'Supergirl': Everything you need to know about the DCU's upcoming movie
And the origin story for the Man of Steel's hot-headed cousin looks to be just as chaotic as her cameo.
This reboot promises to introduce a bolder, edgier tone to the new DC Universe—so here's everything you need to know about "Supergirl."
Look Out. 2026. pic.twitter.com/IdAvUNfcXxJuly 16, 2025
"Supergirl" is scheduled to launch in theaters worldwide on June 26, 2025. That means Supergirl will officially soar into the DCU nearly a year after James Gunn's "Superman" hit theaters.
While he's not directing the film, Gunn confirmed that principal photography for the project wrapped in May, so post-production should be in full swing by this point. So while delays aren't impossible, there's every reason to believe Supergirl's first standalone venture in the DCU will hit its scheduled release date.
The "Supergirl" movie is based 2021's 'Supergirl: Woman of Tomorrow,' an eight-issue comic book miniseries written by Tom King and illustrated by Bilquis Evely. Initially, the movie retained the comic's "Woman of Tomorrow" subtitle before Gunn confirmed in June it was shortened to simply "Supergirl."
Get instant access to breaking news, the hottest reviews, great deals and helpful tips.
This epic, space-faring adventure leans more toward the cosmic vibe of Gunn's "Guardians of the Galaxy" than the character-driven storytelling we saw in "Superman." That tonal difference should help set it apart from the Man of Steel's first outing in the revamped DCU.
The movie doesn't have an official synopsis yet, but in the comics, the story centers on a jaded Kara Zor-El (aka Supergirl) who finds herself at a crossroads. Struggling with a sense of purposelessness, she feels adrift now that her younger cousin, Kal-El (Superman), can fight his own battles and no longer needs her protection.
Just as she's on the verge of walking away from it all, a young alien warrior named Ruthye Marye Knoll pulls her into a revenge quest. As she sets out to track down Krem, who killed Ruthye's father and destroyed her home, it soon becomes a race to save Krypto's life after he's critically injured in a fight.
"We will see the difference between Superman, who was sent to Earth and raised by loving parents from the time he was an infant, versus Supergirl, raised on a rock, a chip off of Krypton, and who watched everyone around her die and be killed in terrible ways for the first 14 years of her life and then come to Earth," Gunn said in a 2023 interview with The Hollywood Reporter.
"She is much more hardcore and not the Supergirl we're used to."
So far, only a few actors have been confirmed for "Supergirl." As we said before, Milly Alcock is starring as the titular superhero Kara Zor-El. The movie will feature "3 Body Problem" star Eve Ridley as Ruthye, Matthias Schoenaerts as the villainous Krem of the Yellow Hills, and Jason Momoa in a small role as DC anti-hero Lobo.
Lobo, who doesn't appear in the "Woman of Tomorrow" comic, possesses superstrength and rapid healing abilities in the same vein as Wolverine and roams the galaxy as a ruthless bounty hunter with deadly marksmanship.
David Krumholtz and Emily Beecham are also on board as Kara's parents, The Hollywood Reporter confirmed in January.
"Supergirl" will be directed by Craig Gillespie with a screenplay by Ana Nogueira of "The Vampire Diaries" and "Hamilton" fame.
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Forbes
8 hours ago
- Forbes
‘Fantastic Four' Underwhelms, ‘Superman' Soars Higher At Box Office
Marvel Studios' summer tentpole The Fantastic Four: First Steps underwhelmed this weekend with just $118 million domestic and $100 million internationally, slightly ahead of what were frankly conservative estimates but realistically behind potential for such a major MCU release. Meanwhile, DC Studios' Superman soars higher at the box office past $500 million, after previously opening higher than Fantastic Four. Ebon Moss-Bachrach and Joseph Quinn star in "The Fantastic Four: First Steps." Fantastic Four Misses A Step In a surprise turnabout, it was Superman eating into The Fantastic Four: First Steps' weekend gross, rather than Marvel's summer tentpole acting as a speed bump for DC's cinematic reboot. Superman went from a trajectory toward $550 million to suddenly staring confidently at $600 million or more, if last weekend's upset moral victory is a sign of things to come. It's not a disaster, by any stretch (sorry, pun kind of intended), but a $218 million global bow for Marvel's biggest film of the year is not the champaign-popping result they wanted. Especially not after the previous two MCU releases this year underperformed. Fantastic Four debuting to less than Superman is a bad sign for the MCU in more ways than merely this film's own box office prospects. Marvel 'First Family' is meant to set up the two-part Avengers: Doomsday and Avengers: Secret Wars payoff, as well as setting the foundations for a soft reboot of the MCU (with X-Men serving as the other major players in laying the new groundwork). The Fantastic Four: First Steps did come in more than 10% ahead of Superman internationally, and the MCU tends to enjoy good overseas holds. However, overall lower opening weekend global sales combined with the fact Superman is holding far better than expected (particularly with families and younger viewers compared to Fantastic Four's alarming drops among those demographics), means we have to wait to see whether First Steps can match the Man of Steel's stamina. Right now, it appears Superman could wind up flying as high as $630 million, or as low as $590 million, but most likely somewhere north of $600 million at this point. The Fantastic