
They fell in love while cooking at NYC's Per Se. Now they're opening a tasting menu restaurant in Providence.
An eight-course tasting will cost $165 per person.
'We've dedicated our whole lives to food... and going out to eat. And there aren't a ton of places to go [in Providence] on a high-end level,' McConnell said in an exclusive interview with the Boston Globe. 'While we love what's here, and we're excited to be adding to that community, I think we're bringing something that's a little different.'
Tasting menus are 'what we've specialized in together for the last five or six years together, and it's not something that we've seen in Providence,' she added.
A Quonnie Rock oyster with dry-aged beef tartare, oyster trim emulsion, capers, slow-cooked egg yolk puree at Claudine, an upcoming restaurant in downtown Providence, R.I.
Courtesy of Claudine
For McConnell, Claudine is a homecoming. She grew up in Providence, attended the Gordon School, and her father is
'If you're from here, you know how special it is,' said McConnell. 'In the back of my mind, even though I've lived in multiple places, I always knew that I would return here.'
McConnell graduated from George Washington University in 2012, and followed her love for at-home baking and enrolled in a pastry certificate program at Le Cordon Bleu in
Advertisement
In 2018, McConnell moved back to the east coast to New York City, where she was pastry chef de partie at acclaimed Per Se. In an interview, she said she thrived in the fine-dining atmosphere. When the pandemic temporarily closed the restaurant, she worked at their sister restaurant in Napa Valley,
The storefront at 225 Weybosset St., where Claudine will soon open in May.
Pat Greenhouse/Globe Staff
Finger grew up in Williamsburg, Va., where he watched his mother's career working in the dining rooms of restaurants. Claudine is actually named for her, Finger said.
At 16, he started working as a stage, which is an unpaid intern working as a cook to learn and gain new experience, at a local bistro. He moved to New York City with a dream to learn from the culinary greats. And that he did: When he arrived, he secured a position at chef
Advertisement
During the pandemic, and unlike McConnell, Finger stayed at Per Se. By the time she returned to New York in November 2021, they were both in management positions.
'That's when we kind of 're-met' one another,' said McConnell.
Sashimi of Rhode Island tuna with honeynut squash emulsion, clementine, fennel, and toasted pistachio at Claudine, an upcoming restaurant in downtown Providence, R.I.
Courtesy of Claudine
The pair shared a passion for culinary excellence, and bonded over running — a continued passion of Finger's, but not so much for McConnell.
For the last two years, the two have taken their love for one another and the restaurant industry on the road, and hosted pop-up and collaboration dinners with other chefs. In April 2023, for instance, they hosted a collaborative seven-course dinner with beverage pairings at
When it comes to them as a duo 'it's all about technique,' Delaney said in a phone interview.
When you work for chef Keller, you get drilled into you that 'cooking is just an intersection of great technique and great products. Rhode Island is an amazing place, not only for seafood, but also for its resources,' said Delaney. 'I think [McConnell and Finger are] going to shine by taking this incredible technique they've spent their careers developing and then mixing it with amazing products.'
Celeriac cream crepe cake with Burgundy wine and date puree at Claudine in Providence, R.I.
Courtesy of Claudine
Claudine's menu will evolve daily, and focus on hyper-local ingredients. They'll work closely with a network of farms, and dry age their own fish and meat in-house for menu items that may include a sashimi of dry-aged bluefin tuna.
Dry-aging in-house has become more popular, particularly over the last five years, said Finger. 'But that's truly something that will be very unique to our restaurant,' he said.
Advertisement
Other items could include a pork and Point Judith squid raviolo with parmigiano reggiano, a roasted celeriac cream crepe cake with burgundy wine and date puree, and a citrus pavlova with campari sorbet.
They're also taking on Keller's 'no problem' mentality, so allergy- and vegetarian-friendly tasting menus will be available with advanced notice of at least 48 hours.
While there won't be any 'standard' items on the menu that will remain, each course will begin with a daily oyster dish, served in custom clay plates crafted by McConnell's aunt, a local ceramicist
.
Plated desserts will pull in nostalgic and classic flavors, in addition to meringue and ice creams.
Pork and Point Judith squid raviolo with parmigiano reggiano and fried leeks at Claudine in Providence, R.I.
Courtesy of Claudine
The beverage program will focus on low-intervention, old-world wines; a non-alcoholic pairing menu; a selection of classic cocktails; and after-dinner digestives and spirits. They'll even make their own kombucha in-house.
The restaurant will be located in the space that previously held
'It's our hope that every table feels like a chef's table,' said Finger.
