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Hype Malaysia
5 days ago
- Entertainment
- Hype Malaysia
Movie Tea: Punisher To Star In 'Spider-Man: Brand New Day'; Blumhouse Purchases Entire 'Saw' Franchise
Much like when Freddy first duked it out with Jason, the world of cinema is forever changed when two gigantic worlds collide. From the potential meeting of MCU's most brutal anti-hero with our favourite Web-Head, to the union of franchise horror giants, here's the latest news on upcoming movies out of Hollywood. Blumhouse Buys Rights To 'Saw' Series In 25 short years, Blumhouse has become a household name in the world of horror, known for bringing iconic series such as 'Insidious', 'Paranormal Activity', 'Get Out', and more to the public consciousness. It is an absolute juggernaut of the industry, one that recently got bigger thanks to its acquisition of the 'Saw' franchise. Following a lengthy process and undisclosed amounts of money, the torturous mascot, Jigsaw, will now be sharing a seat in the production house's killer doll gallery alongside Megan and Freddy Fazbear… well, at least a portion of it. Blumhouse has specifically purchased the part of the franchise that was previously owned by Oren Koules and Mark Burg. As per Deadline's reporting, Jason Blum, founder of Blumhouse, has now acquired the rights to any and all 'Saw' projects, such as film, TV, games, and even theme park attractions — all of it. Despite this move, Lionsgate still retains partial ownership of the IP and is still on board for any future production and distribution. Blum went on to say that the franchise 'defined a generation of horror' and that 'its cultural impact continues to grow, making this a strategic investment in one of the most recognisable and successful genre properties of the last two decades.' Though it has not been outright stated, many believe that the reason why the franchise was sold off was because of the critical and commercial failure of two of its most recent entries, 2017's 'Jigsaw' and 2020's Chris Rock-led 'Spiral: From The Book Of Saw'. In a brief statement, Koules said that it was 'the right time to pass the baton,' while Burg stated that he wanted to 'move on and tell new stories.' Though the franchise is now under new management, that doesn't mean we are seeing some old and familiar faces. Blum added that James Wan and Leigh Whannell will be brought 'back in the fold' to help guide the future of the franchise. Following this news, Wan went on to say that 'Saw holds a special place in my heart — it's where Leigh and I began our Hollywood journey. Coming back to this world with a fresh perspective is both thrilling and deeply personal. For me, this will mark a significant creative return to the Saw franchise for the first time since the early days, and I'm very much looking forward to embracing the original spirit whilst pushing the legacy forward in bold, unexpected ways.' Jon Bernthal's Punisher Joins Tom Holland In 'Spider-Man: Brand New Day' At last! After months of waiting, we finally got substantive news on everyone's favourite webslinger. Not only do we now have an official release date for the film, but also the news that he's not returning to the big screen alone. Everyone's favourite MCU anti-hero, Frank Castle, is finally making his theatrical debut. This news came to light just prior to the movie's summer shoot in England, but the plot of the film, as well as Bernthal's role in it, remains a mystery. These aren't the only two stars that have been confirmed, as Zendaya and Jacob Batalon are set to reprise their roles as MJ and Ned, respectively. Though we do not know the implications of this team-up in the greater MCU universe, we do know that Bernthal and Holland have a special bond that goes beyond showbiz, as the two have lifted each other up during their respective Marvel roles. Bernthal has been very vocal about his friendship with Holland and has even shared their lives before their MCU roles. For those who remember, the Punisher actor was on 'Jimmy Kimmel Live' when he said, 'We did a film about seven or eight years ago.' The film in question was 2017's 'Pilgrimage'. 'That was where both Tom did his audition for Spider-Man and I did my audition for Punisher. We actually made each other's audition tapes on that film,' Bernthal added. Together, they would help each other out in doing specific scenes or actions that would eventually net them their desired roles. Suffice it to say that it all paid off in the end, and to see them once again share in the fruits of their labour is something we can't wait to see unfold. 'Spider-Man: Brand New Day' is set to hit theatres on 31st July, 2026. Sources: Variety, Empire, Deadline, The Hollywood Reporter What's your Reaction? +1 0 +1 0 +1 0 +1 0 +1 0 +1 0
Yahoo
5 days ago
- Entertainment
- Yahoo