Four: First Steps, on the other hand, might now have the more modest trajectory once anticipated for Superman. There's still a broad range of outcomes, however, because the A- Cinemascore and great 87% 'Certified Fresh" rating from critics via Rotten Tomatoes mean strong positive word-of-mouth just like Superman enjoyed, except Fantastic Four's numbers are actually a bit higher. Which usually spells good news for second and third weekend holds, particularly internationally – again, where the MCU gets most of its money. If Fantastic Four can build upon its lead with foreign audiences and make up lost ground there, it could allow the Marvel film to exceed Superman's international holds (which are still good, make no mistake, but still significantly weaker than domestic) and wind up making more worldwide despite a potentially (probably, to be frank) lower domestic haul than DC Studio's successful superhero revival. Fantastic Four And Family Films My guess is that what we're seeing is part of a much broader trend that's taking place, and it's displacing a lot of previously chart-topping genres and franchises. And it isn't a major surprise, if you follow annual box office charts much. So far this year, the top of the worldwide box office charts is dominated by family movies targeted heavily toward children and parents. China's Ne Zha II purportedly at the very top with $1.9 billion, followed by Lilo & Stitch with a huge $1 billion, A Minecraft Movie at $955 million, Jurassic World: Rebirth with $718 million to date, How to Train Your Dragon at $606 million so far, and then some adult-appealing Mission Impossible - The Final Reckoning closing out at about $595 million and F1 currently at $510 million and still going strong. Only then, at the bottom of the top 10, do we finally see Superman's $503 million gross (so far), Captain America: Brave New World at $415 million, and Thunderbolts with just $382 million. Now, these placements will change eventually, as other upcoming films inevitably bump some of these films from the top 10 box office charts. More important for the moment is that Jurassic World will remain in third place for a while, after it hits roughly $850 million. How to Train Your Dragon and Superman will face off over who has the highest $600+ grand total, with a near-tie possible. The Fantastic Four: First Steps will wind up somewhere in high-$500 millions or the $600 millions. F1 will race its way toward $575 million to perhaps even $600 million Likewise, Zootopia 2 and Avatar: Fire & Ash are both going to wind up high on the top-10 list by the end of the year, with Avatar 3 at the very top and Zootopia 2 almost surely among the top-5. So the final year-end chart will probably look something like this: Notice the top seven spots are dominated by child-leaning family movies, and the two that aren't (Avatar 3 and Jurassic World) are still popular with kids and teens as well as parents. F1 at the bottom is the only true adult drama entry on the list, the other nine being multi-demographic films with large or predominant family attendance, as well as big youth turnout overall. Superheroes are now mostly relegated to second-tier box office status and the bottom of the top-10. And even those impressive numbers for Jurassic World tell another story. Jurassic World: Rebirth is still in the weekend top-three and stomping its way toward maybe $850 million despite lousy audience grades and weak reviews. That's a big number, but it's also a huge comedown from the billion-plus box office of the preceding three chapters in the franchise. Meanwhile, the live-action adaptation of How to Train Your Dragon looks to finish around $625, which is higher than I personally expected (I figured between $500-600 million), and should become the highest grossing entry in the entire franchise, topping its animated predecessors. And of course, both Lilo & Stitch and Minecraft overperformed and are in the elite tier of the year-end box office. Ne Zha II is a whole special story, having made the bulk of its enormous gross in China, and I always have questions about how (*ahem*) accurate the accounting is. That said, it's still clearly a big hit and will get a North American release later this year, so we'll see how that goes. But regardless, it's another example of rekindled surging power of family entertainment at the top of box office charts. While family movies have always been popular and typically pepper the annual box office top-10, superhero cinema and certain other recurring tentpole franchises usually take several of the top-5 and tend to reside in the higher positions of the charts. But aside from rare billion dollar grossers like last year's Deadpool & Wolverine, superhero movies are settling into a lower tier at the box office, in the 'new normal' that sees viewers pickier about what they spend their dollars on, favoring family entertainment and looking for unique adaptations of familiar franchises. With so many superhero films and streaming series, not to mention plenty of animated superhero films and shows as well, parents and families are far less obliged to hit the multiplex for most of these pictures. Instead, they choose to watch them at home later, and reserve their theater seats for those predominantly kid-friendly family films. Unless a superhero film offers something really extra that makes it must-see, or unless it nails the appeal to families with young kids, those crucial family and youth demographics aren't as interested in keeping up in theaters. Binging on the shared-world ahead of major crossovers is easier and more appealing, it seems, and helps more easily work in viewings of the streaming shows. Fantastic Four And