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See the most dramatic beauty looks in The Buccaneers Season 2

See the most dramatic beauty looks in The Buccaneers Season 2

Vogue Singapore5 days ago

It's the modern regency romp for the ages. The further into the future we go, the more we can't help but feel nostalgic for an era bygone—especially when it's got some flavourful bits of contemporary energy to it. In recent years, a big slice of popular television has consisted of some juicy historical fiction, and The Buccaneers is no stranger to the avid period drama audience. Especially since the Apple TV+ regency drama—created by Katherine Jakeaways and loosely based on the novel by Edith Wharton—has brought its own feminist flair to the classic period flick ever since it first released in 2023. As much as it's a searing romance, The Buccaneers is also one written for the girls; informed by its female friendships, maternal figures and the telling strength of sisterhood. So there's only joy to be had, with the arrival of its second season this June.
Right off the bat, Season 2 picks up right where the first season left us off: Nan's wedding day. Nan (Kristine Froseth) has chosen to walk down the aisle and marry the Duke of Tintagel, Theo (Guy Remmers), despite knowing that her heart really belongs to Guy (Matthew Broome)—but she'll do it all over again if it means saving her sister Jinny (Imogen Waterhouse). The first episode alone is chockfull of dramatic revelations, from Theo's mother, the Dowager Duchess's involvement to truth bombs surrounding the identity of Nell, played by hotly-anticipated newcomer Leighton Meester. To enact these moments to full effect, a theatrical array of hair and make-up looks command the screen; each one carefully conceived to perfection by hair and make-up designer Jenny Rhodes Mclean, be it to signal a fresh season for a character or send a powerful message out into the world. Out of the first episode's breathtaking beauty looks, we simply must discuss Nan's pièce de résistance : where she paints the town red with a crimson train, bold buns, and a final smear of scarlet on her lips.
As Conchita says it best, it's a look that's 'changing the conversation'—and we can only expect more from Nan and the rest of the show's radiant cast as the show builds in anticipation. Peruse the most striking beauty looks from The Buccaneers Season 2 so far. Courtesy of Apple TV+
1 / 7 The mask of a blushing bride
Tiara adorned, Nan is crowned the Duchess of Tintagel. Despite the reality of the situation, Nan carries on with poise. Luminous skin, cheeks flushed in pink and a wispy updo that keeps her wits about her—the latter a stark contrast to when she freely wore her hair down throughout most of the first season. Courtesy of Apple TV+
2 / 7 The black swan
If there's one character with a growth arc on the way, it's Aubri Ibrag's Lizzy. Compared to the beachy, nonchalant waves she wears in Season 1, Lizzy is a picture of womanly elegance—as if the girl in the first season has been shed. With hair swept back, glowing skin and a glittering black tiara in tow, she wears her trauma and secrets with newfound sophistication; embracing them, instead of rejecting her shame. Courtesy of Apple TV+
3 / 7 Spiral attraction
This moment feels all the more poignant, as Nan sends her mother, Patti St. George, off on her first day as the new duchess. With eyes of adoration, she looks at her mother, who wears her striking auburn hair in a head of cascading spiral curls. Courtesy of Apple TV+
4 / 7 Feathered honour
The second season also welcomes the progression of its most prominent queer relationship between Mabel Elmsworth (Josie Totah) and Honoria Marable (Mia Threapleton). Whilst they may have left their days of girlhood behind them, the former continues to reject the traditional updo and wears her curls neat but swept up in a more contemporary fashion—accented with a black feathered hairpiece for the sake of an occasion. Courtesy of Apple TV+
5 / 7 The higher we go
Alisha Boe's Conchita too, must evolve amid trying times for her and her husband, Lord Richard Marable. To keep up appearances, she sculpts her mane upwards, whilst her lips are painted with a sheen of plum. Courtesy of Apple TV+
6 / 7 Hatted poise
Newcomer Leighton Meester is introduced as Nell, Patti's long-estranged sister. And she's an absolute gem on screen—long, fluttering lashes, a softly-pinked pout and matted curls kept underneath a jewel-toned hat. Courtesy of Apple TV+
7 / 7 Paint the town red
She's the Duchess—and she's not letting anyone write the narrative for her. To make the headlines and steer the conversation away from the real whereabouts of her sister, Nan decides to step out in a regal scarlet gown and dramatic space buns worn low—whilst her royal tiara is crushed and worn in reverse. But it's the divine match of her scarlet lip that takes the cake (courtesy of Mac Cosmetics, according to Mclean) and births Nan anew.

