
The story behind the benchmarks hiding in plain sight around Ireland
Ordnance Survey (OS) benchmarks, also known as crow's feet, have marked our cultural landscape for nearly two centuries. They're often hidden in plain sight in our towns, cities and rural parts of Ireland, but do you know their purpose and what do they mean to us today as heritage?
On April 8th 1837 during low water spring tide, the OS took a height measurement at Poolbeg Lighthouse in Dublin Bay. This fundamental reference point of 20.90 feet became known as the Irish Ordnance Datum. From here, between 1839 and 1843, the OS established the Principal Spirit Lines of Levelling, measuring height and inscribing 'bench marks' into the fabric of the island. The first of these ran from Poolbeg, through Dublin to Monasterevin along the Grand Canal, followed by an expanding network of spirit lines across the country.
How did they take measurements?
Teams comprising Royal Sappers, Miners, civil assistants and typically three labourers measured height across the country. Two labourers managed staves and lay chains, while another carried the equipment and provided shelter with an umbrella.
Following major transport routes, teams recorded approximately five spot height measurements per square kilometre in rural areas, with more frequent readings in urban environments. Stone structures along roads were favoured for bench mark placement, though in remote locations, field stones or even wooden posts were used instead. By law, surveyors had the right to enter any property to take measurements.
Surveyors used a cold chisel to carve a horizontal line typically one to two feet above ground into vertical surfaces or on horizontal faces such as quays. An angle iron was inserted to form a 'bench', upon which a levelling rod was placed and observation and height measured relative to a nearby known 'spot height'. Alternatively, a finger sized hole was cut instead and occasionally fitted with a rivet or bolt.
Branch or side levels were extended from the main levelling routes, additionally using nearby trigonometrical stations to determine height. Surveyors employed standard backsight and foresight measurements at intervals logging the height in their field notebooks before dispatching them to Dublin. To maintain accuracy and prevent collusion, each line was measured twice by separate teams moving in opposite directions.
A broad arrow, typically four to six inches across, was carved beneath each levelling line to help future surveyors relocate it. The bench mark locations later appeared on published OS maps, identified by a crow's foot symbol, their height in imperial feet, and occasionally accompanying descriptive text. This ensured open access to height data for anyone who required it.
What do they look like and where can you find them?
Benchmarks vary in type, form and quality depending on where, when and by whom they were placed. Most are 'cut' marks, known colloquially as a crow's foot or sappers' mark, and featuring a characteristic upward pointing 'broad arrow' (or inverted pheon) beneath the horizontal line cut or indentation. This was originally used by the British Government to denote ownership of property (from objects and buildings to animals and even people!) and was adopted by the OS as a recognisable and easily carved symbol.
Primarily chiselled into the vertical stonework of buildings, bridges or walls, benchmarks also appear on horizontal surfaces such as doorsteps, windowsills and quays, and sometimes taking alternative forms such as plates, brackets, rivets, bolts and spikes.
What is the heritage value of benchmarks?
Although benchmarks were cut for over 150 years, they were superseded in the 1990s by modern digital mapping techniques. Today, they serve as tangible links to the past, embodying a legacy of scientific ingenuity and progress in Ireland and beyond and over nearly two centuries they have secured a place in Ireland's fabric and folklore.
Yet their heritage is complex. Rooted in British military history, benchmarks and particularly the broad arrow, can be seen not only as tools of measurement, but also through the lens of contested heritage as exhibiting authority and ownership. Over time, many have been vandalised or removed, and examples of heritage erasure remain.
This tension is captured alongside folklore in a meeting recalled by surveyor Robin Riddihough in OSi News (1998). While working in Co Mayo in the mid 20th-century, he encountered an elderly lady who referred to them as the 'Devil's' mark '. "I remember when I was a little girl seeing figures up on the hillsides. My father told me they were sent by the Devil and wherever they went they left an arrow cut into the stone. When they were gone, we were told to smash the marks so that the Devil could not return. You'll not find those marks around these parts!"
Benchmarks are now recognised as remarkable feats of scientific engineering that helped shape our understanding of Ireland's terrain. They were instrumental to planners and engineers in construction and continue to offer crucial insight into topography across the island. In the face of a rapidly changing climate and rising sea levels, these marks provide valuable data for tracking change over time.
However, OS benchmarks in Ireland lack protected status and many have been disappeared over time due to demolition, redevelopment and environmental change. Their total number was never recorded and therefore the extent of this loss remains unknown.
