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Scarlett Johansson faced 'extraordinary circumstances' on Jurassic World Rebirth set, Entertainment News

Scarlett Johansson faced 'extraordinary circumstances' on Jurassic World Rebirth set, Entertainment News

AsiaOne5 days ago
Scarlett Johansson had to contend with some "extraordinary circumstances" on the set of Jurassic World Rebirth.
The 40-year-old actress — who stars in the new movie alongside the likes of Jonathan Bailey, Luna Blaise and Mahershala Ali — filmed Jurassic World Rebirth in places like Malta and Thailand, and Scarlett admits that she found it to be an "insane" yet rewarding experience.
Speaking to People, she shared: "We all laughed a lot, and we were thrown into such extraordinary circumstances physically.
"Half our set would wash away, and then ten minutes later it would grow too large, and there's no continuity to anything because the sun was moving in. It was just insane."
Scarlett recalled one particularly scary experience when they were filming in Thailand.
She said: "When we first got to Thailand, we had to do a camera test of the full costume and all that stuff and just putting all the pieces of the costume together and then standing in a mosquito-infested bush, I was like, 'This is really happening'."
In another scene, Scarlett wore a harness to navigate her way down a cliff. And the Hollywood star now admits that it was a painful experience.
She said: "We wore harnesses under our actual harness.
"You have a movie harness that looks like a harness, then you have an actual harness that's hooked up to a line, because you're not actually abseiling, you're on a stunt rig.
"I was happy to say goodbye to the harness!"
Meanwhile, Scarlett recently made her directorial debut with Eleanor the Great, the drama movie that starred June Squibb.
The actress subsequently revealed that she found directing to be a "really rewarding" experience.
She told Extra: "I have a different perspective on just the process of, you know, pre-production and then what goes on after we all leave. I think, as an actor, you're hoping that the director sees kind of what you were doing and follows, you know, pulls the right thread and all of that stuff, but you don't know.
"You have no, kind of, control over it and now, you know, having experienced the other side of it, it just gives you, I think, an interesting insight into how people, other directors make their choices and the process that they go through to, you know, make it all happen.
"It's a lot of work, but it can be really rewarding."
Scarlett premiered the movie at the Cannes Film Festival, and she relished walking the red carpet with the film's stars.
The actress-turned-director said: "Just being able to stand alongside Erin Kellyman and June Squibb after the film premiered and feel the warmth of the audience and the love from the audience for the film and for the incredible performances in it, it was such a moving moment."
[embed]https://www.youtube.com/watch?v=jan5CFWs9ic[/embed]
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Scarlett Johansson faced 'extraordinary circumstances' on Jurassic World Rebirth set, Entertainment News
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AsiaOne

time5 days ago

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Scarlett Johansson faced 'extraordinary circumstances' on Jurassic World Rebirth set, Entertainment News

Scarlett Johansson had to contend with some "extraordinary circumstances" on the set of Jurassic World Rebirth. The 40-year-old actress — who stars in the new movie alongside the likes of Jonathan Bailey, Luna Blaise and Mahershala Ali — filmed Jurassic World Rebirth in places like Malta and Thailand, and Scarlett admits that she found it to be an "insane" yet rewarding experience. Speaking to People, she shared: "We all laughed a lot, and we were thrown into such extraordinary circumstances physically. "Half our set would wash away, and then ten minutes later it would grow too large, and there's no continuity to anything because the sun was moving in. It was just insane." Scarlett recalled one particularly scary experience when they were filming in Thailand. She said: "When we first got to Thailand, we had to do a camera test of the full costume and all that stuff and just putting all the pieces of the costume together and then standing in a mosquito-infested bush, I was like, 'This is really happening'." In another scene, Scarlett wore a harness to navigate her way down a cliff. And the Hollywood star now admits that it was a painful experience. She said: "We wore harnesses under our actual harness. "You have a movie harness that looks like a harness, then you have an actual harness that's hooked up to a line, because you're not actually abseiling, you're on a stunt rig. "I was happy to say goodbye to the harness!" Meanwhile, Scarlett recently made her directorial debut with Eleanor the Great, the drama movie that starred June Squibb. The actress subsequently revealed that she found directing to be a "really rewarding" experience. She told Extra: "I have a different perspective on just the process of, you know, pre-production and then what goes on after we all leave. I think, as an actor, you're hoping that the director sees kind of what you were doing and follows, you know, pulls the right thread and all of that stuff, but you don't know. "You have no, kind of, control over it and now, you know, having experienced the other side of it, it just gives you, I think, an interesting insight into how people, other directors make their choices and the process that they go through to, you know, make it all happen. "It's a lot of work, but it can be really rewarding." Scarlett premiered the movie at the Cannes Film Festival, and she relished walking the red carpet with the film's stars. The actress-turned-director said: "Just being able to stand alongside Erin Kellyman and June Squibb after the film premiered and feel the warmth of the audience and the love from the audience for the film and for the incredible performances in it, it was such a moving moment." [embed] [[nid:719777]]

