Browns coach Kevin Stefanski talks rookie quarterbacks Dillon Gabriel, Shedeur Sanders
After about a half-dozen snaps, though, the quarterback so many people showed up to Friday's first day of rookie minicamp to watch was able to get under center. Shedeur Sanders, the center of attention despite his fifth-round selection, threw a completion on a bootleg to the left with a defender in his face.
Advertisement
None of it, however, was to be taken as a harbinger for things to come in the Browns' quarterback derby. Forget the four-person competition awaiting when the full roster is together, it wasn't even one for the rest of the weekend.
"Yeah, I wouldn't look into anything," Browns coach Kevin Stefanski said after the 80-minute practice ended Friday. "I think you'll see the whole weekend, going through the spring, we don't pay too close attention to who's in there first."
One could view the Browns' quarterback competition through a two-pronged approach. There's a prong that involves established quarterbacks Joe Flacco and Kenny Pickett, two players who were acquired by the team over the last two months and who have been active in Cleveland's voluntary offseason program over the last three weeks.
Those two opened the second phase of the Browns' program this week, which included some on-field work.
Advertisement
"I think the guys are working really hard," Stefanski said. "It's been a really fun group to work with in the meeting room, out on the practice field. I think they push each other just by naturally being guys that work so hard and put so much effort into it in the meeting room, out here on the practice field. So, it's a really good group."
The other prong started Friday and involved the two quarterbacks who the Browns selected in the draft: Sanders and Gabriel. Or Gabriel and Sanders if one wants to list them by their draft order.
Either way, it's irrelevant on May 9, the first time both stepped onto an NFL practice field.
"I think for all coaches, as you can imagine, you put plans together to practice and get the guys ready for a season, but we don't have to put a depth chart out for such a long time," Stefanski said. "So, it's not something that we're really focused on. How guys come off the field in terms of who gets the first shot at it, I mean, you may get the first rep of practice with the ones, but then the next period you may get the second group. So, we vary it throughout. We're not as, we're focused more on the totality of this competition, if you will, at every position, not just the quarterbacks."
Advertisement
Neither quarterback spoke to the media on Friday, with the expectation being that both will talk Saturday. Both, however, managed to get plenty of opportunities on the field due to the way Stefanski and the rest of the offensive staff structured the practice.
Cleveland Browns quarterback Shedeur Sanders (12) watches as quarterback Dillon Gabriel (5) throws during NFL rookie minicamp at the Cleveland Browns training facility on Friday, May 9, 2025, in Berea, Ohio.
A year ago, the Browns only had one quarterback in for rookie minicamp, and it was a player they had signed almost exclusively to be a rookie minicamp arm. This year, they don't just have two quarterbacks in, they have two quarterbacks in who could very easily end up as their starting quarterback this season.
That made setting up a practice format to benefit both critical.
Advertisement
"Yeah, so today we did a couple seven-on-sevens, longer seven-on-sevens than we typically have done. And the idea there is just to maximize reps for those guys, what we're trying to do. And that was part of the idea of bringing in some tryout players this weekend. Now those tryout players are trying to make the football team. They're not just here for practice. I was around a tryout player a few years ago named Adam Thielen, so we're giving these guys every chance they can to put their best foot forward."
Both quarterbacks had their moments over their first practice. Both showed off the accuracy that had been the hallmark of their college careers.
It was also hard to declare anyone the day's "winner," because it was just a controlled environment with players in helmets, T-shirts and shorts. Stefanski, however, said there was a method to the madness in the evaluation.
"Well, I think the fun part is we've spent so much predraft time with these players, particularly when we're talking about our quarterbacks with Dillon and Shedeur," Stefanski said. "We've spent meeting time with them out of this building. We've taken them through walkthroughs and then they get to go do it in uniform with the helmets on and just see what they can take from the meeting room to the grass. And I thought both guys did a nice job."
