
BTS' RM and SEVENTEEN's Seungkwan advise TXT's Soobin on variety show behavior: 'Go and be loud'
Soobin expresses desires for more variety show invitations for Radio Star debut
The July 16th episode of Radio Star, which aired on the YouTube channel MBCentertainment, featured Soobin as guest. It marked one of the very few variety show appearances that the TXT leader made, delighting fans. Expressing his nervousness and aspirations for variety show appearances, Soobin candidly discussed his group's lack of invitations.
He stated, 'I have ambitions for variety shows but our group isn't really known for being that funny, so we haven't been invited to many.' To make his appearance in Radio Star worthwhile, he resorted to the guidance of senior K-pop idols of his company.
What advise did Soobin receive from RM and Seungkwan regarding variety shows?
Soobin received hilarious but realistic advise from BTS leader RM and SEVENTEEN's Seungkwan regarding variety show behavior. RM used his high IQ and came up with the answer, 'Go and be loud. Go all out.' The warm sentiment expressed by RM didn't come as a surprise to fans, who know him to be a kind-hearted individual. They lovingly dubbed him the "Most supportive senior."
Soobin might have sought his words of wisdom as he is reputed for tackling interviews with maturity and sharp wit. The TXT leader turned to for advice was Seungkwan– the variety show specialist. Recalling their conversation, Soobin said, 'I told him I don't have any special talents or impressions, but he just replied, 'What kind of personal skills? Just go!''
Check out the full episode featuring Soobin here:
Upon hearing that, MC Kim Gura chimed in with a playful remark, 'Seems like no one around you is giving you any real advice', leaving the cast in stitches.

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In a now-viral video, Manju Devi is seen threatening the singer: 'If I see him, I will behead him… 28 cases have already happened and the 29th will be this one where I kill him.' Semwal has written to West Delhi Deputy Commissioner of Police (DCP) Vichitra Veer, requesting action against the woman. 'The woman who is threatening me may either have me killed or may falsely implicate me in a serious case and get me imprisoned. Therefore, I humbly request you to kindly take strict legal action against this woman and her associates who are threatening me,' read the complaint, a copy of which ThePrint has seen. ThePrint also reached the DCP via phone calls but did not receive any response. This report will be updated if and when a response is received. Semwal, who launched his own label, Bhuvaneshwari Production, in 2018, under which the controversial song was released, called the government's actions oppressive. 'This is a tanashahi sarkar (dictatorial government). 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Acknowledging that even during Congress rule, there was criticism from artists and citizens, she pointed out that 'the government then never responded with FIRs or legal threats'. 'The BJP government is not addressing real issues like unemployment or youth welfare. Instead, it continues to obsess over Muslims, madrasas, UCC, and 'jihad',' she added. The state government defended its record. 'The development work of the Dhami government is resonating across Uttarakhand. Its popularity is rooted in these efforts. Under the guidance of Prime Minister Modi and the capable leadership of Chief Minister Dhami, the state is progressing steadily,' the BJP's Uttarakhand chief spokesperson Manvir Singh said in a written statement to ThePrint. 'Politics rooted in negativity and propaganda is not productive. The people are aware of every motive and, as always, will respond wisely,' he added. 'Bob Dylan of the hills' Semwal isn't the first singer in the hills to use music as a form of resistance. Before him, prominent singer Narendra Singh Negi, often called the 'Bob Dylan of the hills', used Garhwali folk music to satirise those in power. His iconic Nauchami Narayana—a satirical 2006 song in the Jagar style known for its unique ability to adapt to various cultural and religious contexts—directly targeted then Congress chief minister Narayan Dutt Tiwari. The song mocked Tiwari's alleged misuse of power, red beacon culture, corruption and nepotism, portraying him as a 'Kalyug avatar'. It quickly went viral, with CDs and DVDs flying off shelves across the state. The song was banned and party workers burnt his effigies on the roads across the state. The government's attempts to ban and seize the song only intensified public outrage. Many political observers believe the backlash played a role in the Congress party's defeat in the 2007 Uttarakhand Assembly elections. The trend continued in 2012, when Negi released Ab Kathga Khailo, a sharp critique of former BJP Chief Minister Ramesh Pokhriyal 'Nishank'. That song was also widely blamed for the BJP's poor performance in the state elections that year. Negi remains celebrated locally for his fearless approach, taking aim at both the BJP and Congress with equal vigour. For many locals in Uttarakhand, these folk songs have served as powerful expressions of public sentiment, giving voice to frustrations often ignored by the political establishment. 'We felt heard when these songs came out,' said 50-year-old Vikas Uniyal, a resident of Rishikesh. 'We were exhausted by endless bureaucratic hurdles and the lack of real change. Even Semwal's song gave language to what many of us were already feeling.' But Semwal said folk artists have long been neglected in the state. 'What have these political leaders ever done for our culture or for artists? One artist creates employment for three to four others — musicians, dancers. What is the government doing for them?' Anoop Nautiyal, a social activist and founder of the Social Development Communities Foundation, a Dehradun-based NGO, called the government's response disproportionate. Nautiyal told ThePrint that even without the controversy, the song would not have had the kind of impact that Negi's Nauchami Narayana had nearly two decades ago. 'The government went overboard with this one. The song wouldn't have affected them electorally at all,' he said. 'This is the age of social media, trends, and virality. People would have seen it and moved on by the time elections came around. Instead, the government should focus on core issues like hospitals, schools, roads, and governance.' He added that the shelf life of creative work today is far shorter than it was in the past. 'Back then, a song could live in the public memory for months, even years. Today, something is only relevant until the next viral trend comes along.' (Edited by Sugita Katyal) Also Read: 'Sheesh Mahal' jibe returns to haunt BJP as Dhami's pool & Rekha Gupta's 'Maya Mahal' come under Oppn fire