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See the most dramatic beauty looks in The Buccaneers Season 2
See the most dramatic beauty looks in The Buccaneers Season 2

Vogue Singapore

time5 days ago

  • Vogue Singapore

See the most dramatic beauty looks in The Buccaneers Season 2

It's the modern regency romp for the ages. The further into the future we go, the more we can't help but feel nostalgic for an era bygone—especially when it's got some flavourful bits of contemporary energy to it. In recent years, a big slice of popular television has consisted of some juicy historical fiction, and The Buccaneers is no stranger to the avid period drama audience. Especially since the Apple TV+ regency drama—created by Katherine Jakeaways and loosely based on the novel by Edith Wharton—has brought its own feminist flair to the classic period flick ever since it first released in 2023. As much as it's a searing romance, The Buccaneers is also one written for the girls; informed by its female friendships, maternal figures and the telling strength of sisterhood. So there's only joy to be had, with the arrival of its second season this June. Right off the bat, Season 2 picks up right where the first season left us off: Nan's wedding day. Nan (Kristine Froseth) has chosen to walk down the aisle and marry the Duke of Tintagel, Theo (Guy Remmers), despite knowing that her heart really belongs to Guy (Matthew Broome)—but she'll do it all over again if it means saving her sister Jinny (Imogen Waterhouse). The first episode alone is chockfull of dramatic revelations, from Theo's mother, the Dowager Duchess's involvement to truth bombs surrounding the identity of Nell, played by hotly-anticipated newcomer Leighton Meester. To enact these moments to full effect, a theatrical array of hair and make-up looks command the screen; each one carefully conceived to perfection by hair and make-up designer Jenny Rhodes Mclean, be it to signal a fresh season for a character or send a powerful message out into the world. Out of the first episode's breathtaking beauty looks, we simply must discuss Nan's pièce de résistance : where she paints the town red with a crimson train, bold buns, and a final smear of scarlet on her lips. As Conchita says it best, it's a look that's 'changing the conversation'—and we can only expect more from Nan and the rest of the show's radiant cast as the show builds in anticipation. Peruse the most striking beauty looks from The Buccaneers Season 2 so far. Courtesy of Apple TV+ 1 / 7 The mask of a blushing bride Tiara adorned, Nan is crowned the Duchess of Tintagel. Despite the reality of the situation, Nan carries on with poise. Luminous skin, cheeks flushed in pink and a wispy updo that keeps her wits about her—the latter a stark contrast to when she freely wore her hair down throughout most of the first season. Courtesy of Apple TV+ 2 / 7 The black swan If there's one character with a growth arc on the way, it's Aubri Ibrag's Lizzy. Compared to the beachy, nonchalant waves she wears in Season 1, Lizzy is a picture of womanly elegance—as if the girl in the first season has been shed. With hair swept back, glowing skin and a glittering black tiara in tow, she wears her trauma and secrets with newfound sophistication; embracing them, instead of rejecting her shame. Courtesy of Apple TV+ 3 / 7 Spiral attraction This moment feels all the more poignant, as Nan sends her mother, Patti St. George, off on her first day as the new duchess. With eyes of adoration, she looks at her mother, who wears her striking auburn hair in a head of cascading spiral curls. Courtesy of Apple TV+ 4 / 7 Feathered honour The second season also welcomes the progression of its most prominent queer relationship between Mabel Elmsworth (Josie Totah) and Honoria Marable (Mia Threapleton). Whilst they may have left their days of girlhood behind them, the former continues to reject the traditional updo and wears her curls neat but swept up in a more contemporary fashion—accented with a black feathered hairpiece for the sake of an occasion. Courtesy of Apple TV+ 5 / 7 The higher we go Alisha Boe's Conchita too, must evolve amid trying times for her and her husband, Lord Richard Marable. To keep up appearances, she sculpts her mane upwards, whilst her lips are painted with a sheen of plum. Courtesy of Apple TV+ 6 / 7 Hatted poise Newcomer Leighton Meester is introduced as Nell, Patti's long-estranged sister. And she's an absolute gem on screen—long, fluttering lashes, a softly-pinked pout and matted curls kept underneath a jewel-toned hat. Courtesy of Apple TV+ 7 / 7 Paint the town red She's the Duchess—and she's not letting anyone write the narrative for her. To make the headlines and steer the conversation away from the real whereabouts of her sister, Nan decides to step out in a regal scarlet gown and dramatic space buns worn low—whilst her royal tiara is crushed and worn in reverse. But it's the divine match of her scarlet lip that takes the cake (courtesy of Mac Cosmetics, according to Mclean) and births Nan anew.

