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Oscar winner signs up to star in new series about infamous Irish-American gang

Oscar winner signs up to star in new series about infamous Irish-American gang

Sunday World30-05-2025
The show is set to begin filming this summer
Oscar winner J.K. Simmons has signed up to star in a brand new TV series about infamous Irish-American gang The Westies.
From the co-creator of Godfather of Harlem, Narcos, and Narcos: Mexico, Chris Brancato, The Westies is an eight-part series set in 1980s New York City.
The show takes place when 'the construction of the Jacob Javitz Convention Centre on the Westies' home turf in Hell's Kitchen promises a financial windfall.'
'Despite being outnumbered fifty-to-one by the Five Families of the Italian Mafia, the Westies' legendary brutality and cunning have given them the leverage necessary to share the spoils through a fragile détente,' the show synopsis continues.
JK Simmons (Getty Images)
News in 90 Seconds - May 30th
'But internal conflict between the brash younger generation and the old-school leadership threatens to set a match to this powder keg, which will sweep the Westies into the FBI's ever-deepening investigation into the Italian mafia.'
The show was created by Brancato and Michael Panes, who will both serve as executive producers.
The series is set to begin filming in Toronto, Canada this July.
J.K Simmons (70) is a multi-award-winning actor.
His credits include Whiplash, Juno, Justice League, La La Land, and Red One.
He is set to play the role of Eamon Sweeney – 'the charismatic but ruthless leader of The Westies whose old-school charm and neighborhood loyalty mask fierce criminal ambition and calculated brutality.'
The Westies were a Manhattan-based Irish-American organised crime outfit.
Their activities included racketeering, drug trafficking, burglary, illegal gambling, fraud, and carrying out contract killings.
According to the NYPD, they're responsible for between 60 to 100 murders spanning 18 years from 1968 to 1986.
The gang was founded in the 1960s and was led by James Coonan until he was jailed for 75 years in 1988.
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Beloved Baileys Irish Cream cows from Wicklow to star in new film
Beloved Baileys Irish Cream cows from Wicklow to star in new film