Advertisement
Chris Easterling can be reached at ceasterling@thebeaconjournal.com. Read more about the Browns at www.beaconjournal.com/sports/browns. Follow him on X at @ceasterlingABJ
This article originally appeared on Akron Beacon Journal: Dillon Gabriel, Shedeur Sanders take field for 1st time as Browns QBs

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


New York Times
19 minutes ago
- New York Times
Will the NFL ever offer ‘Sunday Ticket' on a single-team basis? Sports Media Mailbag (Part 2!)
Welcome to the 42nd Media Mailbag for The Athletic. Thanks for sending in your questions via the website and app. There were nearly 100 questions, so this was a two-parter. Part 1 ran Tuesday. As a Jets fan who lives in Pennsylvania, the only way to watch all Jets games is to purchase a very expensive full NFL TV package. While I purchase single-team packages to watch the Mets, Knicks and Rangers for a reasonable annual fee, I skip watching NFL football on Sunday afternoons in the fall. Any chance the NFL will ever implement a single-team option that provides all the games for one team at a fair price? Great question. I personally don't think there's any chance the NFL would do that because the scarcity of the product is what drives the billions paid by the media rights holders. But I wanted to get someone who has worked at the networks for insight, so I forwarded your question to Patrick Crakes, a former Fox Sports senior vice president who now works as a media consultant. This is a long answer so stay with it. Advertisement 'I understand this sentiment, but I just don't see a route to single NFL team out-of-market season passes,' Crakes said. 'The core issue here is how game inventory is valued for different leagues. For the NBA, NHL and MLB team season passes, the game inventory is monetized regionally with telecast partners across six-month-long regular seasons. In contrast, 100 percent of the 272 NFL's regular season games are monetized nationally to include the majority of games that air during Sunday daytime and are regionalized across two windows (1:00 pm and 4:25 p.m. ET). This works out to only 17 regular season games for each team across only 18 weeks. 'This scarcity in game inventory combined with the extreme viewing demand for the NFL means every single regular season game has national strategically significant economic value for the most important media distribution platforms such as broadcast TV networks (ABC, CBS, FOX, NBC), top pay-TV channels (ESPN) and top streaming platforms (Amazon Prime Video, Google, Paramount+, Peacock and Netflix). These are the ones that can afford to pay $13.3B overall in 2024 alone for America's by far most popular and valuable media property. These mega-strategic NFL telecast partners need some type of exclusivity for their NFL investments. 'When you consider the NFL's requirement that there will always be a free over the air (OTA) broadcast signal for each game regardless of its national telecast partner, you can see how from the NFL's perspective they believe they're fully serving local and national fans while also serving out of market ultra fans,' Crakes continued. 'They believe the NFL Sunday Ticket on YouTubeTV remains the best way for the most passionate of NFL viewers to gain access to as many games on Sunday afternoons as possible while maximizing per game economics. 'If your anchor is the per-game pricing for a NBA, NHL or MLB regular-season local package then any such hypothetical NFL package is going to look astronomical by comparison. For example, MLB's most expensive team season local passes are around $120 annually or about 75 cents per game over 162 games. Taking the total paid by NFL telecasters ($13.3B) last year and dividing it by the total number of NFL regular season games (272), you get an individual NFL regular season game value of $48M. That figure alone should tell you that you're going to pay a significant premium for a NFL team season pass because the per-game value of your local team is derived via a national market and not local/regional one. Unfortunately, there's probably no route to single NFL team passes in the near future.' Advertisement Build your all-time dream broadcast booths for NBA and NFL, along with a studio show for NFL. – Brandon S. NBA: Ian Eagle, Charles Barkley and Jeff Van Gundy in the booth. Craig Sager on the sideline. NFL: Al Michaels, John Madden and Troy Aikman in the booth. Pam Oliver on the sideline. NFL studio show: Bob Costas, Howard Cosell, Peyton Manning, Amy Trask and Will McDonough. Are the 2030 US broadcast rights for the men's football (soccer) World Cup a must have for Fox? — Brian D. One of the most interesting