Allison Williams Reveals How She Really Feels About That Infamous Girls Meme
Allison Williams has revealed there's one Girls meme she is an especially big fan of. The Get Out star is currently on the promo trail for her new film M3GAN 2.0, and recently spoke to Entertainment Tonight about one of her Girls scenes that's become a meme in recent years. In the scene in question, taken from the show's third season, Allison's character Marnie finds that one of her music videos has gone viral on YouTube, and utters the line: 'Like oh, let's make fun of the girl who took a risk and put herself out there creatively.' Marnie's one-liner is now a widely-used reaction meme, as the below posts on X highlight: i think emilia perez was kinda good — the queef of police (@clairyfication) November 14, 2024 what if this is -- in abstract -- kinda how I feel about Benson Boone? — Alex Naser-Hall (@anaserhall) June 20, 2025 let's make fun of the girl who took a risk and put herself out there creatively — dɨɛgo ❀ (@fkad1ego) February 11, 2025 shes the definition of "oh lets make fun of the girl who took a risk and put herself out there creatively" — #1 brat (@BLAMElTONYOU) May 13, 2025 Kylie Minogue in 1997 — CK (@connor_k111) April 16, 2025 when my friends start calling princess daisy chopped because i'm winning at mario party — morg (@morgsquads) May 28, 2025 people hating on Overcompensating not realizing that it's supposed to be campy and — alex (@LinkachuHQ) May 16, 2025 Tried an aperol spritz and it sucked God forbid I try soemthing new — ( J ) LOVES Remmick (@hardest_my) May 9, 2025 ordering the weird shit on the menu and everybody gives me dirty looks for it — rural juror (@mi1keyedmender) April 6, 2025 shot my shot with two of my crushes this weekend and they both turned me down 😍 — Danny (@dannynhispetz) April 28, 2025 Speaking to ET, Allison made it clear that she has more of a sense of humour than her Girls alter-ego. 'I'm so proud, honestly,' she enthused, when asked about how she felt about the meme. She then named a post from the US streaming service HBO Max about another of their rebrands as her favourite usage of the quote. 'When I saw it applied to the Max name change – HBO Max – it made me so happy,' she quipped. — Max (@StreamOnMax) May 14, 2025 Allison appeared in all six seasons of Girls alongside co-stars Jemima Kirke, Zosia Mamet and, of course, Lena Dunham, who was also its creator. Earlier this year, Lena made headlines when she shared her surprising take on whether Girls could make a comeback in the future. 'We always said when the show ended that if we were going to go back, it would have to be at such a different phase in their lives,' Lena told The Ankler. Rather than revisiting the characters when they're 'at Sex And The City age', Lena suggested: 'Let's check in when they're 60 [and have] taken even another leap.' The eight-time Emmy nominee is currently gearing up for the release of her new Netflix comedy Too Much, which she created and co-wrote, and which stars Hacks star Megan Stalter and The White Lotus' Will Sharpe as its leads. Ginny & Georgia Has Officially Been Toppled As Netflix UK's Most-Watched Show Right Now 'It's Interesting How We Judge Women': Sarah Jessica Parker Fires Back At Carrie Bradshaw Haters Doctor Who Boss Speaks Out Amid Rumours Of Uncertainty About The Future Of The Show
The Guardian
6 days ago
- Entertainment
- The Guardian
‘We were all pretty privileged': Allison Williams on Girls, nepo babies and toxic momfluencers
If you had wandered the set of the film M3gan 2.0 last year, chances are you would have stumbled into M3gan, the terrifying humanoid doll, staring lifelessly while she waited to be called for her next scene. Sometimes she would stand in the corner of the soundstage, says Allison Williams with a nervy laugh. 'The dilemma is: do you turn her around so she's facing the wall, or do you let her face the room? Both answers are wrong.' In the sequel to the sci-fi horror M3gan, Williams resumes her role as Gemma, a roboticist who has become a crusader against rampant and reckless AI development after her creation – developed for her orphaned niece – became murderous. (She is also a producer on the second film.) Acting opposite M3gan was unsettling, says Williams, speaking over a video call from a hotel room in New York. Sometimes she was played by the 15-year-old dancer Amie Donald, but often she was a robotic doll, animated by a small team. 