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Is CGI-Heavy Big Bang Theory Spinoff Poised to Be a Superhero Satire?

Is CGI-Heavy Big Bang Theory Spinoff Poised to Be a Superhero Satire?

Yahoo12-06-2025
The latest Big Bang Theory universe expansion has the potential to look and feel unlike any offshoot that came before it — and based on several clues, I'm beginning to think it will.
Whereas Young Sheldon served as a prequel chronicling Sheldon Cooper's childhood, and sequel-to-the-prequel Georgie & Mandy's First Marriage has continued that story but shifted focus to Sheldon's older brother and sister-in-law, HBO Max's Stuart Fails to Save the Universe will serve as a direct continuation, and pick up after the events of Big Bang's 2019 series finale.
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As previously reported, Kevin Sussman (aka Stuart) will be joined on the show by fellow franchise vets Lauren Lapkus (Denise), Brian Posehn (Bert Kibbler) and John Ross Bowie (Barry Kripke) — a quartet that, with the exception of Sussman and Lapkus, rarely (if ever) interacted. And while plot details remain under wraps, we do know that Season 1 has already been written ahead of an official series order, and screenwriter Zak Penn — whose myriad credits include The Avengers, Ready Player One and Free Guy — wrote all 10 episodes with original series co-creators Chuck Lorre and Bill Prady.
Earlier this week, Lorre let slip that Stuart Fails… will feature 'a lot of CGI' — and that piece of intel, combined with the prospective series' title, leads me to believe that this new show won't be rooted in reality, per se. Instead, it will see the perpetually down-on-his-luck comic book store owner conceive of his own graphic novel centered on a B-team Justice League — a motley crew of underestimated superheroes who look a lot like Stuart, Denise, Bert and Kripke, and who all have started to believe what everyone else thinks of them: that they're incapable of greatness. But all that will change once the future of humanity is called into question by an otherworldly threat, and the actual Justice League is preoccupied/unable to save the day. And perhaps Stuart will narrate, borrowing a narrative device from Young Sheldon (whose series finale revealed that Dr. Cooper was recounting his East Texas upbringing as part of his memoir).
So, that's my working (Big Bang) theory! TVLine will keep you posted as we learn more about Stuart Fails to Save the Universe — and whether my prediction is right. But for now, leave a comment and let me know what sort of spinoff you're anticipating.
Everything We Know About Big Bang Spinoff Stuart Fails to Save the Universe
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All 8 Superman Movies Ranked Worst to Best, Including James Gunn's Brilliant Latest
All 8 Superman Movies Ranked Worst to Best, Including James Gunn's Brilliant Latest

Yahoo

time3 hours ago

  • Yahoo

All 8 Superman Movies Ranked Worst to Best, Including James Gunn's Brilliant Latest