Marvel's Future That Marvel can't sustain the mind-boggling levels of success they enjoyed through their Infinity Saga isn't surprising, nor is it a sign of failure on their part. What Marvel is, and what it represents, has evolved and changed now. Marvel is at the 'what now?' point. Conversely, DC Studios has captured audiences' attention by stepping into that place the MCU once occupied with a fresh, fun new world being introduced, and it invites all ages to the party while everybody experiences it for the first time together. Marvel is now setting up their own soft reboot of sorts, but will audiences buy into it? They did with the DCEU's final dying gasps giving way to the newly introduced DCU in Superman, so maybe despite some underperformance for the MCU ahead of their own reset, they could enjoy some boost from the Avengers sequels coming up (although danger of underperforming always exists) and then introduce a whole new MCU that rekindles the sense of newness and joy. But even if both the DCU and MCU experience a new love affair with audiences, I suspect it will still never reach the heights of the Infinity Saga's recurring billion dollar franchise sequels and $2+ billion Avengers 'event' releases. Successful sustainable superhero cinematic universes will probably financially look more like Marvel's Phase One and Phase Two, or DCEU's first set of movies (Man of Steel, Batman v Superman, Suicide Squad, Wonder Woman, Justice League), where only the Avengers or major sequels/team-ups score $1 billion and the rest fall in the $500-700 million range. That means budgets will have to get under control, and there will be less releases each year, while streaming spinoffs become more attractive less 'tested' characters. If James Gunn and Peter Safran can guide DC Studios toward tweaking their approach in Superman but otherwise delivering on the potential to give audiences what they experienced with the original MCU build-up and payoff, then they'll be rewarded with solid success that might not quite achieve the Infinity Saga's heights, but will still be enormously successful and popular. And I'm going to say something controversial to some, but here it goes: the more Gunn and Safran make sure the rest of the DCU movies maintain the same appeal to families and kids, the more successful it will be. Dogs? Humor? All-ages fun? Yes, all around. I know everybody wants some idealized world where each franchise director is given exclusive visionary control and every film can be its own thing, but I'm talking about a different level of success that builds a whole DC world around an inclusive 'all fans welcome' approach and pointedly wants to create young fans who will remain fans for decades to come. I agree that a grounded Batman can coexist with a fantastical Superman, but that's easier in the comics than in live action cinema, and crucially there is a difference between what comic book fans' cultural expectations are compared to the much larger mainstream global film audience who are fans of these superheroes. Folks showing up to the Marvel movies responded the way they did because it all was within a shared world and it felt like it. Audiences bring those expectations and subconscious assumptions or judgments with them into the cinema, and it matters for their sense of buy-in. This has become more obvious as we've seen the differences between Marvel's and DC's successes and failures over the years. Superman had an aesthetic and sensibility, as well as tonal balance and sense of humor, that works for superhero movies meant for all audience members. It feels very similar to Sam Raimi's Spider-Man and Spider-Man II, and most of all the director's Doctor Strange In the Multiverse of Madness. We all remember how successful those films were, and I think leaning into that for the overall DC world works extremely well if the family audience appeal is front and center. It's actually not dissimilar to the aesthetics of Zack Snyder's Watchmen movie, which I long said would be an excellent aesthetic template (minus the graphic violence, sex, and profanity) for adapting the DC universe to film in a shared world. Perhaps leaning into Superman's family-friendly aspects most of the time, and allowing for leaning more toward Watchmen for the slightly 'edgier' or darker films like Brave and the Bold (might it eventually be retitled Batman and Robin?), but even that film could use the grittier tone while tilting back the other way by having Robin/Damian as the main character instead of Batman/Bruce. For Marvel, and for The Fantastic Four: First Steps, the evolved aesthetic approach is an interesting introduction to what the potential future of the MCU might look like, with a world growing out of Fantastic Four's history merged with the existence of Mutants and X-Men. It makes sense that when previous superheroes like Iron Man, Captain America, and others are rebooted with new actors, it will happen in a new world with new aesthetic changes to avoid repetition and to allow entirely new approaches and inspirations. At least, I hope that happens, but it depends a lot on the success of Fantastic Four, and on the success of Avengers: Doomsday and Avengers: Secret Wars. Let's find out how Fantastic Four: First Steps does through the weekdays as word-of-mouth spreads, and then how strongly it holds – I'm especially interested in what those international figures tell us over the next seven days, because that's where we'll get the best glimpse of Fantastic Four's box office future, and what it might mean for the rest of the MCU's plans. Superman's own numbers will separately tell us whether it's headed for the lower end or higher end of those $600+ expectations.