'When she's been working for a while, her eyelids can get sticky,' says Williams. M3gan's handlers would paint lubricant on to her eyeballs with a brush and Williams would have to catch herself: 'She's not flinching and for a second you're like: 'Ugh.' Then you remember: this is not a live thing.' Still best known for her first role as Marnie in Lena Dunham's landmark TV series Girls, Williams has gravitated towards comedy-tinged horror in recent years. Her first post-Girls film role was in the Oscar-winning dark comedy horror Get Out. It and M3gan were relatively low-budget projects that became cultural phenomena – Get Out for its commentary on racial politics, M3gan for what it says about the dangers of AI (as well as the uncanniness of M3gan herself). Williams has long been interested in AI – she knows Sam Altman, the co-founder and CEO of OpenAI, which created ChatGPT, who put her in touch with robotics experts when she was researching the role of Gemma. The film raises questions not only about the danger of rogue AI, but about the ethical concerns –including how we should feel about the 'rights' of devices. 'It's easy to imbue anything that has AI in it with humanity. Like our little robot vacuum we have at our house; I often feel it's doing all this labour and being overlooked.' Does she worry that her job will be taken by AI in the not-too-distant future? She laughs. 'If you ask me any question that starts with: 'Are you worried?' the answer is always yes, because I have an endless capacity to be worried about things.' But it's possible, she says, that humans in acting, or any other job, are not special or unique and that 'we will all be seamlessly replaced. But so far, especially in the arts, I haven't yet had an experience that's supposed to mimic a human output that has felt seamlessly human to me – and who knows if that's going to be true for ever. For now, it's towards the bottom of the list of things I worry about.' She smiles. 'But it's not not on the list of things I worry about.' M3gan raises questions about the tech to which we expose our children. 'You wouldn't give your child cocaine,' says Gemma in M3gan 2.0. 'Why would you give them a smartphone?' Williams' son is three and she is wary of it. 'He has so many questions and they're incredible; I often don't know the answers.' The other day, she says, she used ChatGPT to answer one about rocket launches. 'Watching what happened to his face was like when Gemma sees her niece interacting with M3gan. Like, I have connected my kid to a drug, this is so immediately addictive and intoxicating.' She quickly put her phone away and made a mental note to go to the library next time to get out a book. 'I can't justify it, logically,' she says. 'It just felt like an innate instinct.' Parenting is the central theme of the new podcast Williams launched this month with two friends, Hope Kremer, an early childhood educator, and Jaymie Oppenheim, a therapist. It came out of a group chat in which just about everything to do with motherhood, ageing and life in general was discussed. A future episode is about the guilt many mothers feel, which is also a theme in M3gan 2.0. Will our expectations of mothers ever change? 'Oh God, I hope so,' says Williams. 'The guilt, I think, is most potent in the absence of a community where you can voice the things that you feel guilt about. I think the guilt around what kind of parent we all are is something that only survives as long as we hold each other to insane standards and expectations.' She is, she says, 'filled with rage about the majority of Instagram and TikTok 'mom content' – the aspirational version of it, anyway. I think it's poisonous [and] it really only exists to make people feel bad about themselves, maybe under the guise of wanting to motivate people, but the impact is so painful.' She laughs as she describes the dishonesty of an influencer making a perfect packed lunch, filled with nutritious food – because it's actually 4pm, perhaps, or because they have nannies – that makes other parents, primarily mothers, feel as if they are failing. 'I would be in a puddle on the ground if we didn't have the nanny that we have, who is the reason my husband is shooting in London right now and I'm here,' says Williams. 'None of this is possible without her, and we're so grateful. I'm just like, show your work. Show me a clock. Like, what day was this filmed?' She is laughing, but she is on a roll. 'I cannot stand artifice about creating an expectation of what someone should be able to achieve that is totally unreasonable. Who is that helping?' On another episode, she says, they discuss ageing and unrealistic beauty standards: 'I talk about my love for Botox when I'm not filming, because, you know, you need to make facial expressions when you're shooting.' She laughs. 'But, right now, there's not a ton I can do with my forehead. But the idea that someone would look at me and be, like: 'I should be capable of that forehead.' No, you shouldn't! I'm not better than you because I have no wrinkles there, I just paid to put chemicals in my face. Let's be real about this.' I always think it's quite an achievement for famous people to hang on to pre-fame friends, once acclaim and money start getting in the way. Is it important to have 'normal' friends? 