Claudine will be located at 225 Weybosset St. in Providence, R.I. The restaurant will be open Thursdays through Sundays evenings from 4:30 p.m. to midnight, with dinner reservations available from 4:30 to 8:30 p.m. Stay updated by following their Instagram or checking their
.
Advertisement
Alexa Gagosz can be reached at

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Boston Globe
5 days ago
- Boston Globe
The exuberant work of an artist who lived in her husband's shadow shines at the Addison
From left: June Leaf, "Shooting from the Heart," 1980; Robert Frank, "June's Hand and Sculpture, Mabou," circa 1980. Frank E. Graham/Tim Nighswander Words matter as much as things in 'June Leaf: Shooting from the Heart,' the exhibition's proper title and as good a teaser of Leaf's prodigious output as you'll find. It's also the title of a small 1980 sculptural work here, a ragged profile-in-tin silhouette of a woman in spiked heels, leaning precariously forward into the unknown, and loving it. Words are important largely because the exhibition cannily uses so many of the artist's own throughout its display, vignettes of thought and feeling about works they're attached to. I don't know if I've ever been as drawn to read an exhibition as much as look at it, but from the first few phrases you encounter, you're hooked; Leaf, in her own words, is irresistible. Advertisement Installation view of "June Leaf: Shooting from the Heart" at the Addison Gallery of American Art. Julia Featheringill 'The problem is what do you do when there aren't any angels around?' reads the text panel next to 'On the Pain of Growing a Wing,' 2016, a stirringly visceral charcoal drawing of three human figures shrouded in a gestural fury of ash-black swiped violently on paper. 'As soon as I put my brush to the canvas they're not there at all, ever, it's just when I hear that little tap of the brush. It comes, that part, like music.' Lovely. Advertisement Another out-of-the-blue wonder: 'They are about the pleasures of focusing and not being distracted,' she wrote of 'Glasses,' 2003, a pair of spectacles, slight and wiry, with long cones tapering away from the lenses. Another set she made was fitted with mirrors, 'so you only see what is behind you. … Who needs to paint? Who needs to take photographs? You can just go around loving everything.' June Leaf, 'On the Pain of Growing a Wing,' 2016. Murray Whyte/Boston Globe Not to put myself out of a job, but I'd actually prefer you to just read the show yourself, piece by piece, word by word. But maybe I can provide some connective tissue for Leaf's intoxicating verbal adventures. Leaf, who died just last year at the age of 94, was a heartfelt polymath bursting with feeling. Her deeply humane work — figurative, narrative, personal — began in 1950s Chicago, as the dominant strain of American art began to bend toward the abstract and esoteric. As she matured into the 1960s, conceptualism took hold, making her a tough fit with the reigning ethic, cerebral and bloodless as it was. And, she was a woman — no small thing in a field dominated by men. 'Woman Machine,' a small 1951 collage here with three curvaceous female forms, semi-abstract and awash in muddy earthtones like a feminine version of Cubism, is a touchstone for all else here, I thought. 'An artist is given one thing in life to do,' are Leaf's words alongside it; 'mine was to recognize that so much of what my life was about was the love of women.' Advertisement Installation view of "June Leaf: Shooting from the Heart" at the Addison Gallery of American Art. Julia Featheringill A hard path in a male-dominated realm, to be sure. But for Leaf, it was no choice at all. She had ridden alongside the American avant-garde with her husband, Robert Frank, the iconic documentary photographer whose 1958 book, 'The Americans,' endures as a totem of the form. Frank, a Swiss immigrant, famously set out on a nation-spanning road trip in the mid-1950s, photographing an America post-World War II and pre-civil rights. His work, unflinching in its truth-telling, captured an uneasy nation riven with inequities — racial, social, economic — amid the sunny postwar optimism that still dominates nostalgia of the era. In New York, Frank fell in with beat poets like Jack Kerouac and Alan Ginsberg, . (Frank died in 2019.) In the midst of her husband's expanding notoriety, Leaf did what she always did: She worked, all day, every day, the spring-coil inside her propelling her into new experiments moment to moment. 