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Watch Anthony Anderson's Mom Rebrand ABC's Biggest Shows, From ‘The View' to ‘The Golden Bachelorette'

Watch Anthony Anderson's Mom Rebrand ABC's Biggest Shows, From ‘The View' to ‘The Golden Bachelorette'

Yahoo11-07-2025
Anthony Anderson's beloved mama Doris celebrates her 72nd birthday this week, and she had a list of requests to ring it in in style. Apparently, that included taking over ABC for a bit, and rebranding each of their shows.
To kick off his final guest monologue on 'Jimmy Kimmel Live!' on Thursday night, Anderson explained that his mother sent an email to the producers of the show, with a series of requests to make the day special. 'And I swear to God, all of this is true,' he prefaced, before reading through her demands.
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'It says tiara and birthday sash with her name, uh huh. Balloons,' Anderson listed. 'Six 'Jimmy Kimmel Live!' hats, a picture of her hung on the wall, strawberry and lemon cake. It's unclear if she was asking for two separate cakes or a combo of flavors. Cheetos, Doritos, and watermelon.'
'A platter of radishes with ranch, donuts, and other unhealthy s–t,' he continued. 'She doesn't want seaweed or other healthy things they usually put in the dressing rooms. Hennessy and Bailey's.'
The list only went on from there and, according to Anderson, the staff actually ended up accommodating his mothers requests. He then joked that he got a call just before the show from the network, saying that she 'got to them too.' From there, a commercial began running, revealing that 'this Summer, ABC is adding a D,' for Doris.
'All your favorite ABC shows, starring the 'Black-ish' guy's mom!' the voiceover cheerily announced. 'First, it's too damn early, with 'Good Mama America.''
'Where's that sexy-ass Michael Strahan?' Doris asks from behind the desk of 'Good Morning America,' wearing her sleep attire. 'I want to slide up into his tooth gap, baby.'
The list went on to include 'Judge Mama' in place of 'Judge Judy,' 'Mama Medical' taking over for 'Grey's Anatomy,' 'The Golden Bachelo-Doris' and even 'The View,' though that didn't get renamed. Instead, Doris simply played each one of the hosts, acting out a dramatic Hot Topics discussion, complete with the ripping of a wig.
'How you like that?!' she bellows as an imitation of host Joy Behar.
You can watch the full bit in the video above.
The post Watch Anthony Anderson's Mom Rebrand ABC's Biggest Shows, From 'The View' to 'The Golden Bachelorette' | Video appeared first on TheWrap.
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‘World's Most Technologically Advanced Theater For Dance' Is Now Open
‘World's Most Technologically Advanced Theater For Dance' Is Now Open