'I don't walk the world and feel like a celebrity,' says Williams. 'I think I did in my 20s, shooting and living in New York. But that isn't how I feel dropping our son off at preschool; I feel like a person among people. My job is public, and that's unique and weird, and our culture thinks it's more important than other jobs, for sure. But, in our friend group, we celebrate what everyone's up to and that has been such a stable, steady source of nourishment in my life.' Williams noticed recently that her son is about the same age she was when she realised acting could be a job and that she might one day do it (his father, Alexander Dreymon, is also an actor; Williams and Dreymon met on the 2020 thriller Horizon Line). She watched bits of The Sound of Music and Mary Poppins and it dawned on her that the woman in both films was the same. 'Julie Andrews was like a goddess to me,' she says. Her parents, the former NBC news anchor Brian Williams and the producer Jane Stoddard Williams, insisted she get an education, which she did (English at Yale), rather than become a child actor. 'I'm grateful that my parents didn't cave and that I didn't make my way into this business any sooner than I did, because already, at 23, when Girls came out, that was a lot to process.' In a way, Williams had the reverse experience – her parent was famous. At a time before media was so fragmented, being an NBC news anchor meant Brian Williams reached millions of people. His reputation took a battering in 2015, when it was revealed he had embellished – mistakenly, he said – a story about being shot down in a helicopter while covering the Iraq war. He was suspended for six months and left NBC shortly after. What was that like to go through as a family? 'Anything that feels loud, like people are talking about you and all of that, is horrible,' says Williams. 'I think it's the underbelly of the media – it happens all the time, they eat their own. Everything just goes back to its fundamental priorities – family, friends, people who matter.' In the recent criticism of nepo babies, Williams has always been admirably upfront and unguarded about her advantages. 'Aside from all the many layers of privilege, high on the list is the fact that I could pursue a career in acting without being worried that I wasn't going to be able to feed myself. I had been surrounded by people who did what I wanted to do.' It didn't seem like an unreachable dream when Tom Hanks and his wife, Rita Wilson, were family friends. When she was still at high school, she got a summer job as a production assistant on Robert Altman's A Prairie Home Companion and got to be around its starry ensemble cast, which included Meryl Streep. 'Having had that experience gives you a leg-up when finally it's your turn and you have to know how to be on a set and how it all works.' Gratitude seems to be a defining theme in Williams' life. She is happy she is not starting out now. There was huge hype around Girls during its six-year run, which ended in 2017, but she can't imagine what that would be like with social media now. (Williams came off Instagram in 2020 – a time, she felt, when the platform was becoming more cynical and toxic.) It was, she says, as if there were 'a gazillion think pieces about every episode that we did – and most thought we all took ourselves too seriously. We were all pretty privileged people who were the leads of this HBO show that was definitely skewering our own, but we weren't given credit for that, or for being in on it.' Some of the criticism was valid – it was set in New York, yet was overwhelmingly white – but much of it was misogynistic and more. 'The shame is that, when it is coupled with misogyny and fatphobia and everything, the valid criticism gets lost.' Some of the coverage was so mean, she says with a laugh, especially on Gawker, which didn't describe the lead characters by their names, but as the daughters of the famous parent each actor had. 'We were easy targets, I get it.' For a while, Williams struggled with people assuming she was inseparable from her character, Marnie, a narcissist verging on sociopathy. 'I really desired to put distance between us, because I thought that was the kind of acting everybody respected – like, I'm wearing a prosthetic nose and I gained 40lbs, or whatever. And here [our characters] were, who looked basically like we looked and sounded like we sounded, but crucially said and did things that we would never do. It always felt weird that, since we didn't transform ourselves in some way, people weren't buying us playing characters.' Mostly though, she says, it was an amazing experience. Will there be a reunion? 'I would love it,' says Williams. 'I know that Zosia [Mamet, who played Shoshanna] has been pushing for a spin-off, which I would voraciously consume and try to elbow my way into. I kind of want us all back together. It was so fun and it was the beginning of my career, so I didn't have the perspective I have now on just how lucky we were, or to know how unusual a creative experience it was.' For those of us who loved Girls, I can think of nothing better – four hilarious, horrendous humans, no scary AI doll in sight. Allison Williams' podcast, Landlines, is available now. M3gan 2.0 is in cinemas on 27 June
