
Our Movie – K-drama Episode 3 Recap & Review
Episode 3 of Our Movie begins with a flashback to the audition for Je-ha's debut film, 'The Lonely People'. Da-eum auditions is the #1 contender. She backs out and Je-ha goes with Seo-yeong. Turns out, Da-eum is being admitted to the hospital.
At present, Je-ha updates Da-eum that she has got the part. She crashes at her friend, Kwak Gyo-young's place and Mrs Kwak secretly keeps Da-eum's father, Dr Lee, in the loop.
Jung-woo's agent claims that Seo-yeong has got the lead role but warns him not to create a scandal. Seung-won has actually leaked to the press that Seo-yeong is in talks for the lead.
Da-eum is upset and Je-ha comforts her. She insists on a written agreement and mentions that she won't back off this time. The last bit piques Je-ha's curiosity. Looks like he doesn't remember her 'The Lonely People' audition.
His conditions are that she cannot die before completion, and her illness has to be a secret. He will be cancelled for exploiting a sick person for the sake of realism. As for Da-eum, her condition is that he cannot ruin the movie. She disagrees with him for taking out the love angle from the remake. She believes the male lead loves the female lead despite leaving her to her fate. Je-ha disagrees as he hates his father for leaving for a shoot even though his mother had gotten sicker. But they sign the agreement.
Je-ha is surprised when Seo-yeong prefers Jung-hwa, the self-absorbed second lead. She does wonder if the character is based on her. To counter Seung-won's article, she tells the press that she is playing the supporting character which angers Agent Go.
As for Seung-won, he too is against the creative decision of taking out the love angle. He reasons that people want fantasy, not realism. Je-ha replies that they will watch for the lead actress.
Da-eum and Gyo-young celebrate her getting the role by recording her rehearsing. Dr Lee watches from afar and panics when Da-eum 'pretend' falls. She shares the happy news with him but her smile falls when he disapproves. He claims the stress will shorten her life span and is shocked when she prefers it to living a long, sad life.
There is an investor meeting and they question the casting. Je-ha spins it as a rookie replacing a superstar for a coveted role, yet said superstar is in the movie. He confidently claims that Han can pull the funding if he doesn't like the test shoot. On top of that, Je-ha wants all the top crew which has Seung-won panicking.
The cinematographer, Cheol-min doesn't like the script as it is too dark. Je-ha shows him the storyboard which is super artsy and Cheol-min is convinced. His schedule is tight but Je-ha is fine with it as he reveals that the remake is on a tight schedule as well.
Seo-yeong and Da-eum meet and they recognise each other. They get along quite well but are interrupted by Agent Go. While she scolds Seo-yeong for going behind her back, Da-eum hides as she gets a seizure. Seo-yeong puts Go in her place and searches for Da-eum. She finds and rushes her to the hospital. Da-eum begs her not to tell anyone and Seo-yeong is curious.
Dr Kim warns Da-eum of the danger but she is not deterred. She spots Je-ha and happily goes to him while Dr Kim watches sadly.
Seo-yeong and Da-eum resume their rehearsal and the latter is awkward. However, Seo-yeong assures Da-eum that she will keep her secret.
Gyo-young is cleaning up when she finds the funeral director's card. She looks upset but she cheers Da-eum up when she looks nervous.
It is D-Day. Seo-yeong wants to ask Je-ha if he knows about the seizure but drops it. The shoot begins and Da-eum does well. Seung-won comments on the ultimatum and Da-eum is upset that the remake is in jeopardy because of her casting. Je-ha assures her that he is equally responsible.
During post-production, everyone is in awe of Da-eum's realistic acting. The investors are convinced and the movie is a go.
Da-eum is so happy by the news that she hugs and shakes Je-ha around. He is amused while she is embarrassed. She recalls that a location hasn't been decided, where the lead changes her mind and wants to live. She takes Je-ha to the hospital sky bridge and explains that seeing the world from there is like trying to outrun death. She lets it slip that she was planning her death before the remake gave her purpose. He pats her head before stopping himself. She quickly lightens the mood.
