logo
Olivia Rodrigo & Ed Sheeran Perform ‘The A Team' in Surprise London Duet

Olivia Rodrigo & Ed Sheeran Perform ‘The A Team' in Surprise London Duet

Yahoo12 hours ago

Olivia Rodrigo welcomed Ed Sheeran to her stage for a surprise duet of 'The A Team' in London on Friday night (June 27). Together the two pop hitmakers, guitars in hand, strummed and sang Sheeran's debut single for the U.K. crowd at Hyde Park's BST (British Summer Time) concert series, where Rodrigo was performing ahead of a headlining slot at Glastonbury later this weekend.
Post-show, Sheeran shared footage of the moment on Instagram. The performance video shows the two musicians harmonizing on the chorus of 'The A Team.'
More from Billboard
'Let's Get Sexy': Cardi B Hits LadyLand Stage After Surprise Guest Scarlet Envy Brings the Drama
Adrian Quesada's Psychedelic Journey: How the Black Pumas Co-Founder Delved Into Latin America's Romantic Past
LL Cool J Gives Fans an NYC Rap History Crash Course in 'Hip Hop Was Born Here' Trailer
'Been a fan of Olivia's since Drivers License blew my mind back at the start of 2021,' he wrote. 'Both albums are no skips for me, I'm a proper fan. We first met at the rock and roll hall of fame back in 2022, sat next to each other with her mum and my dad and went on to hang and keep in touch from there.'
Of his Friday night plans, Sheeran said, 'Was gonna go watch the show anyway but she hit me and asked to sing The A Team with her, which was such a buzz. That song turns 15 this year, and I remember playing it to rooms with no one in it in 2010, so to still be playing it to new fans with one of the brightest stars of the next generation is an honour and a privilege. Rock Glasto headline Sunday @oliviarodrigo , UK loves you x.'
'you are the best ever ed!!! appreciate you so much. last night was a blast,' Rodrigo commented on the post Saturday morning.
Also spotted at Rodrigo's Friday gig was a smiling Sabrina Carpenter who enjoyed the show from the balcony, as seen in photos published by the Daily Mail.
'The A Team,' first released in 2011, was Sheeran's first song to chart on the Billboard Hot 100, peaking at No. 16 in 2012.
Following Rodrigo's concert, on Saturday Sheeran posted another treat for fans on TikTok: a short mashup of his 'Perfect' with Rodrigo's 'Happier,' sung together.
Sheeran previously praised Rodrigo's 2021 breakthrough hit, 'Drivers License,' as a flawless debut single, and noted both her debut and sophomore full-length albums, Sour and Guts, are 'unskippable… it's just, as a record, just a great record.'
Watch the Rodrigo-Sheeran performance clips courtesy of Ed's social media pages below.
Best of Billboard
Chart Rewind: In 1989, New Kids on the Block Were 'Hangin' Tough' at No. 1
Janet Jackson's Biggest Billboard Hot 100 Hits
H.E.R. & Chris Brown 'Come Through' to No. 1 on Adult R&B Airplay Chart

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Beyoncé and Jay-Z dominate Paris as celebrity drives fashion's biggest trend
Beyoncé and Jay-Z dominate Paris as celebrity drives fashion's biggest trend