They undoubtedly carry a complex legacy tied to Ireland's colonial past, but the early Ordnance Survey's pioneering work laid the foundation for modern mapping and surveying and significantly advanced understanding of Ireland's landscape. There is an urgent need for dialogue on protecting and preserving this rapidly disappearing heritage.
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RTÉ News
6 days ago
- RTÉ News
The story behind the benchmarks hiding in plain sight around Ireland
Analysis: The Ordnance Survey benchmarks chiselled into buildings, walls and bridges were originally used to measure height across Ireland Ordnance Survey (OS) benchmarks, also known as crow's feet, have marked our cultural landscape for nearly two centuries. They're often hidden in plain sight in our towns, cities and rural parts of Ireland, but do you know their purpose and what do they mean to us today as heritage? On April 8th 1837 during low water spring tide, the OS took a height measurement at Poolbeg Lighthouse in Dublin Bay. This fundamental reference point of 20.90 feet became known as the Irish Ordnance Datum. From here, between 1839 and 1843, the OS established the Principal Spirit Lines of Levelling, measuring height and inscribing 'bench marks' into the fabric of the island. The first of these ran from Poolbeg, through Dublin to Monasterevin along the Grand Canal, followed by an expanding network of spirit lines across the country. How did they take measurements? Teams comprising Royal Sappers, Miners, civil assistants and typically three labourers measured height across the country. Two labourers managed staves and lay chains, while another carried the equipment and provided shelter with an umbrella. Following major transport routes, teams recorded approximately five spot height measurements per square kilometre in rural areas, with more frequent readings in urban environments. Stone structures along roads were favoured for bench mark placement, though in remote locations, field stones or even wooden posts were used instead. By law, surveyors had the right to enter any property to take measurements. Surveyors used a cold chisel to carve a horizontal line typically one to two feet above ground into vertical surfaces or on horizontal faces such as quays. An angle iron was inserted to form a 'bench', upon which a levelling rod was placed and observation and height measured relative to a nearby known 'spot height'. Alternatively, a finger sized hole was cut instead and occasionally fitted with a rivet or bolt. Branch or side levels were extended from the main levelling routes, additionally using nearby trigonometrical stations to determine height. Surveyors employed standard backsight and foresight measurements at intervals logging the height in their field notebooks before dispatching them to Dublin. To maintain accuracy and prevent collusion, each line was measured twice by separate teams moving in opposite directions. A broad arrow, typically four to six inches across, was carved beneath each levelling line to help future surveyors relocate it. The bench mark locations later appeared on published OS maps, identified by a crow's foot symbol, their height in imperial feet, and occasionally accompanying descriptive text. This ensured open access to height data for anyone who required it. What do they look like and where can you find them? Benchmarks vary in type, form and quality depending on where, when and by whom they were placed. Most are 'cut' marks, known colloquially as a crow's foot or sappers' mark, and featuring a characteristic upward pointing 'broad arrow' (or inverted pheon) beneath the horizontal line cut or indentation. This was originally used by the British Government to denote ownership of property (from objects and buildings to animals and even people!) and was adopted by the OS as a recognisable and easily carved symbol. Primarily chiselled into the vertical stonework of buildings, bridges or walls, benchmarks also appear on horizontal surfaces such as doorsteps, windowsills and quays, and sometimes taking alternative forms such as plates, brackets, rivets, bolts and spikes. What is the heritage value of benchmarks? Although benchmarks were cut for over 150 years, they were superseded in the 1990s by modern digital mapping techniques. Today, they serve as tangible links to the past, embodying a legacy of scientific ingenuity and progress in Ireland and beyond and over nearly two centuries they have secured a place in Ireland's fabric and folklore. Yet their heritage is complex. Rooted in British military history, benchmarks and particularly the broad arrow, can be seen not only as tools of measurement, but also through the lens of contested heritage as exhibiting authority and ownership. Over time, many have been vandalised or removed, and examples of heritage erasure remain. This tension is captured alongside folklore in a meeting recalled by surveyor Robin Riddihough in OSi News (1998). While working in Co Mayo in the mid 20th-century, he encountered an elderly lady who referred to them as the 'Devil's' mark '. "I remember when I was a little girl seeing figures up on the hillsides. My father told me they were sent by the Devil and wherever they went they left an arrow cut into the stone. When they were gone, we were told to smash the marks so that the Devil could not return. You'll not find those marks around these parts!" Benchmarks are now recognised as remarkable feats of scientific engineering that helped shape our understanding of Ireland's terrain. They were instrumental to planners and engineers in construction and continue to offer crucial insight into topography across the island. In the face of a rapidly changing climate and rising sea levels, these marks provide valuable data for tracking change over time. However, OS benchmarks in Ireland lack protected status and many have been disappeared over time due to demolition, redevelopment and environmental change. Their total number was never recorded and therefore the extent of this loss remains unknown. They undoubtedly carry a complex legacy tied to Ireland's colonial past, but the early Ordnance Survey's pioneering work laid the foundation for modern mapping and surveying and significantly advanced understanding of Ireland's landscape. There is an urgent need for dialogue on protecting and preserving this rapidly disappearing heritage.


