
Taskmaster 2025 winner reveals what you didn't see in 'best season ever'
The Ghosts actor, 44, won the top spot and a bust of host Greg Davies' head as his reward after undergoing ten weeks of gruelling (and baffling) tasks against his co-stars and fellow comedians.
Following behind Mathew's winning 169 points was comedian Stevie Martin with 154 points (who separately won the final episode).
In third place was US star Jason Mantzoukas with 150 points, then Rosie Ramsey with 149 points and, coming in last, we had Greg's almost-wife Fatiha El-Ghorri with a respectable 141 points.
'I'm just really happy. I was having so much fun…' Mat told Metro about his victory ahead of the final episode. He joins an exclusive group of past Taskmaster winners including Ed Gamble, Katherine Ryan, Dara Ó Briain and Mae Martin.
The Horrible Histories actor wowed audiences, sidekick little Alex Horne, his fellow competitors and, most importantly of all, the titular maestro himself, Greg, to secure the victory on the Channel 4 reality series.
The actor has gone viral among the Taskmaster fandom (and beyond) more than once this season for his iconic behaviour – including one task where he and Alex transform from caterpillars into butterflies.
Responding to the fan reaction, he said: 'It is lovely and with that one in particular (as with so many of them) I have to big up the team because they're such amazing artists that they take these videos you have and just do such a brilliant job.
'[There's] no time, really, to prepare… I was like, 'oh, let's turn into butterflies'' and 'ten minutes later you're in these costumes filming them, and Chrissy, the makeup artist, made us look so funny.
'The brilliance of it is 10% the contestant and 90% the Taskmaster team, who are just a bunch of geniuses.'
He added that 'if people knew how it was made, they'd be so much more in awe of that team just making it incredible.'
Whether coming up with perfectly executed task prizes (like his fakeout with the biggest anticlimax) or proving his utmost commitment to the tasks no matter how absurd, the Yonderland star brought the skills needed to climb the ranks.
For him, however, the most 'humiliating' moments were when had 'messed up' on a task without even realising.
'There was a task where I thought I had done triumphantly well, but I had inexplicably moved a wheelie bin, disqualifying myself in the process or when I shouted 'everybody' to lead along a sing along of a song that I wrote that took me one word over the word limit,' he explained.
The Horrible Histories icon ended the final episode to raucous cheers from the live audience before going in for a passionate snog with his newly-acquired trophy.
During the finale, the contestants had to bring in 'the thing most likely to make you do a double-take'; fill a box with yellow sand (with multiple catches of course); strike and hold a pose for 10 whole minutes and set up an unconventional drive-through service.
Oh, and shoving a dangling carrot into a bucket without the use of your hands. So, business as usual.
His victory comes at the end of a season that has been widely praised by viewers as the best season in a long time, if not ever – something he is thrilled about.
'Taskmaster season 19 is hands down the best season ngl I really don't want it to end,' spaceyeurotrash wrote on X.
'This series has been one of the best in ages,' jessatkinson92 echoed.
'Love this cast dearly, my favourite series,' ellasrhapsody declared.
'S19 has just been such a joy. Every new ep is the greatest episode so far, and the chemistry between the cast is just so excellent. I don't want this series to end,' sulcusandjirehs added.
'Season 19 Taskmaster is a stone cold classic already,' tarteaucitron2x echoed.
'Difficult to believe that this series of Taskmaster is almost over, arguably one of the best of the past three years,' bromley001 reflected.
'I love them so much pls can we have another 10 episodes I'm not ready for it to be over,' fern praised.
'That's just really gratifying,' Mat said about the widespread praise.
'You can never control how people perceive or receive anything. I prepared to have as much fun as I could, and then try and cover my ears and my eyes and just ignore whatever response there might be to it.
'So it's a huge relief when you dare to take a peek and find that people are saying nice things.'
He added that he had initially felt 'slightly worried about feeling self-conscious' but was 'delighted [he] was able to get over it and enjoy it.' More Trending
Although he joked: 'I still think my career going forward, as long as I haven't destroyed the possibility of people taking me seriously as an actor, will be in fiction characters.'