Here are all eight Superman movies ranked worst to best, including the brand-new James Gunn version starring David Corenswet as the Man of Steel and Rachel Brosnahan as Lois Lane. A couple caveats: We aren't incuding animated movies, or Justice League, for reasons we'll get into. And with that, here are all eight Superman movies ranked, in order from worst to best. Related Headlines 13 Shameless Comedies That Just Don't Care If You're Offended Fighting, Making Friends at Camp and Selling Cookies Are Subjects of NFMLA's Disabilities Program Old Superman: New Superman Too Woke Batman v Superman: Dawn of Justice (2016) Henry Cavill is a terrific Superman, but he was frankly underserved by the scripts for the films in which he played everyone's favorite Kryptonian. The worst by far was Batman v Superman, a loud, messy, overblown affair that saw him facing off with Ben Affleck's similarly underserved Batman — and they both had the movie stolen out from under them by Gal Gadot's Wonder Woman. The nadir of Cavill's turn as Superman was Justice League, which featured several scenes in which his face is marred by by the digital removal of the mustache Cavill was sporting for the excellent Mission: Impossible — Fallout, which was shooting at the same time Justice League did reshoots. But we aren't including Justice League on this list because Superman is dead for much of the movie. Superman IV: The Quest for Peace (1987) No one is saying Superman IV is a good movie — it suffered from a slashed budget and a terrible new villain, Nuclear Man (Mark Pillow), as well as a preachy plot about the evils of nuclear weapons. The special effects were bad at times. And the film's disappointing box office returns buried the Christopher Reeve-led version of the Superman franchise. But Superman IV has its charms. First of all, there's Reeve, by far the best actor to play Superman so far. And at least we got truncated appearances by the late, great Gene Hackman as Lex Luthor and Margot Kidder as Lois Lane. It's also weird and fun that Jon Cryer pops up as Lex's nephew, Lenny Luthor. And, in a roundabout way, this movie helped shoot Morgan Freeman to stardom. No, he's not in the movie. But Reeve agreed to make Superman IV in exchange for a green light for the gritty drama Street Smart, in which Morgan Freeman stole the show as a pimp who clashed with Reeve's character, a reporter. Superman Returns (2006) This attempt to reboot the Superman franchise suffered against two comparisons: First, as likable as Brandon Routh and Kate Bosworth were as Superman and Lois, it's very hard to follow Christopher Reeve and Margot Kidder. Second, the film came out a year after Christopher Nolan and star Christian Bale very successfully rebooted Batman with Batman Begins, the start of their Dark Knight trilogy. Still, we like Superman Returns. Kevin Spacey was a good pick for Lex Luthor, and we love how this movie can be seen as a direct sequel to Superman II — with new leads, of course — that imagines Superman III and Superman IV never happened. Man of Steel (2013) Director Zack Snyder tried to make Man of Steel (which came out a year after the final film in Nolan's Dark Knight trilogy, The Dark Knight Rises, and included Nolan as a producer) as epic as possible, and succeeded in many ways. Henry Cavill was exceptionally well cast as Superman, and Amy Adams was an excellent modern-day Lois Lane. The stacked supporting cast included Kevin Costner and Diane Lane as Clark's adopted earth parents, Jonathan and Martha Kent, and Russell Crowe and Ayelet Zurer as Jor-El and Lara Lor-van, the Kryptoanian biological parents of Superman (aka Kal-El). The dads got a lot more to do than the moms. The main weakness of the film was Snyder's insistence on making things too dark and gritty, culminating in the much-debated decision to have Superman kill Michael Shannon's General Zod. That still doesn't feel like a thing Superman would or should do. Superman III (1987) This is Superman at his silliest. He faces off with the forgettable industrialist Ross Webster (Robert Vaughn), who employs the movie's real attraction, Gus Gorman, a desperate but brilliant computer programmer played by Richard Pryor. There's incredible time-capsule appeal in seeing the straitlaced Reeve share the screen with the unpredictable Pryor, one of the most influential comedians of all time. And it's also fun to see how a 1983 film portrayed Gus' computer genius. (His moneymaking scheme was elegant and memorable enough to have received an homage in 1999's Office Space.) We also like the goofy but fun splitting of Superman into good and evil personas. The film loses points for the absence of Gene Hackman and the sidelining of Margot Kidder, who was upset at producers Ilya and Alexander Salkind