Latest news with #MantraOfTheCosmos
Perth Now
3 days ago
- Entertainment
- Perth Now
Zak Starkey's warning for new Oasis drummer: 'Don't f*** it up'
Former Oasis drummer Zak Starkey has warned new sticksman Joey Waronker, "Don't f*** it up" The Mantra Of The Cosmos star - who is the son of Beatles legend Sir Ringo Starr - had some stern advice for his replacement on the upcoming Oasis Live '25 Tour, noting that the Britpop band are "smart" and know when something is off. Asked for his advice for the newcomer ahead of the biggest reunion tour of all time, which kicks off on July 4 in Cardiff, he told NME: 'He's not a mod is he? Don't f*** it up. Make sure you get your tempos right, them boys know. They're smart. They're some of the smartest musicians I've ever met. Whether it's fast, it's slow, they're bang on it.' Zak also spilled that The Cosmos' recent track, Domino Bones, was originally intended to be a Noel Gallagher's High Flying Birds song. The recently ousted Who drummer - who is joined by Happy Mondays' Shaun Ryder and Bez and Oasis bassist Andy Bell in the supergroup - said: 'Noel sent me it about a year ago and said, 'This might be better for your band than mine [High Flying Birds]'. It didn't work for his band because of the hip-hop element because of Shaun. 'I took the music off and started from the ground up. At first, my version was hip-hop. We were gonna do Later… With Jools Holland and Noel went, 'There's only drums on this, what the f*** am I supposed to play?' I wrote the music and it worked. It's heavy, it's mad, it's crazy. Noel's part is beautiful when it drops.' Zak is still reeling that he isn't going to be behind the kit for Oasis' first tour in 16 years. He said: 'We had this tune before that. Noel called me on my birthday to tell me I wasn't in [Oasis]. He didn't know it was my birthday though! I would like to be in it, because they're my favourite group of my generation. The thing about groups that you love – like The Who or Oasis – is that it's not a job. It's about protecting music so that no **** does it wrong, because for so many people it's a job and they don't really care. 'When it's your favourite band, you pick up the phone and you're like, 'F****** hell!' It's completely different to everything else. I f****** love Oasis. I always did. I always had this thing with Liam [Gallagher] for years from the mid-90s where I'd go, 'Alright Daffers? Still the greatest rock'n'roll singer in the world?' and he'd go, 'Alright Zakky Wakky, still the greatest rock'n'roll drummer in the world?' This went on for years until I was in [the band]. I couldn't believe it.'
Yahoo
6 days ago
- Entertainment
- Yahoo
Zak Starkey Says He Was ‘Retired' Not ‘Fired' From the Who, According to Roger Daltrey
Zak Starkey clarified that he was apparently not 'fired' from the Who, but rather 'retired.' The drummer took to Instagram on Monday night to detail a phone call he had with Roger Daltrey about his much-discussed departure from the band. 'I had a great phone chat with Roger at the end of last week which truly confused both of us!!!' Starkey wrote. 'Rog said I hadn't been 'fired'…I had been 'retired' to work [on] my own projects. I explained to Rog that I have just spent nearly eight weeks at my studio in Jamaica completing these projects, that my group Mantra of the Cosmos was releasing one single at the beginning of June and after that had run its course ( usually 5/6 weeks ) I was completely available for the foreseeable future….Rog said 'Oh!' and we kind of left it there- On good terms and great friends as we have always been.' More from Rolling Stone New Who Drummer Scott Devours: 'The Weight of This Responsibility Is Enormous' The Who Tap Billy Idol, the Joe Perry Project, and More for Farewell Tour Openers The Who Part Ways With Drummer Zak Starkey (Again) Ahead of Farewell Tour He added, 'Gotta love these guys. As my mum used to say 'The mind boggles!!!'' Earlier this month, ahead of the Who's farewell tour, Pete Townshend announced that the band had parted ways with Starkey, their current drummer. 'After many years of great work on drums from Zak the time has come for a change,' the guitarist wrote today on his official Instagram. 'A poignant time. Zak has lots of new projects in hand and I wish him the best.' Starkey confirmed his exit in a response to Townshend's post: 'I was fired two weeks after reinstatement and asked to make a statement saying I had quit the who to pursue my other musical endevours this would be a lie. I love the who and would never had quit. So I didn't make the statement ….quitting the who would also have let down the countless amazing people who stood up for me (thank you all a million times over and more) thru the weeks of mayhem of me going 'in an out an in an out an in an out like a bleedin squeezebox x.' Starkey's official departure came just a month after their drummer of three decades was fired and rehired by the band in the span of a week. Rumors had previously swirled that the group was unhappy with his performance when it played a pair of Teenage Cancer Trust charity shows at London's Royal Albert Hall in March. Scott Devours, who has worked with Daltrey on his solo project, will replace Starkey for the upcoming tour. 