Morgan Wallen's ‘I'm the Problem' Spends First Month at No. 1 on Billboard 200
Morgan Wallen's I'm the Problem spends a month at No. 1 on the Billboard 200 albums chart (dated June 21), as the set earned 209,000 equivalent album units in the United States in the tracking week, ending June 12 (down 15%), according to Luminate. The album debuted at No. 1 on the chart dated May 31.
With 209,000 units earned, Problem lands the largest fourth week for an album since Taylor Swift's The Tortured Poets Department earned 260,000 in its fourth week (May 25, 2024-dated chart).
More from Billboard
Billy Ray Cyrus Shares Throwback Family Photos for Father's Day
Fans Choose j-hope & GloRilla's 'Killin It Girl' as This Week's Favorite New Music
Shakira Says Immigrants in the U.S. Live in 'Constant Fear' Under Donald Trump's Policies
Problem is also the first album to spend its first four weeks at No. 1 since Poets perched in the top slot for its first 12 weeks, of its total 17 weeks at No. 1.
Also in the top 10 of the latest Billboard 200, Lil Wayne scores his 13 th top 10-charting set with the No. 2 debut of Tha Carter VI, while ENHYPEN logs its fifth top 10 with DESIRE: UNLEASH at No. 3. Addison Rae's debut full-length album, Addison, arrives at No. 4, while My Chemical Romance's Three Cheers for Sweet Revenge, released in 2004, hits the top 10 for the first time (reentering at No. 6) after a deluxe reissue. And, rock band Turnstile notches its first top 10 with its fourth full-length studio set, NEVER ENOUGH, debuting at No. 9.
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new June 21, 2025-dated chart will be posted in full on Billboard's website on June 17. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Of I'm the Problem's 209,000 equivalent album units earned in the week ending June 12, SEA units comprise 197,000 (down 14%, equaling 257.9 million on-demand official streams of the set's songs — it leads Top Streaming Albums for a fourth week), album sales comprise 10,500 (down 34% — it falls 3-9 on Top Album Sales) and TEA units comprise 1,500 (down 15%).
Lil Wayne notches his 13th top 10-charting effort on the Billboard 200 as Tha Carter VI debuts at No. 2 with 108,000 equivalent album units earned. Of that sum, SEA units comprise 73,000 (equaling 97.06 million on-demand official streams of the set's songs — it debuts at No. 2 on Top Streaming Albums), album sales comprise 34,000 (it debuts at No. 3 on Top Album Sales) and TEA units comprise 1,000.
Lil Wayne's long-running Tha Carter series began in 2004 with the release of Tha Carter, which debuted and peaked at No. 5 on the July 17, 2004-dated Billboard 200. He followed it with Tha Carter II (No. 2, 2005), Tha Carter III (No. 1 for three weeks, 2008), Tha Carter IV (No. 1 for two weeks, 2011), Tha Carter V (No. 1 for one week, 2018) and now Tha Carter VI.
Tha Carter VI was issued in a variety of configurations, including a standard digital download edition, a physical set with bonus tracks (on two CD variants [one signed] and three vinyl variants [one signed], and a deluxe CD boxed set with a T-shirt), an expanded digital download album and a streaming edition. During the set's first week of release, two further iterations of the album were issued as download and streaming editions — one with a remix of 'Banned from NO,' with Nicki Minaj, and another with that Minaj remix along with 'Momma Don't Worry,' with Future and Lil Baby.
ENHYPEN collects its fifth consecutive, and total, top 10-charting set on the Billboard 200 as DESIRE: UNLEASH arrives at No. 3 with 100,000 equivalent album units earned. Of that sum, album sales comprise 95,000 (it debuts at No. 1 on Top Album Sales), SEA units comprise 5,000 (equaling 7.29 million on-demand official streams of the set's songs) and TEA units comprise a negligible sum.
DESIRE: UNLEASH was available in its first week across 19 CD editions, all with the same audio but with packaging variations. Some editions were signed, and all contained collectible paper ephemera, some randomized.
Addison Rae sees her debut full-length album, Addison, launch at No. 4 on the Billboard 200 with 48,500 equivalent album units earned. Of that sum, SEA units comprise 25,500 (equaling 32.84 million on-demand official streams of its songs, it debuts at No. 13 on Top Streaming Albums), album sales comprise 23,000 (it debuts at No. 5 on Top Album Sales) and TEA units comprise a negligible sum. The 24-year-old singer-actor got her start on TikTok in 2019 and made her Billboard Hot 100 chart debut with 'Diet Pepsi' in September 2024; the song buzzed to No. 9 on the Pop Airplay chart in February. She also got a high-profile collab in 2024 thanks to her guest turn on the remix of Charli xcx's Brat track 'Von Dutch.'
The Addison album was available across four vinyl variants, a standard and signed CD, and a deluxe CD boxed set with a T-shirt, and a standard download and streaming edition — all containing the same tracklist. Addison includes Rae's three previous Hot 100-charting songs: 'Diet Pepsi,' 'Headphones On' and 'Fame Is a Gun.'
