
Brad Pitt's 'F1' cruises to top of N.America box office
"This is an outstanding opening for an original action sports drama," said David A. Gross of Franchise Entertainment Research, noting that both critics and audiences have loved the racing film from Apple and Warner Bros.
"How to Train Your Dragon," Universal and DreamWorks Animation's live-action reboot of the popular 2010 film, slipped to second place with $19.4 million, according to Exhibitor Relations.
The family-friendly film tells the story of a Viking named Hiccup (Mason Thames) who strikes up a friendship with Toothless the dragon.
In third place was Disney/Pixar Animation's latest original film "Elio," at $10.7 million in the United States and Canada.
"Elio" tells the story of a young boy who is mistaken by aliens as an intergalactic ambassador for Earth. The voice cast includes Oscar winner Zoe Saldana.
"M3GAN 2.0," the sequel to Universal's 2022 film about a murderous doll, opened in a disappointing fourth place with $10.2 million.
"The idea of a child-sized humanoid robot doll powered by AI generated a lot of interest the first time, but that interest has fallen apart," Gross said.
In fifth place was Columbia Pictures' zombie sequel "28 Years Later," which took in $9.7 million.
Critics' reviews and audience ratings have been strong for the Danny Boyle-directed threequel, which picks up -- as the title suggests -- more than a generation after the initial outbreak of the Rage Virus.
Rounding out the top 10 were:
"Lilo & Stitch" ($6.9 million)
"Materialists" ($3 million)
"Ballerina" ($2.1 million)
© 2025 AFP
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France 24
12 hours ago
- France 24
Brad Pitt's 'F1' cruises to top of N.America box office
"This is an outstanding opening for an original action sports drama," said David A. Gross of Franchise Entertainment Research, noting that both critics and audiences have loved the racing film from Apple and Warner Bros. "How to Train Your Dragon," Universal and DreamWorks Animation's live-action reboot of the popular 2010 film, slipped to second place with $19.4 million, according to Exhibitor Relations. The family-friendly film tells the story of a Viking named Hiccup (Mason Thames) who strikes up a friendship with Toothless the dragon. In third place was Disney/Pixar Animation's latest original film "Elio," at $10.7 million in the United States and Canada. "Elio" tells the story of a young boy who is mistaken by aliens as an intergalactic ambassador for Earth. The voice cast includes Oscar winner Zoe Saldana. "M3GAN 2.0," the sequel to Universal's 2022 film about a murderous doll, opened in a disappointing fourth place with $10.2 million. "The idea of a child-sized humanoid robot doll powered by AI generated a lot of interest the first time, but that interest has fallen apart," Gross said. In fifth place was Columbia Pictures' zombie sequel "28 Years Later," which took in $9.7 million. Critics' reviews and audience ratings have been strong for the Danny Boyle-directed threequel, which picks up -- as the title suggests -- more than a generation after the initial outbreak of the Rage Virus. Rounding out the top 10 were: "Lilo & Stitch" ($6.9 million) "Materialists" ($3 million) "Ballerina" ($2.1 million) © 2025 AFP


France 24
2 days ago
- France 24
Fans celebrate 'Squid Game' finale with Seoul parade
The third and final season was released Friday, concluding the series that sees desperate people compete in deadly versions of traditional children's games for a massive cash prize. Director Hwang Dong-hyuk said he had "poured everything" into the series, which launched nearly four years ago. "So while it's sentimental to see it end," he said, "there's also a sense of relief". Fans gathered near Seoul's Gyeongbokgung Palace, led by marchers dressed in the bright pink uniforms worn by the show's mysterious masked agents. They were followed by others carrying oversize toys from one of the games featured in the series, along with the show's flag. Park Sang-gyu, a fan who stayed up all night watching the final season, said the dystopian drama was "ultimately a story about people". "As you watch, you realise it's not just about the games -- it reflects many aspects of real life." The walls of the Seoul Metropolitan Library were lit up with key scenes, including Young-hee -- the giant motion-sensing animatronic doll featured in one of its brutal games. Lee Byung-hun, who played the masked Front Man overseeing the competition, said the show had become "something of a cultural phenomenon". "One that has drawn one of the boldest lines in the history of Korean content," he said. The first two seasons of the series are among Netflix's most-watched shows, and in 2022, Hwang and the show's leading actor, Lee Jung-jae, became the first Asian men to win Emmy Awards. The final season follows its hero Gi-hun, played by Lee, as he returns to the ultra-violent games to dismantle them from within after surviving the first round. Along with filmmaker Bong Joon-ho's Oscar-winning 2019 thriller "Parasite" and K-pop sensation BTS, "Squid Game" is considered one of the most powerful examples of South Korea's rise as a global cultural force.


France 24
3 days ago
- France 24
Anna Wintour steps down as US Vogue editor after nearly 40 years
Wintour, 75, was famous for making Vogue's front covers an authoritative statement on contemporary fashion, and for her total control over the glamorous pages inside. She will no longer run day-to-day editing of the fashion bible, but magazine group owner Conde Nast was quick to scotch suggestions that she was retiring. She will continue to hold senior roles at the group and remain Vogue's global editorial director, a company source said. British-born Wintour came to wider public renown as the inspiration for "The Devil Wears Prada," a hit 2003 novel and 2006 movie, for which Meryl Streep earned an Oscar nomination for her role as tyrannical magazine editor Miranda Priestly. Wintour announced at a staff meeting in New York that the monthly publication would seek a new head of editorial content, several US media reported. Fashion flagship She was made a British dame in 2017 and in February this year became a companion of honour, joining a select group never numbering more than 65 recognized for major contributions in their field. At the ceremony in London in February, Wintour removed her trademark sunglasses to receive the award and said she had told King Charles III that she had no plans to stop working. Wintour, who was raised in the UK by a British father and an American mother, reigned over Vogue in the heyday of glossy magazines. US Vogue was a staid title when she took it over in 1988 and transformed it into a powerhouse that set trends -- and make or break designers, celebrities and brands. She took the title to a global audience, with huge budgets to spend on models, design, photographs and journalism funded by lavish advertisements and high subscription rates. Vogue remains fashion's flagship magazine but, like many print publications, has struggled to adapt to the digital era. Wintour was known for decisive leadership, such as axing work without discussion, and as a fixture in the front row at catwalk shows with her unchanging bob haircut. A 2015 documentary "The September Issue" about the magazine pointed to her ice queen image and steely ambition but also revealed a warmer human side. Wintour has for many years also run the Met Gala, an extravagant Manhattan fundraiser that attracts an A-list of dressed-up stars from the worlds of fashion, film, politics and sports. As Conde Nast's chief content officer, she will continue to oversee publications including Vogue, Wired, Vanity Fair, GQ, Conde Nast Traveler and Glamour. For many years, Wintour declined to comment on "The Devil Wears Prada," which was written by one of Wintour's former assistants, Lauren Weisberger. But when it was turned into a musical and opened in London in 2024, she told the BBC that it was "for the audience and for the people I work with to decide if there are any similarities between me and Miranda Priestly." Explaining her sunglasses, she told the outlet that "they help me see and they help me not see. They help me be seen and not be seen. They are a prop, I would say."