'It's hard to express the tsunami of emotions that I'm processing since that incredible news,' Devours shared on social media after the announcement. 'The amount of positivity thrown my way has been overwhelming, I truly thank you all from the bottom of my heart. Also, please don't ask me for tickets, lol.' Best of Rolling Stone The 50 Greatest Eminem Songs All 274 of Taylor Swift's Songs, Ranked The 500 Greatest Albums of All Time
Yahoo
6 days ago
- Entertainment
- Yahoo
Zak Starkey on Being Fired, Rehired, and Fired Again by the Who: ‘These Guys are F-ckin' Insane'
The past few months have been quite a head-snapping time for Zak Starkey. The roller coaster began April 16 when the Who fired the drummer after three decades of solid work ('The band made a collective decision to part ways with Zak'), continued three days later when Pete Townshend announced Starkey was back in ('Zak is not being asked to step down from the Who'), and climaxed a month later when Townshend reversed himself ('After many years of great work on drums from Zak, the time has come for a change'). In a new interview with Rolling Stone, Starkey says he still isn't sure exactly where he stands with Townshend and Roger Daltrey, who are kicking off a world tour July 20 in Italy. 'I spoke to Roger last week,' Starkey says via Zoom from his home studio. 'He said, 'Don't take your drums out of the warehouse, we might be calling you.' What the fuck? These guys are fuckin' insane! I've been fired more times than Keith Moon in ten days.' More from Rolling Stone Roger Daltrey Receives Knighthood for Contributions to Music and Charity: 'It's a Wonderful Honor' Take the World's Hardest Quiz: The Who New Oasis Merch Drop Arrives Online Ahead of Band's Reunion Tour At this point, Starkey truly has no clue what's happening with the Who, even if the safe money is on Scott Devours playing drums on their upcoming tour as planned. Starkey is focusing most of his attention on his new Britpop supergroup Mantra of the Cosmos, which features Shaun Ryder and Mark 'Bez' Berry of the Happy Mondays, and Andy Bell of Oasis. Their new track 'Domino Bones (Gets Dangerous)' — with special guest Noel Gallagher — just dropped, and more songs are on the way. We chatted with Starkey — the son of Ringo Starr — about the formation of Mantra of the Cosmos, his feelings about Oasis touring without him, his long tenure in the Who, what happened behind the scenes as he was fired, un-fired, and fired again, and his feelings toward Townshend and Daltrey. Let's start with Mantra of the Cosmos before we delve into the madness of the Who. What are the origins of this group?In 2020, a good friend of mine named Hartwig Masuch, who was the CEO of BMG, came to me with an idea of a Britpop supergroup…. I was like, 'A Britpop supergroup? You think I'm going to call Johnny Marr, Liam Gallagher, and Paul Weller, and they'll go, 'Wow, what a fuckin' great idea that is! Let's all get our egos in one room and it's gonna go great!' I went, 'I'm only a bit cool. But I know those guys, and they're really cool. And even I don't want to do that. If I'm not in, they won't be.'' So, what finally compelled you to form the band?I did a two legs of an American Who tour a few years back. And I found myself warming up to the Happy Mondays every night. I've always loved the Mondays. My favorite vocal performance has always been 'Tart Tart.' And one of my favorite lyrics. It's just so real. We finished the tour, I went down to Jamaica, and I just thought, 'Wow, a supergroup based on beat poetry with Shaun Ryder. That would be amazing! And Andy Bell too! He thinks outside of the box.' So, I called Shaun and told him the idea. He goes, 'How many times are you going to get asked to join a new group in your sixties? Let's do it.' I said, 'Will your friend [Bez] do it?' He goes, 'He already is. He just doesn't know yet.' And then I called Andy and he said he'd do it too. At one point, I thought it would be great to get Sting because he might enjoy playing one note for 14 minutes a night instead of 500. But [Happy Mondays] manager Alan McGee talked me out of it. It turns out he talked me out of it because he didn't want us to get successful and shut down the Mondays, and he'd lose his biggest fuckin' paycheck. That's far as I'm concerned! We've got this crazy, experimental thing going on. But we recorded two songs and got a deal with BMG, which was such a great