answer, which is undeniably "The Aerial Assassin." The guy simply doesn't know how not to deliver — and in a way, he's wrestling's version of Ilia Topuria in MMA right now. Two absolute legends in the making, paving out greatness with each next performance that somehow surpasses the previous. Prashad: Will Ospreay Will Ospreay is simply untouchable right now. It's a shame AEW's Worlds End was right at the end of the year and we're not taking into account his unbelievable showing in the Continental Classic. Advertisement Ospreay is a workhorse and instantly makes anyone he's in the ring with better. He had what could easily be considered the best match of Kyle Fletcher's young career at Revolution, put on another banger with Konosuke Takeshita on an episode of "Dynamite," and tore the house down with both Hangman Adam Page and Swerve Strickland within the span of roughly two weeks. Ospreay hasn't won the World Championship just yet, but does he need to? His role right now is simply the best wrestler in the world who is right in the middle of moving multiples stories forward. It's just a matter of time before he's the flag-bearer for AEW. Women's Wrestler of the Year Prashad: Mercedes Moné When I spoke to Mercedes last year, she talked about taking the AEW women's division to new heights and how she felt like this is what she was born to do — to lead the charge, to be the best in the ring, and to bring the women's division along with her. Advertisement Across the board, that's all Moné has done over the past six months is elevate talent, show up everywhere, and be an incredible steward for AEW. She continues to have one of the better runs of her career as "The Belt Collector" and has handed the spotlight left and right to emerging talent. Now, she's set up for the biggest moment in AEW's women's division at All In against 'Timeless' Toni Storm, which projects to be one of the better matches in the promotion's history. Sulla-Heffinger: Mercedes Moné There's an excellent case to be made for Moné's All In Texas opponent Toni Storm here, but I'm giving the edge to the CEO. So far in 2025, Moné has put on Match of the Year performances against Athena, Jamie Hayter and Momo Watanabe, and still has maybe the biggest women's match in AEW history looming against Storm. As much as this roundtable/award is meant to be focused on 2025, I can't help but think about how strong Moné's entire AEW run has been (it's only been a shade of 13 months since she made her in-ring debut). Are there moments where her promo work doesn't quite land? Sure, but that can be said about almost anyone. Moné is the total package and is thriving in AEW as she lifts the division — and promotion itself — to higher levels. "The Belt Collector" is after another one in 2025. (MediaNews Group/Boston Herald via Getty Images via Getty Images) Jackman: Toni Storm In case her consistent podium finishes in our power rankings slipped your attention, I'm a big fan of Toni Storm, who has consistently proven herself to be one of the most creative forces in the entire history of women's wrestling. Roll back the calendar six months and the dethroned former champ was still rocking her rookie gimmick, somehow convincing us all (well, sort of) that she was suffering from a chronic bout of amnesia that had led her to forget her entire AEW backstory. In time, though, the ruse would be revealed and Storm would go on to execute perhaps the most stunning moment of her career to date, banishing her long-term nemesis Mariah May with that immortal 'Hollywood Ending' at Revolution. There's a good reason people compare her to Mick Foley: The woman is a bonafide genius. Advertisement Riggs: Mercedes Moné A part of me really leans toward Iyo Sky or even Stephanie Vaquer for this one. Both have gotten over as all hell and are tremendous in the ring. They're two of the very best in the world, if not the best. Unfortunately, both have lost steam in recent months, specifically Sky, who has suddenly hit a booking standstill despite her champion status. Therefore, that leaves "The Belt Collector" Mercedes Moné, who, similarly to Ospreay, can't seem to miss a beat at the frequency she wrestles. Overall, you could even argue she's better than Ospreay, depending on how you feel about the latter's promo work. Either way, Mercedes is money. Favorite thing so far from 2025 Sulla-Heffinger: Harley Cameron and Mini Mercedes Moné Just watch the video. Jackman: WWE's new partnerships Aside from the Cena heel turn and the sponsorship logos on the ring, there is at least one other big sign that the Vince McMahon era is truly over: The fact that WWE is happily working with other promotions. Can you imagine the idea of doing