There will be a 20th season landing on Channel 4 sometime later this year and the line-up has officially been confirmed.
Breakthrough comic Ania Magliano, presenter Maisie Adam, Phil Ellis, Inside No, 9 star Reece Shearsmith and actor Sanjeev Bhaskar will join Greg and Alex for the new season.
Taskmaster is available to stream on Channel 4.
Got a story?
If you've got a celebrity story, video or pictures get in touch with the Metro.co.uk entertainment team by emailing us celebtips@metro.co.uk, calling 020 3615 2145 or by visiting our Submit Stuff page – we'd love to hear from you.
View More »
MORE: I thought Taskmaster's best days were behind it – I was completely wrong

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


BBC News
an hour ago
- BBC News
Wimbledon 2025 - Emma Raducanu v Aryna Sabalenka on TV, iPlayer, Radio, Sounds and BBC Sport
Great Britain's Emma Raducanu takes on 2024 Wimbledon champion Aryna Sabalenka on Day 5 at Wimbledon. Here's how to keep up with all the action... Watch on TV and iPlayer Emma Raducan and Aryna Sabalenka's showdown is scheduled for Centre Court in the afternoon meaning you'll be able to watch on iPlayer and BBC One or BBC Two depending on timings. Follow across the BBC BBC Sport's digital coverage of Wimbledon offers fans unparalleled access to the championship wherever they are. New this year, BBC iPlayer features highlights of selected matches, alongside bespoke video analysis of key games and players across the BBC Sport website, app, and social media platforms. The BBC Sport website and app also delivers live in-play clips, match highlights, and a curated selection of the tournament's funniest moments, all available in a vertical video player. Fans can tune into the live Wimbledon Extra channel on BBC iPlayer, the BBC Sport website and app, and via the red button. Plus, every match is available to stream on iPlayer, bringing viewers even closer to the action. Daily live text commentaries on the BBC Sport website and app capture the best of the day's play, with reports on standout matches and major moments throughout the tournament. For those who don't want to miss a beat, BBC Sport's social media channels are packed with top highlights, player interviews, in-depth storytelling, and exclusive behind-the-scenes content. Follow for More


BBC News
4 hours ago
- BBC News
Jarvis Cocker records special version of the Shipping Forecast to celebrate its 100th anniversary on the BBC
Friday 4 July marks 100 years since the first broadcast of the Shipping Forecast on BBC radio on 4 July 1925. To mark the occasion, Jarvis Cocker has recorded a special shipping forecast to be broadcast for an audience at the Crossed Wires Podcast Festival in Sheffield. The festival will welcome 'ships' fans to a special 100th anniversary programme with Radio 4 announcers Lisa Costello and Viji Alles, hosted by Chris Mason. The session is part of BBC Sounds' free Fringe festival with live podcast recordings and exclusive sessions, open to the public. Just two days before Pulp, aka Patchwork, were wowing crowds with a surprise performance at Glastonbury, Cocker was quietly nestled in the BBC Radio 4 studio, reflecting on his love for the Shipping Forecast. Cocker says: 'The Shipping Forecast is something you absorb unconsciously if you live in the UK. It's been on the airwaves for over 100 years… Now technically speaking, it's a weather guide designed to help sailors on the high seas. But it helps people navigate in other ways than that. For instance, for insomniacs, it's a mantra that hopefully helps them drift finally off to sleep.' He says: 'I think it's known around the world as a go-to chill-out thing - before chill-out things were invented, probably.' The Shipping Forecast is preceded by a piece of music called Sailing By. Cocker notably chose this track as one of the eight he would take to a desert island when he appeared on Radio 4's Desert Island Discs in 2005. Cocker says: 'When you listen to Sailing By, it really does feel like life is drifting past you in an extremely pleasant way. A handy go-to sedative to have to hand if you ever happen to become a castaway - or get cut off from normal life for any other reason.' Cocker used to listen whilst going to sleep, citing that 'the repetitive nature' and 'the soothing nature of the person who reads it' helped him to drop off. 