
The Coach Bag Andy Sachs Is Carrying Tells Us Everything About Her Style Now
As The Devil Wears Prada 2 buzz builds, people aren't just curious about the plot - they're watching what Anne Hathaway's Andy Sachs will be wearing. It's been a while since we saw her first step into the fashion world, nervous and unsure, trading her lumpy blue sweater for designer looks. Her latest accessory choice speaks volumes about where her style stands now, and that's clear from the vintage Coach Metropolitan Briefcase she's been spotted carrying on set.
It's not a flashy Chloe Paddington or a oversized Balenciaga City Bag drowning in bag charms or a Labubu's. Instead, it's a satchel with history - the kind of bag that's been around since 1987, built to last, with real character (no pun intended).
Strutting the streets of New York, she's pulled the vintage Coach bag a few times to what we can only assume are days in the office. Our favourite look thus far has to be the crisp all-white ensemble - Phoebe Philo top and Nili Logan cotton-blend tapered pants - topped off with Modellerie spiked leather heels from Prada.
Satchels like this have always been practical but stylish, favoured by people who want something functional but classic. Fashion insiders rarely wear the loudest pieces in the room. The more experience someone has in the industry, the more their style tends to strip back - fewer logos, quieter choices, better cuts, better materials.
And now, decades later, these older models are almost impossible to find - especially in good condition. When they do surface on resale sites, they rarely stick around for long, often selling anywhere from £200 to £500 depending on the wear and colourway.
The Metropolitan Briefcase fits into that world easily. It's structured, well-made, and doesn't ask for attention. Andy carrying it says a lot. It's not a stretch to say she could have any designer bag she wants and she's not interested in keeping up with trends or chasing the latest drop. Andy's Coach satchel is a quiet reminder that sometimes, the best style is the one with history behind it. 1.
Coach Leather Satchel 2.
Coach Gotham Slim Briefcase 3.
Coach Caleb Work Bag
Renee Washington , Grazia's digital fashion and beauty writer, lives online. With a penchant for wispy lashes and streetwear, she writes about the worlds of fashion and beauty from the viewpoint of the modern fashion girlie..
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BBC News
3 hours ago
- BBC News
Friends dress as Beefeaters to cheer on cyclists
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Times
7 hours ago
- Times
Does the Devil still wear Prada?
It takes a lot to get New Yorkers excited, but a lot is what they are getting. The city's streets are being used to shoot the sequel, out next year, to perhaps the best film about fashion ever made, The Devil Wears Prada, and the stars — from Meryl Streep as Miranda Priestly to Anne Hathaway as Andy Sachs, by way of Stanley Tucci and Emily Blunt — are back almost 20 years later, giving it their best front row. Sightings so far have included Priestly, the soi-disant devil herself, looking her signature mix of chic and terrifying in assorted variations on the theme of soft tailoring, her attitude anything but soft, plus Sachs in … well, read on for my thoughts on her get-ups. The editrice of Runway may be on the back foot. (Rumour has it that the plot hinges on her having to secure advertising dosh from one Emily Charlton, Blunt's once-eschewed character, now working at a posh label, to save her magazine.) Yet Priestly is, needless to say, still dressing the part. • Devil Wears Prada 2 cast start filming and New Yorkers catch a glimpse Something has shifted, however. What Priestly wore the first time around, when the original film came out in 2006, signalled nothing but her dominance. This time, for those within the industry at least, it reads slightly differently. To look so very, very smart, so very, very corporate, is to come across as a tad out of touch — a tad (whisper it) over the hill. That Priestly hasn't switched up her look would suggest she hasn't switched up other things and, during an epoch of seismic change in fashion and — arguably even more so — the media, this is not the best signalling. Funnily enough, the individual upon whom Priestly is modelled, Anna Wintour, 75, also continues to wear what she has worn for decades. In her case it's a Prada (yep) fit and flare print dress, Manolo Blahnik nude heels and a Borgia's worth of jewels at her neck. Oh, and those shades, of course. Last month it was announced that she is stepping back as editor-in-chief of American Vogue after 37 years but will continue as Vogue's global editorial director and chief content officer for its parent company, Condé Nast. There is nothing about either woman's person to suggest that they are aware of the revolution in the way people dress, in which streetwear-inflected casual — fuelled