See - Sada Elbalad
19-06-2025
- Entertainment
- See - Sada Elbalad
Blumhouse Acquires 50% Rights to "SAW"
Yara Sameh Blumhouse, the maker of horror hits like 'Insidious' and 'Five Nights at Freddy's,' has acquired the rights to all future 'Saw' movies, shows, and other properties featuring the murderous Jigsaw. The company paid an undisclosed amount for the part of the franchise currently owned by producers Oren Koules and Mark Burg. In statements, Koules said it felt like 'the right time to pass the baton,' while Burg said he wanted to 'move on and tell new stories.' Lionsgate, which has released all 10 films in the series to the tune of more than $1 billion at the global box office, will continue to be a partner in the property. It will also owned its existing 50% ownership stake in and distribution of future installments. With the deal, the franchise makes its way back to James Wan, who directed the original, blood-soaked 'Saw' in 2004. Wan's Atomic Monster label merged with Blumhouse in 2024. The company's list of films includes 'Get Out,' 'The Purge,' 'M3GAN' and 'Annabelle.' Jason Blum, founder of Blumhouse, said that 'Saw' had 'defined a generation of horror.' 'Its cultural impact continues to grow, making this a strategic investment in one of the most recognizable and successful genre properties of the last two decades,' Blum added. The Blumhouse CEO said that Wan and Leigh Whannell, writer of the first film, will be brought 'back in the fold' and will help guide the future of the franchise. ''Saw' holds a special place in my heart,' Wan said, adding, 'coming back to this world with a fresh perspective is both thrilling and deeply personal. For me, this will mark a significant creative return to the 'Saw' franchise for the first time since the early days, and I'm very much looking forward to embracing the original spirit whilst pushing the legacy forward in bold, unexpected ways.' CAA Evolution served as sole financial advisor in the transaction. read more New Tourism Route To Launch in Old Cairo Ahmed El Sakka-Led Play 'Sayidati Al Jamila' to Be Staged in KSA on Dec. 6 Mandy Moore Joins Season 2 of "Dr. Death" Anthology Series Don't Miss These Movies at 44th Cairo Int'l Film Festival Today Amr Diab to Headline KSA's MDLBEAST Soundstorm 2022 Festival Arts & Culture Mai Omar Stuns in Latest Instagram Photos Arts & Culture "The Flash" to End with Season 9 Arts & Culture Ministry of Culture Organizes four day Children's Film Festival Arts & Culture Canadian PM wishes Muslims Eid-al-Adha News China Launches Largest Ever Aircraft Carrier Sports Former Al Zamalek Player Ibrahim Shika Passes away after Long Battle with Cancer Lifestyle Get to Know 2025 Eid Al Adha Prayer Times in Egypt Business Fear & Greed Index Plummets to Lowest Level Ever Recorded amid Global Trade War Arts & Culture Zahi Hawass: Claims of Columns Beneath the Pyramid of Khafre Are Lies News Flights suspended at Port Sudan Airport after Drone Attacks Videos & Features Video: Trending Lifestyle TikToker Valeria Márquez Shot Dead during Live Stream News Shell Unveils Cost-Cutting, LNG Growth Plan Technology 50-Year Soviet Spacecraft 'Kosmos 482' Crashes into Indian Ocean News 3 Killed in Shooting Attack in Thailand
Black America Web
17-06-2025
- Entertainment
- Black America Web
Racial Justice, Mystery and a Lot of Ass Kicking in RZA's New Movie
Source: Melissa Nyomi Stoll / Melissa Nyomi Stoll RZA's new film One Spoon of Chocolate opens on a lonely stretch of Ohio highway. A handsome brother probably in his twenties is shooting phantom jump shots. A passing car of young white girls offers a lift. They leave laughing and flirting, his arms wrapped comfortably around two of them. But that seemingly harmless kindness is a setup: what happens next is brutal and chilling. They stop at a convenience store. The giggling girls ask him to buy them some snacks. When he exits the store, the girls are gone and he's pummeled by black hood wearing. bat-wielding white men. Blood seeps the asphalt. The next scene is even more horrific and from this vicious opening salvo, One Spoon of Chocolate plunges into Karensville—a small town that behind its quaint façade is teeming with racial violence, mystery and terror based on some 'real sh*t.' 'It's Get Out meets Rambo ,' says lead star Shameik Moore who most recently thrilled audiences in Spiderman. 