'I think it's because it's a routine', he adds, 'it's on every day, so it's something that you can rely on. It's on at a set time, so it gives a bit of stability. And if the rest of your life isn't that stable, it can provide some kind of stability for it. Sailing By was a very relaxing piece of music... I know that a lot of people do use it for that kind of relaxing, almost 'meditation-like' thing.' When asked why he felt the Shipping Forecast was still important, he said: 'I think because even though sometimes it's talking about bad weather conditions and storms and stuff, it's actually an oasis of calm in the day. There's no musical backing to it, it's just a human voice talking to you. Some words, which you don't really know what they mean at all, but the sound of it is comforting and will put you into a nice place.' Cocker said some of his favourite place names include, German Bight – 'for some reason I always think of a cocktail sausage there. I suppose it's because a frankfurter cocktail sausage is a small frank.' - and Hebrides – 'I've actually been to the Hebrides, so that conjures up some kind of real image.' Imagining how the Shipping Forecast might sound in another 100 years, Cocker gave us his best robot impression, suggesting: 'It may be a robot who is saying 'north to northwesterly, occasionally poor.' I hope not. I think it would be better to keep it as a person. Who knows? We don't know what the world's going to look like in 100 years, or whether people will even be in it. If people are still in it, it might all be water. So everybody will be listening to it. It'd be like the number one programme, because everybody will be in a boat. Kevin Costner will be hailed as a seer who knew that we would all become a Water world one day. I don't know. I hope it is. I wouldn't be around to hear it anyway.' The Shipping Forecast is produced by the Met Office on behalf of the Maritime and Coastguard Agency (MCA) as part of the UK's statutory obligations to provide Maritime Safety Information to seafarers via approved broadcasting methods. The Shipping Forecast is also shared with the BBC for its own broadcast. An online journey through the one-hundred-year history of the Shipping Forecast can be found on the BBC History website. Special anniversary programmes from BBC Radio 4 are available now on BBC Sounds, including The Shipping Forecast: A Beginners Guide with Paddy O'Connell, The Shipping Postcards from continuity announcers, Archive on 4 – The Shipping Forecast at 100: Shipshaped and Soul Music: Sailing By. Listen to The Shipping Forecast on BBC Sounds Watch Pulp's set from Glastonbury on BBC iPlayer PS Follow for more


Times
5 hours ago
- Times
Bob Geldof on Live Aid at 40: ‘White saviour? That's nonsense'
At 73, Bob Geldof still looks very much the rock star in his leather jacket, shades and unruly mop of hair, now entirely grey. This coming Halloween, his band the Boomtown Rats, formed in his native Dun Laoghaire, south of Dublin, will celebrate their 50th (albeit with a long break) anniversary with a tour. His status as an international aid activist, however, has long eclipsed his late Seventies success as a musician, and we're meeting at Bafta, in Piccadilly, to talk about another anniversary. On July 13 it will be 40 years since the Live Aid gigs in London and Philadelphia, Geldof's follow-up to the Band Aid single he had co-written and co-ordinated the previous Christmas. That had been a response to reading Paul Vallely's reports in The Times, and seeing Michael Buerk's coverage for the BBC, of the devastating famine in northern Ethiopia. The BBC has now made three hour-long documentaries, about Band Aid, Live Aid and its 2005 successor, Live 8. Geldof is at Bafta to watch the second film and speak about it afterwards. I learn in a later phone call that he was not happy with some of the content. In the first film Geldof describes the 'shame and rage' he felt on seeing the pictures of young children starving to death 'in this world of plenty'. It will surprise no one to learn that four decades on, the rage is undimmed. Despite stiff competition in a nation famed for its passion and eloquence, Geldof would still merit selection to talk for Ireland. His conversation is, as we know, urgent, profane and colourful. He is a very bright man with an acute memory and a world-class contacts book, able to access pretty much anyone he thinks can help his cause. A sophisticated campaigner, Geldof is also, which is perhaps less acknowledged, an arch-pragmatist, working across politics to raise money and effect change. 