Forbes

time6 hours ago

  • Forbes

‘World's Most Technologically Advanced Theater For Dance' Is Now Open

Elaini Lalousis rehearses for 'Otmo Live: Interstice,' which connects two dancers in different ... More Jacob's Pillow locations in real time via motion capture technology. One performs in the rebuilt Doris Duke Theatre. Nearly five years after a fire destroyed a theater at the heart of a prestigious hub for dance in the Berkshire mountains, a gleaming new building has risen in its place. This one's not only significantly larger than its predecessor, it's equipped to incorporate all the technology dancers could imagine threading into their work — robots, artificial intelligence, augmented reality, motion capture, interactive video and more. The Doris Duke Theatre at Jacob's Pillow in fact, has staked a claim to an audacious title: 'the world's most technologically advanced theater for dance.' Jacob's Pillow is a 220-acre National Historic Landmark in Becket, Massachusetts, that houses a professional dance training center and hosts a long-running annual international dance festival. The reimagined venue opened on July 9 to coincide with this year's fest, which runs through August 24. The new theater — spanning 20,000 square feet, more than double the footprint of the former Doris Duke Theatre — includes a spatial audio system, infrared cameras to track performers for interactive video content and giant screens that double as kinetic canvases, among other high-tech flourishes. Shamel Pitts' duet 'Touch of Red' is one of the programs from the new theater's first season that ... More will be livestreamed to audiences everywhere. 'It's a play space for artists and a site of discovery for audiences,' Pamela Tatge, Jacob's Pillow executive and artistic director, said in an interview. 'While the building and landscape are deeply grounded in​ the indigenous ​history of the land, it's also future-leaning because of how it's equipped and what it will provide artists moving forward.' If all the technology packed into the new theater suggests a cold, futuristic steel edifice, the reality is quite the opposite. Dutch architecture firm Mecanoo designed a space that accommodates a robust technical infrastructure while remaining rooted in and inspired by the region's natural beauty. The curved building has organic lines and a thermally treated pine facade designed to weather in harmony with the elements. The theater wall's can close to immerse audiences fully in the technology or open to the outside. A veranda offers natural shading. 'We envisioned a magic wooden box which awakens the senses and deepens the connection between performer and audience, movement and space, light and shadow,' Francine Houben, Mecanoo's creative director and founding partner, said in a statement. Dancers rehearse in the new theater, which was designed to integrate with its natural surroundings. Rising From The Ashes The original Doris Duke Theatre opened in 1990, and the fatal fire engulfed it in November 2020. 'It looked like what a bomb must look like when it goes off,' Tatge told The New York Times after the blaze. 'It was just a pile of steel and wood.' This month's reopening, she said, 'was such a collective expression of joy and possibility, particularly in the midst of such a challenging environment for the arts right now.' The new theater opened with an inaugural exhibition, 'Dancing the Algorithm,' which features immersive, interactive installations, including one that invites audiences to engage with a 360-degree film of an iconic solo by dance doyenne Martha Graham. International artists featured in the exhibit underscore how dance doesn't merely adapt to emerging technology, but shapes and challenges it. For example, an updated version of David Wallace Haskins' 'Time Mirror IV' (seen in the video above) uses AI-powered machine vision to detect human movements, then generates multiple real-time repetitions of them that ripple across the screen like a living time lapse. Nora Gibson's film 'Artificial Dances' includes three vignettes created entirely with AI and scored with music created from the artist's own biological data, collected by sensors. 'Being a dancer, I am interested in what synthetic intelligence means without the embodied experience familiar to humans,' Gibson said in an interview. 'I wanted to answer this question through dance, and to also explore what creativity would mean for me when collaborating with artificial intelligence.' The opening season for the new theater features two digital-first works designed to be experienced virtually from anywhere. One is Shamel Pitts' 'Touch of Red,' a duet inspired by boxing, Lindy Hop and nightlife culture that explores how Black men perceive themselves in the world. The other, from Elle Sofe Company out of Norway, blends dance with yoik, the traditional singing of the Sámi, an indigenous group inhabiting an area spanning parts of northern Scandinavia and Russia. Tech-forward highlights of the season include 'Dragons' from Korean choreographer Eun-Me Ahn, which incorporates 3D holograms of remote dancers with live, onstage performers. Taiwanese dancer/choreographer and robotics inventor Huang Yi will make his Jacob's Pillow debut with 'Ink,' a work that reimagines calligraphy in motion by pairing industrial robots and holographic projections with human dancers who use their bodies as brushstrokes. 'Artists who build their work in conversation with technology are no longer a subgenre of our field or a passing fad,' said Katherine Helen Fisher, the dancer and choreographer who curated the 'Dancing the Algorithm' exhibit. 'Their work is vital cultural practice, a frontline of social imagination.' The new Doris Duke Theatre has curved organic lines and a thermally treated pine facade designed to ... More weather in harmony with nature.

Frankie Muniz latest actor-turned-driver out to prove he can compete in high-level racing
Frankie Muniz latest actor-turned-driver out to prove he can compete in high-level racing

Yahoo

time7 hours ago

  • Yahoo

Frankie Muniz latest actor-turned-driver out to prove he can compete in high-level racing