Irish Independent

time14 minutes ago

  • Irish Independent

Beloved Baileys Irish Cream cows from Wicklow to star in new film

The latest offering by the Carlow director is his love letter to Irish produce, featuring surprising discoveries, connections and Irish influences across the globe, from Prince Albert of Monaco's ties to the Guinness family to our underappreciated contributions to wine making. Surprising viewers who think of Ireland as just the home of Guinness and Irish stew, the cast of A Sip of Irish includes a range of artisans and public figures, including Midleton whiskey blender Deirdre O'Carroll, Donegal-based Muff Liquor Co in which Russell Crowe is a proud investor and chefs Anna Haugh and JR Ryall of Ballymaloe, along with Una Healy, Ryan Tubridy, Laura Whitmore, winemaker Michael Flatley (founder of Flatley Whiskey) and Pat Shortt. Easily among the most colourful and captivating characters in the stellar cast, Tinahely farmer Joe Hayden and his herd of Holstein Friesian cows take centre stage in the first segment of the film, which premieres in the Tinahely Courthouse Arts Centre on August 1. Although he has worked with the likes of Ian McKellen and Judi Dench on Quintessentially British, and with Stephen Fry in Sparkling: The Story of Champagne, Frank said that the day spent filming on the unique Baileys Farm, where Joe's cows receive a full spa treatment, will live long in his memory. 'The film celebrates Ireland's contribution to the drinks and culinary world, and I wanted to find surprising stories for familiar products,' Frank began. 'It looks at whiskey, stout, artisan brands like Scraggy Bay and Muff Liquor, and also Bailey's Irish Cream. Ultimately, the film is an entertaining origin story for all those products. 'With Baileys, I thought, we know it's really popular. We know it's 50pc cream. We know it has sold two billion bottles around the world. But what don't we know? Where is it actually made? 'I discovered that the quintessential Baileys dairy farm is called the Baileys Farm in Tinahely, County Wicklow, and there's an amazing, dynamic farmer there called Joe Hayden who has won many awards for his Holstein Friesian cows. 'He has 230 cows that produce the cream for Baileys Irish Cream. He doesn't call them 'his herd' or 'his cows', but rather his 'Bailey's ladies', and he treats them as such. 'You often hear of racehorses being treated better than humans. And in a way, Joe has almost like a spa treatment set up for his cows because his philosophy is that a happy cow is more productive, which is a fact. A happy cow will produce better quality milk. ADVERTISEMENT Learn more 'He plays music to his cows. So, when they're in the milking parlour, the cows have to listen to his taste in music, which is The Killers, Bruce Springsteen, and Coldplay. He had a saxophonist there last week, and they seemed to like it. He thinks it makes them more productive, and he's probably right. 'When I went to the farm, I thought, this is amazing, Joe is a very forward-looking farmer with lots of interesting methods – I must be the first to have come here to put him and the Baileys Ladies on camera. But no, last month he had the Real Housewives of Orange County pay him a visit. So, the secret is out!' Delighted to have contributed to the production, Joe said that it was a privilege to collaborate with 'gentleman' Frank on a project that will place a global spotlight on Wicklow and its long-standing ties to products that have put Irish food and drinks on the map. 'This film is going to be huge for the Baileys Farm, and it's going to be a huge thing for Wicklow and Tinahely,' he said. 'To be featured in such a way, and to get the whole first segment of the film dedicated to us, it's fantastic for the county. 'Frank spent the day down here. He is a very interesting individual, and I really enjoyed working with him. An absolute professional, and a gentleman to boot. 'I wasn't sure how he was going to knit everything together, but the film is very cleverly done. The way Frank has woven the story of the Irish influences into everything from Hennessy to Californian white wine development – he's a very clever guy. I suppose, like in a lot of things, Ireland punches well above its weight. 'I've seen the film a few times, and every time I look at it, I enjoy it more. It's going to be very good for giving Wicklow exposure across the globe and for the business here, and I'm thoroughly looking forward to the premiere.' Just down the road from Joe's farm, Frank and his crew visited St Patrick's Well, which was supposedly visited by St Patrick in the fifth century, and is the most southerly point in Ireland he is known to have travelled to. As Frank explained, the reason he wanted to film there was to establish a connection with Prince Albert of Monaco, who has a paternal connection to the Guinness family on the Grimaldi side of the family. 'We came to shoot in Wicklow because there are two great locations right next to each other that tell very interesting stories that very little is known about,' he said. 'We spoke to Prince Albert in the film, as one of his ancestors married into the Guinness family, so he joked with us that he considers Guinness the family drink! 'Before coming to Ireland, St Patrick was educated at the Lérins Islands, which are just off the coast of Cannes, off the coast of Monaco. 'So in the film, we segue from Saint Patrick's Well in Wicklow to Monaco and Prince Albert talking about how two of his ancestors were the principal abbots of Lérins Monastery, where the monks make really nice red wine to this day. 'Another little-known story is the wine geese, these dynamic Irishmen from Galway, Tipperary and Kildare who left Ireland in predominantly the eighteenth and nineteenth centuries for France and set up vineyards that are still world famous to this day, including Lynch-Bages, Phélan Ségur, and Léoville Barton. 'So, again, of course, we're known for Guinness, stout, and whiskey, but in the film, we say, well, we should be known for wine as well. 'And Hennessy Cognac, as Richard Hennessy was from Cork, and we tell that story of how he ended up in Cognac having fought for the French King Louis XV against the English at the Battle of Fontenoy.' A Sip of Irish will premiere at the Tinahely Courthouse Arts Centre on Friday, August 1, at 8pm. Tickets are €8/€6 and available to the public via An additional public screening will take place on the same day at Carlow County Library at 3pm. There will be a reception sponsored by Baileys at both screenings. The film will be released on digital platforms, including Amazon Prime and iTunes, on August 2.

Irish-produced drama Mix Tape and the musical love letter
Irish-produced drama Mix Tape and the musical love letter

