
Nicki Minaj Launches Personal Attack On Jay-Z & Mocks Megan Thee Stallion, Social Media Goes To War With Barbz
The First Lady of YMCMB is currently feuding with Jay-Z, accusing him of owing her over $100 million, possibly due to her deal with Tidal after Jay sold it in 2021 for $300 million. Last month, she retweeted her fans complaining that she didn't get her cut from the nine-figure deal.
'We've calculated about 100-200MM so far. #JayZ call me to settle this karmic debt. It's only collecting more interest. You still in my TOP 5 tho. Let's get it n***a. And anyone still calling him Hov will answer to God for the blasphemy,' she tweeted.
She followed up the claim with a positive spin on how she would spend the money, writing, 'I'm going to use some of the money #JayZ owes me to send some of my Barbz to college, pay their school fees & student loans via my #StudentOfTheGame charity.'
Minaj didn't stop there and went off with the insults by joining fellow Queens rapper 50 Cent in trolling Jay about his pending paternity case concerning his 32-year-old alleged son, Rymir Satterthwaite.
'Jay z is trending because the Judge has granted Raymir request to move forward with his case! And the judge has demanded Jay z to respond to Raymir paternity lawsuit! By July 18th,' reads the screenshot 50 Cent posted.
Minaj reposted it, with the caption reading, 'Oh is this why he was trending the other day? Idk. I hope all is well. To God be the glory.'
She didn't stop there and then set her sights on Jay-Z's friend and Roc Nation ceo Desiree Perez's family drama as she fights allegations of abusing her daughter, fanning the flames with the caption, ' Oh no what's going on @theshaderoom ?!?!!!!!! Help!!!!!!'
Minaj also reignited her beef with Megan Thee Stallion via Roc Nation by reposting a DJ Akademiks post over the two parties' failed attempt to get a lawsuit dropped. The suit was filed by a former employee of the Houston rapper who claims she twerked on him without his consent and that she had sex with someone in a car while he was in the backseat.
See how social media is reacting to Minaj's rant below.
Nicki Minaj Launches Personal Attack On Jay-Z & Mocks Megan Thee Stallion, Social Media Goes To War With Barbz was originally published on cassiuslife.com

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Los Angeles Times
a day ago
- Los Angeles Times
‘Lords of Dogtown' hits 20, plus the week's best movies
Hello! I'm Mark Olsen. Welcome to another edition of your regular field guide to a world of Only Good Movies. Sometimes you go to a film screening and you come to realize that it is happening under optimal conditions, that the particular combination of movie, audience, circumstances and environment make for an ideal, likely never-to-be-repeated event. Such is what happened last Saturday when I went to the Academy Museum to see Walter Hill's 1984 'Streets of Fire' projected from a beautiful archival 70mm release print. Taking place in the museum's downstairs Ted Mann Theater (some folks prefer its sight lines to those of the larger David Geffen), the screening was sold out, and there was a buzzing and expectant energy in the room before the show started. Told in neon-drenched tones with a graphic visual style, the film, which bills itself as 'a rock & roll fable,' opens with a spectacular musical number that grabbed the audience and never let go from there. The story concerns a singer (Diane Lane) kidnapped by a local gang leader (Willem Dafoe) and her adventurer ex-boyfriend (Michael Paré), who reluctantly agrees to bring her back. In a conversation after the movie with K.J. Relth-Miller, the museum's director of film programs, Hill admitted that the last time he had watched it was 'about a week before it came out.' 'It's a curious movie,' said Hill, 83. 'I wanted to make a music movie and I got interested in the idea of, could I mix the action genre and the music? My previous film ['48 Hrs.'] had been a very big hit and I knew that you got to do one that they probably would never have made otherwise. And so I didn't want to blow the chance.' Hill also admitted, 'I can see mistakes that we made in it,' specifically a moment when Paré hits Lane to knock her out. 'I promise you, I wouldn't do it today,' he said. An idea that came up through the conversation was how to subvert tried-and-true story conventions and genre tropes. Hill recalled something that director Sam Peckinpah once told him. 