Frankie Muniz may be the only actor who has been nominated for an Emmy award and driven in a NASCAR event at Daytona. But if Muniz had been old enough to get a driver's license before he moved to Hollywood, there may never have been a "Malcolm in the Middle." 'When I'm in that race car and I put my visor down and I drive out of that pit lane, I feel like I'm exactly where I'm supposed to be,' he said. 'That's what I'm supposed to do and that's what I'm doing.' And acting? 'I don't feel like I'm a good actor,' he said. 'I know I can act. But when I look at good acting, I go 'dang, I could never do that'.' That's not true, of course. Muniz, who started acting when he was 12, has been credited in 26 films and 37 TV shows, including the title role in 'Malcolm in the Middle,' which earned him two Golden Globe nominations and one Emmy nod during its seven-year run on Fox. But acting was a profession. Racing is a passion. 'Excitement and all the emotions. That's what I love about racing,' he said. 'The highs are so high and the lows are unbelievably low. It's awesome.' Muniz placed 28th in the NASCAR Craftsman Truck Series race at Indianapolis Raceway Park on Friday. He is 23rd among the 64 drivers listed in the series points standings, with his one top-10 finish coming in the season opener at Daytona. Muniz, 39, isn't the first actor to try racing. Paul Newman was a four-time SCCA national champion who finished second in the 24 Hours of Le Mans in 1979 while Patrick Dempsey ('Grey's Anatomy,' 'Can't Buy Me Love') has driven sports cars at Le Mans and in the Rolex 24 at Daytona, in addition to other series. But driving isn't a side hustle for Muniz, who last October signed with North Carolina-based Reaume Brothers Racing to be the full-time driver of the team's No. 33 Ford in the truck series. Muniz also raced twice last year in the NASCAR Xfinity Series. 'When I originally started racing, I was kind of at the height of my [acting] career. I had tons of offers to do movies and shows and all that,' said Muniz, who made his stock-car debut in the fall of 2021 in Bakersfield, then accepted an offer to drive full time in the ARCA Menards Series in 2023. 'Very easily could have stayed in that business. But I wanted to give racing a try. And to compete at the top level, you have to put in the time and effort that professional race car drivers are doing, right? You can't do it halfway.' Muniz was into racing before he even thought about acting. Growing up in North Carolina, he remembers waking early on the weekend to watch IndyCar and NASCAR races on TV. No one else in his family shared his interest in motorsports, so when his parents divorced shortly after Muniz was discovered acting in a talent show at age 8, his mother moved to Burbank, where he made his film debut alongside Louis Gossett Jr. in 1997's 'To Dance With Olivia.' Two years later he was cast as the gifted middle child of a dysfunctional working-class family in the successful sitcom 'Malcolm in the Middle.' Motorsports continued to tug at him so after running in a few celebrity events, Muniz twice put his acting career on hold to race, first in 2007 — shortly after 'Malcolm' ended after seven seasons and 151 episodes — when he started a three-season run in the open-wheel Atlantic Championship series. Read more: NASCAR announces race on U.S. Navy base in Coronado scheduled for 2026 Still, Muniz, who lives with his wife Paige and 4-year-old son Mauz in Scottsdale, Ariz., is dogged by criticism he is little more than a weekend warrior who is using his substantial Hollywood reputation and earnings to live out his racing fantasies. 'I don't spend any of my money going racing,' he said. 'I made a promise to my wife that I would not do that. So I can kill that rumor right there.' But those whispers persist partly because Muniz hasn't completely cut ties with acting. Because the truck series doesn't run every weekend, racing 25 times between Valentine's Day and Halloween, Muniz had time to tape a 'Malcolm in the Middle' reunion miniseries that is scheduled to air on Disney+ in December. He has also appeared in two other TV projects and two films since turning to racing full time. But his focus, he insists, is on driving. 'If I wanted to go racing for fun,' he said, 'I would not be racing in the truck series. I'd be racing at my local track or I'd be racing some SCCA club events. I want to be one of the top drivers there are. I want to make it as high up in NASCAR as I can. And I'm doing everything I can to do that.' Fame outside of racing can be a double-edged sword in the high-cost world of NASCAR. It can open doors to a ride and sponsorships others can't get, but it can also cause jealousy in the garage, with drivers crediting that fame and not talent for a rival's success. And Muniz isn't the only rookie driver who has had to deal with that. Toni Breidinger, who finished 27th in Friday's race and is one place and eight points ahead of Muniz in the season standings with nine races left, is a model who has posed for Victoria's Secret and been featured in the pages of Glamour, GQ and Sports Illustrated's swimsuit edition. She's also a good driver who has been going fast on a racetrack far longer than she's been walking slowly down a catwalk. 'I was definitely a racer before anything. That was definitely my passion,' said Breidinger, who started driving go-karts in Northern California when she was 9. 'I've been lucky enough to be able to do modeling to help support that passion. But at the end of the day, I definitely consider myself a racer. That's what I grew up doing and that's the career I've always wanted do to.' Still, she sees the two pursuits as being complementary. When Breidinger appears on a red carpet, as she did before this month's ESPY Awards in Los Angeles, it helps her modeling career while at the same time giving the sponsors of her racing team — which includes 818 Tequila, Dave & Buster's and the fashion brand Coach — added value. 'It's all part of the business. It all goes back into my racing,' said Breidinger, 26, who is of German and Lebanese descent. 'The side hustles, I like to call them. I don't think that takes away from me being a race car driver.' Breidinger, who won the USAC western asphalt midget series title as a teenager, raced in the ARCA Menards Series for five years before stepping up to truck series in 2021, making NASCAR history in 2023 when she finished 15th in her first race, the best-ever debut by a female driver. That helped her land a full-time ride this season with Tricon Garage, Toyota's flagship team in the truck series. Like Muniz, Breidinger sees the truck series, the third tier of NASCAR's national racing series, as a steppingstone to a seat in a Cup car. 'I want to climb the national ladder. That's what I'm here to do,' she said. 'I wouldn't be doing this if I didn't have long-term plans and long-term goals. I'm a very competitive person, especially with myself.' Kyle Larson, who climbed to the top of that ladder, running his first NASCAR national series race in a truck in 2012, then winning the 2021 Cup championship nine years later, said the path he took — and the one Muniz and Breidinger are following — is a well-worn one. Read more: NASCAR figuring out if building new track in Fontana is the 'right thing to do' 'Anybody racing in any of the three series has talent and ability enough to be there,' he said. Funding, Larson said, and not talent and ability, often determines how fast a driver can make that climb and that might be a problem for Muniz since Josh Reaume, the owner of the small three-truck team Muniz drives for, has complained about the price of racing. It can cost more than $3.5 million a year to field one competitive truck in the 25-race series — and that cost is rising, threatening to price many out of the sport. But having drivers like Muniz and Breidinger in NASCAR will help everyone in the series, Larson said, because it will bring in fans and sponsors that might not have been attracted to the sport otherwise. 'I just hope that he can get into a situation someday where you can really see his talent from being in a car or a truck that is better equipped to go run towards the front,' Larson said of Muniz. 'You want to see him succeed because if he does succeed, it's only going to do good things for our sport.' And if it works out the way Muniz hopes, perhaps he'll someday be the answer to another trivia question: Name the NASCAR champion who once worked in Hollywood. Get the best, most interesting and strangest stories of the day from the L.A. sports scene and beyond from our newsletter The Sports Report. This story originally appeared in Los Angeles Times.