Miami Herald
9 hours ago
- Miami Herald
Abandoned dog with anxiety looks just like dog in ‘Superman.' He needs a hero
A dog that is the spitting image of Krypto, a sidekick in James Gunn's 'Superman,' is looking for a new person to love on him after he was abandoned at a shelter in Texas. Meet Bentley, an almost 4-year-old terrier-doodle mix, who is having trouble fitting into his new foster home, the South Plains Society for the Prevention of Cruelty to Animals (SPCA) in Lubbock says. 'I was surrendered to the rescue due to no fault of my own. At first I had a really hard time transitioning from being with my family to being in my foster home. I struggled so much that I had to start taking anxiety medication to help me be okay,' the shelter said in a July 7 Facebook post, speaking in Bentley's voice. 'I am the most cuddly and sweet guy once you get to know me and I get to feel and I get to feel and I learn to trust you. It may take a little while for me to warm up so I need someone with a lot of patience and a big patient heart to understand I am a good loving boy.' The shelter failed to point out Bentley and Krypto's resemblance, however. Krypto has been stealing hearts all over the nation after the release of the latest movie from the DC Universe. The movie even lead to a 500-percent surge in dog adoption interest, according to The Wrap. The inspiration for the not-so-trainable sidekick came from Gunn's own rescue pup, Ozu, whom he adopted while writing the script for the film, CNN reported. Now, it's time for Bentley to find his own Man of Steel (or, rather, his own Supergirl for those who have seen the film.) 'I am 95% potty trained and sleep well in a kennel at night or when my foster mom is away from home. I get along well with other animals as long as I have a slow introduction. I do kind of feel like I should be boss and tell everyone what they should do,' the shelter said. The shelter says the sweet boy would prefer a home without small children, but he's okay with cats and dogs. For more information on Krypto's double, visit the shelter's website. Lubbock is about a 350-mile drive northwest from Dallas.
Geek Tyrant
9 hours ago
- Geek Tyrant
George R.R. Martin Shares His Thoughts on James Gunn's SUPERMAN: 'Supes and I Are Old Friends' — GeekTyrant
George R.R. Martin, the creator of Game of Thrones , has officially weighed in on James Gunn's Superman , and like a lot of fans, he loved it. Posting on his Not a Blog page, Martin expressed his excitement for Gunn's big-screen reintroduction of the Man of Steel, saying: 'Supes and I are old friends, and this is one of the best Superman movies in a long time… maybe ever. This new Superman reminds me of the version I used to read about when I was a kid, the strange visitor from another planet who came to Earth with powers and abilities far beyond those of mortal men. (And yes, an innocent, of course, he's always been an immigrant. And an illegal immigrant, when you stop to think of it).' Martin then praised the film's look, tone, and the casting: 'The film looks great, and James Gunn did a great job with the casting. Rachel Brosnahan was terrific as Lois Lane; I'd say it's between her and Margot Kidder for Best Lois Ever. 'And there's no doubt whatsoever for the Best Lex. Nicholas Hoult was far and away the Best Luthor of All Time, a truly chilling villain. The kid in the cape was excellent as well. I hope he gets to play Kal-El in another dozen movies.' That 'kid in the cape' is David Corenswet, making his debut as Superman in this highly anticipated film. Martin clearly thinks Corenswet nailed it, and a lot of fans will agree with him. Gunn's Superman is the first big-screen chapter in the new DCU Chapter One: Gods and Monsters. This new cinematic era is rolling out with a mix of movies and shows. After Superman , we'll see Peacemaker Season 2 later this year, followed by Supergirl hitting theaters next year. Martin also teased what's happening in his own world. House of the Dragon Season 3 is expected to arrive next year, along with the upcoming A Knight of the Seven Kingdoms series. And for gaming fans, Martin also touched on the Elden Ring movie that's currently in development. Oh, and if you're a Star Wars fan, Martin praised Andor Season 2 as 'the year's highlight.' High praise from a master storyteller. Gunn promised a bold new vision for Superman, and I think it's safe to say he delivered.