Irish Times
14-06-2025
- Irish Times
Maps and globes of a world that no longer exists up for auction
Historical ordnance survey maps and their ancillary notebooks carry a wealth of local information that will be of interest to people tracing old family homesteads, deceased relatives or even topographical features that no longer exist. In the first half of the 1800s, Ireland became the first place in the world to have detailed ordnance survey maps for an entire country. In 2024 these six-inches-to-a-mile maps, books of placenames (Irish placenames with their first recorded anglicised forms), memoirs and letters of surveyors were digitalised in the OS200 project, led by Dr Keith Lilley, professor of historical geography at Queen's University Belfast, and Dr Catherine Porter, associate professor of geography at the University of Limerick. Now, members of the public can search this digital archive while also consulting the original bound books of ordnance survey maps in the Royal Irish Academy on Dawson Street, Dublin, with the assistance of librarians there. But some people prefer to own such materials, and collecting maps, manuscripts, books on local history and even globes remains a specialist area of sales, that auction houses and rare book dealers delight in seeking out the right buyers for. READ MORE De Búrca Rare Books in Dublin is highlighting its collection of maps of various parts of Ireland that come from the Down Survey, the 17th Century survey of estates of Irish landowners carried out by Sir William Petty De Búrca Rare Books in Dublin is highlighting its collection of maps of various parts of Ireland that come from the Down Survey, the 17th-century survey of estates of Irish landowners carried out by Sir William Petty. The survey, which reportedly took 1,000 men 13 months to complete, resulted in the publication of Hiberniae Delineatio, then deemed to be a milestone in Irish cartography. The maps for sale via De Búrca Rare Books include those for the provinces of Leinster, Connought (sic), Munster and Ulster (€575 each). There are also historical maps of Kildare, Wexford, Wicklow and other counties, printed in Dublin in 1732 from the original copperplates of the 1685 first edition of Hiberniae Delineatio. Irlandaie Accurata Descriptio (€75), a rare map of Ireland published in 1609 by Baptista Boazio, is another collector's item in the current catalogue. And then there are those who prefer old globes, which are fascinating for their snapshot of the knowledge of the world of the time of their making. Antique globes are also relatively scarce, as most surviving ones are held in museums and private collections. Early-19th-century terrestrial and celestial globes on stands A pocket terrestrial globe with a celestial globe depicted on the inside of its shark skin case Fonsie Mealy's Chatworth Summer Fine Art Sale on Wednesday and Thursday, June 18th and 19th, from 10.15am in Castlecomer, Co Kilkenny, has a rare pair of large early-19th-century terrestrial and celestial globes on stands (€15,000-€20,000) among the 1,000-plus lots. Terrestrial globes cover the earth, while celestial globes represent the constellations of the night sky. Made by John and William Newton in London in 1818, these globes were published in partnership with contemporaneous map engravers. The Mealy auction also has a pocket terrestrial globe with a celestial globe depicted on the inside of its sharkskin case (€15,000-€20,000). On this globe, made by Nataniel Hill in 1754, North America bears only the names of some British colonies with the northwest coasts of the continent marked as unknown parts. Australia is still named New Holland, and much of central and southern Africa is empty. Enthusiasts will be able to date a specific globe with their knowledge of colonial voyages of discoveries and shifting geopolitical boundaries. One of a series of 25 hand-coloured prints of Dublin city following the style of James Malton One of a series of 25 hand-coloured prints of Dublin city following the style of James Malton One of a series of 25 hand-coloured prints of Dublin city following the style of James Malton The Mealy auction, which has lots of antique silver, jewellery, Japanese, Chinese and Tibetan ornaments, also features a series of 25 hand-coloured prints of Dublin city (€6,000-€7,000), following the style of James Malton. Once a staple of Georgian Dublin decor, these prints will now be more of interest