10 queer rom-coms to watch this Pride Month
10 queer rom-coms to watch this Pride Month

Vogue Singapore

time18-06-2025

  • Vogue Singapore

10 queer rom-coms to watch this Pride Month

@aniceindianboyfilm Pride Month is the perfect time to celebrate identity, representation and most of all, love. The origins of Pride date back to 1969, when members of the LGBTQIA+ community rebelled against the police raids at The Stonewall Inn in New York City. It's a powerful time during when the queer community claim their voices are unapologetically bold and free. But Pride doesn't always have to be about vibrant parades and elaborate parties to be meaningful. The celebration can be quiet too. It can look like taking a break from the festivities, curling up on the couch with your favourite snacks, a bottle of wine, and pressing play on the queer rom-coms of your choice. Who can resist a good love story anyway? For decades, romantic comedies have given us unrealistic meet-cutes, overly charming characters and oftentimes happy endings—but what they haven't always given us is inclusivity and diversity. 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Courtesy of Colour Yellow Productions 3 / 10 Shubh Mangal Zyada Saavdhan This riotously funny romantic comedy tells the story of Kartik and Aman, a gay couple living in Delhi. Their relationship is challenged when they travel to the latter's hometown to attend a family wedding. When Aman's parents learn about their relationship, tensions rise as they struggle to accept the truth about their son. The film wittily blends humour with a sensitive portrayal of the challenges faced by queer couples in India, who continue to navigate life in a largely unaccepting society. Watch Shubh Mangal Zyada Saavdhan on Amazon Prime. Courtesy of Prime Video 4 / 10 Red, White & Royal Blue Based on the novel by Casey McQuiston, this charming enemies-to-lovers story follows Alex Claremont Daiz—the son of the President of the United States of America and the Prince of Britain, Henry, as the two get into a nasty fight causing an International scandal. 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Courtesy of Sony Pictures Classics 9 / 10 Saving Face A classic in Asian queer cinema, Saving Face follows Wilhelmina Pang, a young Chinese-American surgeon living in New York City, who is a lesbian but remains closeted to her conservative immigrant family. Wil's world is turned upside down when her mother, pregnant with an unknown man's baby, moves in with her. Things further complicate when she falls in the love with the vivacious ballet dancer Vivian Shing. The film delicately explores tradition, acceptance, identity and love in the most beautiful and heartfelt way. Watch Saving Face on Apple TV+. Courtesy of Mark Lipton 10 / 10 But I'm A Cheerleader A high school student, Meghan has the ideal life that every teenage girl dreams of. She's an excellent student and a popular cheerleader, and she's dating the captain of the football team. 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At The Movies: Illogical twists in Echo Valley, David Cronenberg's daughter debuts with Humane
At The Movies: Illogical twists in Echo Valley, David Cronenberg's daughter debuts with Humane