RTÉ News​

time4 hours ago

  • RTÉ News​

Irish-produced drama Mix Tape and the musical love letter

BBC drama Mix Tape, a tale of star-crossed lovers who bond over music, is coming to RTÉ soon but can it reinvigorate the lost art of the mix tape as musical love letter? It was a teenage rite of passage and also what the kids now call a major flex. Making a mixtape was a labour of love, a musical way into the heart of the one you fancied and also a proud artefact of just how very good your taste in music really was. Carefully pressing the right buttons on your twin tape deck, choosing the tracks of your hopes and dreams and lovingly inscribing the song titles and artists on the inlay card became something of a minor artform back in what some people probably correctly call simpler times. Van Morrison called it the inarticulate speech of the heart and for millions of seventies, eighties and nineties kids, the mixtape was the musical equivalent of the love letter - the spark for countless nervous conversations and maybe even debates. God knows, I still have a box of them in my spare room. And no, they weren't all retuned, un-played and unloved. These days, of course, you will see wizened old Boomers and Gen Xers posting tiresome memes on wizened old Facebook (it's where the adults hang out, OK?) of cassette tapes accompanied by a pencil. If you know, you know. This, apparently, is the modern age's equivalent of uncovering ancient runes and explaining arcane rituals to digital nativists. In our era of instant gratification, even the noughties phenomenon of the CD burn has given way to soulless Spotify playlists and causal YouTube shares on mobile phones. As ever, something has been lost but with a new generation turning to vinyl and even the cassette format making its own comeback, can the actual physical mixtape become a tribune of love once again? Perhaps recent BBC drama Mix Tape (ta-dah!), which is due to air on RTÉ soon, will inspire a fresh flood of spooling polyester plastic film coated with magnetic material as musical missives. Perhaps not. In any case, the fabled mixtape is the jumping off point for the four-part series. It is the overwrought story of two music mad Sheffield kids, with the very Irish names of Daniel O'Toole and Alison Connor, who meet as teens at a house party in 1989. The young Daniel (who looks like a cross between Grian Chatten of Fontaines D.C. and a young Neil Morrissey) is a music obsessive and he wins bookish Alison's heart with his impressive knowledge of Cabaret Voltaire. Then again, we later learn that his favourite Bowie song is Modern Love. Their first dance is to Joy Division's immortal Love Will Tear Us Apart, their first kiss is to The Jesus & Mary Chain, and when their bedroom fumbling goes much further, they DO IT to the strains of In-Between Days by The Cure. Oh, the drama! Oh, the great basslines! There isn't enough of The Fall featured in Mix Tape for my liking but music is the spine of young Dan and Ali's romance and it plays out the beats and missed heart beats of puppy love (thankfully, no songs by Donny Osmond were used in the making of this programme). Daniel slips his mixtapes into Alison's school bag and she hands him lovingly curated TDKs on the bus to school. We hear The Jesus & Mary Chain, The Velvet Underground and The Stone Roses. All very good, indeed. But just as their teen crush turns to full-blown romance, Alison vanishes from Sheffield, leaving Daniel feeling like a Morrissey song. It's an intriguing premise and the drama plays out in a dual timelines and dual time zones, making it a lot like Sliding Doors meets Sleepless in Seattle - a Proustian rush of 'what ifs' and 'if onlys' played out longingly in verboten mobile phone texts and mutual cyber stalking and the songs of their lost youth. Normal People it is not. However, it is fraught stuff. We follow Daniel and Alison, who is now a successful novelist living in Syndey and married to a total eejit, and move between their teenage romance in 1989 Sheffield and the modern-day reality of their adult relationships living on opposite sides of the world. Daniel and his wife aren't exactly singing from the same hymn sheet back in Sheffield. He now works as a music journalist but never seems to do any actual work (so, that makes sense) and he is toying with writing a book about some great lost music figurehead, like Daniel Johnson or Nick Drake. Mix Tape is a very Irish affair. The four-part drama was originated and developed by Dublin-based production company Subotica, who have previously produced North Sea Connection and The Boy That Never Was, with help from Ireland's generous Section 481 Film and Television tax incentive and the support of Fís Éireann/Screen Ireland and Screen Australia among others. It was also filmed entirely on location in Dublin and Sydney. And so, the former steel town of Sheffield is played by Dublin's Liberties (I was tickled to see that some of it was shot on the very street where I live), while location filming was also completed in Australia. However, things get seriously meta when the young Alison actually moves to actual Dublin and young Daniel nearly has a whitey on the actual Ha'penny Bridge when he sees her with another bloke. Strangely, no U2 was used in the making of this programme. Based on the novel by Jane Sanderson and adapted for television by Irish writer Jo Spain, the show stars Teresa Palmer as the adult Alison and Jim Sturgess as the adult Daniel and Rory Walton-Smith as young Daniel and Florence Hunt as young Alison. And here's the thing, the actors who play the younger versions of our protagonists are so much better than the anguished grown-up versions, who spend most of the time moping about like extras in a Cure video. Of course, the whole thing reminded me of that minor noughties indie hit about an estranged couple haggling over their shared record collection in the same way rich people haggle over their condo in Bel Air or their D4 pied-à-terre. If you're looking for a good music-based romance, Stephen Frears' film of Nick Hornby's High Fidelity is still your best. Mix Tape is a mite too tortured and joyless but it does have two major flexes - those Dublin locations and the actual music. It also asks an eternal question posed by music obsessives in every time line and time zone - can the songs that sound-tracked our young lives and loves ever really sound the same again?

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