deal that I knew it would never last. But we did get a great deal of money because these guys changed music. I just had an idea, but these guys changed music completely. And we did four shows, and then I started suggesting we put our own money in, but Alan McGee was on the floor, needing a defibrillator. How did Noel Gallagher get on the new song, 'Domino Bones?'Noel thinks Shaun is like Britain's Bob Dylan. As soon as I started this group, I got texts from Noel Gallagher saying, 'You've got Britain's Bob Dylan. Send the tunes. Whenever you've got a tune, just send it.' Noel listened to a track I sent him, and said, 'It's all fuckin' drums. What am I supposed to play?' I said, 'Gimme a week.' And I wrote music to it and put the pretty piano on it. I used at least half of one of Noel's choruses. I used one of Shaun's too. It's really a remix, but they're such nice guys I gave them both a third of the publishing. Are you hoping to book shows soon?Thera are no plans to do that because the ripple effect of Oasis, Happy Mondays got offers they can't refuse. And Andy's in the greatest rock band of my generation. So, basically, no plans to play live. If we played live without them, it wouldn't be the concept of the whole thing. When you first head about Oasis reforming, did you hope they'd ask you?I was in the Who. And last time they asked me, I was in the Who, and it got a bit weird. But this time, I talked to them both. I did tell them both on text, 'Why the fuck aren't I in your band, man, helping make it the greatest rock band in the world again?' What did they say?They said, 'You're in the Who.' And Liam is happy working with Joey [Waronker] since they've been working with him for a while now. In the Who, was it tougher to please Roger or please Pete?Financially, philosophically, or sexually? it's really hard to answer because I don't want to make anyone sound like they don't know what the fuck is going on in music, but with me and Pete, we catch fire. Pete calls it 'catching fire.' When we start, it's almost like be-bop with two Fender stacks. He's Charlie Parker with a Stratocaster. He kicks everything off. I don't listen to the bass player much. I listen to Roger. And in my left in-ear is just Pete, nothing else. If he turns his tone down a bit, I can hear everything he does. And I can read his glute. He used to stand in front of me and stare in my eyes. That was kind of intimidating. But after about two weeks, he goes, 'Now we can communicate musically because we'd been doing that.' I can stare at the back of your head, and it still works. Last year, Pete told that if was in charge of the band lineup, he'd get Simon Phillips on drums and Pino Palladino on bass. Did that upset you?Look at my Instagram. I texted him and said, 'You made me sound like the last chicken in the shop, dude.' He said, 'I meant my solo group. I want you in the Who.' I said, 'Are you going to call them up and change it? You aren't, are you?' So he sent me all these lovely messages going, 'You're the greatest guy for the Who.' And he said he loved what me and my wife had done in Jamaica with our group. And he loved what the Mantras were doing. I posted the first part about how I'm great in the Who. And then I thought to myself, 'You've already crossed the line, so you might as well post the other part where he says you're great at everything.' The next morning, I got this text that read, 'Have you gone mad? What's wrong with you? What the fuck is happening?' I said, 'You haven't read it, right? Someone told you.' I sent him a screenshot. He goes, 'OK, leave it. That's cool.' And I said, 'It really helps since I'm a nepo baby.' He goes, 'I'm a nepo baby too,' since his dad was a bandleader. He goes, 'I get it.' He's the coolest fuckin' guy. During that whole time recently, Pete was a tower of strength to me. What an amazing guy. When you rehearsed with the band for the Royal Albert Hall a few months back, did things seem OK? Was everything normal?You're fuckin' with me. There's nothing normal about them. These are the most crazy … you've got an abstract, conceptualist artist who thinks the band is an art installation. And then you've got another guy who is a street fighter. It's all very weird. But if you look at the group ever since they started, it's the craziest group. And they've undertaken the crazy ideas, whether the rest of the guys understood it or not. Pete has taken so much on himself. He'll lock himself away for two years, come away with Quadrophenia, and go, 'You guys can just play on top.' You're dealing with two very, very different people. And when me and Pete catch fire, probably anyone's going to get lost. And probably anyone will. But we won't. When we're onstage, it's like we're fucking. Offstage it can be a little awkward after those 15 minutes. But onstage, It's like, 