'I remember I had a conversation once on the other side of the fence with Peckinpah when I was writing 'The Getaway,' ' Hill said. 'And I said, 'Yeah, we could approach it that way, but it's probably a cliché.' And he looked at me and he said, 'You know what a cliché is?' — I knew I was in trouble — and he said, 'Cliché is something that works.' ' On Thursday Vidiots will have a 20th anniversary screening of 'Lords of Dogtown' with director Catherine Hardwicke in person. Set in the 1970s, the film tells the story of how a group of Venice kids — the so-called Z-Boys — reinvented the sport of skateboarding, injecting it with daredevil tricks and a rebellious attitude. The cast includes Emile Hirsch, Michael Angarano, John Robinson, Victor Rasuk and Heath Ledger. Rachel Abramowitz wrote about the film's production, including how some of the real-life figures portrayed in the movie participated in the shoot, sometimes even acting as the skating doubles for the actors playing them. At one moment, Hardwicke was standing on the edge of a drained-out pool for the skaters to use and took a wrong step and fell in, knocking herself out and fracturing an orbital bone in her face. Yet even that never dimmed her enthusiasm. As Abramowitz noted, 'With her laid-back assurance and distinct vision, Hardwicke has been able to corral a lot of difficult personalities — some who have not always gotten along, as the movie well documents. Almost all the original Z-Boys and scenesters have worked on the film in various capacities, and the actors seem to look up to her.' At one point Hardwicke's direction to a group of actors in a scene was simply, 'Just keep hanging and loving life and thinking how bitchin' we are.' In his review of the film, Kevin Thomas called Hardwicke 'an inspired choice, given the insight and compassion for troubled, reckless teens she revealed so memorably in 'Thirteen.' ' He added, 'The film never loses its heart, as the limelight and spiraling competition strain friendships and incite ugly behavior but reveal a youthful vulnerability that makes the three engaging and their sometimes obnoxious, self-defeating behavior understandable under the circumstances. As in 'Thirteen,' Hardwicke has been able to inspire unsparing portrayals from young actors. … 'Lords of Dogtown' is as beautifully structured as one of the Z-Boys' graceful and intricate maneuvers. It is economic yet possesses depth and is visually striking, capturing an idea of what life is like in a very fast lane.' James Baldwin's book-length essay 'The Devil Finds Work,' completed in 1975 and first published in 1976, mixes personal memoir with insightful film criticism to become a singular work. The UCLA Film and Television Archive is launching a series to celebrate the book and Baldwin. The series opens with an evening of excerpts from relevant Baldwin-related projects, including Raoul Peck's 2017 documentary 'I Am Not Your Negro,' along with Karen Thorsen's 1989 doc 'James Baldwin: The Price of a Ticket.' Where this series should get really interesting is the decision to have most of the screenings include a reading from 'The Devil Finds Work' by some pretty noteworthy names, including author Roxane Gay, podcasters Sam Sanders and Zach Safford and actors LisaGay Hamilton, Justice Smith, Nic Ashe, Marc Anthony Howard, Kendale Winbush and filmmaker Raven Jackson. Among the films being screened are Jack Conway's 1935 'A Tale of Two Cities,' John Huston's 1942 'In This Our Life,' Julien Duvivier's 1942 'Tales of Manhattan,' William Friedkin's 1973 'The Exorcist,' and Norman Jewison's 1967 'In the Heat of the Night.' 'Powwow Highway' The Philosophical Research Society will host a screening on Friday of Jonathan Wacks' 1989 road comedy 'Powwow Highway,' which won a prize at that year's Sundance Film Festival and has since been entered into the National Film Registry. Produced by George Harrison's production company Handmade Films and the directing debut of Wacks, best known at the time as a co-producer on 'Repo Man,' the film was noteworthy for its depiction of Native American life. With a cast that also includes Wes Studi and Graham Greene, 'Highway' stars Gary Farmer, later seen in 'Dead Man' and the recent series 'Reservation Dogs,' as Philbert Bono, who sets out on a journey to help his estranged sister and renew his sense of self. In a review at the time, Sheila Benson called the film 'a little zinger of a comedy with a rare backbone of intelligence.' Austin Powers triple-bill As part of its 'Summer of Camp' series, the Academy Museum