San Francisco Chronicle​

time19 minutes ago

  • San Francisco Chronicle​

Beyoncé and Jay-Z dominate Paris as celebrity drives fashion's biggest trend

PARIS (AP) — If any force swept through the fashion industry this season — and sent shockwaves around the globe — it wasn't a new silhouette or a daring color. It was the spectacle of celebrity. Star power eclipsed fabric and form, transforming the runways of Paris Fashion Week into arenas where A-list icons, K-pop idols, and digital megastars didn't just attend — they became the main event. As the week wraps up Sunday, it's clear: the world is watching not for what's worn, but for who's wearing it. Beyoncé and Jay-Z didn't just attend Louis Vuitton's blockbuster show — they became the story. As they swept into the Pompidou Center, the entire mood shifted. Cameras flashed. Phones shot skyward. Even before the first look hit the runway, images of the couple rocketed around the globe. The scene encapsulated a truth that every major brand — from Louis Vuitton to Dior, Hermès to Saint Laurent — now understands: The real front row isn't in Paris, but on Instagram, TikTok and Weibo. And nothing sells quite like a star. Beyoncé's head-to-toe denim look — a custom Louis Vuitton creation by Pharrell Williams — sparked headlines worldwide and instantly set the tone for the season. Her ensemble, complete with a cowboy hat and Western belt, became one of the most shared images of fashion week, underlining just how quickly a star's wardrobe can ignite trends far beyond the runway. Her Cowboy Carter tour, however, hasn't been without controversy — a T-shirt worn in Paris referencing Buffalo Soldiers drew criticism online this week from some Indigenous and Mexican communities. And when Williams presented her with a Speedy bag straight from the runway, the moment went viral — striking a powerful note that Beyoncé isn't just an attendee, but the face of Louis Vuitton's creative vision. This is the new dynamic of luxury: The most coveted runway seat is now in your hand, and what matters most isn't just what you see, but who you see wearing it. It's a story that's been told before — celebrity eclipsing fashion — but in a year of global uncertainty, the urge for escapism and the power of star-driven fantasy have reached a new intensity. Show, not just tell: Fashion as spectacle What once was a private preview for buyers and editors is now a worldwide entertainment event. Williams, Louis Vuitton's showman-in-chief, turned his runway into a snakes-and-ladders fantasy with a guest list to match: Beyoncé, Jay-Z, K-pop royalty J-Hope and Jackson Wang, reggaeton star Karol G, and Hollywood names like Bradley Cooper and Mason Thames. Each arrival triggered waves of posts and stories — making the crowd as newsworthy as the collection itself. The modern runway has become a stage for celebrity, where the applause is measured in views and viral moments, and the line between performer and spectator disappears. No other force is shifting menswear trends faster than K-pop. This season, stars like J-Hope, Jackson Wang, GOT7's Bambam, and NCT's Yuta were everywhere, livestreaming shows and igniting fashion frenzies from Seoul to Sao Paulo. These idols are both tastemakers and trend translators, instantly transmitting what they see in Paris to millions of fans. Their attendance has become a commercial event in itself, driving the adoption of new styles on a global scale. Beyoncé effect Beyoncé's 'Cowboy Carter' moment and Louis Vuitton's nod to Western style sent cowboy hats, flared denim, and rhinestone shirts trending worldwide. Brands scramble to turn these viral moments into wearable trends — knowing that what Queen Bey wears in Paris will be copied in malls and on apps within weeks. 'We make fashion, but we're a house of travel,' Williams told reporters. In truth, it's the celebrity's journey through fashion that matters most. The old fashion cycle is gone. It's been said before. Where trends once took months to trickle down, now a celebrity-worn look can reach the high street soon after the show lights dim. TikTok and fast fashion brands move at the speed of the repost. At Hermès, even the discreet luxury of woven leather tees and wide trousers took on new meaning as athletes and music stars documented their attendance. Their posts quickly turn exclusive details into mass-market 'must-haves.' It's a process that global platforms like Shein and Temu have weaponized — transforming a viral runway or celebrity moment into affordable, shoppable trends in a matter of days. The result: What debuts on the Paris catwalk can show up in online shopping carts from Atlanta to Addis Ababa almost instantly. Beneath the celebrity glow, classic trends endure. Streetwear is still king, with oversized silhouettes, soft tailoring and activewear influences everywhere from Dior to Dolce & Gabbana. The Hermès 'cool city guy' and Dolce's pajama dressing — rumpled but rich — are direct answers to how men want to live and move now. But even these trends go mainstream through star power, not just design. The models might debut the look, but it's the front-row faces who make it stick. Williams' very appointment as Louis Vuitton's menswear creative director — a chart-topping musician handpicked by LVMH chief Bernard Arnault in 2023 — was itself a statement: In today's industry, celebrity doesn't just influence fashion, it leads it. Everyone's invited now All this spectacle reflects a bigger shift. Fashion isn't just about what's in — it's about who's in the room, and who's watching. At Armani in Milan, at Saint Laurent in Paris, at every show, a galaxy of K-pop, Hollywood, and music stars now drive the narrative. For Gen Z and Alpha, the runway is no longer about aspiration — it's about participation, sharing, and living in the moment. The 'show' has become the product. In 2025, the biggest trend in men's fashion isn't a garment at all — it's the show itself. And in a season defined by heat, hype and headlines, it's clear: celebrity is the new couture, and we're all in the front row.

The Story Behind Doechii's Vivienne Westwood Glastonbury Looks
The Story Behind Doechii's Vivienne Westwood Glastonbury Looks

