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‘Bagina politics': Farmers allege KRS honoured but Kabini ignored
‘Bagina politics': Farmers allege KRS honoured but Kabini ignored

The Hindu

time30-06-2025

  • Politics
  • The Hindu

‘Bagina politics': Farmers allege KRS honoured but Kabini ignored

The tradition of offering 'Bagina' to Kabini and the Krishnaraja Sagar on the same day was ignored this year which has irked a section of farmers who have criticised the government. Chief Minister Siddaramaiah offered Bagina, the traditional thanksgiving to the river, consequent to the reservoir attaining the full level at the KRS on Monday. All these years, the practice was to visit the Kabini first, make the offerings, and then visit the KRS to complete the rituals on the same day. Irked by the Chief Minister offering Bagina only at the KRS, the Karnataka State Sugarcane Growers' Association president H. Bhagyaraj and others staged a demonstration in Mysuru to voice their protest. Angered by the CM's move, Mr. Bhagyaraj said Bagina has been offered hastily at the KRS for political spectacle. But when the water is released to Tamil Nadu during distress years and when Karnataka has to comply with the Supreme Court's directives, it is the farmers from the Kabini command area whose interests are sacrificed by the government, Mr. Bhagyaraj added. The farmers also alleged that several illegal resorts have been built along the Kabini backwaters, though none of the development works previously announced by the government have materialised so far. The farmers also criticised the government for its alleged move to privatise the power sector and said that the installation of smart meters was a step in that direction. In due course, the installation will be extended to the agriculture sector as well, pushing farmers out of agriculture and facilitating the entry of the corporates to the agricultural sector, said Mr. Bhagyaraj. Opposing the compulsory installation of smart meters, the farmers urged the government to withdraw the notification failing which the association threatened to launch an agitation. They urged the government to fix the Fair and Remunerative Price for sugarcane at ₹4,000 a tonne for the current season. Other demands included putting an end to 'forced land acquisition' for development, ensuring reparation works of canals and channels in the rural hinterland, and filling up the waterbodies.

Nadigar Sangam building nears completion after years of delay; a new video seizes attention
Nadigar Sangam building nears completion after years of delay; a new video seizes attention

Time of India

time17-06-2025

  • Entertainment
  • Time of India

Nadigar Sangam building nears completion after years of delay; a new video seizes attention

The South Indian Artistes Association, aka Nadigar Sangam, has officially confirmed that the construction of its long-awaited building has reached its final phase. In a newly released video, the association offered a visual update, proudly showcasing the nearing completion of the project. The announcement has brought fresh hope to members, fans, and well-wishers who have been eagerly waiting to see the vision come to life after several years of setbacks. Foundation laid in 2016 under Nasser 's leadership The project was initiated in 2016 after actor Nasser and his team took charge of the Nadigar Sangam. The new building began construction on 19 grounds of land owned by the association. Funds for the project were initially raised through two grand cultural events. With a budget of ₹30 crore, the building saw 75% of its construction completed. However, the association soon entered a phase of internal elections that slowed progress considerably. Internal rift causes prolonged stagnation. A leadership tussle between Nasser's faction and a rival team led by actor Bhagyaraj caused a complete halt in construction. The project remained stalled for more than three years. Meanwhile, inflation and delay increased the total cost, making it impossible to move forward without additional financial resources. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like Memperdagangkan CFD Emas dengan salah satu spread terendah? IC Markets Mendaftar Undo When Nasser's team was reselected, they proposed to get a bank loan to resume the work and get approval from executive and general bodies. Construction resumes strongly with new funding. With funds secured through the approved loan, the Nadigar Sangam Building Project is now back up to speed and is close to completion. The newly released video incorporates modern features, which confirms the team's commitment to creating a completely functional and iconic location. The members of the association expressed optimism after seeing the decades-long dream finally turn into reality.

Farmers seeks review of FRP for sugarcane fixed by Centre
Farmers seeks review of FRP for sugarcane fixed by Centre

The Hindu

time10-06-2025

  • Business
  • The Hindu

Farmers seeks review of FRP for sugarcane fixed by Centre

Sugarcane growers have urged the State government to seek a review of the Fair and Remunerative Price (FRP) fixed by the Centre for the year 2025-26. A delegation of farmers submitted a memorandum in this regard to tahsildar of Nanjangud near here on Tuesday. President of Karnataka State Sugarcane Growers' Association Hallikerehundi Bhagyaraj described the FRP of ₹3,550 a tonne announced by the Centre for sugarcane with a recovery of 10.25% for the year as 'unscientific and unjust'. Mr. Bhagyaraj said the Centre had increased the FRP by only ₹150 a tonne over the previous year even though the cost of production had increased substantially. 'As the cost of production, labour cost for harvest, transportation, fertilizers, and wages have all increased, this increase of ₹150 a tonne amounts to just 15 paise a kg', he lamented. Contending that a report by Commission for Agricultural Costs and Prices (CACP) had recommended a price of ₹4,500 a tonne, Mr. Bhagyaraj alleged that the Centre had increased the FRP by only ₹150 a tonne due to 'pressure from sugar factory owners and capitalists'. Lok Sabha members should also put pressure on the Centre to re-evaluate the FRP rate, he said. The farmers' body have demanded the installation of weighing machines in front of all sugar factories by the Agriculture Produce Marketing Committees (APMC) and the Department of Co-operation. 'Digital SMS alerts should be sent to the farmers immediately after weighing,' said Mr. Bhagyaraj, in the statement. Demanding bilateral agreements between the sugar mills and the farmers, he said a committee comprising local farmers and experts should be constituted to prevent fraud in recovery rates of sugarcane. The income statements of the sugar mills should be reviewed by both the State government and the Centre, he said while demanding distribution of excess profits to the farmers. The government should intervene to protect the interests of the farmers, and that the sugar factories should be made to bear the costs of transportation and harvesting, he said. The association has demanded immediate settlement of last year's pending dues amounting to ₹950 crore, and that the Hullahalli road be immediately repaired, and the Hura lift irrigation project be completed soon.