will present on Sunday a triple feature of all three Austin Powers spy spoofs, 1997's 'Austin Powers: International Man of Mystery,' 1999's 'Austin Powers: The Spy Who Shagged Me' and 2002's 'Austin Powers in Goldmember.' Jay Roach, director of all three pictures, will be there in person. I don't why, but the idea of watching all three of these movies together just makes me laugh all on its own. An unlikely cultural phenomenon that spawned catchphrases and Halloween costumes, the films are about a British secret agent (Mike Myers) in the Swinging 1960s who is reawakened from cryogenic sleep in the modern day to face off against against his archenemy, Dr. Evil (also Myers). The films feature a cavalcade of guest stars, including Elizabeth Hurley, Michael York, Robert Wagner, Heather Graham, Michael Caine and Beyoncé in her film debut. In his review of 'The Spy Who Shagged Me,' Kenneth Turan wrote, 'As these films and his earlier 'Wayne's World' demonstrate, Myers has a singular talent for skit humor. Seeing him play both the sniggering snaggletoothed Austin, 'the man who put the grr in swinger,' and the fussy, pinky-waving Dr. Evil is to see a gifted performer who knows his strengths and is not afraid of playing to them. You can get away with an awful lot of gross, juvenile humor if you've got that to fall back on.' 'Oh, Hi!' Writer-director Sophie Brooks' 'Oh, Hi!' premiered earlier this year at Sundance and hits theaters this week. Described by its co-star Molly Gordon as a 'rom-com gone wrong,' the film is about a young couple (Gordon and Logan Lerman) who spend a romantic weekend together until he admits he doesn't consider what they have going to be a committed relationship. He says this while handcuffed to a bed, and she decides to leave him there until he changes his mind. In her review, Amy Nicholson wrote, 'Pointedly and inevitably, our leads regress into Mars-Venus caricatures — he's the jerk, she's the psycho — as Brooks vents her frustration that gender tropes haven't evolved. And not for lack of trying. For months, Isaac has whipped up homemade scallop dinners, while Iris patiently played it cool. The film's core question is: How have men and women worked so hard to overcome toxic archetypes and still wound up stuck here?' I wrote a profile of Gordon, who shares a story credit on the film and is also a producer. Now perhaps best known for her supporting role on the series 'The Bear,' Gordon has also appeared in films such as 'Shiva Baby,' 'Booksmart' and 'Theater Camp,' the latter which she co-directed and co-wrote. 'Oh, Hi!' is her first leading role in a film and it was an opportunity she had to create for herself. 'I don't think I've gotten to really show this emotion or this darkness or gotten to be this crazy,' Gordon said. 'It would've been cool if it came with someone else giving me that opportunity, but it just didn't really feel like that was going to happen. So hopefully this shows people that I can do other things. But if not, I will keep trying to make my own things.' TIFF on the horizon The Toronto International Film Festival, which runs Sept. 4-14, made a few program announcements this week which brought the fall festival picture into clearer view. (Festivals in both Venice and New York made clarifying announcements this week as well.) Among the notable premieres at TIFF will be Aziz Ansari's feature directing debut 'Good Fortune,' along with films such as Jonatan Etzler's 'Bad Apples,' starring Saoirse Ronan; David Michôd's 'Christy,' starring Sydney Sweeney; James Vanderbilt's 'Nuremberg,' starring Russell Crowe; Nic Pizzolatto's 'Easy's Waltz,' starring Vince Vaughn; and Alice Winocour's 'Couture,' starring Angelina Jolie. Other Toronto titles that will also be popping up at other festivals include Gus Van Sant's 'Dead Man's Wire,' Guillermo del Toro's 'Frankenstein,' Mona Fastvold's 'The Testament of Ann Lee,' Benny Safdie's 'The Smashing Machine' and Edward Berger's 'Ballad of a Small Player.' Free screening of 'Kerouac's Road: The Beat of a Nation' On Tuesday we will have another free screening event with the documentary 'Kerouac's Road: The Beat of a Nation.' A look at the enduring influence of Jack Kerouac's 1957 novel 'On the Road,' which became a foundational work of late 20th-century counterculture, the film includes Josh Brolin, Natalie Merchant, W. Kamau Bell and Michael Imperioli all reflecting on its personal and cultural impact. Director Ebs Burnough will be there for a Q&A after the screening.