for the decision to replace Superman director Richard Donner on Superman II with Richard Lester. We prefer Superman movies where Lois is front and center. Superman II (1980) Plot-wise, this is the most compelling of all Superman movies, because it goes to the central question of whether he wants to be human, or an alien superhero trying to save us from ourselves. It's the most romantic superhero movie ever made. Realizing that he can't be Superman and married to Lois, Clark Kent gives up his super powers. But he's forced to don the cape once again when three villains cast out from Krypton early in the original Superman movie suddenly come to Earth: General Zod, perfectly played by Terence Stamp; his similarly icy second-in-command, Ursa (Sarah Douglas); and the mute and mighty Non (Jack O'Halloran). Superman II is thrilling, but tragic. And, if you were a kid when it came out, it was genuinely scary: What could be worse than a world without Superman? Superman (1978) This is the film that created the modern superhero movie — a stunning, charming, goodhearted epic that takes it sweet time living up to its tagline, "You'll believe a man can fly." It's slow by modern standards, but who cares? We love inhabiting the world it creates, one that combines solid 1970s moviemaking with a Metropolis out of the 1940s and a version of Kansas that feels like something in a Terrence Malick film. The film rockets from a dying utopia, imbued with grandeur by Marlon Brando as Jor-El, and takes us to an optimistic version of America distinct from the grit and pessimism of other '70s films. Anchoring it all is Christpher Reeve as a Superman who exudes decency — as well as plenty of dry wit. The movie centers around Lois Lane — the skeptical audience surrogate — falling in love with him. And Superman falling in love with her. Add in Gene Hackman, as a conniving Lex Luthor who is as ruthless as Superman is sincere, and you have a classic — the best Superman movie so far. We love Richard Donner's controlled, assured direction, and the fact that the film enlisted Godfather writer Mario Puzo to tell a very different kind of family story. The new Superman movie, coming July 11 from James Gunn, incorporates John Williams' stirring, triumphant score, and we hope it can also capture the heart of the 1978 Superman, our favorite Superman movie by far. Superman (2025) That's right — we've loved Superman movies for almost as long as we've been alive, and consider James Gunn's latest version to be the best of all. This movie is a flat-out stunner. And yes, it should be noted that it had a big advantage over all the other Superman movies on this list: It gets to borrow and build on everything they did right, and learn from their mistakes. The way the film expands on John Williams' soaring 1978 Superman score is a good encapsulation on how it expands on 87 years of Superman lore — it takes the central themes, finds new ways to play them, and makes everything feel fresh and vital. Gunn stands on the shoulders of giants and does them proud. The new Superman has jokes, thrills, and soul, and Gunn finally cracks the problem of all Superman movies: How do you make a man with incredible powers relatable? Gunn does it by making him a stranger in a strange land — ours — who tries to keep up even as he falters, again and again. The chemistry between David Corenswet's striving Superman and Rachel Brosnahan 's punk-rock Lois Lane feels as real as we've seen between any screen couple in years. And a speech at the end about why we should treat all human beings as human beings brought a tear to this cynical writer's eye. Superman has epic moments, but also a light touch, and Gunn fills the screen with delights. He seems to have found maybe the most perfect use of CGI we've seen in a movie: Rather than using it to badly recreate elements of real-life, as so many CGI-driven movies do, he uses it to create visions we would never otherwise see, particularly in a standout "pocket universe" sequence. There are some stunning parallels with the world today — some of which Gunn couldn't possibly have planned on during production — but people who think it's some kind of woke jeremiad are out of their minds. Superman is a movie for anybody with a heart. Liked This List of All 8 Superman Movies Ranked From Worst to Best? You might also like our list of Every Indiana Jones Movie Ranked from Worst to Best, or this list of Rad '80s Movies Only Cool Kids Remember. Main image: David Corenswet and Rachel Brosnahan in Superman. Warner Bros. Related Headlines 13 Shameless Comedies That Just Don't Care If You're Offended Fighting, Making Friends at Camp and Selling Cookies Are Subjects of NFMLA's Disabilities Program Old Superman: New Superman Too Woke Solve the daily Crossword