SZA's former No. 1 SOS falls 3-5 on the Billboard 200 with 44,000 equivalent album units earned (down 5%).
My Chemical Romance's Three Cheers for Sweet Revenge, released in 2004, reaches the top 10 of the Billboard 200 for the first time, as the set reenters at No. 6 following a deluxe reissue. It previously peaked at No. 28 in 2005. In total, Three Cheers marks the fourth top 10-charting effort for the band, and its second-highest-charting set — second only to the No. 2-peaking The Black Parade in 2006. Three Cheers also marks the band's first top 10 since April 2014, when the compilation May Death Never Stop You: The Greatest Hits 2001-2013 reached No. 9.
In the tracking week ending June 12, Three Cheers earned nearly 44,000 equivalent album units (up 809%), with album sales comprising 37,000 (up 2,987% — it reenters at a new peak of No. 2 on Top Album Sales; it's the group's best sales week since Danger Days: The True Lives of the Fabulous Killjoys debuted with 112,000 in 2010), SEA units comprise 7,000 (equaling 8.88 million on-demand official streams of the set's songs) and TEA units comprise a negligible sum. The album's 44,000 units earned mark the band's best week by that metric since the Billboard 200 began ranking titles by units in December 2014.
For its new deluxe edition, Three Cheers for Sweet Revenge was issued across nine vinyl variants, and a CD, digital download and streaming edition — all with refreshed audio and bonus tracks. All versions of the album, old and new, are combined for tracking and charting purposes.
A sweet album of a different kind, Sabrina Carpenter's chart-topping Short n' Sweet, rises one spot to No. 7 on the latest Billboard 200. It earned 41,000 equivalent album units in the latest tracking week (up 11%). Morgan Wallen's former leader One Thing at a Time dips 6-8 with 39,000 (down 4%).
Rock band Turnstile nets its second chart entry, and first top 10, with the No. 9 debut of NEVER ENOUGH. It earned 38,000 equivalent album units — of which album sales comprise 27,500 (it debuts at No. 4 on Top Album Sales), SEA units comprise a little more than 10,000 (equaling 12.8 million on-demand streams of the set's songs) and TEA units comprise less than 500. The set's first-week units and album sales mark career-high frames for the group.
NEVER ENOUGH — Turnstile's fourth full-length studio album — was preceded by its title track, which reached No. 11 on the Alternative Airplay chart in June. The group made its Billboard chart debut 10 years ago, when the album Nonstop Feeling reached No. 22 on the now-discontinued Heatseekers Albums chart in January 2015.
NEVER ENOUGH was issued across more than a dozen vinyl variants and as a standard CD, cassette, digital download and streaming album, all containing the same tracklist.
Rounding out the top 10 on the latest Billboard 200 is Kendrick Lamar's chart-topping GNX, which falls 7-10 with 36,000 equivalent album units earned (down 7%).
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
Best of Billboard
Chart Rewind: In 1989, New Kids on the Block Were 'Hangin' Tough' at No. 1
Four Decades of 'Madonna': A Look Back at the Queen of Pop's Debut Album on the Charts
Chart Rewind: In 1990, Madonna Was in 'Vogue' Atop the Hot 100
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Forbes
25 minutes ago
- Forbes
Linkin Park's Breakout Single Brings The Band To A Special Landmark
Linkin Park's 'In the End' reaches 100 weeks on the Billboard Global 200 and continues leading Hard ... More Rock Streaming Songs in the U.S., decades after its release. Chester Bennington of Linkin Park performs during Ozzfest 2001 at Shoreline Amphitheatre on June 29, 2001 in Mountain View, California. (Photo by) Linkin Park's 'In the End' became a worldwide hit almost a quarter century ago. The hard rock tune crossed over and was played on pop radio, which helped it become the group's biggest hit to date and the kind that turned the band into household superstars. Decades later, and after multiple album releases and dozens of singles, 'In the End' remains a staple in any rock lover's rotation and, to this day, a hit all around the world. "In the End" Rises on the Billboard Global 200 'In the End' inches up one spot to No. 65 on the Billboard Global 200. The cut becomes Linkin Park's first to rack up triple-digit stays on Billboard's ranking of the most consumed songs all around the planet, as it reaches 100 weeks on the tally. Linkin Park likely won't score another 100-week charter for months. 'Numb' is the band's second-longest running win on the Billboard Global 200, and it is up to 66 frames on that list, a figure it adds to this time around as it jumps to No. 111. 'The Emptiness Machine,' the lead single from Linkin Park's comeback album From Zero, has only amassed 36 turns on the Billboard Global 200 – so far – but it already ranks as the group's third-longest charting success. "In the End" Nears Another Milestone 'In the End' can also be found on the Billboard Global Excl. U.S., which operates in much the same way as the Billboard Global 200, but excludes any activity generated in America. 'In the End' has spent 98 weeks somewhere between Nos. 1 and 200, so two weeks from now, it will almost surely become the group's first 100-week winner. "In the End" Remains a Hit in America 'In the End' is also a hit specifically in the U.S., not just when looking globally. The track declines slightly on the Alternative Streaming Songs chart, dipping to No. 22, while at the same time leading the Hard Rock Streaming Songs ranking once more. Linkin Park has ruled that tally 11 times with 'In the End' out of the 264 weeks it has spent somewhere on the roster of the most played hard rock cuts in the nation on platforms like Spotify, Apple Music, Amazon Music, and others.