'No business is more ruthlessly focused on the bottom line,' he tells me, 'than rock and roll.' • Tony Blair: Bono and Geldof saved millions of lives with Live Aid For instance, he gives short shrift to critics of Live Aid for not featuring many black artists. There were a fair few African-Americans on stage in Philadelphia but only Sade featured at Wembley. 'The line-up was about getting people who sold millions of records so we could raise millions of pounds. That was my sole criterion when I asked people. There weren't black artists in Britain at that time selling big numbers.' Geldof speaks highly of Andrew Mitchell, the Conservative minister of state for development and Africa, and his former boss, David Cameron, who as prime minister took UK overseas aid spending to 0.7 per cent of GDP. 'Cameron was given the day off from Eton to watch Live Aid. He told me it had influenced a generation. And when I sold my TV company Planet 24 to Michael Green, his PR was a young David Cameron, so I knew him.' He remains in touch with George W Bush, the former Republican president who gave so much money to combat HIV/Aids in Africa after being lobbied by the Bob and Bono double act. Bush appears in the third documentary, chuckling that 'Geldof looked like somebody who'd crawled out from under the ground'. Another indication of Geldof's realism is that he is less scathing than might be supposed about Labour's cuts to the aid budget to fund defence spending. 'Without any question, we need to rearm now. Not in f***ing 2029. Now. Our continent is being invaded now by an arch-thug [Putin]. So that's first.' He also recognises these are grim, ungenerous, pull-up-the-drawbridge times, far different from 2005, the pinnacle of his activism, when after many years of global economic growth the G8 Gleneagles summit agreed to partial debt cancellation and expanded aid for poor countries, thanks in part to 20 years of lobbying by campaigners like Geldof. 'Politics does what it's allowed to do by where society is at. People are very afraid at the moment, there's been a cultural shift. That allows Trump's mayhem on February 1. When Musk just pulled the plug on the USAID websites, instantly 10,000 USAID workers around the world were in serious danger. That allowed everyone else to say 'times are tough'. It's the brute politics of now. So all of this hoopla around this anniversary is frankly odd for me.' Even so, there is no limit to hoopla about Live Aid that someone my age (I was just shy of 21 in July 1985) is willing to hear. Geldof, showman that he is, duly obliges. Part of his critique of the documentary is that it did not include enough footage of the actual music, in London and Philadelphia, given that the standard was so high. 'Why is it remembered so vividly? Because of the link-up with America, and because people felt part of something bigger, but also because it was such a great concert. I don't think the film captured the glory of that.' • Daniel Finkelstein: Band Aid's critics are just feeding cynicism The other factor, I suggest, was that Live Aid was the first time the pop demographic, which in 1985 still largely meant people under the age of 30, had seen Paul McCartney playing Beatles songs. Nowadays, Macca trooping on stage flashing peace signs to close out a big event with Hey Jude or Let It Be is commonplace. In 1985 it was a revelation. 'It was his first time on stage since John died. Linda, Stella and the kids persuaded him to do it. He was driving up from Sussex, listening to U2 on the radio, and they were so good, he was getting really nervous, especially because once he'd said yes, given the hierarchy in pop, with the Beatles unassailable at the top, he had the added burden of closing the show. 'Paul asked me which song he should do and I said Let It Be, because it's a benediction. Then his mic fails and Pete Townshend [Geldof had bounced the Who into appearing by announcing on TV that they were reforming, which was news to them] grabs me from one side and says, 'Let's help him,' and David Bowie grabs me from the other, and with Alison [Moyet] we went out to sing along.' McCartney was not the only nervous superstar that night. 'David Bowie was literally trembling at the side of the stage before his set. Really scared. We were watching the viewing figures and becoming aware of the sheer size of the audience [close to two billion].' Before his performance, earlier on, Geldof had lain on the floor backstage to stretch out his painful back. 