
Katy Perry breaks down on stage as reps confirm her split from Orlando Bloom
The representatives declared: "Orlando and Katy have been shifting their relationship over the past many months to focus on coparenting. They will continue to be seen together as a family, as their shared priority is - and always will be - raising their daughter with love, stability and mutual respect."
Before the official announcement, an insider had informed the magazine of their amicable split, stating: "Katy and Orlando have split but are amicable. It's not contentious at the moment. Katy is of course upset but is relieved to not have to go through another divorce, as that was the worst time in her life."
Hints of trouble had appeared on Orlando's Instagram stories on July 2, where he shared a poignant message from Carl Gustav Jung: "Loneliness does not come from having no people about one, but from being unable to communicate the things that seem important to oneself."
This came shortly after a June 30 post quoting Buddha: "Each day is a new beginning. What we do today is what matters most." The signs of a separation were evident in Orlando's posts before the official statement, and he turned up alone at Jeff Bezos and Lauren Sánchez's nuptials.
Tour duties kept Katy Perry from attending the glitzy event. Days before, the 40-year-old delivered an emotionally charged performance in Adelaide, Australia, on June 30. Katy Perry broke down as she wrapped up her set, fighting back tears and creating a heart sign with her hands to express her affection for the crowd.
Grateful for their unwavering support, Katy told the audience: "Thank you for always being there for me, Australia. It means the world." After regaining her composure, Katy burst into her renowned hit 'Firework'.
Katy and her beau Orlando Bloom's love story began in 2016, endured a brief hiatus after a year, before rekindling flames in 2018. The power couple got engaged in 2019 and embraced parenthood with the arrival of Daisy Dove in 2020.
The split follows Katy's departure from American Idol after a seven-season stint, as she shifted focus to her upcoming tunes.
Her latest album sparked controversy due to her decision to collaborate once more with Dr. Luke amidst the Ke$ha scandal. Adding to the tumult, Katy faced criticism for participating in a Blue Origin space mission, along with five other women, drawing ire from multiple quarters.

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The Guardian
12 hours ago
- The Guardian
Kesha review – a triumphant and electric return for pop's comeback kid
'What does freedom feel like?' the singer Kesha asks in voiceover early in her sold-out show at Madison Square Garden on Wednesday night. The 38-year-old pop star has just opened her 'Tits Out' show with TiK ToK, the sleazy, insouciant, inescapable party anthem that rocketed her to fame in 2009, cradling a model of her own head from that time – blond, dead-eyed, distinguishable as the artist formerly known as Ke$ha by one single glitter tear. She paraded the head while gamely barreling through that first indelible, now altered, lyric – 'wake up in the morning like FUCK P Diddy' – and the IDGAF brag of brushing her teeth with a bottle of Jack (Daniels). Then she places it on an altar of empty glasses and candles and bows to a prayer of 'freedom from my past', how the 'truth will set you free'. If this all seems like a lot, somehow both cartoonishly blunt and muddled, hedonism strangely crossed with sanctity – well, that's Kesha, a millennial-beloved artist always on the bleeding edge of culture, for better and for worse. Once the 22-year-old from Nashville who rolled in on her gold Trans-Am and glittered-bombed the early 2010s with a ridiculous string of feral, slangy hits, then a cautionary tale stalled by a nearly decade-long legal dispute with her former producer, the artist born Kesha Rose Sebert has finally stepped into her role as a generational symbol on her own terms, much to the delight of a loyal crowd at the Garden, who hollered at every mention of the word freedom – and there were many – like it was a revelation. And it was – for years, Kesha represented not only the bombast, disillusionment and debauchery of youth fucked over by the 2008 financial crash, with attitude so fierce and undeniable it could make diabolical lyrics such as 'don't be a little bitch with your chit chat / just show me where your dick's at' winsome, but also the dark side of the predacious music industry. In 2014, she sued to be released from her contract with producer Łukasz 'Dr Luke' Gottwald, who convinced her to move to Los Angeles at 17, for alleged drugging, sexual assault and emotional manipulation; a protracted legal battle forced her to continue working for him, her music still released under his imprint if not with his input, until last year. . (pronounced Period), her album released this month, is her first output truly independent of Dr Luke. So you can't begrudge Kesha some pointed and grandiose words on liberation, nor for remixing the production of some of her most recognizable hits – Blow, Die Young, Timber – into something a little smoother, more mature, more her. 