Straits Times

time18-06-2025

  • Straits Times

At The Movies: Illogical twists in Echo Valley, David Cronenberg's daughter debuts with Humane

At The Movies: Illogical twists in Echo Valley, David Cronenberg's daughter debuts with Humane Echo Valley (M18) 104 minutes, streaming on Apple TV+ ★★☆☆☆ The story: Kate (Julianne Moore) is a solitary divorcee running a horse ranch in Echo Valley in America's rural Pennsylvania, where her prodigal daughter Claire (Sydney Sweeney) shows up hysterical late one night with a dead body in her car. She has, she claims, bashed in her boyfriend's (Edmund Donovan) head by accident during a spat. How far will a parent go to protect her child? To answer the poser in the Apple TV+ thriller Echo Valley, Kate, without hesitation, goes to the local lake and disposes of the corpse. A drug addict, Claire has furthermore unwittingly tossed out US$10,000 worth of heroin belonging to a dealer (Domhnall Gleeson) among her boyfriend's possessions. Kate, who cannot even afford her roof repair, has to somehow repay him or he will kill them both. The depressed middle-ager, once married to a lawyer (Kyle MacLachlan), is mourning the death of her wife in a tragic accident. She cannot risk losing Claire too. And so, it is one bad decision after another. The same can be said of the story from Mare Of Easttown (2021) series creator Brad Ingelsby, directed by Bafta-winning British film-maker Michael Pearce of Beast (2017). Beyond plot quirks such as Kate's bisexuality that does nothing to deepen her character, this study on unconditional maternal love takes illogical twists into a third-act crime melodrama once the dealer blackmails her for the murder. He is a menacing villain. But the central relationship getting sidelined is between the exasperatingly acquiescent Kate and Sweeney's shrill, manipulative Claire, whose emotional betrayal is the most grievous violence. Hot take: Moore and Sweeney are an intense double act in a movie that does not know what to do with them nor what it wants to be. Humane (NC16) 93 minutes, streaming on Max ★★★☆☆ (From left) Jay Baruchel, Alanna Bale, Sebastian Chacon, Sirena Gulamgaus and Emily Hampshire in Humane. PHOTO: MAX The story: Mere months after an ecological collapse, world leaders are mandating euthanasia either voluntary or by conscription as a means to reduce the population. Those contributing to the planet-saving effort are valorised as 'heroes', and their next-of-kin are rewarded with a substantial payout. Humane is directed by Canadian photographer Caitlin Cronenberg. Her dad, Canadian auteur David Cronenberg, is the progenitor of body-horror cinema, and her brother is film-maker Brandon Cronenberg of Infinity Pool (2023) and Antiviral (2012). Nonetheless, her dystopian fable has no bodily mutations. The characters, just the way they are, are the horror in their greed, duplicity and selfishness. A family dinner in a vaguely North American suburb implodes into a violent fight for survival when the wealthy patriarch's (Peter Gallagher) plan to join the suicide programme goes awry. A creepily cheery Department of Citizen Strategy representative (Enrico Colantoni) arrives at the manor for the appointed 'cadaver procurement', and the four adult children have two hours to decide whom among themselves to sacrifice before the armed agents do the choosing for them. The eldest (Jay Baruchel), an anthropologist, is a government propagandist. One sister (Emily Hampshire) is a snippy pharmaceutical executive under investigation for fraud. Another is a talentless actress (Alanna Bale) and the adopted sibling (Sebastian Chacon) is a recovering addict piano virtuoso. Inside the house over a single night, they turn against one another with every sharp instrument available. This is Caitlin Cronenberg's feature debut. It shows in the lack of both dramatic depth and visual flair, but the sociopolitical satire on class and privilege is blackly comic. Hot take: The Cronenberg family business continues to make a killing. Join ST's Telegram channel and get the latest breaking news delivered to you.

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