sports rights acquisitions for me over the last 10 months was when Netflix secured the exclusive broadcast rights in the United States for the 2027 and 2031 editions of the Women's World Cup. The deal marked the first time the Women's World Cup will be broadcast on a streaming service. That feels very significant to me as we approach the rights for the 2030 men's World Cup. Games will be played in six countries: Co-hosts Spain, Portugal and Morocco as well as Uruguay, Paraguay, and Argentina. It's going to be massively expensive for a U.S. media rights holder if they want to staff it properly. The 2030 tournament will also have more inventory if the 64-team proposal goes through. I have no doubt Fox would want the property, but the question is the price. I don't think it's a must-have given the resources needed. I also would not be surprised if Netflix goes all-in. The one World Cup Fox always wanted is what they have — the 2026 men's World Cup. (BTW: I'd be fine with someone else doing the World Cup in the U.S. It could use a fresh set of eyes.) The prices of broadcast rights keeps going up. How much of that is due to inflation versus the actual value increase? — Martin D. You'd have to take it on a sport-by-sport basis for the best analysis, but let's look at the NBA/WNBA increases on its media deal. The new agreement — $77 billion over 11 years — is up more than 150 percent over the previous contract based on annual value. Whether these deals turn out to be good business for the media rights holders, we will see. But value is based on what someone is willing to pay versus global inflation trends. Advertisement 'Get off of my lawn' question here. The Stanley Cup playoffs just ended. Regardless of the great matchup in the Final, fan fatigue is a real thing, especially as the weather is warmer, and there is more to do aside from watching TV. Do the broadcast partners of the NHL care about the total length of the season and playoffs being simply too long, or do they just view it as 'inventory' where more is better? — John M. The recent news that the NHL and NHL Players' Association agreed to a four-year extension of the Collective Bargaining Agreement answers the question, given the deal increases the NHL regular season to 84 games per team. The NHL wants as much game inventory as possible because that has driven the media rights deals with ESPN/Turner Sports in the U.S. and Rogers in Canada. I do think viewer fatigue is a real thing, but there's no scenario I see where the postseason gets shortened. I would love to see the playoff format become either '1 versus 16' league-wide or '1 versus 8' in the conferences. I feel like when I turn to sports TV lately it's a lot of one big opinion versus another and tends to devolve from there. What's it going to take to get back to classic ESPN-style fun highlights and funny commentary nightly? Am I looking in the wrong places? — Matt B. The majority of what airs at night is live-game inventory, and that's not going to feature debate television. But opinion is very cheap to produce — you already own the studio/building so your biggest cost is talent. It's also the easiest television to do. Sports isn't alone in this. Look at what CNN's primetime lineup has become. Certainly pre- and post-game shows focus on opinions, but that's usually connected to the game. The days of SportsCenter being unique have long been over. Highlights are accessible everywhere. We live in a different world. My friendly advice is to find sports podcasts that offer what you are looking for, and there are plenty of good ones out there. Can we call on all sports announcers to cease describing the next play, game, golf shot etc… with words such as huge, important, crucial, critical. I understand they are trying to add a level of excitement, but when it is said a thousand times during a broadcast it becomes beyond insufferable. — Michael H. I can see that this is a critical and important question for you. I imagine if you are listening for those specific words, you will hear them a lot. But never forget, sports broadcasters are ALWAYS in the business of selling the product. One of the objectives is to keep you watching. Do the new WNBA broadcast media contracts come with professional announcer teams rather than home-team announcers? A very high percentage are insufferable. Right now it seems only ESPN has real announcers. Rebecca Lobo and Ryan Ruocco do a really good, objective job. I've also heard Debbie Antonelli on ION. She's got credibility from years in the game and does pretty well too. Don't know if she's a home-teamer or not. —J.M. When you watch the WNBA on ION or NBA TV, you are getting the local