Black America Web
a day ago
- Black America Web
Kendrick Lamar Earns 4 Emmy Nominations
Source: Kevin Sabitus / Getty NEW YORK, July 24, 2025 /PRNewswire/ — Today, the Apple Music Super Bowl LIX Halftime Show Starring Kendrick Lamar earned 4 Emmy nominations as part of the 77th Emmy Awards. The acclaimed show — which was produced by Roc Nation and Jesse Collins Entertainment — became the most-watched halftime performance of all-time in February 2025, drawing an eye-popping 133.5 million viewers. The record-breaking show scored nominations in the following categories: Outstanding Variety Special (Live) Outstanding Directing For a Variety Special Outstanding Music Direction Outstanding Choreography (Variety/Reality) 'These 4 nominations are a testament to the collaboration between all involved in making this performance a reality,' Roc Nation CEO Desiree Perez said. 'Kendrick's show truly became a cultural moment that elevated the halftime show to new heights. We're so proud and thankful to Roger Goodell for his continued trust and partnership.' 'These Emmy nominations are a testament to the incredible partnership between the NFL, Roc Nation, Apple Music, and Kendrick Lamar. The Apple Music Super Bowl Halftime Show continues to raise the bar for live entertainment, and we're proud to see the creative excellence and cultural impact of this year's show recognized on television's biggest stage', said Peter O'Reilly, NFL Executive Vice President, Club Business, International & League Events. Lamar's Super Bowl LIX Halftime Show performance featured a wide array of special guest performers and appearances, including SZA, Samuel L. Jackson, Mustard and Serena Williams. The Emmy recognition underscores Roc Nation's longstanding success in curating game-changing Super Bowl Halftime performances for the NFL and comes after the organization executive produced USHER's dazzling performance in 2024. SEE ALSO Kendrick Lamar Earns 4 Emmy Nominations was originally published on


Business of Fashion
a day ago
- Business of Fashion
The Rise of ‘Ugly-Cute' Labubu Dolls, in Four Charts
No one saw 2025's hottest accessory coming. Labubu dolls, cartoonish plush toys designed ten years ago by Hong Kong-born artist Kasing Lung as part of his Nordic folklore-inspired character series 'The Monsters' and now distributed by Chinese toy maker Pop Mart, have become a viral sensation this summer. The figures, which typically cost around $20, rose to prominence after K-pop star Lisa began sporting them as bag charms last year. They've since sparked wraparound queues at malls around the world and have been spotted hanging off the handbags of celebrities including Rihanna, Dua Lipa, Central Cee and Marc Jacobs. Gen-Z and Gen Alpha customers have repeatedly sold them out; earlier this summer on TikTok Shop, a single, eight-hour live stream generated over $1.5 million in Labubu sales. With their flushed cheeks, mischievous eyes, wide grins exposing nine serrated teeth, pointed bunny ears and rotund, fuzzy bodies, Labubu dolls' popularity is baffling to many. But their 'ugly-cute' looks are precisely why they're so beloved among Gen-Z. 'Consumers, driven by the dual desire for emotional comfort and expressive individuality during challenging times, find resonance in Labubus' unique blend of innocence, irreverence, and charm,' wrote Michael Appler, vice president of marketing at Trendalytics, in an email. Their nostalgic and playful aesthetic reflects Gen-Z's disillusionment with the stark realities of adulthood during uncertain economic times. The dolls' rise to prominence is also reflective of the 'lipstick index' at work: As the cost of living soars and consumer sentiment dims, shoppers are more likely to pay for small, inexpensive 'luxuries' that double as unique status symbols. While cuteness has been trending in fashion for months now, with everything from polka dots to fruit jewellery gaining popularity, Labubus in particular have stood out. Though overall viral microtrends have slowed, the Labubu is the most visible success in a series of trending 'blind box' items — or small collectibles whose contents are sealed and unknown to the buyer at the time of purchase — with limited production that includes Smiski toys (green, glow-in-the-dark figures) and Sonny Angels (plastic, semi-nude babies collected by Bella Hadid and Victoria Beckham). The dopamine rush of these limited-edition mystery boxes also gamifies the purchasing experience, and the toys serve as an 'if-you-know-you-know' marker for fellow collectors. The collectibles' ascent has been astronomical, with the Chinese government even commencing efforts to crack down on counterfeit Labubu dolls, or 'Lafufus,' earlier this year. But despite recent bullish growth, Pop Mart's shareholders fear the collectibles will soon begin to lose traction, and that the company's success can't be sustained. Below, a look at Labubu dolls' trajectory in four charts. Trendalytics analysis found that year-on-year Google searches for Labubu soared by 9,800 percent in June. Pop Mart is also benefiting from continuing consumer interest in bag charms, which saw searches more than double this summer since 2024, while average weekly posts related to bag charms on TikTok have skyrocketed over twentyfold. In the first half of 2025, mentions of Labubu alongside Hermès generated almost $30 million in media impact value — a staggering 4 percent of total conversations around Hermès — as bag charms tapped into a desire for greater personalisation. '[The] broader cultural move toward individuality is a perfect backdrop for the rise of bag charms and, in turn, Labubu,' wrote StockX senior director of marketplace Drew Haines in an email. Rare Labubu dolls have been sold for vast premiums at auctions and on resale platforms. Since October, Pop Mart has been the number-one bestselling collectibles brand on StockX, with sales up 748 percent thus far in 2025. The toy maker, which had seen fewer than 100 trades in 2023, generated tens of thousands of sales on StockX last year. Though Pop Mart said it expects a profit jump of 350 percent in the first half of 2025, investors appear to have taken a more cautious outlook on the toy maker, likely because blind box trends tend to be volatile and lack longevity. As Labubu dolls rise in popularity, they can no longer be a secret of the 'in group' or an emblem of personal identity. If early pullback is any indication, Labubu mania may have already hit its peak.