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Jurassic World Rebirth (PG13) 133 minutes, now showing ★★★☆☆ The story: Five years after the events of Jurassic World Dominion (2022), dinosaurs are extinct everywhere except for a narrow band around the tropics, because the zone most closely resembles the prehistoric Earth in which they once flourished. Mercenary Zora Bennett (Scarlett Johansson) leads a team that includes fellow ex-soldier Duncan Kincaid (Mahershala Ali) and palaeontologist Henry Loomis (Jonathan Bailey). They have been hired to raid an island to collect biological samples from three of the largest dinosaurs. Their mission is interrupted by a distress call from a family, whose sailboat has strayed too close to the danger zone. If the synopsis sounds familiar, that is because it was meant to be – the seventh movie in the franchise is a deliberate return to roots. And this is a welcome return, not because Jurassic World Rebirth itself is good – as nostalgia trips go, it is merely okay. But it was time for the series to shed its bloat. In the fourth to sixth films (Jurassic World, 2015; Jurassic World: Fallen Kingdom, 2018; Jurassic World Dominion), dinosaurs were normalised as theme-park attractions before becoming widespread all over the world. The creatures were sometimes the danger, but other times, an evil corporation was the baddie. The stories became a sprawling, loosely-connected set of adventures fronted by an action hero, Chris Pratt's velociraptor trainer Owen Grady, a character written to be generically likeable and therefore instantly forgettable. Rebirth reins it all in. The reptilians are now confined to one place because of 'science'. This set-up allows director Gareth Edwards to set up a heist movie - get in, get the goods, get out alive - with a focus on a single group. This he does extremely well, as he showed in previous character-driven action pieces that include the rebooted Godzilla (2014) and space fantasy Rogue One: A Star Wars Story (2016). Top stories Swipe. Select. Stay informed. Singapore 3 out of 4 in Singapore cannot identify deepfake content: Cyber Security Agency survey Singapore New $7.5m fund to encourage social service agencies to track impact of their programmes Singapore GrabCab, Singapore's newest taxi operator, hits the roads with over 40 cabs to be rolled out in July Life Star Awards 2025: Xiang Yun and Chen Hanwei are the most decorated actors in show's 30-year history World Paramount settles with Trump over '60 Minutes' Harris interview for $20 million Asia Dalai Lama says he will have successor after his death Business Cathay Cineplexes gets demand for $3.4 million in arrears from Jem landlord Singapore Man charged over allegedly receiving scam proceeds of more than $1.5m in his firm's bank accounts Where it all falls apart lies in the film's role as a corporate product that must have sequel potential. This means that main characters wear plot armour that protects them from death or serious injury – this reduces the emotional stakes considerably. Supporting characters with an instantly recognisable feature – an accent, or exaggerated machismo or a distinct headband - are marked for a gruesome death, a fact that becomes as clear as a face tattoo the moment they appear. The monster attack scenes are tension-filled, but weakened considerably by questionable computer graphics and character choices that make no sense, with exhibit No. 1 being the fact that someone would take a tiny sailboat anywhere within a thousand kilometres of a dinosaur island. As the covert operative who is the perfect yin-yang combination of toughness and empathy, Zora is made believable only by Johansson's abilities as an actress. Double Oscar winner Ali is also outstanding as her equally capable teammate; only an actor of his calibre can believably deliver dialogue about grief and heartbreak in one scene, then fight plane-sized raptors in the next. If Rebirth does well at the box office – and there is no reason to think that it would not – viewers are set for at least two more films featuring Johansson and Ali, with Edwards directing. It would be hard to think of three people more capable of carrying the franchise. Hot take: A competently crafted but predictably safe return to form that succeeds mainly through stellar performances, rather than genuine storytelling innovation.

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