broadcast. When you watch ESPN/ABC, you are getting the national broadcasters such as Lobo, Ruocco, LaChina Robinson, etc… I watch a lot of WNBA League Pass, and there are a lot of homer broadcasts out there. I agree with you. Antonelli calls the Fever games locally, and she and Pat Boyle are excellent. I also like the Dallas broadcast of Ron Thulin, Nancy Lieberman and Fran Harris. People often say leagues are rooting for big market teams to help TV ratings. Does that really affect the leagues much? Are playoff TV contracts dependent on the teams that are playing? — Zachary What leagues and networks root for above all is length in a series. You just saw a real-time example. Game 7 of the NBA Finals averaged 16.6 million viewers. It bailed out a series that was trending brutally low on viewership. Media market size definitely matters, but where a game airs matters more (broadcast versus cable, for example). The broadcast contracts are fixed over years. The teams that play in the postseason has nothing to do with the contracts. Can the new baseball broadcast contract incorporate local TV announcers in the postseason? Use the same video feed, change the ad mix if using a separate channel or streaming service, but give TV viewers the option to hear their local broadcast TV team in the postseason. Gotta be a way to employ available technology and think of this as a value-add rather than a dilution of the potential audience. — Paul S. Not going to happen. The networks with postseason rights are paying a premium for those rights. If you have the local broadcast in play, the business for the national networks is impacted significantly because you dilute the media markets of the teams in the series. Advertisement What will be the state of successful local regional sports networks in five years? Is there any way AM radio can survive? Is basketball headed to be as niche as hockey now? — Chris K. Five years is a lifetime in sports media. Clearly, leagues such as MLB and the NBA would love to centralize the RSNs but I don't see successful regional networks forgoing that business for the better of the league. An easy prediction is teams will continue to develop their direct-to-consumer streaming business. AM radio is obviously challenged, but pay attention to this legislation. The NBA just signed a mega-media rights deal with three major players. It's not a niche sport unless you define niche as 'everything that's not the NFL.'
Yahoo
31 minutes ago
- Yahoo
Brad Pitt's F1 movie uses Daytona, Rolex 24 and IMSA as a launch pad
There are two ways to look at the opening moments of Brad Pitt's newly released F1 racing movie. For locals, particularly those who spent week after week after week passing the filming location on U.S. 1 in New Smyrna Beach, you have to marvel at the modern Hollywood budget. All those people, all that time, for just 10-plus minutes at the start of the movie? But for one specific local, you can't put a dollar figure on the high-octane salvos that actually preceded the opening credits of 'F1 the Movie.' David Pettit is senior vice president, marketing and business operations, for Daytona Beach-based IMSA, the sports-car arm of NASCAR whose properties include the Rolex 24 at Daytona. As the movie was hitting theaters nationwide late last week, Pettit was coming off a splashy premiere in New York City that included lots of promotional work in Times Square (what Pettit's world refers to as 'consumer activation'). Shortly thereafter, he had a phone call with a potential IMSA client, headquartered in New York, who confessed he wasn't too familiar with IMSA or sports-car racing. 'So I said, 'You're in New York City, right? Did you see all the hubbub about the F1 movie?'' Pettit recalls. 'They said, 'Can't wait to see that.' And I said, 'Well, the opening 12½ minutes were shot in Daytona, and the racing you see is our product.' It's a way to introduce the product to another audience, and for me, that's what excited me the most.' Proving that deadlines are as flexible as budgets in Hollywood, original talks between movie producers and the Daytona folks date back to 2022. Those talks eventually led to Brad Pitt and dozens upon dozens of production workers making camp at Daytona and New Smyrna Beach in early 2024. They found, for their needs, the perfect off-track setting at the old Pappas restaurant and next-door laundromat in NSB. For on-track needs, Daytona International Speedway and the 2024 Rolex 24 were put to use in grand fashion — the Rolex served as another one-off race (and victory, of course) for Pitt's character, Sonny Hayes, a gun-for-hire hot-rodder who soon thereafter was invited to fill a Formula One seat. Fun little factoid: In the movie, there's some Rolex signage, but the race in that opening sequence is called by its long-ago name — the 24 Hours of Daytona. Why? Probably because the long real-world partnership between Rolex and F1 ended after the 2024 season, with TAG Heuer now serving as official timekeeper of F1. Soon after Sonny Hayes leaves Daytona's Victory Lane and hits the road in his custom Ford Econoline van, the opening credits finally roll and the stage shifts to the flashy playgrounds of Formula One. 