'RZA is family. We've been working together for seven years. This one is art. This one is a very bold swing at being unapologetically Wu-Tang. Representing the culture in all the ways that we need it right now. It's exciting. 'It's about brotherhood,' reveals RZA. 'Redemption, which every man wishes he could find or is seeking it. And even more important, entertaining, provoking, and inspiring the audience is my mission. And I think this film does that.' Blair Underwood who plays a parole office describes the film as 'a great action film, a vigilante film.' and Shameik as a 'beast.' STAY INFORMED! CLICK HERE TO SIGN UP FOR OUR NEWSLETTER! The movie is set in a modern yet timeless American rust belt, the film follows Unique (Shameik Moore), a wrongly convicted soldier newly released, as he seeks healing with his cousin, Ramsey (RJ Cyler). Instead, they discover an underbelly of horror and racism, a sheriff and his white paramilitary buddies terrorizing the Black youth—disappearances, ugliness, violence and a chilling mystery. Unique's martial arts come alive as he fights back, carving his own path of redemption. True to RZA's signature style, the martial arts choreography blends old-school kung fu cinema with the raw intensity of modern street combat. The fight scenes are tightly staged and brutal, with Shameik Moore's Unique using fists, feet, and blades in battles that feel both artful and desperate. RZA worked with longtime collaborators from the Wu-Tang stunt team. Every punch, kick, and parry reflects Unique's inner struggle — as much about reclaiming dignity as defeating his enemies. RELATED STORIES: Method Man and Redman Kickoff The Tom Joyner Fantastic Voyage Wu-Tang Clan Announces 'Wu-Tang Forever: The Final Chamber' Tour RZA first dropped hints in 2012 about a piece revolving around social unrest and martial art-cinema fusion. Over a decade later, production kicked off in April 2024 in Atlanta, with principal photography wrapping by July, spearheaded by a cast including Michael Jackson's daughter Paris Jackson, Blair Underwood, and Shameik Moore. The movie world finally got its first look at the Tribeca film festival this month. Radio/TV personality Jazmyn Summers was there for Radio One to bring you the tea. RZA who won acclaim for The Man with the Iron Fists, says he's planning more films, 'If the universe allows it, I'll be making more movies for us. Movies are the culmination of all my art into one thing. Music is only now like a part of my brain. movies are my full brain,' he tells Summers. RZA co-produced the film with Talani, his wife of 16 years. 'I asked my wife if we should build a new house or make a movie,' he discloses, 'She said 'what do you wanna do? I said make a movie and she said I got your back.' The secret to their long loving marriage? 'We love each other and she is my best everything. Best friend. Best best best. That has to be the foundation,' he dishes. As for bad habits, 'Bad habits. I think I got rid of them, 'he laughs. Blair Underwood confesses his bad habits, 'Sweet sweets. My favorite candy is my wife, Josie,' he jokes. Underwood says the secret to a strong marriage is, 'being great friends first and listening. I'm a better person today than I was two years ago… it's a lot of learning and listening and understanding.' He and wifey Josie Hart have been married two years. READ MORE STORIES: Racial Justice, Mystery and a Lot of Ass Kicking in RZA's New Movie MFT: Marcus Jordan Remembers His First Stellar Awards Red Carpet MFT: Eric Benét Remembers His First Snoop Dogg Smoke Sesh Moore's bad habit is, 'I overthink a lot. I'm a Taurus.' And he invited the single ladies to come find him. 'But catch me in real life,' he warns 'not online'. Cyler says his bad habit is 'Chewing gum. My wife don't like it because I smack when I chew,' he laughs, Wendell Pierce who came to support the movie and will star in Superman as newspaper editor Perry White winked that his bad habit is a little naughty 'Ooh, I can't talk about that on any media platform but I don't do it with other people.' One Spoon of Chocolate draws blood and emotion in equal measure—a visceral call to arms wrapped in familial bonds and modern relevance underlining that redemption is never just physical—it's deeply human. With this one, RZA proves he's not just making movies—he's building a legacy not just in music but in film. You can catch some of the convos with the actors below Source: Jazmyn Summers / Jazmyn Summers Article by Jazmyn Summers. Photos and video by Melissa Nyomi Stoll of Melshotya You can hear Jazmyn every morning on 'Jazmyn in the Morning 'on Sirius XM Channel 362 Grown Folk Jamz . Subscribe to J azmyn Summers' YouTube . Follow her on Facebook and Instagram. SEE ALSO Black America Web Featured Video CLOSE