Seo-yeong's market value drops following the casting news. Tired of her stubbornness, Agent Go decides to sign on Da-eum. She is annoyed when Da-eum refuses and thinks Je-ha is behind it. She warns Da-eum not to trust him.
At the end of Our Movie Episode 3, Da-eum spots Seo-yeong kissing Je-ha.
The Episode Review
Our Movie Episode 3 puts the fatalistic, depressing melodrama on the back burner to focus on the movie-making drama. Yet this chapter retains the same intense and introspective tone. Just like Da-eum wants, it shows that her life is not all doom and gloom. There's the usual past connection trope with Da-eum being chosen for Je-ha's debut before she backs down.
Her friendship with Seo-yeong is surprising and also pretty refreshing. While everyone expects them to be rivals, they end up being each other's support system. Sure, that kiss is going to throw their camaraderie off but we can't wait to see how they react to it in the next episode. With the characters subverting most clichéd tropes, it keeps viewers on the edge of their seats. But we do wonder, if there isn't a single bad guy, can Da-eum's illness keep the show's conflict alive for the remaining episodes?
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‘As thrilling as driving a sports car': the Tokyo capsule tower that gave pod-living penthouse chic
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They imagined a networked world of interconnecting modular structures that could multiply and spread across the planet like a great branching fungus. But, unlike many of his contemporaries who struggled to communicate effectively with clients and the public through the usual clouds of architectural jargon, Kurokawa was a media-savvy salesman. He produced a sizzling manifesto, The Capsule Declaration, illustrated with Airstream trailers and Nasa space capsules, amniotic sacs and coffins, arguing that 'the capsule transcends human and device'. He imagined a seductive plug-and-play future, where capsules could be adapted, expanded and replaced as societal needs changed, presenting a new kind of architecture capable of growth and transformation through 'metabolic cycles'. In 1970, he published a punchy magazine-like book, which came with a striking fold-out orange and pink poster and a 7-inch vinyl recording of his computerised voice reading out his manifesto. On seeing this, as well as Kurokawa's capsule installation at the Osaka Expo the same year, the Nakagin development company was sold. Their sales pitch for the 'capsule manshon' – a term for high-end apartment buildings – was expounded in a glossy brochure designed like a car catalogue. It included dashing cutaway illustrations of the 10 square metre capsules, drawn by a car magazine illustrator, suggesting that life in one of these pods would be just as thrilling as driving a sports car. The construction company, Taisei, made a 25-minute film, with actors performing a glamorous day in the life of the tower, while buyers were even gifted a lamp in the shape of a building. The marketing worked. Despite their small size, the capsules sold for around 50% more per square metre than the average apartment. The only surviving wooden model of the project will be on show in the exhibition, and attentive visitors will notice that it includes a second capsule tower. Such was the initial sales success, Nakagin started planning a twin complex across the road, to be connected to the first by a raised plinth, as well as towers for several other sites across the city. But their timing couldn't have been worse. The 1973 international oil crisis saw construction costs soar – and Kurokawa's capsule dreams evaporate. Still, the first tower remained a success for the next 15 years. Its neighbourhood, Ginza, boomed into a bustling business district, while the capsule prices were ever-inflated by the 1980s bubble economy. Kurokawa, meanwhile, would continue pursuing his penchant for pods elsewhere, building the world's first capsule hotel in Osaka in 1979, which spawned a wave of similar micro-hotels across Japan. But the Nakagin tower wouldn't be repeated. Like a giant pixelated bar chart, it reflected the country's fortunes: when the bubble burst in the early 1990s, so the capsules started to crumble. Residents moved out, maintenance funds dwindled, and rainwater pooling on the capsules' flat roofs caused extensive corrosion. Kurokawa had always intended that the pods would be replaced after 25 years, to respond to changing needs. But a crucial design flaw made it impossible to remove them individually without first removing every capsule above. Besides, any attempt to refurbish would have required the prohibitively expensive removal of the asbestos insulation. Lured by the value of the site for redevelopment, the individual pod owners voted by majority to sell the building for demolition in 2007, just a few months before Kurokawa died. 