'Cigarette, darling?' What happened at the Royal Albert Hall. I know it was your idea to play 'The Song Is Over.'I've already got my gravestone. It says, 'Zak Starkey, the song is over.' What happened during that song? Roger stopped it after a came in four bars early. And I just sent him an e-mail going, 'I watched you on TV last night, you were off.' It's 30 years in the group. It's like a family. But he came in four bars early. And he just asked for the drums to be turned up, and he couldn't hear the piano. But I love Roger. He never misses a note. His voice is still so pure. It's like a laser beam. He always nails it. They've not changed one key since the start of conceptual art as rock & roll. But he just got lost. He blamed it on the drums being too loud, and then it got made into this huge social media thing. And it freaked him out and he's going around doing solo shows, and saying it's 'fake news.' But it wasn't me. I was in the car and gone before they finished the last acoustic song. There was no argument in the dressing room. Nothing. I was halfway home by the time they finished. You were fired a few weeks later. What happened?I got fired. Why?I dropped two beats. I've watched that film three times. I'm looking on the floor, and I can't see it. If I drop two beats, where the fuck are they? Did this supposedly happen during 'The Song Is Over' or a different song?I've got no idea. It was all a bit vague. It was just like, 'You're getting fired.' And Pete had to hang in there with Rog because I think it was…I don't know. I'm not going to name names or who did what. But Pete called me and said, 'Are you strong enough to fight for your job back?' I said, 'I'm not strong enough to have you do it for me. I don't want you doing it.' And then a week later, Pete called me and said, 'How do you feel now?' I was like, [sad, whiny voice] 'Can I have my job back, please? Please can I have my job back?' They said, 'OK, well you have to do a public apology and admit you dropped two beats.' So I did. I posted that little toy duck playing the snare drum. Pete called me and said, 'Try again without the duck.' I took the duck out, and I got my job back. And then 10 days later, I got a call saying 'It's never going to work. We want you to put out a statement saying you're moving on to do your own thing.' And I said, 'But I'm fuckin' not.' So I just left it and didn't do it. It would be a lie. I'd never leave the Who. I love the Who. I'd also never let down so many people who fuckin' stood up for me. They were like, 'We saw that show. It wasn't you.' But it got uncomfortable with that sort of negative attitude to Roger, and I didn't want that to happen again. And then Pete did that statement that was so Pete. If you ask Pete what time it is at 2:00, he starts talking, and it's 2:15 by the time he tells you. And so it was a bit like that. And I just wrote over it. I wrote, 'This is a load of bollocks, man. I got fired. I was asked to say this, and I'm not going to say it because it's a fuckin' lie. Just because it's the Who, I'm not going to let you walk all over me. We've had 30 years of great music. But I'm also not going to let it fuck me up. I'm going to tell the truth.' Within a week, me and Roger were talking on the phone. Pete and I text all the time. We text about other stuff. But with Roger, we always talk about the Who. He goes, 'We haven't fired you. We've retired you.' I go, 'What's the fuckin' difference? You're the one at retirement age. What's happening?' He goes, 'You've got so much going on with your other projects that we don't think you've got time to dedicate to the Who.' I said, 'You're doing 17 shows, man, in like a month. I've just been to Jamaica for seven weeks. I finished everything. I'm completely available.' And Roger went, 'Oh.' And I sort of left it there because I didn't want to confuse things. If it wasn't your playing, what do you think caused this? Was it maybe financial?Roger is quite renowned…. I once asked John Entwistle if Roger still had the money from the last Who tour. He goes, 'He's still got the money from the first one.' Roger told you not to take your drums out of their storage in case they need you. You really think there's a chance you'll be on the tour after all this?You have to ask Roger that since I don't fuckin' know. These guys are fuckin' insane. It's a good insane, and they have an addiction to friction. I've never seen anything like this. In a very short period of time, you were fired, un-fired, fired again, and now they're saying there's a chance you'll come back?You know the greatest thing about it? My record came out yesterday, it's fuckin' great, and everyone loves it. And everyone knows about it. [Laughs] And everyone wants to talk to me because of the Who. You've gotten more press in the past few months than any