Frankie Muniz latest actor-turned-driver out to prove he can compete in high-level racing
Frankie Muniz latest actor-turned-driver out to prove he can compete in high-level racing

Los Angeles Times

time7 hours ago

  • Los Angeles Times

Frankie Muniz latest actor-turned-driver out to prove he can compete in high-level racing

Frankie Muniz may be the only actor who has been nominated for an Emmy award and driven in a NASCAR event at Daytona. But if Muniz had been old enough to get a driver's license before he moved to Hollywood, there may never have been a 'Malcolm in the Middle.' 'When I'm in that race car and I put my visor down and I drive out of that pit lane, I feel like I'm exactly where I'm supposed to be,' he said. 'That's what I'm supposed to do and that's what I'm doing.' And acting? 'I don't feel like I'm a good actor,' he said. 'I know I can act. But when I look at good acting, I go 'dang, I could never do that'.' That's not true, of course. Muniz, who started acting when he was 12, has been credited in 26 films and 37 TV shows, including the title role in 'Malcolm in the Middle,' which earned him two Golden Globe nominations and one Emmy nod during its seven-year run on Fox. But acting was a profession. Racing is a passion. 'Excitement and all the emotions. That's what I love about racing,' he said. 'The highs are so high and the lows are unbelievably low. It's awesome.' Muniz placed 28th in the NASCAR Craftsman Truck Series race at Indianapolis Raceway Park on Friday. He is 23rd among the 64 drivers listed in the series points standings, with his one top-10 finish coming in the season opener at Daytona. Muniz, 39, isn't the first actor to try racing. Paul Newman was a four-time SCCA national champion who finished second in the 24 Hours of Le Mans in 1979 while Patrick Dempsey ('Grey's Anatomy,' 'Can't Buy Me Love') has driven sports cars at Le Mans and in the Rolex 24 at Daytona, in addition to other series. But driving isn't a side hustle for Muniz, who last October signed with North Carolina-based Reaume Brothers Racing to be the full-time driver of the team's No. 33 Ford in the truck series. Muniz also raced twice last year in the NASCAR Xfinity Series. 'When I originally started racing, I was kind of at the height of my [acting] career. I had tons of offers to do movies and shows and all that,' said Muniz, who made his stock-car debut in the fall of 2021 in Bakersfield, then accepted an offer to drive full time in the ARCA Menards Series in 2023. 'Very easily could have stayed in that business. But I wanted to give racing a try. And to compete at the top level, you have to put in the time and effort that professional race car drivers are doing, right? You can't do it halfway.' Muniz was into racing before he even thought about acting. Growing up in North Carolina, he remembers waking early on the weekend to watch IndyCar and NASCAR races on TV. No one else in his family shared his interest in motorsports, so when his parents divorced shortly after Muniz was discovered acting in a talent show at age 8, his mother moved to Burbank, where he made his film debut alongside Louis Gossett Jr. in 1997's 'To Dance With Olivia.' Two years later he was cast as the gifted middle child of a dysfunctional working-class family in the successful sitcom 'Malcolm in the Middle.' Motorsports continued to tug at him so after running in a few celebrity events, Muniz twice put his acting career on hold to race, first in 2007 — shortly after 'Malcolm' ended after seven seasons and 151 episodes — when he started a three-season run in the open-wheel Atlantic Championship series. Still, Muniz, who lives with his wife Paige and 4-year-old son Mauz in Scottsdale, Ariz., is dogged by criticism he is little more than a weekend warrior who is using his substantial Hollywood reputation and earnings to live out his racing fantasies. 'I don't spend any of my money going racing,' he said. 'I made a promise to my wife that I would not do that. So I can kill that rumor right there.' But those whispers persist partly because Muniz hasn't completely cut ties with acting. Because the truck series doesn't run every weekend, racing 25 times between Valentine's Day and Halloween, Muniz had time to tape a 'Malcolm in the Middle' reunion miniseries that is scheduled to air on Disney+ in December. He has also appeared in two other TV projects and two films since turning to racing full time. But his focus, he insists, is on driving. 