'Many people see the Nakagin tower as a failed utopian project,' says Kotsioris, but it actually stood for a relatively long time, in terms of Japan's throwaway building culture. 'When buildings in Tokyo had an average lifespan of 15 to 20 years, the fact that it stood for 50 years makes it a resounding success.' As it turned out, the building's final years were some of its most vibrant. It won a 15-year reprieve when, after the 2007 financial crisis, the developer that had agreed to acquire the site unexpectedly filed for bankruptcy. Takayuki Sekine, a retired chamber of commerce manager, and his wife, Yumiko, bought a capsule when demolition was already on the cards, and spent every weekend in it. 'After I started my blogposts, my articles attracted many readers here,' Takayuki recalls in a video interview. 'Some enthusiasts started living here, with many more people joining in. And we had so much fun, with drinking parties at night.' In another video, a DJ called Koe-chan explains how she spotted the tower from the highway. 'It stuck with me like a traumatic memory,' she recalls, and she was compelled to acquire a capsule for live-streaming her DJ sets. Others used their pods as offices or libraries, each customised to their new purpose, while the collective efforts to repair and maintain the leaky hulk brought the tower a real sense of community for the first time. 'Ironically, the capsules were originally designed as protective wombs for isolation from the city,' says Kotsioris. 'But in the end, they turned out to form a really sociable, neighbourly community.' As for Kurokawa, he would no doubt be amused that some of his capsules have found new homes, scattered around cultural institutions and collections worldwideAfter all, he imagined a future where you might undock your capsule and take it with you across the ocean to pastures new. The Many Lives of the Nakagin Capsule Tower is at MoMA, New York, from Thursday until 12 July 2026


The Review Geek
7 hours ago
- The Review Geek
Our Movie – K-drama Episode 8 Recap & Review
Episode 8 Episode 8 of Our Movie begins with a flashforward. Da-eum reimagines a scene in which Seo-yeong's Jung-hwa is confronting Da-eum's Gyu-won and Jung-woo's Hyun-sang in the bookstore. Jung-woo is replaced by Je-ha. Seo-yeong tells Je-ha that he doesn't love Da-eum but just pities her. She then tells Da-eum that she is dying and can't afford to fall in love. At present, Je-ha tries to explain everything. Seo-yeong is upset with the risk he has taken. She realises that he has chosen to love a dying girl instead of her. She asks if someone selfish like him can actually love like that. It is Day 2. Je-ha and Cameraman Cheol-min discuss the perks of shooting a romance. Je-ha can't tell what love is. Cheol-min, ever the hopeless romantic, finds it brave to love. Makeup Artist Jo chimes in that one has to be realistic and cautious. Jun-byoung and Da-eum are discussing her schedule and she lies about her next hospital visit. She feels guilty and tells Je-ha as much, but he lightens the mood. Agent Go arrives with a coffee truck for Da-eum which is awkward for everyone. Seung-won provokes her, Jae-in looks bitter and Seo-yeong finds Go pathetic. Da-eum tries to mediate but fails. Filming begins and it is the bookstore confrontation scene. Da-eum improvises and Seo-yeong's response is cruel. It hits too close to home for Da-eum and a guilty Seo-yeong runs off. Je-ha goes to her but is distant and professional. Seo-yeong calls out his hypocrisy as he is the opposite with Da-eum. Later, Seung-won advises Je-ha to be nice to Seo-yeong since everyone has noticed his favouritism for Da-eum. Next, a nervous Da-eum tries to patch up with Seo-yeong. However, Seo-yeong believes Da-eum is being unfair to the cast and crew. Da-eum begs Seo-yeong to see her desperation to do something worthwhile. But Seo-yeong declares that if Da-eum is going to be selfish, so will she. She goes to her room and finds Agent Go who hints that she needs her. Seo-yeong too misses Go's support but wants their old, sincere dynamic back. After drinking with Seung-won, Je-ha runs into Da-eum. She takes a walk on the beach and he drunkenly chaperones her. She worries about his fight with Seo-yeong and he doesn't understand