'The rest of the movie was high-production, high-value, but selfishly, I think the first 10 minutes was arguably the best part of the movie,' Frank Kelleher says. Of course he does, and he should. As president of Daytona International Speedway, he has a rooting interest. 'The gravity of the people, the resources, the equipment, the level of perfection they were seeking over the course of four to six weeks here in Daytona … for the first 10 minutes of the movie, it's really mind-blowing,' Kelleher says. 'But when you take a step further into that reality of the first 10 minutes of any film, that's where it's going to sink its claws into you, and you're going to get interested in it, or not. They had to stick the landing on those first 10 minutes, and I think they should be really proud of their finished product.' Pettit saw the movie twice before it was released — first at Radio City Music Hall in NYC, then west of there at Watkins Glen, where an IMSA race weekend included a showing for the race teams and others. 'The first time I watched it, it was very difficult because I was looking at all of the detail,' Pettis says. 'The second time, I actually just got to sit there and watch it. I enjoyed it. There's a lot of drama, so if you suspend belief a little bit and just enjoy it, it's really good.' In other words, overlook the fact racers don't climb into a Rolex 24 car before midnight and drive all the way through to sunrise — as Sonny Hayes did five minutes after he was awakened in his van. 'You can't get into the technical parts of it because it's a Hollywood production and that's OK,' Pettis says. 'But overall, from the fact that IMSA and the Rolex 24 and Daytona got to be the opening — basically the trailer to the F1 movie — was spectacular. 'They really separated us from F1 in the movie, and I appreciate why they did that. We had a lot of brand presence — Daytona, Rolex 24, WeatherTech Championship, Michelin. You want more, but on the other hand, given it was an F1 movie, I was very pleased with what we got out of it.' — Email Ken Willis at This article originally appeared on The Daytona Beach News-Journal: F1 the Movie: Daytona, Rolex 24 turn the early laps with Brad Pitt
Yahoo
43 minutes ago
- Yahoo
Texas Tech football players, team among best in EA Sports College Football 26 video game
Texas Tech football fans who enjoyed the return of the EA Sports College Football will have a bit more fun playing with the Red Raiders this year. Set to release next week, EA Sports College Football 26 will feature some improvements from last year's return, including the addition of coaches. Joey McGuire, defensive coordinator Shiel Wood and offensive coordinator Mack Leftwich are set to appear in this year's game. Advertisement Texas Tech is set to be one of the best teams in this year's game, as well. EA Sports has been revealing team and player rankings leading up to the release and the Red Raiders are well represented. The revamped Texas Tech defense is ranked ninth overall in the game, coming in with a rating of 92. The Red Raider offense earned a rating of 87, putting Tech 18th in the game. As a team, Texas Tech is the 13th-best team in the game with a rating of 86. This comes with a number of players being highly ranked as well. Texas Tech football player ratings in EA Sports College Football 26 Stanford EDGE transfer David Bailey is the highest-rated Red Raider in the game, earning a 93 overall. He is the 16th-ranked player in the game and the fifth-ranked defensive end in the game. Linebacker Jacob Rodriguez earned a rating of 91 to be placed among the Top 100 players in the game. Advertisement Ten other Red Raider earned ratings of 86 or higher. UCF transfer defensive tackle Lee Hunter is an 89; tight end Terrance Carter Jr. an 88; quarterback Behren Morton, receiver Reggie Virgil Jr and offensive lineman Vinny Sciury each earned 87s; and receiver Caleb Douglas, running back Quinten Joyner, EDGE Romello Height and offensive linemen Davion Cater and Sheridan Wilson all earned 86s. This article originally appeared on Lubbock Avalanche-Journal: Texas Tech football's top-rated players in EA Sports College Football 26