to architectural history enthusiasts. Georgian Dublin fans may also be interested in checking out a new exhibition in the City Assembly House, Irish Georgian Society headquarters on South William Street, Dublin 2. The Patrick Earley Collection: 18th and 19th Century views of Dublin and Wicklow has Irish topographical art portraying views of Dublin and Wicklow from 1770-1870. A view of Tinnehinch and Powerscourt, Co Wicklow, by John Henry Campbell (1757-1828) The Powerscourt Waterfall, Grafton Street in Dublin, the Victorian seafront in Bray, Co Wicklow, and the Georgian splendour of College Green in front of Trinity College Dublin are among the views included. The works were completed by artists such as William Sadler, John Henry Campbell and Patrick Vincent Duffy. The Dublin collector Patrick Earley spent more than 50 years amassing the works, which he gave to the State earlier this year through section 1003 of the Taxes Consolidation Act, which allows people who donate heritage items to credit 80 per cent of the value of these items against various tax liabilities. The collection, whose long-term destination is Kilmacurragh House and Gardens in Co Wicklow, will be on show at the IGS headquarters until August 27th. ; ; What did it sell for? Incoming Tide by Paul Henry Incoming Tide by Paul Henry Estimate €90,000-€130,000 Hammer price Not sold Auction house Dolan's Man Running by Jack B Yeats Man Running by Jack B Yeats Estimate €100,000-€150,000 Hammer price €100,000 Auction house Dolan's A Word in Confidence, Tallow Horse Fair by Arthur K Sanderson A Word in Confidence, Tallow Horse Fair by Arthur K Sanderson Estimate €1,600-€1,800 Hammer price €1,600 Auction house Dolan's Japanese silver bowl Japanese silver bowl Estimate €1,500-€2,500 Hammer price €1,400 Auction house Sheppard's


Irish Times
17-05-2025
- Irish Times
Irish Ordnance Survey Maps: A User's Guide by Paul Mulligan: an invaluable companion, and not just for hill walkers
Irish Ordnance Survey Maps: A User's Guide Author : Paul Mulligan ISBN-13 : 978-1916742062 Publisher : Wordwell Guideline Price : €25 Maps have the power to provide snapshots of a local area and tell stories, but they also spark debate, stir up curiosity and rekindle memories providing clues to the past. If you have ever puzzled over some of the esoteric terminology on maps, then help is at hand with their topographical nomenclature explained in this invaluable guide. Paul Mulligan, who worked in the Glucksman Map Library in Trinity College Dublin, has compiled a 200-page alphabetical glossary, running from Abbey to Zincography – the latter a method of 19th-century printing by the Ordnance Survey for producing maps whereby the image was drawn on and printed from a zinc plate. Flick through the pages to discover rich and diverse oddities such as 'Dispy', an abbreviation of Dispensary, 'Gripe', an open ditch, drain or trench, and 'Pantechnicon', a repository where manufactured articles were displayed for sale. 'Hot beds' were a mixture of topsoil and garden compost placed on top of a layer of fresh strawy horse dung, while a 'Sutler's Hut' described someone following an army, selling provisions to the troops. Aside from numerous cartographic descriptions, related subjects include expressive words used in archaeology, architecture and geology. Phrases have entered the lexicon, leading to well-known sayings. For example, a 'Grist Mill,' used for grinding corn, has given rise to 'grist to the mill', while 'Cadgers Field' stems from someone who brought butter, eggs and poultry to market, and has, of course, other connotations. READ MORE The hill-walking cognoscenti may be aware of the 100-metre height difference between Arderins and Vandeleur-Lynam. But not everyone will know that the Arderins represent an official list of 406 mountains in Ireland which are all 500 metres or more in height. In Irish, Ard Éireann , means 'height of Ireland.' Vandeleur-Lynam – named after the initial compilers Joss Lynam and Rev CRP Vandeleur – lists 275 Irish mountain peaks which have a prominence of at least 15 metres on all sides. In a changing landscape and a sat-nav world where sales of paper maps are declining, this vade mecum is a trove of local cultural, social and military history, as well as a flashback to older times. Keep it handy to roam the toponymy and lose yourself in the multi-layered aura of ancient places that bring alive the physical surroundings.