why. She claims it is because she likes him. She then wonders why he worries for her. Once they get back, Agent Go takes Je-ha aside. She doesn't care about his relationship with Da-eum. However, she warns him not to hurt Seo-yeong again. The next day is an off. Cheol-min and Jo head out for their shopping date. She is intense as usual, as she buys him a jacket to replace his burnt one. She accidentally calls him handsome and gets flustered. Jun-byoung tries to drive Da-eum to the hospital but Je-ha refuses. Knowing that Je-ha hates driving, Jun-byoung thinks it is because he likes Da-eum. Alone, Jun-byoung also feels guilty for taking Da-eum away from a professional manager like Agent Go. He decides to ask for tips from AD Hong. While Da-eum's tests take place, Je-ha hangs out with Dr Kim. The doctor lets it slip that it is her birthday. Je-ha asks if there is a chance of survival and Kim looks sad. Dr Lee joins them and asks about the shoot. He advises Je-ha that when Da-eum smiles the brightest, she is hurting the most. Later, father and daughter have a mini birthday celebration and Dr Lee sadly promises to get her a chocolate cake next year. Coincidentally, Reporter Noh arrives at the hospital but is turned away. As expected, he spots Da-eum and Je-ha and takes their photo. He then sends it to Seung-won. Meanwhile, Da-eum takes Je-ha to her florist friend's shop. It is Eu-nae's memorial and they make a bouquet. They arrive at the cemetery and find Jin-yeo cleaning her plaque. Once the day ends, Je-ha drops Da-eum home, and she asks if he still thinks that there is no love in the original story. He confesses he felt that way out of spite for his father. He tells her about his mother writing the script and thanks Da-eum for helping him figure it out. Before he leaves, he gives her flowers for her birthday. Inside, Gyu-young has a cake for her. Da-eum doesn't make a wish, citing that it has already come true. Gyu-young teases her about the bouquet and doesn't think Da-eum's love for the mystery kisser is one-sided anymore. As for Je-ha, he tries to understand Eu-nae's thought process on writing the romantic dialogues. Everyone returns to the location. Eun-ho approaches Da-eum. He knows that Je-ha and Da-eum like each other, having watched them the last few days. She reveals that she knows Je-ha likes her but it is complicated. Eun-ho is happy for her and respectfully backs down. At the end of Our Movie Episode 8, Da-eum calls Je-ha. She wants to see the sunset with him but he needs to run to make it. He runs from the hotel to the beach and hopes he is not too late. He finally confesses that he wants to deny his feelings and isn't sure if he should even like her. But he does. They kiss. The Episode Review Our Movie Episode 8 seems to be doing its best to focus on Je-ha's redemption arc. But with only 4 episodes left, will it be enough to bury his past selfish actions? All signs point to yes since we get a glimpse of the ending in the very first chapter itself. Flashforwards show the movie being made, Je-ha and Da-eum being in a loving relationship and then Je-ha continuing to visit their couple spots after her death. Looks like they are able to overcome the rumours together. This chapter also brings back the stylistic treatment which had awed all viewers in the beginning. A dreamy, white atmosphere surrounds our couple when they are at the flower shop, along with the usual philosophical discourse on love and death. The late-night beach walk looks romantic from the couple's POV while the same scene looks mundane from Eun-ho's eyes. The sunset kiss involves all the typical K-drama kiss tropes, from soft, romantic music to a light breeze and slow motion. The black and white scene changing to colour when Je-ha runs symbolizes him finally taking the risks that make life worth living. But Namkoong's portrayal continues to irk viewers, given it has been 8 episodes and there is no change to his cold 'tsundere' demeanour despite his character growing. Hopefully, next weekend may be better for Je-ha. We are also quite disappointed with the direction Seo-yeong's characterization has taken. She is far from the supportive mentor we thought she would be to Da-eum. Instead, it looks like Agent Go has changed her mind and has decided to back Seo-yeong again, but by putting down Da-eum. And with Da-eum being the innocent, childish girl whose existence is to teach the callous Je-ha how to be human, this show isn't doing any favours to its female characters. Previous Episode Next Episode Expect A Full Season Write-Up When This Season Concludes!