War 2 movie trailer: Hrithik Roshan clashes with Jr NTR; social media reacts, ‘Those who cried after watching Saiyaara…'
Kiara Advani plays Kavya, with Ashutosh Rana and Anil Kapoor in key roles. The film is the sixth entry in the YRF Spy Universe, continuing from films like Pathaan and Tiger 3.
This is Jr NTR's Bollywood debut. War 2 is also the first Indian film to be released in Dolby Cinema.
The trailer for War 2 shows Hrithik Roshan and Jr. NTR as intense agents locked in a dangerous chase. Hrithik gives up his name, family and emotions to become a weapon. Lines like 'India First' and 'Death Before Dishonour' add impact.
'I'll stay away from every friend, companion and aide whom I once loved. I'll never look back,' says Hrithik in a voice-over as he romances with Kiara Advani.
At the 54th second of the trailer, a framed photograph of Tiger Shroff makes an unexpected appearance.
Tiger Shroff played two roles in War (2019). He was Captain Khalid, a loyal soldier with a troubled past. He was trained by Kabir, played by Hrithik Roshan.
After Kabir turns rogue, Khalid is sent to stop him. A twist reveals that Khalid had died earlier, and a criminal named Saurabh was pretending to be him.
'I will make a sacrifice no one will witness. I'll pay its price either with my life or with my soul.' Hrithik Roshan says, looking at Tiger's photo.
Jr. NTR comes next with lines like, ' I'll wipe off every line that divides Good and bad, right and wrong, and sin and virtue.'
The trailer shows both men ready to cross moral lines for the country.
The interest in War 2 skyrocketed on Google India from July 24 to July 25 after the trailer release: The interest in War 2 skyrocketed on Google India from July 24 to July 25 after the trailer release
Social media users commented on the trailer.
'Hrithik AND NTR? This rivalry is going to be LEGENDARY,' reacted one.
'Dono Superstar Dono hi Tabahi (both mean destruction),' came from another.
Another wrote, 'Hrithik and NTR both are looking dashing.'
'Hrithik Aura is Unmatchable,' posed one user.
'To those who cried after watching Saiyaara, this is a real movie,' came from another user.
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For years, political hostilities between India and Pakistan have disrupted entertainment exchange, but rarely have restrictions been as sweeping as those triggered by the Pahalgam fallout. The latest wave of bans targeted Pakistani shows on YouTube, blocked streaming access to cross-border dramas on Netflix and Amazon Prime, and even temporarily disabled Instagram accounts of Pakistani actors and peace activists. The clampdown came at a time when Pakistani dramas have been enjoying immense popularity across the border, on digital and social media. They have not just built massive fan bases there, but are also engaging with radical themes that, as Indian journalist Raksha Kumar points out, are missing from Indian television dramas, due to 'superfluous' research, lack of courage or financial constraints. One standout example is a three-part mini series that aired last August on the privately owned Hum TV, produced by veteran television pioneer Sultana Siddiqui. Each installment tells a stand-alone story. Each is bound by the shared theme of how far-right radicals terrorise individuals and the communities they inhabit at large and the limitations of the state to give justice or security to the victims. The final episode of Tan Man Neelo Neel (Body and Soul Covered in Bruises), the last in the trilogy, elicited emotion for audiences in both countries. The lead characters attacked by an angry mob were their parents' only children. They were young people whose dreams were cut short. The story ends with a chilling mosaic honouring real-life victims of 'blasphemy' mob violence like Mashal Khan, a university student in Mardan in 2017 and brothers Mughees and Muneeb Butt, in Sialkot in 2010. Mob violence Many others could have been included. The list is long and includes those who were victimised on the pretext of religion even if mob violence wasn't involved. The theme resonates wherever this phenomenon has occurred. Since she launched Hum TV in 2005, Sultana Siddiqui, now in her late 70s, has used the television channel as a platform for storytelling from a progressive bent of mind, offering a nuanced portrayal of Pakistani society through deeply grounded characters. This isn't the first time her storytelling has crossed borders. Zindagi Gulzar Hai (Life is Beautiful) in 2012 was a hit in India. The series shows a picture of Pakistan different from the narrative seen in the Indian context. Its popularity, fueled by social media, created a demand for Pakistani content in the Indian market. Its lead actor Fawad Khan, went on to become a Bollywood heartthrob, but was then banned in India along with other Pakistani artists following the 2016 Uri attack. The Pakistani film Maula Jatt that he stars in was due to be released in India, but that has been stalled too. The release of a Bollywood romance he stars in, Abir Gulaal, is now also in limbo due to renewed hostilities. 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