a joint PLE with AAA when Vince was in charge or having an ongoing partnership with a competitor promotion like TNA? Advertisement Luckily for the new regime, then, this whole 'extended universe' thing has been one of the surprise hits of the year, giving us classic moments like Joe Hendry at WrestleMania and that superb Chad Gable vs. El Hijo del Vikingo match. It makes the overall product more vibrant and opens up big developmental opportunities for emerging talents. Riggs: AEW Double or Nothing 2025 Anthony is right. Harley Cameron is the undisputed correct answer, and should realistically sweep up all these categories, but I'll keep the variety alive. My heart once again wants to praise Anarchy in the Arena here. However, Double or Nothing as a whole was nonstop brilliance, barring maybe the trios match, which was still a good time. It was one of those events where you look back on it (already) and think, "Wait, that match was on there?! And that one, too?! And THAT one?!" I said it at the time: Double or Nothing was on a reignition level of greatness, bringing out the inner child in everyone who loved pro wrestling and all it had to offer growing up. Advertisement Prashad: John Cena's heel turn OK, before you rip me apart, let me clarify this is not about everything that happened afterward. Let's erase everything we know after that night in Toronto. In a vacuum, Cena's unexpected heel turn was one of the coolest moments in wrestling history, drawing early comparisons to Hulk Hogan's alignment with the NWO. The fallout that's followed hasn't been in the same stratosphere, but on that night, in that moment, everything that built from the shock of Cena getting eliminated by Jey Uso at the Royal Rumble to him holding the WWE title alongside The Rock and Travis Scott was iconic. Back when this angle had so much promise. (WWE via Getty Images) Wildcard: Anything you want to hammer home about the first half of the year? Sulla-Heffinger: AEW's women's division right now is remarkably underrated and at least on par, if not better than, any women's division in the history of professional wrestling. There might be an argument made for WWE's current division or when the Four Horsewomen were in NXT together, but when I look at the in-ring talent, depth and character diversity of the women in AEW right now, it's more than just recency bias that's informing my take here. Even after Mariah May made the jump to WWE, there are top-end stars like Storm, Moné and Athena anchoring the top of the card as titleholders, veteran mainstays in Kris Statlander, Hayter and Willow Nightingale, and rising stars in Megan Bayne, Queen Aminata and Cameron. AEW has had an immense 2025 so far, due in large part to the women's division. Advertisement Riggs: It feels like there are a lot more low-key huge stars in the making than there have ever been before. While some are more established than others, I think of people like LA Knight, Karrion Kross, Willow Nightingale, Harley Cameron, Megan Bayne, pretty much the rest of the names Anthony mentioned, Dominick Mysterio, Joe Hendry, Mike Bailey and so on. It's almost the best kind of over-saturation imaginable, at least for fans. Obviously, that makes it tougher for bookers to give so much talent all the time they deserve. That just makes it all the more interesting to watch play out. AEW's Willow Nightingale has been a breakout star in 2025. (Etsuo Hara via Getty Images) Jackman: Regular readers will know I'm not averse to thumbing through TKO's financial statements to get a sense of how the wrestling business is doing. One of the things I've been watching closely this year is the evolution of WWE's live events strategy and, in particular, the focus on turning single PLEs into larger weekend takeovers (as we're about to see in Atlanta with this coming weekend) that allow WWE to extract more money from the host cities. Couple that with the ongoing push to have more events overseas (particularly in Europe, where they can draw a $3 million gate for 'Raw') and you can see why TKO's stock price is so buoyant at the moment. Prashad: John Cena's final run feels off. While there have been some positives — Ron Cena will always get a pop out of me — this final run has felt clunky in execution. Advertisement It feels like a path was outlined beforehand and despite bumps along the road, aspects of the turn never quite landing, and this run ultimately just not working, there's a refusal to deviate from the journey to get from Cena's heel turn to whenever he drops the belt. With less than six months left on his goodbye tour, hopefully the back half is a cleaner, more appropriate conclusion to one of the greatest careers in WWE history.