other time in your history.I'm the most famous drummer on the dole … welfare. I was on welfare as a teenager. I got thrown out of both parents houses simultaneously. I've got no idea why, but I was addicted to EVO-STIK glue at the time. My mom would be like, 'What's that? A beard?' And I was covered in glue. It seems like you largely blame Roger for what happened.I don't blame anyone. I don't hold any grudges. It's the Who. Weirder shit than this has gone down. I've heard them say weirder shit than this. It's the Who — the maddest band there's ever been. If they asked, you'd come back despite everything that's happened?Oh, man, of course I would. I said to Pete, 'Thirty years. In the 30 years, you put the bar so fuckin' high. What the fuck do I do now?' And I don't even just mean musically, but lyrically. Because if you're in a band, you've got to know what the words mean so you can transmit it properly. It's really fuckin' important. I said to Pete, 'What do you suggest?' I mean, the guy demands 200 percent every night, everything you've got. When you get back to the hotel, you're not physically tired. You're mentally tired from the whole conversation of it. It's like them jazz players that are counting to 24 in five seconds. Do you think Scott Devours is a good drummer?I've never heard Scott, and I've never heard Joey. But I know they're not mods, and that's not a good sign. The fans are definitely on your side. Many of them are upset about you not playing drums in Oasis or the the end of the day, if you've got Liam doing his fuckin' hair on the Jumbotron and you got Pete windmillin', every seat is going to be full. The Who, you just don't know what's going to happen. If you think something is going to happen, the opposite happens. If you second guess Pete, he will play the opposite. You have to go with whatever you're doing, and not think. You're not angry?No. I'm sort of honored because they're so crazy. These things usually play out in private. This played out in public.I did that. I didn't want to get walked all over. It's sort of like the Goons meet Stanley Unwin. It was the principal songwriter of the Who, and Todger Daltrey … I'm taking the piss … have decided to sack the drummer and bringing formal charges of over-playing, which is what I was told first. The first thing they said is that I was overplaying. 'What? I'm just playing what that guy plays, no more.' I don't think Roger liked that very much. Then Pete did that weird thing and I went public…it's because I'm not famous. I'm not a member of the Who. Who would want their problems? They asked me [to formally join the band] in 2006, and I was like, 'I don't want your problems, Pete. I don't want to sit in a fuckin' room with Roger and you and get involved, and get a little badge that says, 'Hey, I'm in the Who.' I can't work with anyone else, and the money is exactly the same.' But I didn't feel it was right for them to force me to lie. Who told you to lie? Management?It was management. And when I told Roger that, he went, 'Well, he's his own man.' But he's fired me twice. Was that his fucking idea? We're talking about Bill Curbishley here?Yeah. But Bill is my friend. He's the fairest manager I've ever met. And he fired me twice, and told me I was retired. When I told Roger that, he gave me this bullshit about having all this work to do that I can't do 17 gigs in the Who. Roger said that Bill is his own man. What a load of bullshit. What a lot of bollocks. He's not his own man. You can't start hiring and firing drummers because you're the manager. It's the band's course it is. I'll let you go in a second, is exciting, isn't it? It's like a Who album. It's like a fucking roller coaster, man. It's like Meaty Beaty Big and Bouncy. I'm seeing your dad tomorrow at Radio City.I'm very proud of him standing up for me. What did he say?He said, 'I've never liked the way that little man runs that band.' Best of Rolling Stone Sly and the Family Stone: 20 Essential Songs The 50 Greatest Eminem Songs All 274 of Taylor Swift's Songs, Ranked
The Independent
17-06-2025
- Entertainment
- The Independent
Mantra of the Cosmos: Sons of Beatles legends record new track
Sean Ono Lennon and James McCartney have collaborated with Zak Starkey, Ringo Starr 's son, on a new song called 'Rip-Off' as part of the supergroup Mantra of the Cosmos. Zak Starkey, formerly of The Who, shared a sample of the song on Instagram, noting that Shaun Ryder and James McCartney also contributed vocals. Mantra of the Cosmos, formed by Starkey in 2023, includes Shaun Ryder, Mark 'Bez' Berry, and Andy Bell. This collaboration follows Lennon and McCartney's earlier release of ' Primrose Hill ' in April 2024, hinting at more collaborations to come. Zak Starkey was recently left The Who. Pete Townshend has announced his replacement as Scott Devours.