'Shooting from the Heart' is disorienting in its material breadth, to the point of confounding. Advertisement June Leaf, "Ascension of Pig Lady," 1968, installed in "June Leaf: Shooting from the Heart" at the Addison Gallery of American Art. Julia Featheringill Huge dioramas like 'Ascension of Pig Lady,' 1968, with its life-size figures cobbled from wood and tin and festooned in bright paint and oil stick, speak to Leaf's penchant for the theatrical; dozens of urgent, made-in-moments charcoal and pastel drawings — rough and visceral, like loose thoughts crash landing on paper — reveal the intimate process of an artist living in the immediate now. Paintings, some vast, some minute, reveal a certain restlessness: 'Marat Sade Ballroom,' 1966, big, expressive and raw, meaty gorgons astride toy horses in an opulent ballroom, a scene of decadent rot; 'Arcade Women,' 1956, is its opposite, strict and grid-like, with its figures imprisoned by taut structural lines. June Leaf, "White Scroll with Dancing Figures," 2008. © The Estate of June Leaf. Johan Vipper Sculptures, though, 'are my love affairs,' she wrote. And with this, where to begin? She created everything from tiny, intricate dioramas and scenes (a dizzying, intricate mirror-box version of Vermeer's 'Gentleman and Lady') to bolts of tin and steel, sparse and minimal, that seem to capture a single gesture ('To the Sky,' 2022, a spiral of steel stretching 8 and a half feet high, seems like the spring itself that propelled her forth). She made working spools hand-drawn with narrative scenes, meant to be hand-cranked; she crafted women warriors from bent and rusted window screen, spear-wielding and ready for battle. Whatever material, medium, or idea, the wonders are endless; making for Leaf was ever and all. A 2019 video of her here, 'The Life With Others,' is a joy. In fact, the show would feel incomplete without it. It shows Leaf, by then in her 90s, toiling in her studio in the tiny Nova Scotia village of Mabou, where she and Frank moved in the 1970s. 'I have a painting from 1965 I still work on,' she says. 'I could take it out now and work on it.' For Leaf, art was a continuum, not a procedure of finished product. Nothing was ever over, which was how she liked it. Advertisement Film still from 'The Life With Others," 2019. Roman Chalupnik I think it's telling that Frank is not mentioned by full name anywhere in the exhibition. He appears only once in her work here, at least by my count, in 'Robert Carrying Wood,' an expressive 1973 painting of a dissembling landscape overlaid with a shaky spiderweb. A small black-and-white Polaroid of Frank in that very act is stuck to the paper with paint. 'Shooting From The Heart,' bursting with warmth and charm, is as much an effort to pull Leaf out from Frank's shadow as it is to acknowledge her supercharged, uncategorizable oeuvre itself. Leaf, as usual, puts it best herself: 'I must have done something right in my long life as an artist,' she wrote not long ago, 'because the wind is behind me.' It was, and she did. JUNE LEAF: SHOOTING FROM THE HEART Through July 31. Addison Gallery of American Art at Phillips Academy, 3 Chapel Ave., Andover. 978-749-4015, Murray Whyte can be reached at


Forbes
7 days ago
- Forbes
Behind The Scenes At Thomas Keller's Per Se
Top Chefs: Per Se founder Thomas Keller and chef de cuisine Chad Palagi oversee the restaurant's ... More kitchen. Perched on the top floor of the Deutsche Bank Center in Manhattan's Columbus Circle, Per Se—helmed by world-renowned chef and TKRG founder Thomas Keller—received a glowing commendation from The New York Times' Frank Bruni soon after it opened in 2004, collecting countless accolades in the years that followed. Keller's urban rendition of The French Laundry, the upscale eatery has been awarded three Michelin stars every year since 2006, cementing its reputation as one of New York City's top spots for fine dining. But in recent years, critics have deemed it out of reach and out of touch, often pointing to its dated decor and eye-watering prices, which include $925 per person for the extended Chef's Tasting—a cost, some may argue, that only the top one percent can stomach. Despite generating mixed reviews and battling an unsavory lawsuit filed by a former staffer (which was initially dismissed and ultimately settled), Per Se has managed to maintain a stable of loyal employees, with more than a quarter of its 112-person team having worked at the restaurant for over five years. It's a noteworthy achievement given the industry's notoriously high turnover rate, which has averaged 79.6% since 2013, chiefly due to workers fed up with limited upward mobility, poor benefits, and low appreciation. 'When I first started at Per Se, I didn't imagine I would be here for more than a decade,' says Kimberly Suzuka, who met her husband while working at The French Laundry before transitioning to its East Coast satellite. In 2018, the Culinary Institute of America graduate, who began as Per Se's lead host and later served as its culinary liaison, was promoted to her current title of guest relations manager—a position made just for her. 'When a role is created for you specifically, you don't take that lightly,' she insists, crediting her professional success to TKRG's culture of promoting guidance and education. Catching Fire: Since joining the Per Se team in 2014, Kimberly Suzuka (center) has quickly climbed ... More up the ladder. Executive pastry chef Elaine Smyth—who started her journey at Per Se as a humble chef de partie in 2012—recalls how her predecessor, Elwyn Boyles, would patiently explain every step of each process and push her to ask questions. 'I benefitted immensely from his mentorship and his belief in me helped me earn my promotion to pastry sous chef after only three years,' she effuses. In addition, as the two-time winner of TKRG's experiential scholarship, she was granted the rare opportunity to study cocoa farming in Peru and learn traditional salt raking in France with esteemed chef Olivier Roellinger. Dessert Doyenne: Executive pastry chef Elaine Smyth surveys the dining room at Per Se. 