'If I wanted to go racing for fun,' he said, 'I would not be racing in the truck series. I'd be racing at my local track or I'd be racing some SCCA club events. I want to be one of the top drivers there are. I want to make it as high up in NASCAR as I can. And I'm doing everything I can to do that.' Fame outside of racing can be a double-edged sword in the high-cost world of NASCAR. It can open doors to a ride and sponsorships others can't get, but it can also cause jealousy in the garage, with drivers crediting that fame and not talent for a rival's success. And Muniz isn't the only rookie driver who has had to deal with that. Toni Breidinger, who finished 27th in Friday's race and is one place and eight points ahead of Muniz in the season standings with nine races left, is a model who has posed for Victoria's Secret and been featured in the pages of Glamour, GQ and Sports Illustrated's swimsuit edition. She's also a good driver who has been going fast on a racetrack far longer than she's been walking slowly down a catwalk. 'I was definitely a racer before anything. That was definitely my passion,' said Breidinger, who started driving go-karts in Northern California when she was 9. 'I've been lucky enough to be able to do modeling to help support that passion. But at the end of the day, I definitely consider myself a racer. That's what I grew up doing and that's the career I've always wanted do to.' Still, she sees the two pursuits as being complementary. When Breidinger appears on a red carpet, as she did before this month's ESPY Awards in Los Angeles, it helps her modeling career while at the same time giving the sponsors of her racing team — which includes 818 Tequila, Dave & Buster's and the fashion brand Coach — added value. 'It's all part of the business. It all goes back into my racing,' said Breidinger, 26, who is of German and Lebanese descent. 'The side hustles, I like to call them. I don't think that takes away from me being a race car driver.' Breidinger, who won the USAC western asphalt midget series title as a teenager, raced in the ARCA Menards Series for five years before stepping up to truck series in 2021, making NASCAR history in 2023 when she finished 15th in her first race, the best-ever debut by a female driver. That helped her land a full-time ride this season with Tricon Garage, Toyota's flagship team in the truck series. Like Muniz, Breidinger sees the truck series, the third tier of NASCAR's national racing series, as a steppingstone to a seat in a Cup car. 'I want to climb the national ladder. That's what I'm here to do,' she said. 'I wouldn't be doing this if I didn't have long-term plans and long-term goals. I'm a very competitive person, especially with myself.' Kyle Larson, who climbed to the top of that ladder, running his first NASCAR national series race in a truck in 2012, then winning the 2021 Cup championship nine years later, said the path he took — and the one Muniz and Breidinger are following — is a well-worn one. 'Anybody racing in any of the three series has talent and ability enough to be there,' he said. Funding, Larson said, and not talent and ability, often determines how fast a driver can make that climb and that might be a problem for Muniz since Josh Reaume, the owner of the small three-truck team Muniz drives for, has complained about the price of racing. It can cost more than $3.5 million a year to field one competitive truck in the 25-race series — and that cost is rising, threatening to price many out of the sport. But having drivers like Muniz and Breidinger in NASCAR will help everyone in the series, Larson said, because it will bring in fans and sponsors that might not have been attracted to the sport otherwise. 'I just hope that he can get into a situation someday where you can really see his talent from being in a car or a truck that is better equipped to go run towards the front,' Larson said of Muniz. 'You want to see him succeed because if he does succeed, it's only going to do good things for our sport.' And if it works out the way Muniz hopes, perhaps he'll someday be the answer to another trivia question: Name the NASCAR champion who once worked in Hollywood.

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