Forbes
26 minutes ago
- Forbes
AC/DC Bookends A Billboard Chart With Multiple Bestsellers In America
AC/DC bookends Billboard's Hard Rock Digital Song Sales chart as 'Thunderstruck' returns to No. 1 ... More and 'Back in Black' reenters at No. 10. AC/DC, Thundersteruck video, Brixton Academy 8/17/90 (Photo by) AC/DC is always a major player on Billboard's hard rock charts. The band rarely scores new wins, either with albums or songs, so it is with the classics that the Australian rock outfit maintains a constant presence. Sometimes that comes in the form of just one tune, while in other instances, multiple tracks and even an album or two can find space on the weekly rankings. This time around, AC/DC scores a pair of hit songs, and the group even manages a relatively uncommon feat. AC/DC Sits at Nos. 1 and 10 The band bookends the Hard Rock Digital Song Sales chart this frame. AC/DC sits in first place, at No. 1, and also in the lowest rung at No. 10, as the tally only features 10 spaces these days. "Thunderstruck" rises from No. 3 back to the throne. The smash earns its sixty-first stay at No. 1 as it surges. At the same time, "Back in Black" returns to the Hard Rock Digital Song Sales chart. This week, it comes in at No. 10, reentering the list in the lowest spot possible. "Thunderstruck" and "Back in Black" Keep Selling "Thunderstruck" and "Back in Black" have both already taken a turn at No. 1. While "Thunderstruck" is far and away the group's longest-running leader and the current champion, "Back in Black" has spent just two of its 547 stays on the tally in the spotlight. Another pair of tunes, "Shot in the Dark" and "Play Ball," have also reached the peak position, though neither manages to appear nearly as frequently as "Thunderstruck" or "Back in Black." AC/DC and Disturbed Stand Alone AC/DC is one of only two musical acts that fill more than one spot on the Hard Rock Digital Song Sales chart this week. Disturbed also manages to do so, as its cover of Simon & Garfunkel's "The Sound of Silence" comes in right behind "Thunderstruck," while "Don't Tell Me," a collaboration with Heart frontwoman Ann Wilson, reenters at No. 5.
Forbes
35 minutes ago
- Forbes
The Beach Boys Chart A Debut Rock Hit In America
The Beach Boys debut on Billboard's Hot Rock Songs and Hot Rock & Alternative Songs charts with 'God ... More Only Knows,' which also holds at No. 2 on the Rock Digital Song Sales list. Clockwise from left, the Beach Boys are Al Jardine, Mike Love, Brian Wilson, Dennis Wilson, and Carl Wilson. Since the beginning, the music of the Beach Boys has been classified as both pop and rock, depending on different sources and, of course, different songs. Because the group is made up of musicians playing instruments like guitar, bass, and drums, the outfit was originally labeled under the rock genre, but more recently, its output is often seen through the lens of pop. When it comes to the Billboard charts, the primary pop rankings are focused on radio play, while there are other lists under the rock and alternative categories that center on streaming activity, sales, and general consumption. It's on those tallies where the group earns a special honor this week. "God Only Knows" Debuts on Multiple Charts "God Only Knows" debuts on a pair of Billboard rankings this frame. The tune opens at No. 17 on the Hot Rock Songs chart and No. 21 on the Hot Rock & Alternative Songs tally. Both of those lists are general consumption rosters, as they blend sales, streams, and airplay to showcase what titles in those styles Americans are listening to. A First Rock Hit for the Beach Boys While the Beach Boys have been called a rock band for many years, at least in some circles, "God Only Knows" earns the group its first hit on both the Hot Rock Songs and Hot Rock & Alternative Songs charts. Those tallies didn't exist until long after the Beach Boys produced most of the biggest hits in the group's catalog. It's only now, after the passing of the mastermind behind the outfit, Brian Wilson, that the musicians land a debut placement on these rankings. 'Good Vibrations,' "Sloop John B" and "I Get Around" Sell Well The Beach Boys fare much better on another style-specific ranking, the Rock Digital Song Sales chart. On that tally, "God Only Knows" keeps at its No. 2 high point. At the same time, "Good Vibrations" and "Sloop John B" rise to new peaks after debuting just last frame. Those beloved cuts lift to Nos. 4 and 9, respectively. "I Get Around" earns the group a fifth career placement, as it opens at No. 8.