'Working here is like a graduate school for chefs,' says Chad Palagi, who started out as a commis at Per Se in 2013 and quickly rose up the ranks to sous chef. Following the birth of his first child, the Napa Valley native wanted to focus more on his family, choosing to part from the restaurant in 2017. 'But I quickly found myself missing the culture of Per Se and the dedication of its staff,' he confesses. So a few years later, he decided to return as Per Se's chef de cuisine. 'The most fulfilling part of my job is mentoring young culinarians,' he enthuses. 'Watching them grow from having little experience to becoming skilled professionals—and eventually become chefs in their own right—is truly amazing.' The restaurant's nurturing environment has led it to produce a number of rising stars in the culinary world—among them, Jonny Black, former chef de partie, who now runs Chez Noir, a James Beard Award finalist for 2024 Best Restaurant of the Year. There's also married alums Matt Danzer and Ann Redding, best known for opening the late Uncle Boons and wildly popular Thai Diner in Lower Manhattan. Not to mention Josh Finger and Maggie McConnell, another husband-and-wife duo who met while working in Per Se's kitchen, whose high-end European tasting concept, Claudine, is set to debut tomorrow in downtown Providence. At Per Se, the menu changes daily, determined by the season and quality of the products available. With the exception of the restaurant's three golden offerings—truffles, caviar, and foie gras—no ingredient is ever repeated across a meal. That calls for precise communication between station chefs, who congregate nightly to chew over the next day's dishes. 'We review our lists and also what is available from our farmers and foragers,' Palagi explains. From there, 'we develop our compositions, discussing our desired flavor profiles and techniques for each ingredient.' Gold Plating: Chef Palagi applies the finishing touches to a dish at Per Se. The restaurant regularly invites its vendors to train the culinary staff—whether it's introducing them to a different type of truffle, a unique wine, or a new kind of cutlery. 'It allows us to come together, learn about the stories behind the ingredients and craftsmanship, and gain a deeper appreciation for the meticulous processes involved in sourcing them,' notes Sandra Bohlsen, Per Se's general manager since 2019. 'It's a wonderful chance for the team to bond while expanding our knowledge and connection to the products we work with.' In addition, whenever a new dish debuts, 'we always taste it together and share our thoughts,' Smyth reveals, adding that the evening crew will often leave a note for the morning staff detailing anecdotes from the previous night's service, such as an especially delighted guest. The kitchen team then relays its plan to the dining room staff—a collaborative practice that has 'afforded us 21 years of consistency and makes us who we are,' Bohlsen asserts. The entire Per Se team is driven by Chef Keller's famously high standards, summed up by two motivational signs hanging in the restaurant's kitchen: 'Sense of Urgency,' aptly placed beneath a clock, and the dictionary definition of 'finesse,' posted above the exit—a constant reminder for the staff to maintain refinement and delicacy in their work. Leading Lady: In 2019, seven years after joining the Per Se team, Sandra Bohlsen was named the ... More restaurant's first female general manager. Bohlsen admits the job isn't always easy. 'I'm constantly challenged, stepping outside of my comfort zone, and learning every day,' she divulges, noting that her journey has had its fair share of ups and downs. 'But what's most important is the ability to rise, adjust your crown, and keep moving forward.'


Boston Globe
23-06-2025
- Boston Globe
Matt Damon teams up with Ken Jennings to face old nemesis Jimmy Kimmel on ‘Millionaire'
'I'm coming on 'Jeopardy!' with someone you hate!' Kimmel yells at Jennings while the 'Jeopardy!' host sits next to a bearded Damon in a short clip featured in the teaser for the new season. Advertisement If their past interactions are any indication, don't expect Kimmel to hold back from roasting Damon during his appearance. The comedian recently told Advertisement 'I don't know about the other guy,' Kimmel joked. 'You know, you have to be able to read, that's one of the things.' While a cameo appearance from Affleck is unlikely (although you can never count out those phone-a-friend lifelines), several other stars with New England roots are also set to appear on this season of 'Millionaire.' Other big names set to appear this season include 'Severance' stars The latest season marks Kimmel's fourth as host of 'Millionaire,' an adaptation of a British game show of the same name that first debuted stateside in 1999 with host Regis Philbin. Matt Juul is the assistant digital editor for the Living Arts team at the Boston Globe, with over a decade of experience covering arts and entertainment. Matt Juul can be reached at