Perth Now
17-06-2025
- Entertainment
- Perth Now
Three members of the Beatles' sons feature on new Mantra Of Cosmos tune Rip Off
Three Beatles members' sons feature on a new song. Sir Ringo Starr's son Zak Starkey, Sir Paul McCartney's son James McCartney and the late John Lennon's son Sean Ono Lennon have come together on the Mantra Of The Cosmos song Rip Off. It's not the first collaboration between offspring of the legendary Liverpool band, with Sean and James having teamed up in 2024 on the track Primrose Hill. Zak has insisted his supergroup - which also includes Happy Mondays stars Shaun Ryder and Bez and former Oasis bassist Andy Bell - do not sound anything like the Fab Four. He recently told The Telegraph: "No it's not. "It's like Mantra Of The Cosmos with them in it. It's Sean of the Cosmos and James of the Cosmos, it's still my band." Zak previously shot down suggestioning he and Sean were forming a band together on social media after a picture of the pair set off the rumour mill. He wrote: 'If we had spent 3 years sleeping on flea infested mattresses in the back room of a Hamburg club it might have chemistry. 'But we have been swaddled in silken robes in houses so big that it's too far to go and make a piece of toast – seen?' The latest tune comes after the group released 'Domino Bones (Get Dangerous)' featuring Noel Gallagher. Zak also insisted in his interview with The Telegraph that he isn't as wealthy as the other children of the Beatles. The 59-year-old drummer is the eldest of Ringo's three children with late hairdresser Maureen Cox and he's adamant he doesn't have the same kind of wealth as the other Beatles offspring, because they inherited money from their parents while Zak's mum died penniless in 1994. He told the newspaper: "[The others have] loads of money because their dads are dead. James' mum [Linda McCartney] is dead. Left him a lot of money. "[But] my mum died skint with a whole desk-full of brown envelopes that she never opened because she spent all her money on her friends." Zak - who recently lost his gig drumming with The Who - added of his financial woes: "And now I haven't got a job." The sticksman was let go by the band earlier this year before being welcomed back and then dismissed once again, and Zak's departure was put down to disagreements over his performance at a gig at the Royal Albert Hall in London in April but he's convinced it was the product of tensions that have plagued the band for years. Zak claims The Who's Pete Townshend went along with the decision to part ways with the drummer for a second time because he didn't want to disagree with frontman Sir Roger Daltrey. He told the publication: "What happened was I got it right and Roger [Daltrey] got it wrong ... I watched the show and I can't find any dropped beats. Then Pete had to go along with it because Pete's had 60 years of arguing with Roger ... "I don't blame anyone. I blame The Who because they're unpredictable, aggressive and f****** insane." He went on to reveal he's written to music legend Bob Dylan to ask if he needs a drummer, but hasn't heard back from him. However, Zak's drumming days with The Who might not be over for good. He added: "I spoke to Roger last week and he said: 'Don't take your drums out of [The Who's] warehouse yet in case we need you'. I said: 'Best let me know.'"