Vogue

time24 minutes ago

  • Vogue

The Story Behind Doechii's Vivienne Westwood Glastonbury Looks

Since emerging on the scene, Doechii has become as well known for her eclectic style as her viral hits—from preppy Thom Browne at the Grammys to cool-girl Miu Miu at the BET Awards. But for the rapper and singer's debut Glastonbury appearance, which saw her headlining the West Holts stage on Saturday night, there was only one designer that fit the bill: Vivienne Westwood. 'It's this iconic British festival, so we really wanted to use an iconic British brand,' Doechii's Australian-born stylist Sam Woolf tells Vogue over the phone from Bristol ('I don't know where that is!'), a day before the performance. 'We both were like, Vivienne Westwood is a no brainer – she's always been a brand that [Doechii's] consistently loved.' Doechii wore a trio of Vivienne Westwood looks for her Glastonbury the opening look, the pair—who 'talk every day'—wanted to convey the idea of 'Doechii's School Of Hip-Hop,' the theme of her Glastonbury set, with the singer arriving on stage with her fellow classmates (ie her backing dancers, also dressed in Vivienne Westwood), ready for class. 'Essentially, Doechii is attending the school of hip-hop, and we've done that in a preppy, fun and sexy way; a very camp Vivienne Westwood way,' Woolf says of the singer's tartan miniskirt, featuring a tutu bustle, and cropped shirt. 'It's about individuality; expressing yourself—every dancer is in a different look.' Of course, it wouldn't be Glastonbury without an outfit change or two, with Doechii's second look arguably being the most iconic of them all: a remake of Kate Moss's striped micro mini from Vivienne Westwood's spring 1994 Café Society collection, teamed with a bralette featuring the VW orb as nipple pasties (Moss famously went topless on the runway). 'It doesn't do much,' laughs Woolf of the lack of bust support offered by the piece. 'We wanted to lean into this sexy office siren girl.' Kate Moss walking for Vivienne Westwood's spring/summer 1994 collection. Getty Images Naomi Campbell on Westwood's spring/summer 1994 runway. Condé Nast Archive Another '90s super provided the inspiration for the final look: Naomi Campbell, and specifically the striped top and matching pants that she also wore on the spring 1994 runway. 'We really wanted to do something cool and preppy but still sexy,' Woolf explains of the Easter egg offered up to fashion fans. 'It's not like 'Oh, that's the iconic look Naomi wore', it's more like, if you know Vivienne Westwood and the history you'd know it.' What else could be more fitting for Doechii's Worthy Farm debut than paying tribute to two of the UK's most famous fashion exports? 'We thought it was the perfect time to reference Kate and Naomi,' Woolf says. 'Obviously, Kate is such a reference and style icon [at] Glastonbury.' Who knows, maybe the super was even watching on from the VIP area, 30 years after she famous took to the runway, licking a Magnum.

Glastonbury Bosses ‘Appalled' by Bob Vylan's ‘Death to IDF' Chant at Festival
Glastonbury Bosses ‘Appalled' by Bob Vylan's ‘Death to IDF' Chant at Festival

Yahoo

time29 minutes ago

  • Yahoo

Glastonbury Bosses ‘Appalled' by Bob Vylan's ‘Death to IDF' Chant at Festival

Glastonbury bosses have said they are 'appalled' by comments made by rap duo Bob Vylan during their performance at the festival yesterday. Rapper Bobby Vylan of the group led crowds on the West Holts Stage in chants of 'Free, free Palestine' and: 'Death, death to the IDF [Israel Defence League]'. More from Rolling Stone Kneecap Hit Out at Keir Starmer, Rod Stewart at Much-Discussed Glastonbury 2025 Set Neil Young's Glastonbury Set Will Livestream on the BBC After All Lewis Capaldi Makes Triumphant Return at Glastonbury: 'I'm Back, Baby!' Responding in a statement shared to social media by festival boss Emily Eavis, organizers said they were 'appalled' by the comments. 'Glastonbury Festival was created in 1970 as a place for people to come together and rejoice in music, the arts and the best of human endeavour. As a festival, we stand against all forms of war and terrorism. We will always believe in – and actively campaign for – hope, unity, peace and love,' a statement read. 'With almost 4,000 performances at Glastonbury 2025, there will inevitably be artists and speakers appearing on our stages whose views we do not share, and a performer's presence here should never be seen as a tacit endorsement of their opinions and beliefs. 'However, we are appalled by the statements made from the West Holts stage by Bob Vylan yesterday. Their chants very much crossed a line and we are urgently reminding everyone involved in the production of the Festival that there is no place at Glastonbury for antisemitism, hate speech or incitement to violence.' A similar statement was issued by the BBC as they confirmed that the set will not be available to watch on demand. 'Some of the comments made during Bob Vylan's set were deeply offensive,' they said. 'During this live stream on iPlayer, which reflected what was happening on stage, a warning was issued on screen about the very strong and discriminatory language. We have no plans to make the performance available on demand.' Police are also assessing the footage of their set to see if any offences have been committed, while The Independent reports that Culture Secretary Lisa Nandy has spoken to BBC Director General Tim Davie 'to seek an urgent explanation about what due diligence it carried out ahead of the Bob Vylan performance'. Bob Vylan were performing shortly before Kneecap, who delivered one of the most anticipated sets of the weekend. The festival had faced pressure from figures including Keir Starmer to cancel the performance after the band's Liam O hAnnaidh was charged with a terror offence after it was alleged that he unfurled a Hezbollah flag and said 'up Hamas, up Hezbollah' at a gig at the O2 Forum in Kentish Town late last year. Bob Vylan are comment to respond to Glastonbury's comments. This story was originally published by Rolling Stone UK. Best of Rolling Stone Sly and the Family Stone: 20 Essential Songs The 50 Greatest Eminem Songs All 274 of Taylor Swift's Songs, Ranked

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store