‘Is Ben playing Turtle Boy in the movie deal?' Ben Affleck and Karen Read backer hung out and people noticed.
‘Is Ben playing Turtle Boy in the movie deal?' Ben Affleck and Karen Read backer hung out and people noticed.

Boston Globe

time5 hours ago

  • Boston Globe

‘Is Ben playing Turtle Boy in the movie deal?' Ben Affleck and Karen Read backer hung out and people noticed.

Top row from left: Ben Affleck with Jennifer Lopez in "Gigli"; with Matt Damon in "Good Will Hunting"; and as Batman in "Zack Snyder's Justice League." Bottom row from left: Affleck with Jeremy Renner in "The Town"; in "Argo"; and with Joey Lauren Adams in "Chasing Amy." Photo By Phillip Caruso / Miramax Films / HBO Max / Claire Folger / Claire Folger / kpa/United Archives) The post from Kearney, who gained a huge following by championing Read's assertions of innocence in her murder case, set the Internet ablaze, fueling speculation that the actor beloved for performances in Soon after Read's Advertisement When Kearney dropped his photo montage online, conjecture about about Affleck's possible involvement reached a fever pitch. (Affleck's handlers have offered no confirmation to the trade publications). 'Big Ben!!!' one person replied to Kearney. 'Him and Matt Damon should come back together to do your movie. Matt could definitely play a Turtleboy. Ben can be Alan Jackson.' Advertisement Another wondered, 'is Ben playing Turtle Boy in the movie deal?' Read, 45, was Karen Read supporters cheer when she emerges from Norfolk Superior Court after the jury delivered its verdict in her murder retrial. Pat Greenhouse/Globe Staff Prosecutors alleged that Read backed her SUV in a drunken rage into Boston police officer Her lawyers said she was framed and that O'Keefe entered the property, owned at the time by a fellow Boston police officer, where he was fatally beaten and possibly mauled by a German Shepherd before his body was planted on the front lawn. Read's first criminal trial ended with a hung jury last summer, and she still faces a wrongful death lawsuit brought by O'Keefe's family. Karen Read emerges from Norfolk Superior Court on June 18, 2025, after the jury delivered its verdict in her murder retrial. Pat Greenhouse/Globe Staff Kearney, meanwhile, has pleaded not guilty to charges of harassing and intimidating witnesses in the Read case, though some of the charges have been dropped. He suggested via X that Affleck's in the pro-Read camp, writing, 'He said 'so she didn't do it right?'' He said 'so she didn't do it right?' — Aidan Kearney (@DoctorTurtleboy) Travis Andersen can be reached at

Leanne Morgan gets the last laugh with her own Netflix series 'Leanne'
Leanne Morgan gets the last laugh with her own Netflix series 'Leanne'

USA Today

time8 hours ago

  • USA Today

Leanne Morgan gets the last laugh with her own Netflix series 'Leanne'