Shanthanu Bhagyaraj has a bold response when asked about not having children despite being married for a decade: 'It's our pain, not your topic'
Shanthanu Bhagyaraj has a bold response when asked about not having children despite being married for a decade: 'It's our pain, not your topic'

Time of India

time30-05-2025

  • Entertainment
  • Time of India

Shanthanu Bhagyaraj has a bold response when asked about not having children despite being married for a decade: 'It's our pain, not your topic'

Actor Shanthanu Bhagyaraj and his wife, popular TV host , recently addressed a deeply personal topic that has followed them for years, the question of why they haven't had children even after a decade of marriage. Tired of too many ads? go ad free now In a candid video shared on their YouTube channel, Shanthanu responded emotionally to constant public inquiries, saying, 'Everyone keeps asking when we're going to have a child. We're ready. But are you going to raise the child or take care of it?' He urged people not to misinterpret his tone, adding, 'Please don't think we're being arrogant. This is our pain. Constant questioning only causes mental stress. Let God decide when the time is right.' His honesty struck a chord online, earning both empathy and praise for speaking up on a sensitive issue many couples face. A decade of togetherness Shanthanu married Keerthi in 2015, in a wedding that was officiated by none other than . Despite their high-profile wedding and media attention, the couple has kept their private life largely low-key. As they mark nearly ten years of marriage, their bond remains strong and supportive, with both often appearing together in social media posts, interviews, and vlogs. Battling expectations On the career front, Shanthanu has quietly built a strong portfolio in Tamil cinema. While his entry into the industry was backed by his father, veteran actor-filmmaker Bhagyaraj, success didn't come easily. Several of his early films failed to make a mark, but he persevered with commitment and discipline. Rising as an actor in his own right His recent outing in 'Blue Star' marked a significant turning point, with audiences and critics praising his nuanced performance. The role showcased a mature and evolved Shanthanu, reminding the industry that he's carving his own space, not just as Bhagyaraj's son, but as a talent to watch in his own right.

Rajesh: An actor who could traverse the arc of emotions
Rajesh: An actor who could traverse the arc of emotions

The Hindu

time29-05-2025

  • Entertainment
  • The Hindu

Rajesh: An actor who could traverse the arc of emotions

Actor Rajesh, who passed away on Thursday (May 29, 2025), had a dignified presence. His roles were rooted in reality and devoid of the frills associated with celluloid. In life, he could be many things, actor, dubbing artiste, author, teacher, YouTuber, and builder. And he left an imprint in all these fields. When Tamil cinema moved from the MGR-Sivaji Ganesan era and stepped into the decades shaped by Rajinikanth and Kamal Haasan from the late 1970s and early 1980s, Rajesh carved his own unique space. He could be the everyday man, your neighbour, the friendly officer, the warm villager, and to every role, he lent a depth. In a tight frame with the camera just focused on his face, he could hold attention with nuanced expressions through eyes that conveyed a lot. Rajesh could traverse the whole arc, from infinite sadness to simmering anger. Be it Achamillai Achamillai or Andha Ezhu Naatkal, the actor displayed a staggering range. In the former, he was an idealist losing his way in the cut and thrust of politics, and remained unapologetic about it. In the latter, he is this endearing husband trying to help his wife get back to her former lover. If self-obsession defined one role, the second one was all about imminent sacrifice even if Andha Ezhu Naatkal, one of Mani Ratnam's favourite screenplays, opted for a safe climax. Many viewers would remember the tapestry of this K. Bhagyaraj film, high on humour and pathos. A particular scene marinated in sorrow still pulls the audience due to its innate irony. Bhagyaraj, the music composer, is creating a tune for a scene in which the hero's mother passes away and in reality, Rajesh, who is narrating the story, had recently lost his mother too. Something triggers, grief strikes and Rajesh breaks down, and Bhagyaraj presumes that it is the effect of his music. That moment when Rajesh tries to restrain himself and then completely gives himself up to an all-consuming sadness, is a fine vignette of acting. Philosophical streak As years passed, he started doing supporting roles, and also forged an equation with Kamal, and was seen in the star's movies like Mahanadhi. An interview with Rajesh meant that diverse threads would crop up, be it films, literature, politics, atheism, and even astrology. If there was a philosophical streak in him, equally there was a financial angle too, and it was no surprise when he forayed into the real-estate sector. There was an air of pragmatism to him, one that was evident in his roles and the way he dealt with life. Much before Rajkiran and a few others got into the zone of actors offering relatability on screen, it was Rajesh, who walked that tightrope in an arena that was supposed to be surreal and dream-like. As Rajesh departs after 75 summers, the creative space in Tamil will be poorer.

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