'David [Bowie] came by and said, 'What's the matter?' I told him and he said, 'Roll over,' and started massaging me. I'm saying, 'Bit further down, mate,' to David f***ing Bowie!' Geldof doesn't want to be overly critical of the latest documentary. 'But there were too many redundant DJs from the 1980s and some great performances not seen. Elvis Costello riffing on All You Need Is Love, Elton John and George Michael. I don't want to sound self-aggrandising but it was a fabulous gig. And it said, 'Change is possible, there is such a thing as society and for once in our lives, something can work.'' And, as Tony Blair says in the third episode, thanks to Band Aid and Live Aid, 'millions of people are alive today who otherwise wouldn't be'. Geldof still spends at least an hour a day, every day, 'including Sundays', on his role as chair, and one of six trustees, of the Band Aid Charitable Trust. Midge Ure, his co-founder, is another trustee, as is Harvey Goldsmith, who promoted Live Aid. That morning, he had listened to a brief about Somalia from a group asking for $80,000 to remove thousands of goitres [lumps in the neck] caused by iodine deficiency. 'It's amazing how much you can help with comparatively small amounts of money.' One section of the film that impressed me, I say, is how he knew right from the outset that if he went to Ethiopia after the success of Band Aid he would face criticism. The term 'white saviour complex' had yet to be coined in early 1985, when Geldof went to the refugee camps in Tigray, but that is what he was accused of having, then and since. He went because Ken Lennox, the veteran tabloid photographer and a neighbour in London, came round and told him he had to go for the famine to stay in the media spotlight. 'This white saviour thing is bollocks,' he says succinctly. 'It comes from all that 1968 Derrida/Foucault language bollocks. It's nonsense. 'I understood the argument. I was a late 20th-century creature of the media. I'm only in Africa because of television and some guy writing in The Times. The media came to me and said, 'When are you going to Africa?' I said, 'What are you talking about?' They said, 'You have to go.' And I said, 'Why?' And they said, 'Because you're the f***ing story'. 'And I said, 'I'm not the story. People are f***ing dying of no food in a world of surplus food, that's the story.' And they said, 'We can't keep doing the starving child, the starving mother, we've done it, Bob.'' So off he went. That was the moment when the course of his last 40 years was set. What Geldof is seeking, he says, is 'a new rhetoric' to get development back up the agenda. 'For years Britain led the way, the gold standard, soft power in excelsis.' He thinks one way to address concerns is to tackle concerns over immigration. 'What people want to do is stop a thousand people arriving each day on the boats. Fair enough. But Africa is the one continent of population growth. Look at Nigeria: about 240 million people now, the UN says it'll be 350 million by 2050. And those people currently aren't able to find work in the countries where they are. They are going to come. 'Nobody really wants to cross mountains and deserts or get in a rubber tube and try and get across the sea. So we shouldn't dodge this issue. We should say if we help build an economy at the very basic level of health, education and agriculture, and then invest in those economies, it will be good for Britain. It sounds pious and lefty, but it's evidence-based.' This is the essence and appeal of Geldof. So often patronised as a 'give us yer fecking money!' (which he didn't actually say) rabble-rouser, he is in fact a deeply realistic, gradualist, coalition-building expert. He finishes by urging me to go and see Just for One Day, the musical based on Live Aid running in the West End. 'It's a laugh, the music is insane, it's a cartoon and the poor f***er who has to play me, he's a Scouser, he's 6ft 4in, but unbelievably his party piece when he was nine years old, his granny used to make him get up on the kitchen table and do Bob Geldof.' And yes, the real thing is anything but inimitable, yet he is a very special man all the Aid at 40: When Rock'n'Roll Took on the World starts on Sunday, July 6 on BBC2 at 9pm Live Aid turns 40: tell us your best story Set the scene, where were you and how old were you? Then tell us what happened. Please share your response with us in a voice message on WhatsApp. You can reach us at +44 (0)7353096428