by, incongruously, the Silicon Valley bros on the one hand and the hip-hopification of the world on the other — has become king. There is nothing about their looks that signals a youthful attitude, flexibility or that they might be up for listening as well as talking. They come across as (forgive me) uptight. That many real-world women would still love to look like this is, in fashion land, beside the point. When it comes to Andy Sachs, in contrast, the costume designer Molly Rogers — who worked under the legendary Patricia Field on the first film and, prior to that, on the original Sex and the City television series — has definitely moved things along. Rogers had to, of course, given that the transformation of Sachs from fashion numpty to quintessence was the Pygmalion narrative at the heart of the original Devil Wears Prada. It was based on the 2003 book by Lauren Weisberger, which was in turn inspired by her time working as one (yes, one) of Wintour's assistants. Sachs is seen wearing denim (blue and white; jeans, jumpsuit and skirt), once verboten on the front row, now ubiquitous. She is seen code-switching, pairing what would once have been a humble white tee but definitely isn't any more (hers is from the ultra spenny Phoebe Philo) with statement jewellery, or sporting the kind of sandals that once meant you had bunions but now come stamped with the double-C of Chanel. • Read more fashion advice and style inspiration from our experts And she is also seen channelling an aesthetic that might charitably be called kooky, in the form of a multicoloured maxidress that to my eyes looks like the unfortunate love child of a Mondrian painting and a doll loo roll cover but that — should you demur — can be yours for just over six thousand quid courtesy of the label Gabriela Hearst. Rogers's points of reference here are clearly the new generation of 'devils', women such as Chioma Nnadi, who heads up British Vogue, Claire Thomson-Jonville, another Brit who has — remarkably — been allowed to take charge at French Vogue, and Chloe Malle, the daughter of the film director Louis Malle and the actress Candice Bergen, who runs and is the favourite to take over Wintour's role at American Vogue. These are women who live in denim, embrace streetwear, boho and quirkiness, and who — in the case of the ever lovely and not remotely devilish Nnadi — don't even carry a designer bag. It's not that they don't wear Prada. They most definitely do, though it skews towards the more streetwear end of the brand's operation. (Yes, the savviest brands have moved on their offering over the past couple of decades too.) Nnadi, for example, has a fabulous feather-strewn Prada hooded parka: Oasis meets Edith Sitwell. Yet they are just as likely to be seen in more low-key (in everything aside from price) labels such as Totême or The Row, or in a flea market find, or in something they picked up on holiday in Formentera, or even on — shh — the high street. (The last three are the ultimate humble brags these days and are certainly not ones you would find in the wardrobes of La Wintour or La Priestly.) It's not that their styles are the same. Nnadi — to my mind the most interesting dresser of the triumvirate — is the most eclectic and colourful, and the most streetwear-inflected. There's something very London about her garms. Malle is the New York version of similar, skewing a bit more polished and a bit more look-what-I-found-in-my-grandmother's-attic (given her lineage, that must be quite some attic). Thomson-Jonville is all about the perfect white tee/blue jeans/black dress. She is, pleasingly, out-Frenching the French. • 'Anna Wintour? I found her efforts to seem intimidating almost comical' What unites them is that they couldn't be less interested in looking chic. Cool is their thing. Better — or worse, depending on your outlook — they are rarely even seen in heels. Yes, these days the devil wears New Balance and likes a gong bath. It's hard to underline what a move-on this is in terms of the front row aesthetic. When Nnadi took over in London in 2023, it was more than a little entertaining to watch the Voguettes dump their heels and tailoring in favour of the Adidas three-stripe. I have to say at this point, however, that I don't think any of them would be seen dead in any of what appear to be Sachs's on-duty looks. The hip denim ensembles, sure. But the weird corporate cosplay — to wit a grey suit, a retro black ruched top, try-hard heeled boots and a bag so large and unwieldy as to give a run for its money the one from the last series of Succession that became its own meme — definitely not. Can this be the missing link, plot-wise? That Andy still hasn't got her wardrobe properly sorted? Bring on next May.@annagmurphy


Daily Mail
8 hours ago
- Daily Mail
Pia Whitesell dons $3,370 designer jacket as she steps out for dinner in Malibu with husband Patrick Whitesell
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