'I've had these songs taken from me and I want you to help me take them back tonight,' she proclaims during Act I of four murkily defined sections, before she laps the floor to a medley of tracks from Animal and Warrior in a shocking reminder of just how deep her cuts go. The choreography may be pop standard (sharp and suggestive but cold-blooded), the backing track sustaining the more vigorous dance numbers, the more conceptual moments (a straitjacket, dancers in kitty-cat mascot suits) a little too belabored, but it doesn't matter. As a statement of legacy – her auto-tuned recklessness a clear antecedent of today's Brat-green pop landscape – and as an act of reclamation, the Tits Out tour is a triumph. It's also extremely fun, Kesha's grip on the pulse of a hot banger as tight as her stage banter is loose and breezy. As with her recession pop peer Lady Gaga's Mayhem Ball, the new dance tracks flow seamlessly with the old. Red Flag, a punchy ode to being magnetized for all the wrong reasons, bends smoothly into the cheerleader taunt of Dinosaur. ('D-I-N-O-S-A, U-R a dinosaur!' remains one of Kesha's most deranged and stupidly catchy lyrics). Period's Delusional morphs so easily into the girl-on-girl punches of Backstabber that I thought it was one song. New track Attention! finds Kesha in the pocket of the mode she pioneered – taunting, headstrong, teetering on obnoxious – straight into a sick repetition of 'I'm a bitch!' with a 2010s bass so sticky it basically spells out LMFAO. No one could be still. Except, briefly, Kesha herself, when she paused on multiple occasions to celebrate her freedom with kiss-offs ('hey, look how much money you made off of me!') that would feel overdone if they weren't so hard-earned. At one point, when she mentioned being in 'year eight of litigation' ahead of the self-love track The One., I gasped – her onstage persona is so buoyant, it's easy to forget the slog. She drove the point into the stratosphere with a victorious encore; a note-perfect performance of Praying, her typically on-the-nose #MeToo ballad fantasizing a perpetrator's recognition, her voice honeyed and soaring, led to a five-plus-minute standing ovation. She let her tears flow; I shed a tear too, for a moment more raw than anything I've seen at a pop show in recent memory. 'This love is not only for me, it's for anyone who survived something they never should've had to survive,' she said. And then it's back to business, with early tracks Your Love Is My Drug and We R Who We R, and one final, perfect, very Kesha farewell: 'Have a good night!' she said with that cheeky giggle. 'And I hope … you all … get laid.'


Daily Mail
14 hours ago
- Daily Mail
Universal Studios fans call for 'lifetime ban' for guest after risky act on children's ride caught on camera
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Daily Mail
a day ago
- Daily Mail
Kelly Clarkson 2.0! Singer unveils bold new look as she announces return to The Voice
Introducing a brand new Kelly Clarkson. The American Idol winner unveiled a brand new haircut as she announced her return to season 29 of The Voice. In a teaser posted to Instagram for The Voice: Battle of Champions, Clarkson revealed she had chopped off inches from her long, chest-length hair. Her tresses, which previously approached her torso, were now dramatically cut just above her shoulders. The fun look definitely suited the bubbly Kelly, who styled her hair in a side-swept 'do with waves as she returned to the judges chair. Kelly, who also has a Vegas residency, has returned for season 29 to battle it out against two other Voice icons - fellow coaches John Legend and Adam Levine. 'But this time we've got some tricks up our sleeve, y'all get ready!' Kelly promised in the teaser as her chair swiveled to the camera. Fans were delighted to see the songstress would be returning to the show after departing The Voice following season 23. In addition to that particular season, she also coached seasons 14-21. Season 29 will return next spring. 'Kelly being back is everything!' one commented on the teaser, a sentiment numerous others shared. 'Kelly is back... now we all go back to watching it!' another wrote. 'Yay. Kelly. So happy. I'll watch just for her,' another wrote. One fan gushed that Kelly was 'lookin' fiiine.' Kelly's return to the show - and new haircut - comes after she underwent another major transformation. In recent years, the songstress has dropped an astounding 60 pounds - and last year she admitted she used a prescription medication to aid in her weight loss, which also included exercise and healthier eating. While interviewing Whoopi Goldberg on her talk show, the Fort Worth, Texas-born star revealed that doctors prescribed her with a weight loss medication after a blood test. She insisted she didn't use Ozempic, but did not reveal which drug she used instead. 'Mine is a different one than people assume, but I ended up having to do that too,' the A Moment Like This songstress told the EGOT winner. 'Everybody thinks it's Ozempic, it's not - it's something else.' She reportedly lost 60 pounds, according to Extra TV, although Kelly has not revealed the exact amount herself. The popstar, who shares daughter River Rose, 11, and son Remington Alexander, nine, with ex-husband Brandon Blackstock, said that her physician insisted she take the medication after repeated efforts to get her on it. 'My doctor chased me for like two years,' she said. 'And I was like, "No, I'm afraid of it. I already have thyroid problems, I was afraid."' Kelly said the medication she takes is 'something that aids in helping break down the sugar,' as her 'body doesn't do it right.' The hitmaker, presumably speaking about how she didn't notice that she had progressively gained weight, said that she was taken aback when watching herself on camera at one point and seeing her drastic transformation. She added: 'Seeing yourself, I didn't see it... all of a sudden, I was like "Who the f*** is that?"' At the time, Kelly reiterated that she had not been paying attention to her weight for some time. 'It's a weird thing ... I never saw that, I was never insecure about it - I just did not see that,' Kelly said, adding that at her heaviest, she weighed 203 pounds standing at 5-foot-3. Kelly said she was not miserable or depressed at the time, even though in hindsight, she felt she looked like she was 'about to die of a heart attack.'