Comic Leanne Morgan glows in peach for an interview, accessorized with an invisible halo of buzzing nerves clouding her thoughts. It's not exactly the confidence she exudes in her 2023 Netflix standup 'I'm Every Woman,' in which she delivers sharp quips about aging, tending to her 'little mama and daddy' and life with her 'anal-retentive, overachiever' husband, Chuck Morgan. The success of that special, paired with interest from the King Midas of comedies, Chuck Lorre, resulted in the standup's very own 16-episode, half-hour Netflix sitcom. Finally, after years in comedy clubs and the promise of other series suddenly evaporated. 'What was the question, honey?' Morgan, 59, asks, raising her hands into the air like the blonde shoulder shrug emoji. 'This is my first press junket, my darling.' Morgan drops 'my darling' and 'honey' like women in the South once dropped handkerchiefs to flirt. Her captivating drawl showcases her upbringing in Adams, Tennessee. 'Leanne' opens with Morgan's character, Leanne Murphy, heartbroken over the end of her 33-year marriage when her husband (Ryan Stiles) falls for a younger woman. Leanne initially 'takes to the bed' but learns to muscle through with the help of her sister (Kristen Johnston), while caring for their parents (Celia Weston and Blake Clark) and her kids (Graham Rogers and Hannah Pilkes). One hunky FBI agent (Tim Daly) helps Leanne get her mojo back. Morgan's family has long been a source of material for her comedy career, which began when Morgan's 'baby child was 18 months old,' she says. Tess, now 27, is younger sister to Charlie, 31, and Maggie, 29. 'I'd had three babies in five years,' Morgan says. 'I swear, I think that was some of my best material.' She mined jokes from breastfeeding and elementary school. 'Middle school was a dry time because everybody said, 'Don't put my name in your mouth, Mom. Don't talk about me,'" Morgan says. But they came around in high school. "And all these women would say to me, 'Oh just wait, Leanne. Menopause is really going to be your best material.'' For about 25 years, she worked consistently in comedy clubs, at corporate events and fundraisers, careful not to be away from her kids for too long. 'I really just got on stage anywhere I could, my darling, so that I could raise these three children in Knoxville, Tennessee,' Morgan says. 'It got to a point where I thought, 'I'm not happy, and this is not going the way I want it to, and maybe I should stop.' But … I just always kept thinking, 'Oh, I've got to keep going.'' Enter Lorre, with numerous creator and co-creator credits (ABC's 'Dharma & Greg,' CBS' 'The Big Bang Theory,' 'Young Sheldon,' 'Two and a Half Men,' 'Cybill' and Netflix's 'The Kominsky Method," for starters). He's built sitcoms around comics like Brett Butler (ABC's 'Grace Under Fire'), Melissa McCarthy and Billy Gardell (CBS' "Mike & Molly") and Sebastian Maniscalco (HBO Max's 'Bookie'). 'When he came to my house,' Morgan says, 'and held my grandbaby on my back porch and said, 'Leanne, please make this with me,' − he said that to me − I felt validated at 57 that OK, this was worth it. I was on the right track.' Morgan's unique point of view in her standup stirred something in Lorre. 'I was really startled when I saw it,' he says. He thought to himself, ''This is special.'' Netflix subscribers agreed. The platform revealed to USA TODAY exclusively that since its release, 'I'm Every Woman' is the streamer's most-watched special globally from a female comic, racking up 11 million views as of June 30. The special has been watched in more than 190 countries. 'When we've seen this type of global success,' says Tracey Pakosta, Netflix's vice president of comedy series, 'it's really been about the fact that they're touching on universal themes... I feel like things that resonate are things that Leanne talks about in her specials, whether it be starting over or female friendship, family, all of these things that people around the world can relate to.' Morgan's bit about a friend going through a divorce and returning to the dating pool sparked Lorre's idea for the sitcom. 'I asked Leanne if she'd be comfortable taking on that type of role for a show,' Lorre says, 'where a woman (is) at the time of life where she shouldn't have to be reinventing her life but now has to.' "The comedy is generated by trying to deal with life as it happens, as a child goes off the rails, as a marriage crashes and burns," Lorre says. "How do you respond to that? And there's no book. You learn as you go. Somehow, in that stumbling forward through those crises, that's where you mine some comedy.' In real life, Morgan and her husband are still happily married, but the fictional version of Leanne 'reacts how I really would,' Morgan says. 'If Chuck Morgan did walk off and leave me, it would be a catastrophic event, and I would take to the bed, and I would lean on my sister and my kids. I wanted this sitcom to have my sensibility, and those writers really honored that." Writers also included Morgan's love for church and exercise classes in a church basement. Zumba, she specifies, 'and I have done jazzercise, honey, many a time in a Presbyterian gym.' If only she felt so confident when walking onto the 'Leanne' set at Warner Bros. studios in Burbank, California, where the show is taped before a live studio audience, on the first day of production. 'I was so nervous because, honey, I walked in there, I didn't realize there was 250 people working on this. I really did not know anything,' Morgan says. 'I thought, 'Oh my gosh, how am I going to live up to this? All these people are counting on me.' But everybody was cheerleading and lifting me up.' Behind those 'Big Dumb Eyes': Nate Bargatze's comedy and plans for after standup is over Morgan had questions for everyone, and says Johnston ("3rd Rock From the Sun") provided priceless advice. 'When I first saw my fanny on screen, I'll just tell you, and my chin, I thought, 'What happened to my chin?'" Morgan deadpans. "And I know I've always had a big fanny, but I didn't know how big it was on TV. And (Johnston) said to me, 'Leanne, don't let all that get in your head. Be funny. Think of Lucille Ball… It's hard when you see yourself on TV, but it's about being funny.' And she was right, and I had to let that go.' Fans will see more of Morgan when her second Netflix special debuts this fall. There's a third in the pipeline. Morgan is also touring through October with a new standup show she's aptly dubbed 'Just Getting Started.' While achieving her dream of a sitcom might seem like Morgan's Hollywood ending, she says this is only the beginning. 'I came up with that name because I feel like − and I don't mean to sound sappy − but I feel like I'm just getting started, at 59 years old!' she says. 'And when I say that on stage, women throw their purse there. It's so much bigger than comedy. It really is. 'When this all blew up for me in my early 50s, I really kind of had a hard time, probably should have talked to somebody about it,' Morgan continues, 'because it wasn't just like people enjoyed my comedy. It was kind of like a movement of women my age, realizing it's not over and you have worth and you're smarter than you've ever been and you're better at your craft or your job than you've ever been. I think society, after a woman gets a certain age, kind of throws her away, and it's crazy because we're the best we've ever been." 'You only get one time around this life,' she says. 'You might as well give it everything you got.'

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